1 20 32 https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/1119f3a9c76d4c7bde6c859cb94f2587.jpg?Expires=1781740800&Signature=CN1bsp-EA1UxOGX7MAkNCSc5uKlnqNaP6I7FZZ3ZKWtGqc-7YtIptlFiVjctQZZ%7EQA0iA7Wov4vQZtq8DI%7EKeHCNUgcUOtLVzW9wCEa5C9w4wnAyywBRWuvoidKuHLlqtvwrOeT2RCy65dCU150kN4mRbj%7EK5PT5mKt3HCf4ZgxnnfGI52-b3h1LV3ztrjA7O0A42l-d4MLOdUqND%7E0eOLjQ6ZmY0J4Djfu5lnHnfXp0K%7EvPOeLU7pLnL9e26g1r8U81HmCPQvqA3DfT3S46dXSXZsvwaDuYHVNtfSf4CWYJZ9KOgMznLgPBS6wqquGzV8SnryflJIjXRcOiPr68-w__&Key-Pair-Id=K6UGZS9ZTDSZM 90ef7443076ad6166d62ff47d4619459 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 620 IPTC Array a:2:{s:11:"object_name";s:7:"PSC-003";s:16:"copyright_notice";s:91:"Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation";} IPTC String object_name:PSC-003 copyright_notice:Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Width 768 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pacific Stereopticon Company Lantern Slides Description An account of the resource Produced by the Pacific Stereopticon Company of Los Angeles, this collection of forty-five lantern slides depicts individuals involved in the restoration of Williamsburg, as well as some of the restored buildings. The slides are a mixture of black and white and color images taken by various photographers in the late 1930s. Many are copies based upon photos taken by contract professionals hired to document the appeal of the architecture and landscapes of Colonial Williamsburg. Several of the black and white slides are derived from photos taken by noted architectural photographer F.S. Lincoln, whose collection is also available for viewing on this site. The lantern slides are significant because they document early efforts to publicize the newly opened museum. California architect Reginald Davis Johnson utilized the set to lecture to students and colleagues about the massive efforts undertaken to bring Williamsburg's historic district back to its 18th-century appearance. Noted for his contributions to the development of the Spanish-Southern California architecture of Santa Barbara, Reginald Davis Johnson resided in Pasadena and operated an architectural design studio. Some of his best known projects include the Santa Barbara Biltmore Hotel, the Santa Barbara Post Office, and the Harbor Hills, Rancho San Pedro, and Baldwin Hills communities in Los Angeles. A precursor of 35mm slides, lantern slides are large format positive transparencies, usually 3.25 x 4 inches, sandwiched between two pieces of glass. Many were hand-colored. A projector allowed the slides to be viewed on a wall or screen. Instead of automatically advancing from one slide to the next, the lantern slides had to be manually placed into a slot on the projector. Invented in 1848, lantern slides evolved from those associated with magic lanterns in the late 19th-century to the format represented in this collection. Between 1848-1870, oil lamps served as the light source for magic lantern projectors. By the 1890s, the carbon arc lamp offered a better lighting method. The introduction of electricity in the 20th-century allowed the projection of lantern slides to become common in schools and universities. Lantern slides became obsolete in the 1950s when the Kodachrome three-color process brought about the introduction of 35mm slides. Subject The topic of the resource Pacific Stereopticon Co. Lantern slides - Hand-colored - 1930-1940 Johnson, Reginald Davis, 1882-1952 Creator An entity primarily responsible for making the resource Pacific Stereopticon Co. Date A point or period of time associated with an event in the lifecycle of the resource ca. 1935 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Lantern slide Physical Dimensions The actual physical size of the original image. 