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                  <text>F.S. Lincoln Photography Collection</text>
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                  <text>The FS Lincoln Collection 

Biographical Sketch 

Mr. Fay S. Lincoln (known professionally as F.S. Lincoln) operated a photography studio in New York City from the 1930s until the mid 1960s. He was born in Keene, New Hampshire in 1894 and attended the Massachusetts Institute of Technology. Although he received training as an engineer, Mr. Lincoln chose to become a professional photographer in 1929, when he opened the firm of Nyholm &amp;amp; Lincoln in conjunction with another photographer, Peter Nyholm, in New York City. A few years later, he opened his own studio at 114 East 32nd St.1

In 1932, Lincoln began corresponding with Kenneth Chorley, President of the Colonial Williamsburg Foundation, about the possibility of contracting with the Foundation to photograph the completed restoration work at Williamsburg. Lincoln had learned that John D. Rockefeller, Jr. was looking for someone to create a master collection of photos of Williamsburg through Arthur S. Vernay, an acquaintance of Abby Aldrich Rockefeller. In his correspondence, Lincoln noted he had completed photographic assignments for many of the top architects and designers in New York, including Arthur S. Vernay, Joseph Urban, James Gamble Rogers, Voorhees, Gmelin &amp;amp; Walker, McKim, Mead, &amp;amp; White, Robert Locher, and Eugene Schoen. He also pointed out that he had sold architectural photos to many prominent magazines, including "Architectural Record," "National Geographic," "Country Life," "Architectural Forum," and "Spur."2

Lincoln's credentials, along with sample photographs and recommendations from magazine editors, enabled him to secure a contract with Colonial Williamsburg on April 22, 1935. According to the terms of the contract, Lincoln was hired to prepare a master collection of photographs and negatives that Colonial Williamsburg could sell to tourists and residents of Williamsburg, as well as use for promotional purposes. Lincoln retained the right to sell copies of his photographs at his New York studio, provided he consulted with the Foundation regarding the proposed use of the photographs. He also retained title to all negatives and copyright for all photos until the termination of his business. Plans for a traveling exhibition of Lincoln's photographs of Williamsburg were also mentioned in the contract.3

During 1935, F.S. Lincoln traveled to Williamsburg at seasonal intervals to photograph views requested by the Foundation. A panel of Colonial Williamsburg employees reviewed each series of photos and selected a group to be added to the master collection. F.S. Lincoln photos illustrated two portfolios about Colonial Williamsburg published in the "Architectural Record" in December 1935 and November 1936. Full-page black and white photos of restored buildings and gardens accompanied articles on the restoration written by Kenneth Chorley, Fiske Kimball, William G. Perry, and Arthur Shurcliff. Thus, Lincoln's photos gave the American public their first introduction to the completed restoration.

Lincoln had also been hired by Colonial Williamsburg to create a group of photographs of Williamsburg that could be exhibited. Correspondence between staff members indicates that John D. Rockefeller, Jr. hoped to mount a traveling exhibit of Williamsburg photographs. An exhibit of a selection of Lincoln's views of Williamsburg, along with photos he took for "Harper's Bazaar," "House and Garden," "House Beautiful," "Vanity Fair," "National Geographic," and "Town and Country," was held at the Rabinovitch Gallery in New York City from October 4-17, 1935.

Although Foundation employees were satisfied with the quality of Lincoln's photographs, they were dismayed by the cost of individual prints and enlargements. Memos exchanged between members of the marketing staff indicate that employees were having a hard time convincing distributors to purchase enlargements of the Lincoln photos for display in shop windows. As a result, the Foundation's agreement with F.S. Lincoln was terminated on April 21, 1936.4

Despite this setback, F.S. Lincoln secured contracts for many other architectural photography projects in the 1930s. He received numerous commissions to photograph buildings in New York City and also traveled abroad on several assignments. In 1934, he completed a portfolio of photos of Mont St. Michel and in 1938 he toured the deep South and photographed examples of antebellum architecture. Lincoln's photos were widely published in the 1930s and 1940s in such magazines as "Architectural Record," "House Beautiful," "National Geographic," "Country Life," and "Architectural Forum." In addition, he published a book of his photographs in 1946 entitled "Charleston: Photographic Studies by F.S. Lincoln."5

F.S. Lincoln continued to operate a photography studio in New York City until 1965, when he retired and moved to Center Hall, Pennsylvania to live with his sister. He forwarded all of his negatives of Williamsburg buildings to the Foundation in 1972, along with a letter stating that “the copyright of the photographs has run out, so you are free to use them as desired.”6 Upon his death in 1976, the remainder of Lincoln's archive of prints and negatives, as well as some business papers, were donated to the Pennsylvania State University Archives.

Scope and Contents

The F.S. Lincoln collection consists of black and white negatives and prints taken by Mr. Lincoln in preparation for the publication of "The Restoration of Colonial Williamsburg in Virginia," a series of articles appearing in the December 1935 and November 1936 issues of "The Architectural Record." Both issues featured a portfolio of buildings and gardens in the newly restored historic area of Williamsburg.

In order to produce a large pool of photos for use in these portfolios, Mr. Lincoln created comprehensive visual documentation of the work completed during the initial phases of the restoration (1927-1935.) He photographed the exteriors and interiors of thirty restored buildings, including the exhibition buildings open to the public, such as the Governor's Palace, the Capitol, Raleigh Tavern, Bruton Parish Church, the Wren Building, and the Powder Magazine. In addition, he captured exterior views of some of the shops open on Merchant's Square and restored buildings adapted for public use, such as the Public Library. He also photographed many of the gardens and garden ornaments throughout the restored area.

The collection is organized into series by format. Series included in the collection are negatives; bound matted and signed prints; unbound matted and signed prints; and small albums. Within each format, items are organized according to the numbering system assigned by Mr. Lincoln. The first three digits of numbers assigned to the images correspond to a particular building or subject category. For example, all images of the Capitol have numbers beginning with 325 and all miscellaneous views have numbers beginning with 365. After these first three digits, Lincoln added a P for print and then a successive number for each view. For example, the first view of the Capitol is number 325P1. An “LC” prefix has been added to all image numbers by the Colonial Williamsburg Foundation to identify the images as coming from the Lincoln Collection.
 
Endnotes

1 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17, (Spring 1993): 127-128. 

2 F.S. Lincoln to B.W. Norton, October 18, 1933. Colonial Williamsburg Foundation Archives. 

3 Agreement dated April 22, 1935 between Colonial Williamsburg, Inc. and F.S. Lincoln, Colonial Williamsburg Foundation Archives. 

4 Mr. Norton to Mr. Darling, February 22, 1937; Kenneth Chorley to F.S. Lincoln, April 6, 1937, Colonial Williamsburg Foundation Archives. 

5 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17 (Spring 1993): 128. 

