1
20
65
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/fa7cb10b89df424cb9d415d2ddfde3be.jpg?Expires=1712793600&Signature=dkwpjQN-Awm3motZ8YWYxIHL22ffVoeRiT%7EfLH1BKLPwFa5CDlKjOVjDp9QA3EvR4OBMoRjLU8U83WBkdinVV-Za64fzbMZhAvMz3rIdeZsYisJ4ZUg1Mel6Y4FCig2zC26BKgQagUtF3YQOEkv2ue461EgL7gtTLzx1-dBmssqEEvN9sbaLLHI1BNf4ioBc-98ELPTIVoPoI1iNt7T9XY3OsnfV7RQf7U-9lWaPErQq6oUYjBXbvBYYzbON5aFaDaS5STGh2xZN58RLZ0AO9aZyMhUoCVKcitIP92p1m-UPs5LOx%7ELIhJ-iCzrhR6vOZybdAHcBTizePYV5YlZGdA__&Key-Pair-Id=K6UGZS9ZTDSZM
956bdad5ccf97b4e243a1375d3b4884a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Finlay Forbes Ferguson Jr. Photograph Collection
Subject
The topic of the resource
Architecture, Domestic - Virginia - Williamsburg
Public buildings - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Williamsburg (Va.) - Photographs
Williamsburg (Va.) - Buildings, structures, etc.
Description
An account of the resource
The son of Norfolk architect Finlay Forbes Ferguson Sr., who served as an Advisory Architect in the late 1920s as Williamsburg’s restoration began, Finlay Ferguson Jr. contributed to two different periods of architectural projects at Colonial Williamsburg. A graduate of the University of Virginia’s architecture program, Finlay Jr. started the first phase of his career working as a draftsman at Colonial Williamsburg between 1930-1933. He assisted other members of the research and design team with preparation of conjectural sketches, preliminary elevations and floor plans, and final measured drawings. Finlay left Williamsburg to work in his father’s architectural firm, Peebles and Ferguson, on the restoration of Fort Macon in Moorehead City, North Carolina between 1934-1935. He continued his association with the Norfolk firm until 1939, when he returned to Colonial Williamsburg to work on research and design for the restoration of Bruton Parish Church until 1943. After serving in the Navy during the remainder of World War II, Ferguson resumed practicing architecture in Norfolk. His early association with Colonial Williamsburg allowed him to become a respected expert in architectural restoration and he oversaw projects at the Adam Thoroughgood House, the Moses Myers House, the Willoughby-Baylor House, and the Old Norfolk Academy. Ferguson also designed the General Douglas MacArthur Memorial and restored St. Paul’s Episcopal Church in Edenton, North Carolina.
Ferguson joined his architectural colleagues in taking numerous photographs of both ongoing work in the Historic Area and field research at other sites. These are preserved in the Finlay Forbes Ferguson Jr. Photograph Collection, AV2009.16, which encompasses over four hundred black and white images of restoration projects underway in Williamsburg’s Historic Area, as well as architectural design precedents at historic sites in Virginia, Maryland, North Carolina, and South Carolina used to facilitate reconstruction of details not documented in historical records, archaeological investigations, or visual representations.
Creator
An entity primarily responsible for making the resource
Ferguson, Finlay Forbes
Date
A point or period of time associated with an event in the lifecycle of the resource
1933-1943
Is Part Of
A related resource in which the described resource is physically or logically included.
Finlay Forbes Ferguson Jr. Photograph Collection, AV2009.16
Extent
The size or duration of the resource.
439 photographs
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
2.5x3.5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Coke-Garret House
Creator
An entity primarily responsible for making the resource
Ferguson, Finlay Forbes Jr.
Date
A point or period of time associated with an event in the lifecycle of the resource
1941
Is Part Of
A related resource in which the described resource is physically or logically included.
Finlay Forbes Ferguson Jr. Photograph Collection, AV2009.16, Box 1, Folder 2.
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 photograph
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
AV2009-16_FER0175
Subject
The topic of the resource
Coke-Garrett House (Williamsburg, Va.)
Block 27. Building 01.
Architecture, Domestic - Virginia - Williamsburg
Description
An account of the resource
View looking north across Nicholson Street towards a lamppost, fence, and a portion of the south elevation of the Coke-Garrett House, Williamsburg, Virginia.
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation.
