1 20 5 https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/88a11506bed5360b7a31ff443a7038ee.jpg?Expires=1781740800&Signature=ahbVkkEP%7EYBfOsEPwUDWMU7hCkO1MeKxVd6O1FUvtqcjUcNSr2D8CAjB5gr%7Em7ZID-iaT6Otl0HjsouHqJgSXI037%7EbgF0K3NPPJOWa7bbF9Ho2NgJsEY-lcncL79J3Q67og9Su0Ch98VzMIsDmt3-SKzK8q7XCd3cTcJo1gQUIYA-HfYDY5FjAo%7E9SzvLf93tk-qyoyZVlsX7TAHi71dUeSv67yf7lXMNkAvDdQLSm7Sdc5465CYwaANcw1K6SjVrCU7KV4H4lcaAxLenVuFE88sX0OPSt2hiy8dE5OXARM8O1LYwR4cD0p1NUxXUgMG9rl7QekGabuGPgw-Ic48g__&Key-Pair-Id=K6UGZS9ZTDSZM 78d7eff92265988c7f4b3f259752c52c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Claremont Manor Dining Room Description An account of the resource Claremont Manor Dining Room, Surry County, Virginia Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be183 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Virginia - Surry County Historic buildings - Virginia - Surry County Furnishings Date A point or period of time associated with an event in the lifecycle of the resource 1934 Date Created Date of creation of the resource. 1934 Extent The size or duration of the resource. 1 photograph Cabinets Chandeliers Claremont Manor Dining Rooms Edward Beckwith Surry County Tables Virginia https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/8deafcfdeaa8dc3ebf8b193479c8e938.jpg?Expires=1781740800&Signature=OG6o2smncK8h%7EHEDi58B6tqIpPyvGsIrH-ImZ0rtDSvzE22w3%7EV-RxEbFM6tvI%7E8C5fN2Rwzpq%7ENFUV7SEmPA55UdWqlqjJ4vS4Kghe9j3AdKEcIRPGSyCfrjeJtiUmrlB37UsApm8DqTYzgZfuXMd3Jm2D8ru7VQKsBDvXC%7EKFCrYgIdjXV8pJo5DvudUxCGwt7GGfZReBcjB4v1s119deE-eNqMckkx86zSEW9DM%7ECTM9DV%7ERDVgi3Vk6tbjUNrNUX8Abi7zjLZXZuJEPtINccH-uNBSBOLK6HerwLOuYuPijH9tbN9bLMnDGvvNDuDY6aSoDp4O2QGtxwBjQs%7EQ__&Key-Pair-Id=K6UGZS9ZTDSZM 28b4e209a326cb2b567ef5acb131a500 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Claremont Manor Kitchen Description An account of the resource Claremont Manor Kitchen, Surry County, Virginia Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be180 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Virginia - Surry County Historic buildings - Virginia - Surry County Furnishings Date A point or period of time associated with an event in the lifecycle of the resource 1934 Date Created Date of creation of the resource. 1934 Extent The size or duration of the resource. 1 photograph Cabinets Claremont Manor Clocks Edward Beckwith Kitchens Light Fixtures Surry County Tables Virginia https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/2ce9c008e0442c55201e87c032137868.jpg?Expires=1781740800&Signature=pak3H855bBjO85Pa5rCfan5GkvPrIRTMOn5stqHec9T7xVyCEu5Y-IzWf0c0jIYYQgjqNorwvB0tJLjC0O4-vOLZYbbk9JpL1OEBe6IV0G1vt8DW6j7LLLomywSl7ftIVM2rlfKFdyjbNe5-t%7EK07mcLENx1PBQ11KGdVySER5sPf3UOodAKCOabm6F5EkJeokq5CG2Tsh87c35IOs1gBm%7EXdCgETjH9PvmxqT1G4VOu9vKC8fRziWrPT5-YpyBH%7ErCJs6ppFVlV6YE3774aC%7EObo8y5oCoNCvMYllynELJAyir0s37t4kjLr0iC-lwHbNrPvzWdHxyAhYf%7Eylkh-g__&Key-Pair-Id=K6UGZS9ZTDSZM 729155dc3cacd07de40acd43ae5a1dec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Green Plains, Dining Room Description An account of the resource A view of furnishings and the doorway of the Dining Room at Green Plains, Mathews County, Virginia Creator An entity primarily responsible for making the resource Beckwith, Edward A. Date A point or period of time associated with an event in the lifecycle of the resource 1926 Date Created Date of creation of the resource. 1926 Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5, Box 1 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context Be211 (see also Bec-67) Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr,. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Doors and doorways - Virginia - Mathews County Dining rooms - Virginia - Mathews County Architecture, Domestic - Virginia - Mathews County Arches Cabinets Dining Rooms Doorways Edward Beckwith Green Plains Mathews County Paneling Transoms Virginia https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/72e918ca1f7c2d4d59fa20786bc7b8ef.jpg?Expires=1781740800&Signature=fodJAr7UlXrmAfGqGL1vaU6gepLCHflWLw13OQm2NvQ3991h3YD8hgV1I0zfLCPN6W338Bph%7E%7EU15VBb7%7EH0znMYNcqj-EKhbS1QHk9y8M9jTq5bJ4SpECJ6Y6YFUSn%7Ewz0So2RSc7pNMTQqhTlmYGmKLnbzmlyo2ssJ3Pj3tyPhJIYNVKIJIDGIZVvpggSMoH6TZxyuIqPD%7E807qx8MIIMmpCye4c28gtsvnwi2yqqjo5QiDuGpbAp9NCkMrTYS3cQfkZy5B5sT88insqU5njYm9ODbVLDhk2lUBWDHXijjZYB0ewKONlJATKAXrjzGP3Emy8ytih8nRqA3IcFwKg__&Key-Pair-Id=K6UGZS9ZTDSZM 2569821852b202dac2034d0ace99a49d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architectural Photo Albums Collection Description An account of the resource The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs. Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site. The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant. In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s. Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley. Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses). Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg (Va.) - Photographs Williamsburg (Va.) - Buildings, structures, etc. Photograph albums Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Extent The size or duration of the resource. 367 boxes Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 8 x 10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kitchen, Benjamin Waller House Subject The topic of the resource Benjamin Waller House (Williamsburg, Va.) Block 01. Building 16. Architecture, Domestic - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource South wall of kitchen, Benjamin Waller House, Block 1, Building 16, Williamsburg, Virginia Creator An entity primarily responsible for making the resource Kagey, Chuck Date A point or period of time associated with an event in the lifecycle of the resource 1966 Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2, Box 2, Folder 3 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 1966-CK-4001 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Benjamin Waller House Cabinets Kitchens Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/557aa37136200085aec132cbb4d16cfb.jpg?Expires=1781740800&Signature=qTbf5eymXcxfF0lKcPUxmvgwCkhnMpvC%7EaegLSllKmNeke4tnq2J06IbfbSwtjD3ar1g7uCEIwJ5uUuUGD%7EqcOSfMp4py0dbRrLkZGuoEVX-f67mh89CQyNiRkgyW4ZZHYGAWWO-KFJ6CuUqntJ1hcQF0Ej1sblYfmOHu2FVlx8TD9oDTfmdIpoP7qhVlIMgHo1LJUKAoHoqTfLbY8Fa2v-OAflKPHFe0hiFHXLFgkZFErx8D3CbCqF8fnTe6Bllq2ahh220CgnFLGUwLTqSA61PbLqojgU9n5NNLyJ0C%7EW5MpsQ9YhuKKLM8Yc61CBl-C1f5g6G0AFNTM8dOjG5dg__&Key-Pair-Id=K6UGZS9ZTDSZM c41cc9ae91791838d04460d208d85733 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architectural Photo Albums Collection Description An account of the resource The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs. Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site. The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant. In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s. Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley. Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses). Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg (Va.) - Photographs Williamsburg (Va.) - Buildings, structures, etc. Photograph albums Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Extent The size or duration of the resource. 367 boxes Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 8 x 10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kitchen, Benjamin Waller House Subject The topic of the resource Benjamin Waller House (Williamsburg, Va.) Block 01. Building 16. Architecture, Domestic - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Northeast corner of the kitchen of the Benjamin Waller House, Block 1, Building 16, Williamsburg, Virginia Creator An entity primarily responsible for making the resource Kagey, Chuck Date A point or period of time associated with an event in the lifecycle of the resource 1966 Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2, Box 2, Folder 3 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 1966-CK-4002 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Benjamin Waller House Cabinets Kitchens Virginia Williamsburg