6 F.S. Lincoln to James R. Short, May 15, 1972, Colonial Williamsburg Foundation Archives.</text>
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                <text>&lt;p&gt;View of the exterior of Bruton Parish Church taken by F.S. Lincoln in 1935. A smaller seventeenth-century structure stood on the site from 1683 until 1715, when the larger and more elaborate cruciform-style church replaced it. Located at the edge of Palace Green on the corner of Duke of Gloucester Street and Palace Street, the church was originally designed by colonial Governor Alexander Spotswood.  &lt;/p&gt;
&lt;p&gt;A series of restoration efforts began under Dr. W.A.R. Goodwin's direction between 1903-1907 and continued periodically until completed in 1940. In this 1935 photo of the south facade of Bruton Parish Church, the building retains the Colonial Revival window shutters and screen doors installed by architect J. Stewart Barney during his 1906 renovation of the exterior, according to how be believed the church appeared in the eighteenth century.  The shutters and screen doors were later removed during final restoration efforts in 1939, given the availability of further research information.  &lt;/p&gt;
&lt;p&gt;The original wooden frame of a small &lt;strong&gt;&lt;a href="http://emuseum.history.org/view/objects/asitem/items$0040:96228#.Ux8f1WraVEc.gmail"&gt;bull's-eye window (accession # AF-21.1.1)&lt;/a&gt;&lt;/strong&gt;, removed from the east end of the church around 1906, is now in the Colonial Williamsburg Foundation's architectural fragments collection. Otherwise, the building's exterior walls and windows are original and the interior has been restored to its eighteenth-century appearance.  Large bull's-eye windows are still visible today in the south-facing end of the church (facing Duke of Gloucester Street) and the east end (facing Palace Green).  Bruton Parish continues to serve an active Episcopal congregation and has functioned as a site of worship for the community since the parish was first founded in 1674.&lt;/p&gt;
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                <text>This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: &lt;a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm"&gt;Rights and reproductions&lt;/a&gt;</text>
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                  <text>The Albert Durant Photography Collection encompasses photoprints, negatives, slides, and personal papers that document the photographic production of Williamsburg's first black city-licensed photographer, Albert Durant. Durant's photographic output provides a priceless visual history of African American life in Williamsburg, Virginia and surrounding communities from the late 1930s to the early 1960s. Since the collection encompasses ten thousand images, highlights of some of the major subject categories covered by the photos are presented here. &#13;
&#13;
The collection provides a fascinating glimpse into African American social life in Williamsburg during the 1940s and 1950s. Durant captured the atmosphere of local jazz and night clubs through scenes of performers singing and dancing and audiences socializing. Durant also acted as photographer for many African American clubs and organizations. Along with taking formal group portraits, he documented these groups through informal shots of meetings, dinners, and special events. &#13;
&#13;
African American student life during segregation is also featured in this visual archive. While a high school student at James City County Training School, Durant  began developing his interest in photography by taking images of student activities, including sports, dances, plays, assemblies, and graduations.  As an adult, Durant acted as a portrait photographer for Junior-Senior Proms at local black high schools and also documented the sports teams, marching bands, choirs, students, and faculty at Bruton Heights School in Williamsburg. &#13;
&#13;
African American spiritual life is another strength of the collection. Durant photographed church groups, such as choirs and missionary circles, as well as individuals participating in rituals at many different black churches in the Williamsburg area. &#13;
&#13;
Occupations, working conditions, and business opportunities for African Americans in Williamsburg are  recorded in Durant's photos, too. The photos show African Americans working in restaurants, beauty and barber shops, stores, offices, dry cleaners, and gas stations. &#13;
&#13;
Albert Wadsworth Durant was born on February 2, 1920 in New York City to Samuel and Bessie Durant. His mother was a native of Williamsburg who moved with her husband to New York and worked as a domestic servant for a family. After the death of her husband, who was originally from the West Indies, Bessie Durant and her children relocated to Williamsburg, Virginia, in 1929.  &#13;
&#13;
At age 36, Durant married Elsie Lucille Ferguson on August 18, 1956. They raised three sons, Albert W. Durant Jr., Byron Murphy, and Roderick Ferguson, and two daughters, Yvette Durant and Deanna Ferguson.&#13;
&#13;
Albert Durant ran his own chauffeuring and limousine business in the Williamsburg area, providing services to many distinguished visitors to the city, including the Queen Mother of England, the Prince of Japan, and various chief justices. He often took his customers on excursions to local historic sites, including Colonial Williamsburg, Jamestown, and the James River plantations. Through course work at the College of William and Mary, Durant acquired a background in American history which enabled him to provide historical commentary as he drove customers through the countryside.&#13;
&#13;
Durant's contacts at the College of William and Mary sparked his initial interest in photography and once he had obtained equipment and training, Durant began creating his own historical record of the Williamsburg area. He produced hundreds of portraits documenting the families and activities of African American residents and also documented significant events, places, and persons in and around Williamsburg.&#13;
&#13;
In addition, Albert Durant worked to improve conditions for African Americans in Williamsburg by serving in various positions in the city's government. He acted as the first black Justice of the Peace and Bail Commissioner in Williamsburg and served as the first black magistrate of the General District Court from his appointment in 1962 until his retirement in 1975.&#13;
&#13;
Albert Durant died at age 71 on April 14, 1991.</text>
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&#13;
The collection provides a fascinating glimpse into African American social life in Williamsburg during the 1940s and 1950s. Durant captured the atmosphere of local jazz and night clubs through scenes of performers singing and dancing and audiences socializing. Durant also acted as photographer for many African American clubs and organizations. Along with taking formal group portraits, he documented these groups through informal shots of meetings, dinners, and special events. &#13;
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African American student life during segregation is also featured in this visual archive. While a high school student at James City County Training School, Durant  began developing his interest in photography by taking images of student activities, including sports, dances, plays, assemblies, and graduations.  As an adult, Durant acted as a portrait photographer for Junior-Senior Proms at local black high schools and also documented the sports teams, marching bands, choirs, students, and faculty at Bruton Heights School in Williamsburg. &#13;
&#13;
African American spiritual life is another strength of the collection. Durant photographed church groups, such as choirs and missionary circles, as well as individuals participating in rituals at many different black churches in the Williamsburg area. &#13;
&#13;
Occupations, working conditions, and business opportunities for African Americans in Williamsburg are  recorded in Durant's photos, too. The photos show African Americans working in restaurants, beauty and barber shops, stores, offices, dry cleaners, and gas stations. &#13;
&#13;
Albert Wadsworth Durant was born on February 2, 1920 in New York City to Samuel and Bessie Durant. His mother was a native of Williamsburg who moved with her husband to New York and worked as a domestic servant for a family. After the death of her husband, who was originally from the West Indies, Bessie Durant and her children relocated to Williamsburg, Virginia, in 1929.  &#13;
&#13;
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&#13;
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&#13;
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&#13;
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Albert Durant died at age 71 on April 14, 1991.</text>
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&#13;
The collection provides a fascinating glimpse into African American social life in Williamsburg during the 1940s and 1950s. Durant captured the atmosphere of local jazz and night clubs through scenes of performers singing and dancing and audiences socializing. Durant also acted as photographer for many African American clubs and organizations. Along with taking formal group portraits, he documented these groups through informal shots of meetings, dinners, and special events. &#13;
&#13;
African American student life during segregation is also featured in this visual archive. While a high school student at James City County Training School, Durant  began developing his interest in photography by taking images of student activities, including sports, dances, plays, assemblies, and graduations.  As an adult, Durant acted as a portrait photographer for Junior-Senior Proms at local black high schools and also documented the sports teams, marching bands, choirs, students, and faculty at Bruton Heights School in Williamsburg. &#13;
&#13;
African American spiritual life is another strength of the collection. Durant photographed church groups, such as choirs and missionary circles, as well as individuals participating in rituals at many different black churches in the Williamsburg area. &#13;
&#13;
Occupations, working conditions, and business opportunities for African Americans in Williamsburg are  recorded in Durant's photos, too. The photos show African Americans working in restaurants, beauty and barber shops, stores, offices, dry cleaners, and gas stations. &#13;
&#13;
Albert Wadsworth Durant was born on February 2, 1920 in New York City to Samuel and Bessie Durant. His mother was a native of Williamsburg who moved with her husband to New York and worked as a domestic servant for a family. After the death of her husband, who was originally from the West Indies, Bessie Durant and her children relocated to Williamsburg, Virginia, in 1929.  &#13;
&#13;
At age 36, Durant married Elsie Lucille Ferguson on August 18, 1956. They raised three sons, Albert W. Durant Jr., Byron Murphy, and Roderick Ferguson, and two daughters, Yvette Durant and Deanna Ferguson.&#13;
&#13;
Albert Durant ran his own chauffeuring and limousine business in the Williamsburg area, providing services to many distinguished visitors to the city, including the Queen Mother of England, the Prince of Japan, and various chief justices. He often took his customers on excursions to local historic sites, including Colonial Williamsburg, Jamestown, and the James River plantations. Through course work at the College of William and Mary, Durant acquired a background in American history which enabled him to provide historical commentary as he drove customers through the countryside.&#13;
&#13;
Durant's contacts at the College of William and Mary sparked his initial interest in photography and once he had obtained equipment and training, Durant began creating his own historical record of the Williamsburg area. He produced hundreds of portraits documenting the families and activities of African American residents and also documented significant events, places, and persons in and around Williamsburg.&#13;
&#13;