Coke-Garrett House
Fences
Finlay Forbes Ferguson
Lampposts
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/d95f7efcc7ee48f775ff2b9135bbaead.jpg?Expires=1712793600&Signature=Hj3e5iYQ-vWLbXLMfmuDwuFzJ37TEKDuYngUpv-vu5Y%7ETVEWLzysxQL-Vj1kz%7E618JVciktgQ58Pv4HS6QmtfhD8%7EY2njdNNIwGFhQ9HTb70I7yONAngzkHzj%7EeUAMM07dGR08KRUXMdWcyY0FZ0X1cd9zxGcBfLo2TFl7AsDofynaP%7EGHeS5uzjnOujsIPOLl0CEEFOPAhyjnRzahF10H9iFfvYFL7y73RVNrlpDQ1WEdSanYJhQIyDpVsXzUTKxxFoQhhfo8lCVnMZoh3%7EJ7vDWTltz85fLmYM4i1-UfbAH9gyO0Fbz2ze-Bn7TnXilPk8Bu%7ECKJ4MTvXLJ0tPxQ__&Key-Pair-Id=K6UGZS9ZTDSZM
da00d068208dd7532119929a9ae92c09
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Arthur Shurcliff Bird's-Eye View Pencil Sketches
Subject
The topic of the resource
Shurcliff, Arthur A. (Arthur Asahel), 1870-1957
Landscape architecture - Virginia - Williamsburg
Williamsburg (Va.) - Buildings, structures, etc.
Landscape drawings
Extent
The size or duration of the resource.
138 drawings
Description
An account of the resource
Arthur A. Shurcliff [ne Shurtleff] (1870 – 1957) was the Colonial Williamsburg Foundation’s first landscape architect. A student of Frederick Law Olmsted, Sr., considered the father of landscape architecture in America, Shurcliff’s Williamsburg gardens are recognized as consummate examples of the Colonial Revival style.
Arthur Shurcliff arrived in Williamsburg in 1928 to join the Williamsburg office of architects Perry, Shaw and Hepburn. A graduate of the Massachusetts Institute of Technology and Harvard University, Shurcliff worked in the office of well-known landscape architects, Charles W. Eliot and Frederick Law Olmsted Sr. in Brookline, Massachusetts between 1896-1905. He then opened his own landscape design practice and received commissions for many landscape projects in Boston, such as the grounds of the Boston Museum of Fine Arts, the Charles River Esplanade, and the Franklin Park Zoo. Between 1928 and 1941, Shurcliff oversaw the planning and layout of gardens at Colonial Williamsburg, as well as of traffic patterns, parking, and street curb design, and continued to advise in a consultant capacity until just before his death in 1957.
Shurcliff’s series of pencil sketches on tissue paper are conceptual views, many from a bird’s-eye perspective, that he and his associates designed to serve as illustrations for discussions about how guests would access the overall Historic Area, as well as specific gardens, and navigate through them. Some also offer ground level views of vistas and landscape features to show the strengths and weaknesses of several variations for a particular design concept.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Pencil on paper
Physical Dimensions
The actual physical size of the original image.
26in x 19 7/8in
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
Shurcliff, Arthur
Date
A point or period of time associated with an event in the lifecycle of the resource
1928
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 drawing
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
AV2021.05-092-001
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation.
Subject
The topic of the resource
Coke-Garrett House (Williamsburg, Va.)
Block 27. Building 01.
Architecture, Domestic - Virginia - Williamsburg
Gardens - Virginia - Williamsburg
Outbuildings - Virginia - Williamsburg
Description
An account of the resource
Bird's-eye view looking northeast towards the Coke-Garrett House, outbuildings, and gardens, Williamsburg, Virginia.
Is Part Of
A related resource in which the described resource is physically or logically included.
Arthur Shurcliff Bird's-Eye Pencil Sketches of Williamsburg, AV2021.5, #92, Folder 2
Title
A name given to the resource
Coke-Garrett House
Arthur Shurcliff
Boxwoods
Coke-Garrett House
Gardens
Parterres
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/68b3691388abc74c229764f1bd92373d.jpg?Expires=1712793600&Signature=LU7bfm0yPxiDs1kZRu9Xxhx0o3d4EQBusccwBy8vAo7DwzKR25n9gqWihiJ4DDAvVv6S0%7EPZqegSRoUk2lEKA6Bm3f5HAl%7EZUcn7o6A4aayJikvu7BTPPdGSC5l4u2CIMCA8YhAwE8KoGXmom0zh%7E7u7K33QcnJAR9rDCDePMvuSIYIOhW1eEw9St3kSLsb2XxF9PDvPZ3lIfXEzEuoV2tOU3RMBGraozJFjTzOzHc%7EFQsF-BoPMGQJZyyZjvc-Ky4h3Cz6IlMLHKikvVjgaJmlTUM0tx-0hStZKG1UkOS7edfqfA7d2DBCdJnVMmpcnxhSw6T-Fc0lNshoq6KW7cQ__&Key-Pair-Id=K6UGZS9ZTDSZM
9af0bcefded61fd05f8754459b9154a0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Peter Hornbeck Lantern Slide Collection
Subject
The topic of the resource
Lantern slides - Hand-colored - 1930-1940
Hornbeck, Peter - 1936-1998
Williamsburg (Va.)--History.