2 x 3 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architects of the Restoration : Perry, Shaw & Hepburn Publisher An entity responsible for making the resource available Pacific Stereopticon Co. Identifier An unambiguous reference to the resource within a given context PSC-003 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Is Part Of A related resource in which the described resource is physically or logically included. Pacific Stereopticon Co. Lantern Slide Collection Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Description An account of the resource Lantern slide featuring photographic portraits of William Graves Perry, Thomas Mott Shaw, and Andrew Hepburn, the architects selected to oversee the development of Colonial Williamsburg. It is the third in a set produced by the Pacific Stereopticon Co. of Los Angeles, California, now defunct, to illustrate the story of the restoration of a portion of Williamsburg, Virginia to its 18th-century appearance as a shrine to early American ideals. Date A point or period of time associated with an event in the lifecycle of the resource ca. 1930s Subject The topic of the resource Perry, William Graves, 1883-1975 Hepburn, Andrew H. Shaw, Thomas Mott Andrew Hepburn Architects Lantern Slides Pacific Stereopticon Company Portraits Thomas Mott Shaw William Graves Perry https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/dabc86a953260c26234592bed60ab7ba.jpg?Expires=1781740800&Signature=eTnOJuIH9ZuY-fNf1g-8d3S1G%7EWoox1lAnHQGRNboq5cRNCj9wuQf64rwTgvhr65BERyLWI-EFsQsTONThwm7nP4ZhjjwP99wixHcWTGv2JhRv2L80hwOyV1oMN6evRO13r6l2m3dJiL6-WacxQtfy67tMDWmSvfBtivTBl8tR5MphmQl%7EI2cICwHUEf9zpaES2y1Cys84qSbruLwnrXKs852P%7Ec482osMcxKKVPtB82mIJ6AQSH9A17i%7E6E8TBsInXgFITNV-U8iqdET6ObzS7%7E360FO6lEEWQb0axbupFNTUoHsMAgmAaif%7EgyR7bGKZQsMEwmDoWFVrf38ZGBFQ__&Key-Pair-Id=K6UGZS9ZTDSZM 8c68ce941469bd7ceb1f2bd8e3d8799a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 8 x 11 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Block 23 Description An account of the resource Perspective pencil concept sketch of shop fronts in the proposed business block, later known as Merchants Square, Williamsburg, Virginia. Creator An entity primarily responsible for making the resource Hepburn, Andrew H. Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #9 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-009 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Merchants Square (Williamsburg, Va.) Central business districts - Virginia - Williamsburg Block 23 Shops, Retail - Virginia - Williamsburg Andrew Hepburn Columns Half Moon Windows Merchants Square Pediments Pencil Sketches Shop Windows Stores Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/5b33af737bfe4a1ceebaabc55a7f9c72.jpg?Expires=1781740800&Signature=DZ5nLX9ogDjfUwM0uj4axodLIfHJoBjKRAmJyASLNXW6%7Er6Yx%7EruElsK%7EgAv%7EqR31ClTSYO4JqjxNwCff8OGDnPGySV701lmbzkAFJwaCwWOXFoKSPb2cw97j0UyizPH9iQXyYLVOLEsvei4W8ZJHE-paWui7fY3oT0%7EZ-D1xwn83IEQHv6ceKCHM4AcK%7ENiSMjyzyvCO3BipsBzyMpOzRKyju8rMV%7EwpBh5Se2NKJKlecdD2%7E6SsxBWqhCWjlumTvx0NlnKdEs0fj9FaQymCXPLsKNGVnBJSb2G3H5ouW0y0zmCATKvirONfVmsRg9oU7aSxCHC2yBQKDdAVOBxow__&Key-Pair-Id=K6UGZS9ZTDSZM 13baf7b2018a21f6169ecafddd639fa3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 8 1/2 x 11 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Business Block Shops Description An account of the resource Pencil concept sketch of the rear elevations of shops overlooking a parking lot in the proposed business district in Williamsburg, Virginia. Creator An entity primarily responsible for making the resource Hepburn, Andrew Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #3 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-003 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Central business districts - Virginia - Williamsburg Merchants Square (Williamsburg, Va.) Block 23 Stores, Retail - Virginia - Williamsburg Andrew Hepburn Automobiles Business Districts Merchants