In addition, Albert Durant worked to improve conditions for African Americans in Williamsburg by serving in various positions in the city's government. He acted as the first black Justice of the Peace and Bail Commissioner in Williamsburg and served as the first black magistrate of the General District Court from his appointment in 1962 until his retirement in 1975.&#13;
&#13;
Albert Durant died at age 71 on April 14, 1991.</text>
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African American student life during segregation is also featured in this visual archive. While a high school student at James City County Training School, Durant  began developing his interest in photography by taking images of student activities, including sports, dances, plays, assemblies, and graduations.  As an adult, Durant acted as a portrait photographer for Junior-Senior Proms at local black high schools and also documented the sports teams, marching bands, choirs, students, and faculty at Bruton Heights School in Williamsburg. &#13;
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African American spiritual life is another strength of the collection. Durant photographed church groups, such as choirs and missionary circles, as well as individuals participating in rituals at many different black churches in the Williamsburg area. &#13;
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Albert Wadsworth Durant was born on February 2, 1920 in New York City to Samuel and Bessie Durant. His mother was a native of Williamsburg who moved with her husband to New York and worked as a domestic servant for a family. After the death of her husband, who was originally from the West Indies, Bessie Durant and her children relocated to Williamsburg, Virginia, in 1929.  &#13;
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&#13;
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&#13;
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&#13;
The collection provides a fascinating glimpse into African American social life in Williamsburg during the 1940s and 1950s. Durant captured the atmosphere of local jazz and night clubs through scenes of performers singing and dancing and audiences socializing. Durant also acted as photographer for many African American clubs and organizations. Along with taking formal group portraits, he documented these groups through informal shots of meetings, dinners, and special events. &#13;
&#13;
African American student life during segregation is also featured in this visual archive. While a high school student at James City County Training School, Durant  began developing his interest in photography by taking images of student activities, including sports, dances, plays, assemblies, and graduations.  As an adult, Durant acted as a portrait photographer for Junior-Senior Proms at local black high schools and also documented the sports teams, marching bands, choirs, students, and faculty at Bruton Heights School in Williamsburg. &#13;
&#13;
African American spiritual life is another strength of the collection. Durant photographed church groups, such as choirs and missionary circles, as well as individuals participating in rituals at many different black churches in the Williamsburg area. &#13;
&#13;
Occupations, working conditions, and business opportunities for African Americans in Williamsburg are  recorded in Durant's photos, too. The photos show African Americans working in restaurants, beauty and barber shops, stores, offices, dry cleaners, and gas stations. &#13;
&#13;
Albert Wadsworth Durant was born on February 2, 1920 in New York City to Samuel and Bessie Durant. His mother was a native of Williamsburg who moved with her husband to New York and worked as a domestic servant for a family. After the death of her husband, who was originally from the West Indies, Bessie Durant and her children relocated to Williamsburg, Virginia, in 1929.  &#13;
&#13;
At age 36, Durant married Elsie Lucille Ferguson on August 18, 1956. They raised three sons, Albert W. Durant Jr., Byron Murphy, and Roderick Ferguson, and two daughters, Yvette Durant and Deanna Ferguson.&#13;
&#13;
Albert Durant ran his own chauffeuring and limousine business in the Williamsburg area, providing services to many distinguished visitors to the city, including the Queen Mother of England, the Prince of Japan, and various chief justices. He often took his customers on excursions to local historic sites, including Colonial Williamsburg, Jamestown, and the James River plantations. Through course work at the College of William and Mary, Durant acquired a background in American history which enabled him to provide historical commentary as he drove customers through the countryside.&#13;
&#13;
Durant's contacts at the College of William and Mary sparked his initial interest in photography and once he had obtained equipment and training, Durant began creating his own historical record of the Williamsburg area. He produced hundreds of portraits documenting the families and activities of African American residents and also documented significant events, places, and persons in and around Williamsburg.&#13;
&#13;
In addition, Albert Durant worked to improve conditions for African Americans in Williamsburg by serving in various positions in the city's government. He acted as the first black Justice of the Peace and Bail Commissioner in Williamsburg and served as the first black magistrate of the General District Court from his appointment in 1962 until his retirement in 1975.&#13;
&#13;
Albert Durant died at age 71 on April 14, 1991.</text>
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                <text>The congregation at Little Zion Baptist Church, Grove, Williamsburg, Va., circa late 1940s-early 1950s. Front row seated, left to right: Harold Radcliffe, John Reid, Sr., Nathaniel Reed, Sr., James Davis, and Lee Robinson. The man standing has not been identified. </text>
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                <text>Durant, Albert W.</text>
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                <text>Circa late 1940s-1950s</text>
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                <text>Circa late 1940s-1950s</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: &lt;a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm"&gt;Rights and reproductions&lt;/a&gt;</text>
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                <text>Image</text>
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            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="90903">
                <text>Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation</text>
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        <name>African Americans</name>
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        <name>Albert Wadsworth Durant</name>
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        <name>Churches</name>
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        <name>Congregations</name>
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        <name>Harold Radcliffe</name>
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        <name>James Davis</name>
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        <name>John Reid Sr.</name>
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        <name>Lee Robinson</name>
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        <name>Little Zion Baptist Church</name>
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        <name>Nathaniel Reed Sr.</name>
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        <name>Virginia</name>
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        <name>Williamsburg</name>
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                  <text>Centennial Photographic Company Albumen Prints</text>
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                  <text>Some of the earliest pre-restoration photos held in the library's archives are albumen prints. Dating to circa 1875, the photos were produced by the Centennial Photographic Company in conjunction with the celebration of America's Centennial. Edward L. Wilson, a photo editor, and William Notman, a Scottish-Canadian photographer, served as the chief officers of the Centennial Photographic Company and directed its efforts after winning the license to take and market souvenir photos of the Centennial Exposition held in Philadelphia. The company also sold keepsake photos of former Civil War battlefields and the towns located near them. This set of photos is thought to be part of the Civil War series and documents some of the colonial era buildings still standing in Reconstruction Era Williamsburg, as well as earthworks remaining just outside of town that bear witness to Civil War battle maneuvers.&#13;
&#13;
The quiet, backwater town that had lost its prominence after the state capital was moved to Richmond in 1780 suddenly began to attract some historical attention again due to its associations with the Battle of Williamsburg in 1862 and subsequent Union occupation. As photographers entered the area to commemorate these events, they discovered remnants of stirring colonial history via extant buildings such as the Courthouse of 1770, the Powder Magazine, Bruton Parish Church and cemetery, and the Wren Building at the College of William and Mary.&#13;
&#13;
Invented by French photographer Louis Desire Blanquart Evrard in 1850, the albumen print became a dominant photographic process between 1855-1895. A wet-plate process, it involved sensitizing salted paper in a silver nitrate bath, drying it, and then placing the paper in a frame that could then be put in contact with a glass-collodian negative. When exposed to daylight, the photographic image would begin to appear on the paper. An egg white binder aided in distributing the light sensitive particles in a smooth manner across the paper. This binder is what helps give albumen prints a glossy surface and their trademark yellow or reddish brown cast.</text>
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                  <text>Historic buildings - Virginia - Williamsburg</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Albumen print</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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              <text>11 x 14 inches</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Bruton Parish Church</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Bruton Parish Church (Williamsburg, Va.)</text>
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                <text>Albumen prints</text>
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                <text>Centennial Photographic Company</text>
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              <elementText elementTextId="97288">
                <text>Block 21. Building 01.</text>
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              <elementText elementTextId="97289">
                <text>Church architecture - Virginia - Williamsburg</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Since 1715, Bruton Parish Church has served continuously as a house of worship for the Williamsburg community. Like many other public buildings in the town, the church became a makeshift hospital during the Civil War. The sanctuary housed injured soldiers after the Battle of Williamsburg in 1862. Many Confederate soldiers lie in unmarked graves in the surrounding cemetery.&#13;
&#13;
Various 19th-century modifications are documented in this photograph. One of three chimneys along the roof ridge is visible on the right. Added in 1840, when the altar was moved to the west end and a new entrance cut into the east façade, the chimneys provided ventilation for three large stoves used to heat the interior. A clock face is mounted on the steeple and almost obscures the small window in the octagonal section of the tower. Shutters cover the round-headed windows. Ivy climbs the east wall and thickly curtains the brick.&#13;
&#13;
Fortunately, the overall exterior appearance of the church remained intact into the twentieth-century. During his first period as rector of Bruton Parish Church from 1903-1907, Dr. W.A.R. Goodwin oversaw restoration of the interior to commemorate the Jamestown Tercentenary of 1907. Further restoration work, including removal of the unauthentic exterior window shutters, occurred in 1939.</text>
