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&#13;
The photos all relate to Rosewood, a residence in King and Queen County, Virginia, that was dismantled and moved to Colonial Williamsburg in 1948 to become the residence of James Lowry Cogar and John Lewis. Since several of the photos show individuals inspecting and measuring the building and a few have the date 1948 noted on them, it is thought they all date to around the time period when the house moved from King and Queen County to Williamsburg. The advent of World War II slowed plans for a proposed Phase II expansion of restoration efforts. Buildings along York Street east of the Capitol site had not yet received much study. Cogar purchased the Nicolson House on York Street in 1940 with a goal of restoring it from its dilapidated state back to its eighteenth-century condition. Around 1947, he purchased Rosewood, a house in King and Queen County, Virginia surviving from the middle of the eighteenth-century, as his second restoration project. He arranged for the dismantling and reconstruction of the home next to the Robert Nicolson House in Williamsburg. Cogar continued to live on York Street after leaving Colonial Williamsburg's employ in 1948 and operated his own antique furniture firm, Cogar, Lewis, and Geiger Inc., until 1962. Today the restored home formerly known as Rosewood is called the Cogar Shop in his honor. It houses Colonial Williamsburg staff offices.&#13;
&#13;
James Cogar began his employment in 1931 to assist the Williamsburg Restoration staff with acquisition of artwork and furnishings for the interiors of various exhibition buildings. He became Colonial Williamsburg's first curator and head of the Department of Collections and continued to oversee the museum's object acquisitions, as well as provide guidance on appropriate antique furniture and furnishings for exhibition buildings, until 1948. After restoring the NIcolson House and moving Rosewood from King and Queen County to a lot next to the NIcholson House on York Street, Cogar opened his antique furniture firm, Cogar, Lewis, and Geiger Inc. Upon closure of this business, he sold the Cogar Shop and the Nicolson House to Colonial Williamsburg in 1964 and moved back to his hometown of Midway, Kentucky to become Executive Director of Shakertown.</text>
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&#13;
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&#13;
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                  <text>Robert W. Tebbs was a prominent architectural photographer in the New York firm of Tebbs &amp; Knell, 101 Park Avenue, New York, New York. He marketed himself as "Photographer to Architects and Decorators." His pictures are widely available in mid-twentieth century photographic essays concerning architecture and architectural history. He is well-known for his photographic survey of Louisiana plantation homes created in the 1920s.  Tebbs photographed the Raleigh Tavern, the Capitol, and the Wren Building at Colonial Williamsburg soon after their restoration on commission for publication in various magazines and newspapers.&#13;
&#13;
In October 1933, he conducted his first photographic survey in Williamsburg and approached the Williamsburg Holding Corporation with a proposal for a "Travelling Exhibition of Williamsburg" featuring his photographs of the exteriors and interiors of completed exhibition buildings. He also suggested that his photos could be marketed to various architectural magazines and newspapers to help promote the new museum. William Graves Perry and Susan Higginson Nash reviewed his portfolios and selected those images they approved for publication use.  Tebbs was then allowed to sell and distribute them to various publishers provided the Williamsburg Holding Corporation agreed to the proposed usage. In a letter to Kenneth Chorley, Vice-President of the Williamsburg Holding Corporation, written on December 5, 1933, Bela Norton, Director of Public Relations, noted "Everyone here who has seen the pictures agrees that they have the stamp of quality and professional excellence that we have not yet had."  &#13;
&#13;
Tebbs remained in contact with Williamsburg Holding Corporation officials between 1933 and 1934, and returned several times to take more photographs when passing through the area on other assignments. However,  he never received a contract from Colonial Williamsburg for more extensive photographic work due to an agreement already in place with Frank Nivison, who served as the official contract photographer for documentation of the Restoration's progress.  He approached Colonial Williamsburg officials again in 1939 with a proposal to return and photograph some of the more recently completed structures, noting that his Williamsburg photos from the early 1930s had been exhibited at the Metropolitan Museum of Art. Upon his death in 1945, Robert Tebbs left a legacy of  architectural photos that are preserved at several other institutions, including the Library of Congress and the Louisiana State Museum.&#13;
&#13;
This collection  of ninety-seven photographs encompasses two portfolios, one titled "View of Capitol Building of Reconstructed Colonial Williamsburg" and the other titled "Views of Raleigh Tavern, Williamsburg, Va.," which also includes images of the Wren Building and the President's House at the College of William &amp; Mary. Exterior and interior view of each structure are included, along with detail views of various furnishings and architectural features. Rooms featured in the portfolio of Capitol photos include the General Court, House of Burgesses, Council Chamber, Conference Room, Committee Room, Clerk's Office, and Secretary's Office. The Raleigh Tavern interior views include the Parlor, Reception Room, Tap Room, Daphne Room, Apollo Room, and Public Dining Room. Tebbs also documented the Chapel, Great Hall, and the Blue Room inside the Wren Building.&#13;
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                  <text>The son of Norfolk architect Finlay Forbes Ferguson Sr., who served as an Advisory Architect in the late 1920s as Williamsburg’s restoration began, Finlay Ferguson Jr. contributed to two different periods of architectural projects at Colonial Williamsburg. A graduate of the University of Virginia’s architecture program, Finlay Jr. started the first phase of his career working as a draftsman at Colonial Williamsburg between 1930-1933. He assisted other members of the research and design team with preparation of conjectural sketches, preliminary elevations and floor plans, and final measured drawings. Finlay left Williamsburg to work in his father’s architectural firm, Peebles and Ferguson, on the restoration of Fort Macon in Moorehead City, North Carolina between 1934-1935. He continued his association with the Norfolk firm until 1939, when he returned to Colonial Williamsburg to work on research and design for the restoration of Bruton Parish Church until 1943. After serving in the Navy during the remainder of World War II, Ferguson resumed practicing architecture in Norfolk. His early association with Colonial Williamsburg allowed him to become a respected expert in architectural restoration and he oversaw projects at the Adam Thoroughgood House, the Moses Myers House, the Willoughby-Baylor House, and the Old Norfolk Academy. Ferguson also designed the General Douglas MacArthur Memorial and restored St. Paul’s Episcopal Church in Edenton, North Carolina.&#13;
&#13;
&#13;
Ferguson joined his architectural colleagues in taking numerous photographs of both ongoing work in the Historic Area and field research at other sites.  These are preserved in the Finlay Forbes Ferguson Jr. Photograph Collection, AV2009.16, which encompasses over four hundred black and white images of restoration projects underway in Williamsburg’s Historic Area, as well as architectural design precedents at historic sites in Virginia, Maryland, North Carolina, and South Carolina used to facilitate reconstruction of details not documented in historical records, archaeological investigations, or visual representations.&#13;
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&#13;
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&#13;
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&#13;
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