Square Parking Lots Pedestrians Pencil Sketches Shop Windows Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/d572313c66bac6d529a9a72746e4c5dc.jpg?Expires=1781740800&Signature=hNRBJA8pFzgteqHFk5Gy2PYDNoGauIuo%7Eyuj5gCcZi-8xx1XbCMLbZwUqGocEQfBLtQjD7spvaC3IsfADJeNqXJQ5CeMGej4t6doaBMn9jHt0KAj8EzCzbg2%7EflsWG90olnWyOeWjii30HiSFxaS2RylhFtNgjMYwgNLRt%7ErY31HzOHOHo-6Y3%7EILeVqKk5whhcppb4BtqfGtt%7EVqHtIOhsy7yXNEVe-XahorGOj6sd6xH1CaLIIk-YOWBDDZyzUBAvGdNpJVD4yFigPGZltQI%7E4sZbPkF-e0t6YynN3JFML%7EgqVCtzfLMuDZdEOBndh%7EpS9GTgYk4U-w8Hb3vleOA__&Key-Pair-Id=K6UGZS9ZTDSZM c54bea58983f37705ef8d8e99ea1ebbf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 8 x 11 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Business Section Description An account of the resource Pencil concept sketches of a plan and elevation for the business block, later known as Merchants Square, Williamsburg, Virginia, Businesses included on the plan include an A&P grocery store, a bakery, and Friedman's store. Creator An entity primarily responsible for making the resource Hepburn, Andrew H. Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #8 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-008 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Merchants Square (Williamsburg, Va.) Central business districts - Virginia - Williamsburg Block 23 Andrew Hepburn Elevations Merchants Square Pencil Sketches Plans Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/d1ac10be3cbfa0e20f42df79cd98e293.jpg?Expires=1781740800&Signature=hZ1tL5AqCJwxTw6IPTkuTPEje7WSAYwQa7aGv7Gj03Iy8pnPe-VcPAIUS88iaU9DjsGH2irABOfr7Zf1UbTDMG%7EAaP-v-ZIiX6%7E9JSSy7rqgm1MkhNo%7EI1o0AyQLei1A6PZNekP5Mx2i-LDdVcUxtwxLHQdiS2hcb1NI8-G4utMvRYKmXRiAY5wk6avadadsYSCQOYKQSODpYt3vrKptzMbHqQExd6wVIjJPwTNBa9dTOoug-Cj%7EljKiGE0kXZ-uZiyGbvrW4QodjkV7W%7EruqAN4Lh4dxX%7EUG0%7EuqsFnhP3UEQ1toTONLmGrV5Pr6WmfrBRf9So9nlSAz%7EF5Hvhgbw__&Key-Pair-Id=K6UGZS9ZTDSZM 2e1579927344222c944ec87673d9e70d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 8 x 10 3/4 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Business Section, Block 23 Description An account of the resource Pencil concept sketches for shop-front windows in the proposed business block in Block 23, Williamsburg, Virginia. Creator An entity primarily responsible for making the resource Hepburn, Andrew H. Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #10 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-010 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Merchants Square (Williamsburg, Va.) Block 23 Central business districts - Virginia - Williamsburg Shops, Retail - Virginia - Williamsburg Andrew Hepburn Business Districts Merchants Square Pencil Sketches Shop Windows Virginia Williamsburg Windows https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/41562706be0c0fbb2c472c2b883dd2ac.jpg?Expires=1781740800&Signature=Ybb473GueUQYZC0HHlTBhf4LZiQvMIIzcnQaQAQ8pUvIf2ekwEO2x2dfVk0EvjBOhIn8HoFo86Bw-iwPLLgjPABi2HMafg8RkkzuCI8GeAMtFF7ffbgfQr6vRPsiBt%7EIrU8s2bS9qavkzCOka6vE3-RGNq4Ru8Fvdj%7ETBs-PW79rEOXhsw%7EKWqtVmorpcLbzZhetUhgelkJ%7EjsBuTRELBlNj%7EjEbYZ1ZD-BeJIS%7ES81QXEW10U8j5o6e7043kVwxM1tKGqI%7E6pORH79QJeatY88quYriB4VPoFJ7frEhRmVthu-1TpJNOr2AOmpRjrk83k81hnH4gJM95veB89%7EYsQ__&Key-Pair-Id=K6UGZS9ZTDSZM 820ad3d951447401ab6260305bcd7f8b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 4" x 6 3/4" inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Col. Woods and AS on Cross Country Trip Through Williamsburg Description An account of the resource Pencil sketch depicting Colonel Arthur Woods and Arthur Shurcliff, Landscape Architect, walking and discussing plans for the restoration of the historic district of Williamsburg, Virginia Creator An entity primarily responsible for making the resource Hepburn, Andrew H. Date A point or period of time associated with an event in the lifecycle of the resource 19290404 Date Created Date of creation of the resource. 