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            <name>Creator</name>
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                <text>Centennial Photographic Company</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>ca.1875</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="97293">
                <text>This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: &lt;a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm"&gt;Rights and reproductions&lt;/a&gt;</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Virginia Area Albumen Prints Collection, MS2005.16</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>D2010-COPY-0302-2015</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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              <elementText elementTextId="97298">
                <text>Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation</text>
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        <name>Bruton Parish Church</name>
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        <name>Centennial Photographic Company</name>
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        <name>Church Architecture</name>
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        <name>Churches</name>
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        <name>Virginia</name>
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        <name>Williamsburg</name>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Highlights of the Albert Durant Photography Collection</text>
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                  <text>The Albert Durant Photography Collection encompasses photoprints, negatives, slides, and personal papers that document the photographic production of Williamsburg's first black city-licensed photographer, Albert Durant. Durant's photographic output provides a priceless visual history of African American life in Williamsburg, Virginia and surrounding communities from the late 1930s to the early 1960s. Since the collection encompasses ten thousand images, highlights of some of the major subject categories covered by the photos are presented here. &#13;
&#13;
The collection provides a fascinating glimpse into African American social life in Williamsburg during the 1940s and 1950s. Durant captured the atmosphere of local jazz and night clubs through scenes of performers singing and dancing and audiences socializing. Durant also acted as photographer for many African American clubs and organizations. Along with taking formal group portraits, he documented these groups through informal shots of meetings, dinners, and special events. &#13;
&#13;
African American student life during segregation is also featured in this visual archive. While a high school student at James City County Training School, Durant  began developing his interest in photography by taking images of student activities, including sports, dances, plays, assemblies, and graduations.  As an adult, Durant acted as a portrait photographer for Junior-Senior Proms at local black high schools and also documented the sports teams, marching bands, choirs, students, and faculty at Bruton Heights School in Williamsburg. &#13;
&#13;
African American spiritual life is another strength of the collection. Durant photographed church groups, such as choirs and missionary circles, as well as individuals participating in rituals at many different black churches in the Williamsburg area. &#13;
&#13;
Occupations, working conditions, and business opportunities for African Americans in Williamsburg are  recorded in Durant's photos, too. The photos show African Americans working in restaurants, beauty and barber shops, stores, offices, dry cleaners, and gas stations. &#13;
&#13;
Albert Wadsworth Durant was born on February 2, 1920 in New York City to Samuel and Bessie Durant. His mother was a native of Williamsburg who moved with her husband to New York and worked as a domestic servant for a family. After the death of her husband, who was originally from the West Indies, Bessie Durant and her children relocated to Williamsburg, Virginia, in 1929.  &#13;
&#13;
At age 36, Durant married Elsie Lucille Ferguson on August 18, 1956. They raised three sons, Albert W. Durant Jr., Byron Murphy, and Roderick Ferguson, and two daughters, Yvette Durant and Deanna Ferguson.&#13;
&#13;
Albert Durant ran his own chauffeuring and limousine business in the Williamsburg area, providing services to many distinguished visitors to the city, including the Queen Mother of England, the Prince of Japan, and various chief justices. He often took his customers on excursions to local historic sites, including Colonial Williamsburg, Jamestown, and the James River plantations. Through course work at the College of William and Mary, Durant acquired a background in American history which enabled him to provide historical commentary as he drove customers through the countryside.&#13;
&#13;
Durant's contacts at the College of William and Mary sparked his initial interest in photography and once he had obtained equipment and training, Durant began creating his own historical record of the Williamsburg area. He produced hundreds of portraits documenting the families and activities of African American residents and also documented significant events, places, and persons in and around Williamsburg.&#13;
&#13;
In addition, Albert Durant worked to improve conditions for African Americans in Williamsburg by serving in various positions in the city's government. He acted as the first black Justice of the Peace and Bail Commissioner in Williamsburg and served as the first black magistrate of the General District Court from his appointment in 1962 until his retirement in 1975.&#13;
&#13;
Albert Durant died at age 71 on April 14, 1991.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Gelatin silver print</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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              <text>8 x 10 inches</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>DUR-5533</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Eastern Star Meeting</text>
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            </elementTextContainer>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="103410">
                <text>Photo of members of Eastern Star group at Mount Gilead Baptist Church, Williamsburg, Virginia area, ca. 1950s.  Front row, left to right: James Davis, Mildred Webb, Unidentified, Josephine Lee, Julia Reid, Dana Washington, Gertrude Reid, Meleina or Meloina Minkins, Dotcary Rice, Ella Mae Wallace, Polly  Lee, and Thomas Kearney. Back row, left to right, Unidentified, Mrs. Robinson, Ethel Cooke, Clara M Wright's mother, Sally Robinson, Unidentified, Unidentified, Carrie Minkins (Betty Lou's mother), and Florence Lee.</text>
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            <name>Creator</name>
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                <text>Durant, Albert W.</text>
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                <text>Circa  1950s</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>jpeg</text>
              </elementText>
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          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Image</text>
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            </elementTextContainer>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation</text>
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                <text>Order of the Eastern Star</text>
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                <text>Durant, Albert Wadsworth</text>
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                <text>Circa 1950s</text>
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                <text>Albert W Durant Photography Collection, AV-1992.1, Box 11, Folder 2</text>
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        <name>Thomas Kearney</name>
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                  <text>Selections from the Postcard Collection</text>
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                  <text>The Postcard Collection housed at the John D. Rockefeller Jr. Library consists of postcards of Williamsburg and surrounding areas dating from the late 19th-century to the present. It includes examples of early postcards of the town prior to its restoration by John D. Rockefeller Jr. In addition, it encompasses many examples of official postcards produced by Colonial Williamsburg for tourists. A smaller number of postcards of neighboring historic sites, such as Jamestown and Yorktown, are also present.&#13;
&#13;
The selections included here are primarily vintage postcards of Colonial Williamsburg and surrounding tourist attractions ranging in date from 1898 to the 1950s.  Early cards in the collection illustrate a range of common postcard types and reproduction techniques. The history of the postcard's development as a souvenir, as well as the growth of tourism in Williamsburg, can be traced via Colonial Williamsburg's Postcard Collection.&#13;
&#13;
During what is known as the Pioneer Era from 1870-1898, the first form of postcard, featuring an illustration on one side and an undivided back on the other, did not allow the sender to include a note, unless it was written across a portion of the image on the front. The majority of pioneering postcard formats served as advertisements up until the 1893 Columbia Exposition, when postcards first appeared as souvenirs for Exposition visitors to purchase.&#13;
&#13;
The Private Mailing Card Era from 1898-1901 is characterized by cards printed with the notice "Private Mailing Card Authorized by Act of Congress on May 19, 1898." Backs of the cards remained undivided and purchasers could mail the cards for a cost of one cent. Several examples of postcards from this era are present in the collection. They include some of the earliest instances of souvenir cards created to promote Williamsburg historic sites, such as the Courthouse, Bruton Parish Church, the Powder Magazine, and the Capitol site. European rather than American printers created many of these postcards due to their superb skills. Chromo-lithograph cards of this era exhibit extremely rich colors.&#13;
&#13;
By the time the Jamestown Exposition took place in 1907, postcard production had entered the Divided Back Era, which continued until 1915. Modified postcard backs offered a segment on the left side for senders to pen a brief message. Production of cards gradually shifted to more American printers. The Jamestown Exposition provided a strong impetus for promotion of other historic sites that attendees might also stop at along the way. A series of postcards commemorating Williamsburg area historic sites in conjunction with the 1907 celebration are excellent examples of very early divided back cards.&#13;
&#13;
The Early Modern Era between 1916-1930 led to an increase in production of souvenir cards relating to the Williamsburg area. One type of format popular in this period is the "White Border Card" characterized by a view surrounded with a white border. Real photo cards also began to appear that featured photographs, rather than prints, of local surroundings. In the era before Colonial Williamsburg operated official gift shops, tourists counted on the Cole News Shop as their source for maps, postcards, travel guides, and souvenirs. Mr. Henry Dennison Cole served as the proprietor. His business stood on the site of the present day Taliaferro-Cole Shop. He produced his own postcards of historic sites in the area being restored by the Association for the Preservation of Virginia Antiquities and other groups of preservation minded citizens. Several examples of cards published by the Cole Shop can be found in the collection and offer a glimpse of attractions popular with early 20th-century tourists, such as the old Masonic Hall and Custis Kitchen.&#13;
&#13;