19290404 Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #24 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-024 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Shurcliff, Arthur A. (Arthur Asahel), 1870-1957 Woods, Arthur, 1870-1942 Andrew Hepburn Arthur Shurcliff Arthur Woods Pencil Sketches Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/91710571aa93f3adf3498e20aaddbe69.jpg?Expires=1781740800&Signature=CnH1cFqZ3Tkz08sE-RjJZpU8JpBZ-xzVqXkSUFVwhwvCi22e%7EaBPPjffEG-xJDnadZVwBfHIYUUgpwk07dlTqDjkjl4NrbIPnhWtqtDcvBwRDZkqlXzrYHVsG7YZZGgTii284HPc4oiAgr2EQRgdoFVrFTy0tzHQxLWUABWtjGZ45MThd4A-pRoVX7uKxnYqUGtEhMtXJw%7EImo-Mw0DaSwb6N34g2qO1%7EZ4MvPxH0AXWSmlTYdcvhUTQUp31ITa25n0TCiQsWfNvAlble-t5HTKIm8bmXjB1fDsoFf5EPMyPb8i4-nATiNRiAaMxs91yvGRREHJtdujLq9hRJiM7Fw__&Key-Pair-Id=K6UGZS9ZTDSZM c4532e94bd5f7f2cf2f2c7807c11270d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 7" x 5 3/4" inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Entrance, Proposed Inn Description An account of the resource Pencil sketch of the proposed entrance to Williamsburg Inn, Williamsburg, Virginia Creator An entity primarily responsible for making the resource Hepburn, Andrew H. Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #25 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-025 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg Inn (Williamsburg, Va.) Block 02. Building 65. Hotels - Virginia - Williamsburg Colonial revival (Architecture) - Virginia - Williamsburg Andrew Hepburn Arcades Columns Cornices Elevations Hotels Pediments Pencil Sketches Virginia Williamsburg Williamsburg Inn https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/db896651d6b94e3312830af9ed7308c6.jpg?Expires=1781740800&Signature=WoRoQifZarINLBAmzrUv8uR956OlQshzLyMHPUwqyGHzfcQnUAjmpig7e8cp0t2tJmar5RIjUqijA0fLvLam8xzbVdGh1-YrETGPcJ1OavFmTDKK1CkCrV4ZU0wa4sxFLmnVvJszUcxvtCoPzj%7E586WmKqI1TmoCwurb7sDPWe40x2TeKSfHT3uZMoAmXak1g86iR7fYMpfp6oB-X0PhRnHDQ4Isv%7ELXBQEWRkLFx3r5hsQe6UTAE46lxkkRa5DDpu8AyhX0ZZaHtg-bJqMtPCJ2IehnJy1NjsY4Zr0am7u3PkvJt2ndpN1muzhIDveI2Qqm%7EVjE-u%7ENAB7rlodsKg__&Key-Pair-Id=K6UGZS9ZTDSZM beae60e6871cd8e3839c4dcdd3e5bfc4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 8 x 11 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Governor's Palace Description An account of the resource Pencil concept sketches of plans and elevations for the Governor's Palace, Williamsburg, Virginia, created before discovery of the Bodleian copperplate. Creator An entity primarily responsible for making the resource Hepburn, Andrew H. Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #2 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-002 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Governor's Palace (Williamsburg, Va.) Block 20. Building 03. Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Andrew Hepburn Elevations Governor's Palace Pencil Sketches Plans Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/7c292b527f18eb53a84f1f6719bb692e.jpg?Expires=1781740800&Signature=ZRUrQGWtbKfiKF9QBc2HxNu9eqXIm7vyhauGAig42ZgEDLEdl7Avc9p1Lpke%7EyiCASOsJteiJ1sdqqQGcm-um8E4qbYyB1gkhlJd1BdAOP15hQGr25oiwVxKTIdQUEFaqa7X7JG%7EE8clC2IJwPSEN8Znf6D5LzDslwj3Z2MMD2ro8EsmevO91IEB-7hGsWMRyDmNjujJLyUaOXHX6%7E4bRXlypk16DwIGzztriEBzqovP43UGa0X%7ErbF166URDy6eTnMOBXPa0uu4n5CLzJsRckZusRaFhIp6ggiyaBdJe4-x5fHNQdQ%7E%7E2AztpDFLaRQNJI6VmxXgNWDZvYzRrFsIw__&Key-Pair-Id=K6UGZS9ZTDSZM 26a321468ad13c99eebde8a460f57a0e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 10 3/4" x 8" inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Governor's Palace, Ballroom Wing Description An account of the resource Pencil sketch of the Ballroom Wing of the Governor's Palace viewed from the North, Williamsburg, Virginia. Creator An entity primarily responsible for making the resource Hepburn, Andrew H. Date A point or period of time associated with an event in the lifecycle of the resource 193212 Date Created Date of creation of the resource. 