Once Colonial Williamsburg opened a core group of exhibition buildings to the public in the early 1930s, a new era dawned in which the museum began production of official postcards as souvenirs for visitors. Photographs by F.S. Lincoln, an architectural photographer hired on a contract basis in 1935 to take some of the first promotional photos of Colonial Williamsburg exhibition buildings, appeared on a number of real photo postcards issued in the late 1930s. Both examples of postcards bearing his photos, as well as his actual photograph collection, reside at the Rockefeller Library.&#13;
&#13;
The Albertype Company of Brooklyn, New York, produced one of the earliest official postcard series highlighting Colonial Williamsburg exhibition buildings, costumed interpreters, Williamsburg Inn and Lodge, and Merchants Square. In addition to holding numerous examples of Albertype cards, the Rockefeller Library also houses the corresponding photographic prints used to generate the postcards.  Albertype cards are characterized by sepia toned images that show exterior and interior views of exhibition buildings, as well as some of the earliest scenes of African Americans in costume demonstrating colonial cooking techniques.&#13;
&#13;
For further information about Williamsburg postcards, please consult:&#13;
&#13;
Preacher, Kristopher J. "Williamsburg in Vintage Postcards." Charleston: Arcadia Publishing, 2002.&#13;
&#13;
Reisweber, Kurt. "Williamsburg in Old Post Cards." Colonial Williamsburg XXI, No.2, (June/July 1999): 52-57.</text>
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                <text>Bruton Parish Church and Church Yard, Williamsburg, Virginia</text>
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                <text>Block 21. Building 01.</text>
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                <text>Recto and verso of postcard featuring a view of the northwest elevation of Bruton Parish Church and its cemetery. Published by the Albertype Company and sold by H.D. Cole in his shop on Duke of Gloucester Street, it is an example of a souvenir card available to tourists prior to the existence of Colonial Williamsburg. &#13;
&#13;
The caption reads: "Built in 1710. Here Washington and three other presidents worshipped. The bell in the steeple, made in England in 1761, was the first in America to proclaim civil independence. The lecturn was presented by President Roosevelt, and the Bibles by King Edward VII, and President Wilson."</text>
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                <text>Albertype Co.</text>
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                <text>Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation</text>
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                <text>AV-2003-06-22-R&#13;
AV-2003-06-22-V</text>
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                  <text>Highlights of the Albert Durant Photography Collection</text>
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                  <text>The Albert Durant Photography Collection encompasses photoprints, negatives, slides, and personal papers that document the photographic production of Williamsburg's first black city-licensed photographer, Albert Durant. Durant's photographic output provides a priceless visual history of African American life in Williamsburg, Virginia and surrounding communities from the late 1930s to the early 1960s. Since the collection encompasses ten thousand images, highlights of some of the major subject categories covered by the photos are presented here. &#13;
&#13;
The collection provides a fascinating glimpse into African American social life in Williamsburg during the 1940s and 1950s. Durant captured the atmosphere of local jazz and night clubs through scenes of performers singing and dancing and audiences socializing. Durant also acted as photographer for many African American clubs and organizations. Along with taking formal group portraits, he documented these groups through informal shots of meetings, dinners, and special events. &#13;
&#13;
African American student life during segregation is also featured in this visual archive. While a high school student at James City County Training School, Durant  began developing his interest in photography by taking images of student activities, including sports, dances, plays, assemblies, and graduations.  As an adult, Durant acted as a portrait photographer for Junior-Senior Proms at local black high schools and also documented the sports teams, marching bands, choirs, students, and faculty at Bruton Heights School in Williamsburg. &#13;
&#13;
African American spiritual life is another strength of the collection. Durant photographed church groups, such as choirs and missionary circles, as well as individuals participating in rituals at many different black churches in the Williamsburg area. &#13;
&#13;
Occupations, working conditions, and business opportunities for African Americans in Williamsburg are  recorded in Durant's photos, too. The photos show African Americans working in restaurants, beauty and barber shops, stores, offices, dry cleaners, and gas stations. &#13;
&#13;
Albert Wadsworth Durant was born on February 2, 1920 in New York City to Samuel and Bessie Durant. His mother was a native of Williamsburg who moved with her husband to New York and worked as a domestic servant for a family. After the death of her husband, who was originally from the West Indies, Bessie Durant and her children relocated to Williamsburg, Virginia, in 1929.  &#13;
&#13;
At age 36, Durant married Elsie Lucille Ferguson on August 18, 1956. They raised three sons, Albert W. Durant Jr., Byron Murphy, and Roderick Ferguson, and two daughters, Yvette Durant and Deanna Ferguson.&#13;
&#13;
Albert Durant ran his own chauffeuring and limousine business in the Williamsburg area, providing services to many distinguished visitors to the city, including the Queen Mother of England, the Prince of Japan, and various chief justices. He often took his customers on excursions to local historic sites, including Colonial Williamsburg, Jamestown, and the James River plantations. Through course work at the College of William and Mary, Durant acquired a background in American history which enabled him to provide historical commentary as he drove customers through the countryside.&#13;
&#13;
Durant's contacts at the College of William and Mary sparked his initial interest in photography and once he had obtained equipment and training, Durant began creating his own historical record of the Williamsburg area. He produced hundreds of portraits documenting the families and activities of African American residents and also documented significant events, places, and persons in and around Williamsburg.&#13;
&#13;
In addition, Albert Durant worked to improve conditions for African Americans in Williamsburg by serving in various positions in the city's government. He acted as the first black Justice of the Peace and Bail Commissioner in Williamsburg and served as the first black magistrate of the General District Court from his appointment in 1962 until his retirement in 1975.&#13;
&#13;
Albert Durant died at age 71 on April 14, 1991.</text>
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              <text>Gelatin silver print</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Willing Trumpeters at Oak Grove Baptist Church</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>African American Churches - Virginia - Williamsburg - Photographs</text>
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                <text>The Willing Trumpeters at Oak Grove Baptist Church, Waller Mill and Bypass Roads, Williamsburg, VA, circa 1950's. Pictured are, first  row, women: Virgie Strong, Virginia Stone, Dorothy Haggins, Lillian Edwards, Helen King, and Bernice Lee; back row, men: Rufus Edwards, William Bartlett, Al Churchill, and John Churchill.&#13;
[Identifications supplied by Inez Thornton]</text>
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                <text>Durant, Albert W.</text>
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&#13;
The collection provides a fascinating glimpse into African American social life in Williamsburg during the 1940s and 1950s. Durant captured the atmosphere of local jazz and night clubs through scenes of performers singing and dancing and audiences socializing. Durant also acted as photographer for many African American clubs and organizations. Along with taking formal group portraits, he documented these groups through informal shots of meetings, dinners, and special events. &#13;
&#13;
African American student life during segregation is also featured in this visual archive. While a high school student at James City County Training School, Durant  began developing his interest in photography by taking images of student activities, including sports, dances, plays, assemblies, and graduations.  As an adult, Durant acted as a portrait photographer for Junior-Senior Proms at local black high schools and also documented the sports teams, marching bands, choirs, students, and faculty at Bruton Heights School in Williamsburg. &#13;
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African American spiritual life is another strength of the collection. Durant photographed church groups, such as choirs and missionary circles, as well as individuals participating in rituals at many different black churches in the Williamsburg area. &#13;
&#13;
Occupations, working conditions, and business opportunities for African Americans in Williamsburg are  recorded in Durant's photos, too. The photos show African Americans working in restaurants, beauty and barber shops, stores, offices, dry cleaners, and gas stations. &#13;
&#13;
Albert Wadsworth Durant was born on February 2, 1920 in New York City to Samuel and Bessie Durant. His mother was a native of Williamsburg who moved with her husband to New York and worked as a domestic servant for a family. After the death of her husband, who was originally from the West Indies, Bessie Durant and her children relocated to Williamsburg, Virginia, in 1929.  &#13;
&#13;
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&#13;
Albert Durant ran his own chauffeuring and limousine business in the Williamsburg area, providing services to many distinguished visitors to the city, including the Queen Mother of England, the Prince of Japan, and various chief justices. He often took his customers on excursions to local historic sites, including Colonial Williamsburg, Jamestown, and the James River plantations. Through course work at the College of William and Mary, Durant acquired a background in American history which enabled him to provide historical commentary as he drove customers through the countryside.&#13;
&#13;
Durant's contacts at the College of William and Mary sparked his initial interest in photography and once he had obtained equipment and training, Durant began creating his own historical record of the Williamsburg area. He produced hundreds of portraits documenting the families and activities of African American residents and also documented significant events, places, and persons in and around Williamsburg.&#13;
&#13;
In addition, Albert Durant worked to improve conditions for African Americans in Williamsburg by serving in various positions in the city's government. He acted as the first black Justice of the Peace and Bail Commissioner in Williamsburg and served as the first black magistrate of the General District Court from his appointment in 1962 until his retirement in 1975.&#13;
&#13;
Albert Durant died at age 71 on April 14, 1991.</text>
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&#13;
The collection provides a fascinating glimpse into African American social life in Williamsburg during the 1940s and 1950s. Durant captured the atmosphere of local jazz and night clubs through scenes of performers singing and dancing and audiences socializing. Durant also acted as photographer for many African American clubs and organizations. Along with taking formal group portraits, he documented these groups through informal shots of meetings, dinners, and special events. &#13;
&#13;
African American student life during segregation is also featured in this visual archive. While a high school student at James City County Training School, Durant  began developing his interest in photography by taking images of student activities, including sports, dances, plays, assemblies, and graduations.  As an adult, Durant acted as a portrait photographer for Junior-Senior Proms at local black high schools and also documented the sports teams, marching bands, choirs, students, and faculty at Bruton Heights School in Williamsburg. &#13;
&#13;
African American spiritual life is another strength of the collection. Durant photographed church groups, such as choirs and missionary circles, as well as individuals participating in rituals at many different black churches in the Williamsburg area. &#13;
&#13;
Occupations, working conditions, and business opportunities for African Americans in Williamsburg are  recorded in Durant's photos, too. The photos show African Americans working in restaurants, beauty and barber shops, stores, offices, dry cleaners, and gas stations. &#13;
&#13;
Albert Wadsworth Durant was born on February 2, 1920 in New York City to Samuel and Bessie Durant. His mother was a native of Williamsburg who moved with her husband to New York and worked as a domestic servant for a family. After the death of her husband, who was originally from the West Indies, Bessie Durant and her children relocated to Williamsburg, Virginia, in 1929.  &#13;
&#13;
At age 36, Durant married Elsie Lucille Ferguson on August 18, 1956. They raised three sons, Albert W. Durant Jr., Byron Murphy, and Roderick Ferguson, and two daughters, Yvette Durant and Deanna Ferguson.&#13;
&#13;
Albert Durant ran his own chauffeuring and limousine business in the Williamsburg area, providing services to many distinguished visitors to the city, including the Queen Mother of England, the Prince of Japan, and various chief justices. He often took his customers on excursions to local historic sites, including Colonial Williamsburg, Jamestown, and the James River plantations. Through course work at the College of William and Mary, Durant acquired a background in American history which enabled him to provide historical commentary as he drove customers through the countryside.&#13;
&#13;
Durant's contacts at the College of William and Mary sparked his initial interest in photography and once he had obtained equipment and training, Durant began creating his own historical record of the Williamsburg area. He produced hundreds of portraits documenting the families and activities of African American residents and also documented significant events, places, and persons in and around Williamsburg.&#13;
&#13;
In addition, Albert Durant worked to improve conditions for African Americans in Williamsburg by serving in various positions in the city's government. He acted as the first black Justice of the Peace and Bail Commissioner in Williamsburg and served as the first black magistrate of the General District Court from his appointment in 1962 until his retirement in 1975.&#13;
&#13;
Albert Durant died at age 71 on April 14, 1991.</text>
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&#13;
The collection provides a fascinating glimpse into African American social life in Williamsburg during the 1940s and 1950s. Durant captured the atmosphere of local jazz and night clubs through scenes of performers singing and dancing and audiences socializing. Durant also acted as photographer for many African American clubs and organizations. Along with taking formal group portraits, he documented these groups through informal shots of meetings, dinners, and special events. &#13;
&#13;
African American student life during segregation is also featured in this visual archive. While a high school student at James City County Training School, Durant  began developing his interest in photography by taking images of student activities, including sports, dances, plays, assemblies, and graduations.  As an adult, Durant acted as a portrait photographer for Junior-Senior Proms at local black high schools and also documented the sports teams, marching bands, choirs, students, and faculty at Bruton Heights School in Williamsburg. &#13;
&#13;
African American spiritual life is another strength of the collection. Durant photographed church groups, such as choirs and missionary circles, as well as individuals participating in rituals at many different black churches in the Williamsburg area. &#13;
&#13;
Occupations, working conditions, and business opportunities for African Americans in Williamsburg are  recorded in Durant's photos, too. The photos show African Americans working in restaurants, beauty and barber shops, stores, offices, dry cleaners, and gas stations. &#13;
&#13;
Albert Wadsworth Durant was born on February 2, 1920 in New York City to Samuel and Bessie Durant. His mother was a native of Williamsburg who moved with her husband to New York and worked as a domestic servant for a family. After the death of her husband, who was originally from the West Indies, Bessie Durant and her children relocated to Williamsburg, Virginia, in 1929.  &#13;
&#13;
At age 36, Durant married Elsie Lucille Ferguson on August 18, 1956. They raised three sons, Albert W. Durant Jr., Byron Murphy, and Roderick Ferguson, and two daughters, Yvette Durant and Deanna Ferguson.&#13;
&#13;
Albert Durant ran his own chauffeuring and limousine business in the Williamsburg area, providing services to many distinguished visitors to the city, including the Queen Mother of England, the Prince of Japan, and various chief justices. He often took his customers on excursions to local historic sites, including Colonial Williamsburg, Jamestown, and the James River plantations. Through course work at the College of William and Mary, Durant acquired a background in American history which enabled him to provide historical commentary as he drove customers through the countryside.&#13;
&#13;
Durant's contacts at the College of William and Mary sparked his initial interest in photography and once he had obtained equipment and training, Durant began creating his own historical record of the Williamsburg area. He produced hundreds of portraits documenting the families and activities of African American residents and also documented significant events, places, and persons in and around Williamsburg.&#13;
&#13;
In addition, Albert Durant worked to improve conditions for African Americans in Williamsburg by serving in various positions in the city's government. He acted as the first black Justice of the Peace and Bail Commissioner in Williamsburg and served as the first black magistrate of the General District Court from his appointment in 1962 until his retirement in 1975.&#13;
&#13;
Albert Durant died at age 71 on April 14, 1991.</text>
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&#13;
The collection provides a fascinating glimpse into African American social life in Williamsburg during the 1940s and 1950s. Durant captured the atmosphere of local jazz and night clubs through scenes of performers singing and dancing and audiences socializing. Durant also acted as photographer for many African American clubs and organizations. Along with taking formal group portraits, he documented these groups through informal shots of meetings, dinners, and special events. &#13;
&#13;
African American student life during segregation is also featured in this visual archive. While a high school student at James City County Training School, Durant  began developing his interest in photography by taking images of student activities, including sports, dances, plays, assemblies, and graduations.  As an adult, Durant acted as a portrait photographer for Junior-Senior Proms at local black high schools and also documented the sports teams, marching bands, choirs, students, and faculty at Bruton Heights School in Williamsburg. &#13;
&#13;
African American spiritual life is another strength of the collection. Durant photographed church groups, such as choirs and missionary circles, as well as individuals participating in rituals at many different black churches in the Williamsburg area. &#13;
&#13;
Occupations, working conditions, and business opportunities for African Americans in Williamsburg are  recorded in Durant's photos, too. The photos show African Americans working in restaurants, beauty and barber shops, stores, offices, dry cleaners, and gas stations. &#13;
&#13;
Albert Wadsworth Durant was born on February 2, 1920 in New York City to Samuel and Bessie Durant. His mother was a native of Williamsburg who moved with her husband to New York and worked as a domestic servant for a family. After the death of her husband, who was originally from the West Indies, Bessie Durant and her children relocated to Williamsburg, Virginia, in 1929.  &#13;
&#13;
At age 36, Durant married Elsie Lucille Ferguson on August 18, 1956. They raised three sons, Albert W. Durant Jr., Byron Murphy, and Roderick Ferguson, and two daughters, Yvette Durant and Deanna Ferguson.&#13;
&#13;
Albert Durant ran his own chauffeuring and limousine business in the Williamsburg area, providing services to many distinguished visitors to the city, including the Queen Mother of England, the Prince of Japan, and various chief justices. He often took his customers on excursions to local historic sites, including Colonial Williamsburg, Jamestown, and the James River plantations. Through course work at the College of William and Mary, Durant acquired a background in American history which enabled him to provide historical commentary as he drove customers through the countryside.&#13;
&#13;
Durant's contacts at the College of William and Mary sparked his initial interest in photography and once he had obtained equipment and training, Durant began creating his own historical record of the Williamsburg area. He produced hundreds of portraits documenting the families and activities of African American residents and also documented significant events, places, and persons in and around Williamsburg.&#13;
&#13;
In addition, Albert Durant worked to improve conditions for African Americans in Williamsburg by serving in various positions in the city's government. He acted as the first black Justice of the Peace and Bail Commissioner in Williamsburg and served as the first black magistrate of the General District Court from his appointment in 1962 until his retirement in 1975.&#13;
&#13;
Albert Durant died at age 71 on April 14, 1991.</text>
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&#13;
The collection provides a fascinating glimpse into African American social life in Williamsburg during the 1940s and 1950s. Durant captured the atmosphere of local jazz and night clubs through scenes of performers singing and dancing and audiences socializing. Durant also acted as photographer for many African American clubs and organizations. Along with taking formal group portraits, he documented these groups through informal shots of meetings, dinners, and special events. &#13;
&#13;
African American student life during segregation is also featured in this visual archive. While a high school student at James City County Training School, Durant  began developing his interest in photography by taking images of student activities, including sports, dances, plays, assemblies, and graduations.  As an adult, Durant acted as a portrait photographer for Junior-Senior Proms at local black high schools and also documented the sports teams, marching bands, choirs, students, and faculty at Bruton Heights School in Williamsburg. &#13;
&#13;
African American spiritual life is another strength of the collection. Durant photographed church groups, such as choirs and missionary circles, as well as individuals participating in rituals at many different black churches in the Williamsburg area. &#13;
&#13;
Occupations, working conditions, and business opportunities for African Americans in Williamsburg are  recorded in Durant's photos, too. The photos show African Americans working in restaurants, beauty and barber shops, stores, offices, dry cleaners, and gas stations. &#13;
&#13;
Albert Wadsworth Durant was born on February 2, 1920 in New York City to Samuel and Bessie Durant. His mother was a native of Williamsburg who moved with her husband to New York and worked as a domestic servant for a family. After the death of her husband, who was originally from the West Indies, Bessie Durant and her children relocated to Williamsburg, Virginia, in 1929.  &#13;
&#13;
At age 36, Durant married Elsie Lucille Ferguson on August 18, 1956. They raised three sons, Albert W. Durant Jr., Byron Murphy, and Roderick Ferguson, and two daughters, Yvette Durant and Deanna Ferguson.&#13;