193212 Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #22 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-022 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Governor's Palace (Williamsburg, Va.) Block 20. Building 03. Public buildings - Virginia - Williamsburg Historic buildings - Virginia- Williamsburg Andrew Hepburn Ballroom Wing Gardens Governor's Palace Pencil Sketches Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/ae275f7fd10a8efd9796e0beec3f0b83.jpg?Expires=1781740800&Signature=NPBu4op3FMpQPe0KZeyAjS%7EnAUCLhEZonkdeeEEmBMuY2OYpgehlD9xeU8Hhn2J1812MymGjAh6Cz-HkArgzZmKDXTtsTRHATD1GX1lIE0f2Re%7EQuGQfVj7sAwJacuBl82W1na3TeYKEMhk8SPV4AUo0PSh8Xuq62LpA5pOKASCBPKTgyDwbpPQFwGP2CUgQlSGsFhTWVDFALD9uWDXU4Xq-trLE%7EQy1GlG9ZgwTYPDL4OUafqbd0drKZCww0p3Z0Tar0KiZKAr%7EX66LILl1qT4yXyqZ-rSx088WwDouRyN5bOUPELeeCGjm1WtihNMk8GPEuBtBv9OeJ90HAyZrZw__&Key-Pair-Id=K6UGZS9ZTDSZM e053a0dad02e5da7c28f0be25b397d5a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 8" x 8" inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hall, the Inn Description An account of the resource Pencil concept sketch of a proposed hall and staircase for the Williamsburg Inn, Williamsburg Creator An entity primarily responsible for making the resource Hepburn, Andrew H. Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #20 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-020 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg Inn (Williamsburg, Va.) Block 02. Building 65. Colonial revival (Architecture) - Virginia - Williamsburg Hotels - Virginia - Williamsburg Andrew Hepburn Halls Stairways Virginia Williamsburg Williamsburg Inn https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/07f43539bb1f17463ac56549f6d5df2f.jpg?Expires=1781740800&Signature=nhKpNdWmCzrrGODjMc6Aho1WfVahmIHr%7E%7Ep51QjyOWcVA9n4vY0ATjYL-xYn2So4aRGiuKccDl53SWrowPO5hmj0XJNOovmsghDB9Igd9Aq00Kqf2-51m-XPOoU0C7L969%7E3XLohWe7GKaY5kNgeHHbC7zT8WYPwKE82JTaLigBdpuAjndttq3UWvf4q8VdSJQaqmoiHtOeBx9zdkUAXUoZ56WpUgIR152K2WgkJBmXlsxVywKx4stWYBsPn-iQIHKDhWXlDX6dOEaQoNsBzYwVV2vDZEBZK5xliYkoz-1eChJkbpU97BIwT9duSvjxGbpiCcDr6CFDdl0EbYPSpzA__&Key-Pair-Id=K6UGZS9ZTDSZM 0ef194519a2831da199c68f2a5e4236d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 8 x 11 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Merchant's Square Shops Description An account of the resource Pencil concept sketch of elevations of three shops in Block 14 of the business section, later known as Merchant's Square, Williamsburg, Virginia, Creator An entity primarily responsible for making the resource Hepburn, Andrew H. Date A point or period of time associated with an event in the lifecycle of the resource 19310525 Date Created Date of creation of the resource. 19310525 Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #6 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-006 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Merchants Square (Williamsburg, Va.) Central business districts - Virginia - Williamsburg Block 14 Andrew Hepburn Bay Windows Chimneys Cornices Dormers Elevations Merchants Square Pencil Sketches Shop Windows Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/dcf653f61bf653ce297ab83473967eeb.jpg?Expires=1781740800&Signature=q3ePlUd868wDemUX1LoemkTmO%7EUcMSrHHCmiwRwiOhx7hGWzeqYurXZF983FZXxFwF2xVDksX0NNnaC1EeB2d7aUqKjwJwHL01rV6jgCx2aUMwPC6Y%7E9M6cJeJ%7E3J-zQA%7E1JSuFR-XP4KcRI1pux-EvVE7d6phBhHG96-7vBfKZHlnx-uNtF1mvDFNbb96kOcwA2Uvlfy7svImQ-RE-UaKKZNGkNWsBvewhAY57P-A0TUMPZPjrWfpf7Iuve%7EK%7EQ2NH25sSlnggPE393-tm9kU%7EyfQahVLae%7Ebccw25yLlHVlS1TYQym17Vo3dA7hM3fI38nUHvjOKqvVEF-onLz9A__&Key-Pair-Id=K6UGZS9ZTDSZM c082280887c3f6f76b222149caa9c3f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 8" x 6 1/4" inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource N. Pediment Palace Description An account of the resource Pencil sketch of the coat of arms on the north pediment on the Ballroom Wing of the Governor's Palace, Williamsburg, Virginia Creator An entity primarily responsible for making the resource Hepburn, Andrew H. Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #26 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-026 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Governor's Palace (Williamsburg, Va.) Block 20. Building 03. Public buildings - Virginia - Williamsburg Architectural decorations & ornaments - Virginia - Williamsburg Andrew Hepburn Coats of Arms Governor's Palace Pediments Pencil Sketches Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/5c2efb5c7d96c06dc443c21c8b90eb33.jpg?Expires=1781740800&Signature=ddh2-38vhKhi0Q277DPUrY3JiEJW8JGLmzTJAjR713-3NOFpXyExXsaBQwU5a1irEPxn%7EhIOgzinmb2y5LQ0gEkWRpHTNHHIzMRW%7EVuKDNyhxDwcGMN0gbyX97fY2YtBsYukhtvIJeqmPzwxmA3HjYLJ1g7CrEHIT6JWQipRk7-NPqN-T3vL6cfJBUpytEYC3iAuYv77RpRmKgFizzpeYX4twTacaB3M2J98s%7EsqRGGh4lQ2Vv9taufpTlTEFZAXX7Fj0-7LdMFX6HyRUgRZifQuvZcF4uNcVNS1YEG8mg-5zw8j-WxLWFHy7%7Ej2L0BzOQdevEGpLRkK--kginJzDA__&Key-Pair-Id=K6UGZS9ZTDSZM 056def96cc48a758b14c3a7bb80c8e05 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 17" x 12 3/4" inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Palace Studies Description An account of the resource Multiple concept sketches of elevations and garden plans created as part of the design process for the Governor's Palace and gardens in Williamsburg, Virginia. Creator An entity primarily responsible for making the resource Hepburn, Andrew H. Date A point or period of time associated with an event in the lifecycle of the resource 19330427 Date Created Date of creation of the resource. 19330427 Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #29 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-029 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Governor's Palace (Williamsburg, Va.) Block 20. Building 03. Outbuildings - Virginia - Williamsburg Gardens - Virginia - Williamsburg Andrew Hepburn Gardens Governor's Palace Outbuildings Pencil Sketches Stable Yards Stables Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/df7b1b6ae1decb266be301e671c7147e.jpg?Expires=1781740800&Signature=jGpNM4g5PAbx1LIchgWjJu0wYWhxTc%7EGB7Jdn0jSh8hp0SoFo97oNN78OMG8zRFf1WbZGB5l8F1CCbHeCbMqOYCYcusONvmQX1YHlfkmSqy1HQuV66wuuXfuxh847awO1dT5Cb1ZNqjcmWxgiC6j29BejAM4bptGxig7mrG-ZS87NHDtreRoSjEFcq9H3bx90NF2MEEHTO0Jx42TjodBqpQ8%7ErKnc11MbLjnr7qdGh4cyKu1Kp9hJcXylQxl-%7Eo7TDxL%7E5BQYfegTO3NdA%7E8LINAmkrz4%7EKf8mBv02%7EXdt2rbxNC%7EOrBmYZY5JOYI8a7QSzcGb4ZQCMXnJKSkjfuZw__&Key-Pair-Id=K6UGZS9ZTDSZM be1eebcbfbab341860300bbae09d89e4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 8 x 11 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plans and Elevations, Williamsburg Inn Description An account of the resource Pencil concept sketches of plans and elevations for the Williamsburg Inn, Williamsburg, Virginia Creator An entity primarily responsible for making the resource Hepburn, Andrew H. Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #12 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-012 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg Inn (Williamsburg, Va.) Block 02. Building 65. Hotels - Virginia - Williamsburg Andrew Hepburn Elevations Hotels Pencil Sketches Plans Virginia Williamsburg Williamsburg Inn https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/3b7d439c50f06e1b792f4bf0609b8171.jpg?Expires=1781740800&Signature=R4YcB72koJtRyoCoRLCcogKGl%7E6Y9MN%7EDPMj4vnnUeGJsZ4vGm%7EQfA8yWxQGQKsevfPNk35uSVhITec9xGdNMsB55XNGyMXrCfJ8LgfVe%7EcTtQ3QhiFOmcNakw3V2gO3amRoadT4ipGrQJqP-x2exTQtuTg9YDRHs98PS6OcPnCcvyjMzmv%7E05AjcUEenQBJLezGneYxger7F2w-%7EGDaoCOdZr417znZOMOiaAv6HmpaieA13vf%7EUplniu2kLh1%7ERf%7EtM5jPbv5xzN6duU18Hg2GE2Y-ezFYhMURQt899hfDQbuTLbrn4oNLnWRITVZD8HfSq%7EMckbEwsrvq7xo1kg__&Key-Pair-Id=K6UGZS9ZTDSZM fd19f9142bee0ed8c5555afedac8fcce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 7 1/4" x 12" inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Proposed Bath House for the Williamsburg Inn Description An account of the resource Pencil sketch of a proposed Bath House for the Williamsburg Inn, Williamsburg, Virginia. Creator An entity primarily responsible for making the resource Hepburn, Andrew H. Date A point or period of time associated with an event in the lifecycle of the resource 19390707 Date Created Date of creation of the resource. 19390707 Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #21 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-021 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg Inn (Williamsburg, Va.) Block 02. Building 65. Bathhouses - Virginia - Williamsburg Andrew Hepburn Bathhouses Bathing Pavilions Pencil Sketches Virginia Williamsburg Williamsburg Inn https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/93e246d3512c8cf85f9e90c61671e608.jpg?Expires=1781740800&Signature=DCqUlS1e8yBuK0gsAau%7EmuBfLypn1LpBtBSyv%7EIajdfFOpvt%7EkJq64YVh%7EPKKy7baTHKL2qWxkLT1LPGjf37pAQqvrR57WdezWdxU2nO3jo3DdIiV8UKrS%7EeLbmXjbxiJm4z0VBSzpfuC5m6kW0YW-KXdOSjCagGQ0Zx1SmFCZ2unCPO5dEE3SzaNbKTSBQUE79da4zCxQCUmXJW6sR8tqtuxCHPJPiQ9L9NLbhv9BeyHUETKtPTJ93WHhsOGsnRVkAMD-WcigD4R0dvVFvwkCCV6nYFDtHZLzWf4%7ERmgELZU-p4fG54z%7EsKHI4x4aTWDTrz-Xih-HRuhs7BmrmSbg__&Key-Pair-Id=K6UGZS9ZTDSZM 75e567cfbc41a5c48239cc65bea445e9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 8 x 10 3/4 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Proposed Shops, Block 22 Description An account of the resource Pencil sketch of proposed shops with multi-bay windows in Block 22 of the business section, later known as Merchants Square, Williamsburg, Virginia, Creator An entity primarily responsible for making the resource Hepburn, Andrew H. Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #7 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-007 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr., Library, The Colonial Williamsburg Foundation Subject The topic of the resource Merchants Square (Williamsburg, Va.) Central business districts - Virginia - Williamsburg Block 22 Andrew Hepburn Cornices Dormers Elevations Merchants Square Pencil Sketches Shop Windows Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/7a4c72b46c07cb42e4d640f306c74d7c.jpg?Expires=1781740800&Signature=VeTwh7AfL3ti1mwm-rPHGPgNXuVdTQxQM23W1KL0kHUNT%7ELW5QKCEyYFX-strYYHudnfot1mNEyj2jmTja-JAZO9ygxuXLtIckxj6A6GjPAVnVN-QPkoiy7PFN3JvQ45hrHWbWIRZnm%7EAo2SjZiGKBanBrXC9DR43SEleUMA9WY1Y0Cq8WzPc3tcr7N7wY%7E6QlvtYlgtTds2YxrHX6nVVZkeioO8emZP4nB60XcZtMVkW5ikvBQJDWOMCwMdFbMrqKQJmsCYBAoTIJbPZNQ6aFlBB9YmyGNTQzgoV5JtBXZrZjJ2p%7EXUzEOM2Qk8KQo0kfEERfTSJ9fvwglX5ErPmQ__&Key-Pair-Id=K6UGZS9ZTDSZM 048164c25798ca8787d765a5140272d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 7 x 9 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shopping Area Description An account of the resource Pencil sketch showing a bird's eye view of proposed shopping area in Blocks 22 and 23, Williamsburg, Virginia. Creator An entity primarily responsible for making the resource Hepburn, Andrew H. Date A point or period of time associated with an event in the lifecycle of the resource 192809 Date Created Date of creation of the resource. 