&#13;
Albert Durant ran his own chauffeuring and limousine business in the Williamsburg area, providing services to many distinguished visitors to the city, including the Queen Mother of England, the Prince of Japan, and various chief justices. He often took his customers on excursions to local historic sites, including Colonial Williamsburg, Jamestown, and the James River plantations. Through course work at the College of William and Mary, Durant acquired a background in American history which enabled him to provide historical commentary as he drove customers through the countryside.&#13;
&#13;
Durant's contacts at the College of William and Mary sparked his initial interest in photography and once he had obtained equipment and training, Durant began creating his own historical record of the Williamsburg area. He produced hundreds of portraits documenting the families and activities of African American residents and also documented significant events, places, and persons in and around Williamsburg.&#13;
&#13;
In addition, Albert Durant worked to improve conditions for African Americans in Williamsburg by serving in various positions in the city's government. He acted as the first black Justice of the Peace and Bail Commissioner in Williamsburg and served as the first black magistrate of the General District Court from his appointment in 1962 until his retirement in 1975.&#13;
&#13;
Albert Durant died at age 71 on April 14, 1991.</text>
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&#13;
The collection provides a fascinating glimpse into African American social life in Williamsburg during the 1940s and 1950s. Durant captured the atmosphere of local jazz and night clubs through scenes of performers singing and dancing and audiences socializing. Durant also acted as photographer for many African American clubs and organizations. Along with taking formal group portraits, he documented these groups through informal shots of meetings, dinners, and special events. &#13;
&#13;
African American student life during segregation is also featured in this visual archive. While a high school student at James City County Training School, Durant  began developing his interest in photography by taking images of student activities, including sports, dances, plays, assemblies, and graduations.  As an adult, Durant acted as a portrait photographer for Junior-Senior Proms at local black high schools and also documented the sports teams, marching bands, choirs, students, and faculty at Bruton Heights School in Williamsburg. &#13;
&#13;
African American spiritual life is another strength of the collection. Durant photographed church groups, such as choirs and missionary circles, as well as individuals participating in rituals at many different black churches in the Williamsburg area. &#13;
&#13;
Occupations, working conditions, and business opportunities for African Americans in Williamsburg are  recorded in Durant's photos, too. The photos show African Americans working in restaurants, beauty and barber shops, stores, offices, dry cleaners, and gas stations. &#13;
&#13;
Albert Wadsworth Durant was born on February 2, 1920 in New York City to Samuel and Bessie Durant. His mother was a native of Williamsburg who moved with her husband to New York and worked as a domestic servant for a family. After the death of her husband, who was originally from the West Indies, Bessie Durant and her children relocated to Williamsburg, Virginia, in 1929.  &#13;
&#13;
At age 36, Durant married Elsie Lucille Ferguson on August 18, 1956. They raised three sons, Albert W. Durant Jr., Byron Murphy, and Roderick Ferguson, and two daughters, Yvette Durant and Deanna Ferguson.&#13;
&#13;
Albert Durant ran his own chauffeuring and limousine business in the Williamsburg area, providing services to many distinguished visitors to the city, including the Queen Mother of England, the Prince of Japan, and various chief justices. He often took his customers on excursions to local historic sites, including Colonial Williamsburg, Jamestown, and the James River plantations. Through course work at the College of William and Mary, Durant acquired a background in American history which enabled him to provide historical commentary as he drove customers through the countryside.&#13;
&#13;
Durant's contacts at the College of William and Mary sparked his initial interest in photography and once he had obtained equipment and training, Durant began creating his own historical record of the Williamsburg area. He produced hundreds of portraits documenting the families and activities of African American residents and also documented significant events, places, and persons in and around Williamsburg.&#13;
&#13;
In addition, Albert Durant worked to improve conditions for African Americans in Williamsburg by serving in various positions in the city's government. He acted as the first black Justice of the Peace and Bail Commissioner in Williamsburg and served as the first black magistrate of the General District Court from his appointment in 1962 until his retirement in 1975.&#13;
&#13;
Albert Durant died at age 71 on April 14, 1991.</text>
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&#13;
The collection provides a fascinating glimpse into African American social life in Williamsburg during the 1940s and 1950s. Durant captured the atmosphere of local jazz and night clubs through scenes of performers singing and dancing and audiences socializing. Durant also acted as photographer for many African American clubs and organizations. Along with taking formal group portraits, he documented these groups through informal shots of meetings, dinners, and special events. &#13;
&#13;
African American student life during segregation is also featured in this visual archive. While a high school student at James City County Training School, Durant  began developing his interest in photography by taking images of student activities, including sports, dances, plays, assemblies, and graduations.  As an adult, Durant acted as a portrait photographer for Junior-Senior Proms at local black high schools and also documented the sports teams, marching bands, choirs, students, and faculty at Bruton Heights School in Williamsburg. &#13;
&#13;
African American spiritual life is another strength of the collection. Durant photographed church groups, such as choirs and missionary circles, as well as individuals participating in rituals at many different black churches in the Williamsburg area. &#13;
&#13;
Occupations, working conditions, and business opportunities for African Americans in Williamsburg are  recorded in Durant's photos, too. The photos show African Americans working in restaurants, beauty and barber shops, stores, offices, dry cleaners, and gas stations. &#13;
&#13;
Albert Wadsworth Durant was born on February 2, 1920 in New York City to Samuel and Bessie Durant. His mother was a native of Williamsburg who moved with her husband to New York and worked as a domestic servant for a family. After the death of her husband, who was originally from the West Indies, Bessie Durant and her children relocated to Williamsburg, Virginia, in 1929.  &#13;
&#13;
At age 36, Durant married Elsie Lucille Ferguson on August 18, 1956. They raised three sons, Albert W. Durant Jr., Byron Murphy, and Roderick Ferguson, and two daughters, Yvette Durant and Deanna Ferguson.&#13;
&#13;
Albert Durant ran his own chauffeuring and limousine business in the Williamsburg area, providing services to many distinguished visitors to the city, including the Queen Mother of England, the Prince of Japan, and various chief justices. He often took his customers on excursions to local historic sites, including Colonial Williamsburg, Jamestown, and the James River plantations. Through course work at the College of William and Mary, Durant acquired a background in American history which enabled him to provide historical commentary as he drove customers through the countryside.&#13;
&#13;
Durant's contacts at the College of William and Mary sparked his initial interest in photography and once he had obtained equipment and training, Durant began creating his own historical record of the Williamsburg area. He produced hundreds of portraits documenting the families and activities of African American residents and also documented significant events, places, and persons in and around Williamsburg.&#13;
&#13;
In addition, Albert Durant worked to improve conditions for African Americans in Williamsburg by serving in various positions in the city's government. He acted as the first black Justice of the Peace and Bail Commissioner in Williamsburg and served as the first black magistrate of the General District Court from his appointment in 1962 until his retirement in 1975.&#13;
&#13;
Albert Durant died at age 71 on April 14, 1991.</text>
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&#13;
The collection provides a fascinating glimpse into African American social life in Williamsburg during the 1940s and 1950s. Durant captured the atmosphere of local jazz and night clubs through scenes of performers singing and dancing and audiences socializing. Durant also acted as photographer for many African American clubs and organizations. Along with taking formal group portraits, he documented these groups through informal shots of meetings, dinners, and special events. &#13;
&#13;
African American student life during segregation is also featured in this visual archive. While a high school student at James City County Training School, Durant  began developing his interest in photography by taking images of student activities, including sports, dances, plays, assemblies, and graduations.  As an adult, Durant acted as a portrait photographer for Junior-Senior Proms at local black high schools and also documented the sports teams, marching bands, choirs, students, and faculty at Bruton Heights School in Williamsburg. &#13;
&#13;
African American spiritual life is another strength of the collection. Durant photographed church groups, such as choirs and missionary circles, as well as individuals participating in rituals at many different black churches in the Williamsburg area. &#13;
&#13;
Occupations, working conditions, and business opportunities for African Americans in Williamsburg are  recorded in Durant's photos, too. The photos show African Americans working in restaurants, beauty and barber shops, stores, offices, dry cleaners, and gas stations. &#13;
&#13;
Albert Wadsworth Durant was born on February 2, 1920 in New York City to Samuel and Bessie Durant. His mother was a native of Williamsburg who moved with her husband to New York and worked as a domestic servant for a family. After the death of her husband, who was originally from the West Indies, Bessie Durant and her children relocated to Williamsburg, Virginia, in 1929.  &#13;
&#13;
At age 36, Durant married Elsie Lucille Ferguson on August 18, 1956. They raised three sons, Albert W. Durant Jr., Byron Murphy, and Roderick Ferguson, and two daughters, Yvette Durant and Deanna Ferguson.&#13;
&#13;
Albert Durant ran his own chauffeuring and limousine business in the Williamsburg area, providing services to many distinguished visitors to the city, including the Queen Mother of England, the Prince of Japan, and various chief justices. He often took his customers on excursions to local historic sites, including Colonial Williamsburg, Jamestown, and the James River plantations. Through course work at the College of William and Mary, Durant acquired a background in American history which enabled him to provide historical commentary as he drove customers through the countryside.&#13;
&#13;
Durant's contacts at the College of William and Mary sparked his initial interest in photography and once he had obtained equipment and training, Durant began creating his own historical record of the Williamsburg area. He produced hundreds of portraits documenting the families and activities of African American residents and also documented significant events, places, and persons in and around Williamsburg.&#13;
&#13;
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&#13;
Albert Durant died at age 71 on April 14, 1991.</text>
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&#13;