192809 Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #13 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-013 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Central business districts - Virginia - Williamsburg Merchants Square (Williamsburg, Va.) Aerial Views Andrew Hepburn Business Districts Merchants Square Pencil Sketches Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/6467e8ac5973843a68dac2e9bfac7c97.jpg?Expires=1781740800&Signature=Ix5AKfVJtkPKGpvcWCLZeRI6H--Yd%7Eu5Cx5BOpPf%7EGbIyY7oJAlVIQvdIoQ7927sTL1cqYVLHntmKGVc1OEWjNi1Eu2cftmuOl4WCTa09X6XpaCORC1csnDe0wy6lPfUcVMboN0SGlbXjaK1c7L2FsN9VFOmTkGRv9XozCmtLj3uAaFUpCUt-Js8WBpqvDIU2DRu9DWIwxVYM7m6o05ko8H1Tm6r2w4HrBx414qJWUOPgScp76pDaklqs9B3nKCHP5GITGu5LREeNqnERiflnJf52NcLUZXL2EBP6R04-HEbvJ407wIk316gVAx24yQLthsvhHxzN3cm6Pz%7EPOPrjw__&Key-Pair-Id=K6UGZS9ZTDSZM 0d005a2689bd3db2f9083b738158ea0c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 8 1/4 x 10 3/4 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shopping Section, Block 23 Description An account of the resource Pencil concept drawings for shop windows in the proposed business district in Williamsburg, Virginia Creator An entity primarily responsible for making the resource Hepburn, Andrew H. Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #11 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-011 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Merchants Square (Williamsburg, Va.) Block 23 Architectural decoration & ornament - Virginia - Williamsburg Central business districts - Virginia - Williamsburg Andrew Hepburn Business Districts Merchants Square Shop Windows Virginia Williamsburg Windows https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/bcccdaa3d430baea07de101593e23320.jpg?Expires=1781740800&Signature=XmfIxzPj%7ErV13UyyMvgdBrKItm2DrNTgOJKCPGRyVqyWEszBX63hUEBM-TzUFjA1aLWn8-TrbCM%7E60G1fltS8J24VluZhLBsV6tZaBCBGXbtsw0UsKtqB8Vajoh1OtAHvEsxDCmSlo20QJpjpmpmy3W-qL7B3piPuykEc2wOMq9PRRqm7vawzJkztjSvzuXIgtR3uSSgf43FJrPOD7PHHV6gG4snbEoO84sIOIx1AvA9RhGT50MSbnqVSlype7KOgrghxQ25dt-9pQe%7EfgjzykqcAPSVLv53mfo1ueeU2BwMnsMdqs93z5Zb5JBWiXVSc-Oia53gWUNz00QmsnMNQQ__&Key-Pair-Id=K6UGZS9ZTDSZM e7f583b50fbead913d33ac2661306963 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on Paper Physical Dimensions The actual physical size of the original image. 8 1/2 x 11 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shops Description An account of the resource Pencil concept sketch of the exterior of shop front facades with Federal double-bay windows in the proposed business blocks in Williamsburg, Virginia. Creator An entity primarily responsible for making the resource Hepburn, Andrew H. Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #4 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-004 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Merchants Square (Williamsburg, Va.) Central business districts - Virginia - Williamsburg Andrew Hepburn Business Districts Merchants Square Pencil Sketches Shop Windows Shops Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/955a1e254a313a235115f80c405393b4.jpg?Expires=1781740800&Signature=OjNiwgFWBTGov2ZGCE4BDI4hR2ezfpU7z6Zxp1A8qo5zpUYwsdM%7E9nQOz4UA%7Eqy6cMhqelsnrEJneo%7EZgMdFhS-Iwj6xZr2UUtivTKyF4hUEiTqzAqP3VU2vAC772FdJwIS9aka%7EbzrJ541HmR5ntMQmylWxa7wWovCA7Zfuo-bHiLc6UG9KyPLSFriZfBTphVUGXxXfqYo73REjYUbD6DbcspQXX3cd%7EAg-dujio02cJAfmcOLvRAdRuaPI9B1K0dfWtHDyFM%7EC1asUE%7EtqDotwLUDXRUttj7w4S4H1fYFnNOKzl3WEv6bZKyF6OHbcH4QwMcu95oStDWk8AQQmOA__&Key-Pair-Id=K6UGZS9ZTDSZM c660c1d20759a71d5f6155b484385c96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 8 x 10 3/4 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shops Description An account of the resource Pencil concept sketches of plans and elevations of shops in the proposed business blocks of Williamsburg, Virginia. Creator An entity primarily responsible for making the resource Hepburn, Andrew H. Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #5 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-005 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Merchants Square (Williamsburg, Va.) Central business districts - Virginia - Williamsburg Stores, Retails - Virginia - Williamsburg Andrew Hepburn Business Districts Elevations Merchants Square Pencil Sketches Plans Shops Virginia Williamsburg