The collection provides a fascinating glimpse into African American social life in Williamsburg during the 1940s and 1950s. Durant captured the atmosphere of local jazz and night clubs through scenes of performers singing and dancing and audiences socializing. Durant also acted as photographer for many African American clubs and organizations. Along with taking formal group portraits, he documented these groups through informal shots of meetings, dinners, and special events. &#13;
&#13;
African American student life during segregation is also featured in this visual archive. While a high school student at James City County Training School, Durant  began developing his interest in photography by taking images of student activities, including sports, dances, plays, assemblies, and graduations.  As an adult, Durant acted as a portrait photographer for Junior-Senior Proms at local black high schools and also documented the sports teams, marching bands, choirs, students, and faculty at Bruton Heights School in Williamsburg. &#13;
&#13;
African American spiritual life is another strength of the collection. Durant photographed church groups, such as choirs and missionary circles, as well as individuals participating in rituals at many different black churches in the Williamsburg area. &#13;
&#13;
Occupations, working conditions, and business opportunities for African Americans in Williamsburg are  recorded in Durant's photos, too. The photos show African Americans working in restaurants, beauty and barber shops, stores, offices, dry cleaners, and gas stations. &#13;
&#13;
Albert Wadsworth Durant was born on February 2, 1920 in New York City to Samuel and Bessie Durant. His mother was a native of Williamsburg who moved with her husband to New York and worked as a domestic servant for a family. After the death of her husband, who was originally from the West Indies, Bessie Durant and her children relocated to Williamsburg, Virginia, in 1929.  &#13;
&#13;
At age 36, Durant married Elsie Lucille Ferguson on August 18, 1956. They raised three sons, Albert W. Durant Jr., Byron Murphy, and Roderick Ferguson, and two daughters, Yvette Durant and Deanna Ferguson.&#13;
&#13;
Albert Durant ran his own chauffeuring and limousine business in the Williamsburg area, providing services to many distinguished visitors to the city, including the Queen Mother of England, the Prince of Japan, and various chief justices. He often took his customers on excursions to local historic sites, including Colonial Williamsburg, Jamestown, and the James River plantations. Through course work at the College of William and Mary, Durant acquired a background in American history which enabled him to provide historical commentary as he drove customers through the countryside.&#13;
&#13;
Durant's contacts at the College of William and Mary sparked his initial interest in photography and once he had obtained equipment and training, Durant began creating his own historical record of the Williamsburg area. He produced hundreds of portraits documenting the families and activities of African American residents and also documented significant events, places, and persons in and around Williamsburg.&#13;
&#13;
In addition, Albert Durant worked to improve conditions for African Americans in Williamsburg by serving in various positions in the city's government. He acted as the first black Justice of the Peace and Bail Commissioner in Williamsburg and served as the first black magistrate of the General District Court from his appointment in 1962 until his retirement in 1975.&#13;
&#13;
Albert Durant died at age 71 on April 14, 1991.</text>
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              <text>Gelatin silver print</text>
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                <text>Well Baby Contest</text>
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                <text>Well-baby contest at St. John Baptist Church, Williamsburg, Va. 1948. Back row: Mr. Robert, Helen Roberts, Alise Stephens, Lula Lee. Middle row: Frances White, Mrs. Reed, Alma Lee Colley with baby “Sugarplum,” Edna Dillard Tabb with baby Yvonne. Front row: Beatrice White, Margaret Randall, Marion Kelly, Martha Morton. </text>
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            <name>Creator</name>
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                <text>Durant, Albert W.</text>
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                <text>Albert w. Durant Photography Collection, AV-1992.1, Box 11, Folder 2</text>
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                <text>DUR-3476 and also DUR-5472</text>
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                <text>Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation</text>
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        <name>Albert Wadsworth Durant</name>
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        <name>Churches</name>
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        <name>Families</name>
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        <name>Frances White</name>
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        <name>Health and Hygiene</name>
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        <name>Helen Roberts</name>
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        <name>Lula Lee</name>
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        <name>Margaret Randall</name>
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        <name>Marion Kelly</name>
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        <name>Martha Morton</name>
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        <name>St. John Baptist Church</name>
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        <name>Virginia</name>
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        <name>Well Baby Contest</name>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Highlights of the Albert Durant Photography Collection</text>
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                  <text>The Albert Durant Photography Collection encompasses photoprints, negatives, slides, and personal papers that document the photographic production of Williamsburg's first black city-licensed photographer, Albert Durant. Durant's photographic output provides a priceless visual history of African American life in Williamsburg, Virginia and surrounding communities from the late 1930s to the early 1960s. Since the collection encompasses ten thousand images, highlights of some of the major subject categories covered by the photos are presented here. &#13;
&#13;
The collection provides a fascinating glimpse into African American social life in Williamsburg during the 1940s and 1950s. Durant captured the atmosphere of local jazz and night clubs through scenes of performers singing and dancing and audiences socializing. Durant also acted as photographer for many African American clubs and organizations. Along with taking formal group portraits, he documented these groups through informal shots of meetings, dinners, and special events. &#13;
&#13;
African American student life during segregation is also featured in this visual archive. While a high school student at James City County Training School, Durant  began developing his interest in photography by taking images of student activities, including sports, dances, plays, assemblies, and graduations.  As an adult, Durant acted as a portrait photographer for Junior-Senior Proms at local black high schools and also documented the sports teams, marching bands, choirs, students, and faculty at Bruton Heights School in Williamsburg. &#13;
&#13;
African American spiritual life is another strength of the collection. Durant photographed church groups, such as choirs and missionary circles, as well as individuals participating in rituals at many different black churches in the Williamsburg area. &#13;
&#13;
Occupations, working conditions, and business opportunities for African Americans in Williamsburg are  recorded in Durant's photos, too. The photos show African Americans working in restaurants, beauty and barber shops, stores, offices, dry cleaners, and gas stations. &#13;
&#13;
Albert Wadsworth Durant was born on February 2, 1920 in New York City to Samuel and Bessie Durant. His mother was a native of Williamsburg who moved with her husband to New York and worked as a domestic servant for a family. After the death of her husband, who was originally from the West Indies, Bessie Durant and her children relocated to Williamsburg, Virginia, in 1929.  &#13;
&#13;
At age 36, Durant married Elsie Lucille Ferguson on August 18, 1956. They raised three sons, Albert W. Durant Jr., Byron Murphy, and Roderick Ferguson, and two daughters, Yvette Durant and Deanna Ferguson.&#13;
&#13;
Albert Durant ran his own chauffeuring and limousine business in the Williamsburg area, providing services to many distinguished visitors to the city, including the Queen Mother of England, the Prince of Japan, and various chief justices. He often took his customers on excursions to local historic sites, including Colonial Williamsburg, Jamestown, and the James River plantations. Through course work at the College of William and Mary, Durant acquired a background in American history which enabled him to provide historical commentary as he drove customers through the countryside.&#13;
&#13;
Durant's contacts at the College of William and Mary sparked his initial interest in photography and once he had obtained equipment and training, Durant began creating his own historical record of the Williamsburg area. He produced hundreds of portraits documenting the families and activities of African American residents and also documented significant events, places, and persons in and around Williamsburg.&#13;
&#13;
In addition, Albert Durant worked to improve conditions for African Americans in Williamsburg by serving in various positions in the city's government. He acted as the first black Justice of the Peace and Bail Commissioner in Williamsburg and served as the first black magistrate of the General District Court from his appointment in 1962 until his retirement in 1975.&#13;
&#13;
Albert Durant died at age 71 on April 14, 1991.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Gelatin silver print</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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              <text>8x10 inches</text>
            </elementText>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>First Baptist Church, Williamsburg, Virginia</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>African American Photographers</text>
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              <elementText elementTextId="111762">
                <text>African American churches - Virginia - Williamsburg - Photographs</text>
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                <text>Church architecture - Virginia - WIlliamsburg</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Copy photo by Albert Durant of nineteenth-century photo of First Baptist Church, Nassau Street, Williamsburg, Virginia, erected in 1885.  Caption reads '165 years of continuous service'.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Durant, Albert W,</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>195003</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>195003</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Albert Durant Photography Collection, AV1992.1, Box 14a, Folder 3</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>DUR-1384</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation</text>
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        <name>African American Churches</name>
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        <name>Church Architecture</name>
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        <name>First Baptist Church</name>
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        <name>Nassau Street</name>
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        <name>Virginia</name>
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        <name>Williamsburg</name>
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