Architecture, Colonial - Virginia - Williamsburg
Description
An account of the resource
Mr. Peter Hornbeck, a renowned Landscape Architect and Harvard professor, assembled this collection of lantern slides produced between the late 1930s and early 1940s. A graduate of the University of Pennsylvania and the Harvard Graduate School of Design, Peter Hornbeck managed the landscape architecture firm of Hornbeck Associates in North Andover, Massachusetts during the 1950s. He became a faculty member of the Harvard Graduate School of Design in 1963 and taught courses focusing upon historic landscape preservation and city planning.. These lantern slides served as visual aids during lectures he gave about the Williamsburg Restoration and eighteenth-century garden history. The lantern slides encompass a variety of images of Williamsburg available commercially from A.D. Handy, F.S. Lincoln, Eldredge Studio, and the National Geographic Society. They also include some images of historic homes and gardens in other parts of Virginia and in Great Britain.
This collection is significant as a record of how landscape architects were interpreting and presenting eighteenth-century garden history during the 1930s and 1940s. It also provides a visual record of Williamsburg buildings and gardens before, during, and after the restoration work undertaken in the early 1930s. In addition, the collection documents how the Williamsburg Restoration publicized its work through commercial slide sets. For example, Mr. F.S. Lincoln, a New York photographer hired to compile a photographic portfolio of restored Williamsburg buildings for a special issue of the "Architectural Record" in 1935, also created colorized lantern slides of his photos for sale in Williamsburg shops. The Peter Hornbeck Lantern Slide Collection contains numerous examples of these early souvenir images.
A precursor of 35mm slides, lantern slides are large format positive transparencies, usually 3.25 x 4 inches, sandwiched between two pieces of glass. Many were hand-colored. A projector allowed the slides to be viewed on a wall or screen. Instead of automatically advancing from one slide to the next, the lantern slides had to be manually placed into a slot on the projector.
Invented in 1848, lantern slides evolved from those associated with magic lanterns in the late nineteenth-century to the format represented in this collection. Between 1848-1870, oil lamps served as the light source for magic lantern projectors. By the 1890s, the carbon arc lamp offered a better lighting method. The introduction of electricity in the twentieth-century allowed the projection of lantern slides to become common in schools and universities. Lantern slides became obsolete in the 1950s when the Kodachrome three-color process brought about the introduction of 35mm slides.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Lantern slide
Physical Dimensions
The actual physical size of the original image.
3.25 x 4 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lottie Garrett House, Williamsburg, Virginia
Subject
The topic of the resource
Coke-Garrett House (Williamsburg, Va.)
Lantern slides- Hand-colored - 1930-1940
Block 27. Building 01.
Architecture, Domestic - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Creator
An entity primarily responsible for making the resource
A.D. Handy Co.
Date
A point or period of time associated with an event in the lifecycle of the resource
Circa 1930s
Is Part Of
A related resource in which the described resource is physically or logically included.
Peter Hornbeck Lantern Slide Collection, AV-2000.9, Box 3
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 item
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
HLS-141
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Description
An account of the resource
View of the east end of the Coke-Garrett House, once known as the Lottie Garrett House. The western portion served as the eighteenth-century residence of silversmith John Coke, while the central Greek Revival style portion was constructed in the early nineteenth century by the Garrett family. The office on the eastern end, shown in the foreground, became a makeshift hospital for wounded soldiers after the Battle of Williamsburg.
A.D. Handy Company
Coke-Garrett House
Columns
Domestic Architecture
Fences
Gardens
Gates
Glass Transparencies
Lantern Slides
Offices
Pediments
Peter Hornbeck
Porches
Shutters
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/c582e02ff3bf839535595170e2aeecf9.jpg?Expires=1712793600&Signature=MNzbkP2tTDUkGmAp2tihl-O8E5O2Wn8QUqEZ-fqRtvzfTt6DeGj0uzTyMrmFDfA5RJh2xx3DOcEXz%7ETumTXpJbqWWHtqtsy3fXKhy0wFroaZeYkmFOHFCbmtnpSCKi7BDJUHzGVhPsnIsAvd9LSaWiyB36Vf8MuYH8JjhFxg30%7EOF1zibWdNgz01FTyjc9R7XnkbKHjkWLnmsFhlR8RoQZ6-CWucaXPjulEFBvlml8UA-3EHtBDY2C31R751mxGpJqtdVi895NISM9gyZ-ttWNuysJX06jtpkegS71wBbB99hsiC7kSCH6bm-EhTGLzh-eyfa3cMmlN-TS-xNvIWIg__&Key-Pair-Id=K6UGZS9ZTDSZM
47635c5ed9d51d40b064d3d0df20f34b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Peter Hornbeck Lantern Slide Collection
Subject
The topic of the resource
Lantern slides - Hand-colored - 1930-1940
Hornbeck, Peter - 1936-1998
Williamsburg (Va.)--History.
Architecture, Colonial - Virginia - Williamsburg
Description
An account of the resource
Mr. Peter Hornbeck, a renowned Landscape Architect and Harvard professor, assembled this collection of lantern slides produced between the late 1930s and early 1940s. A graduate of the University of Pennsylvania and the Harvard Graduate School of Design, Peter Hornbeck managed the landscape architecture firm of Hornbeck Associates in North Andover, Massachusetts during the 1950s. He became a faculty member of the Harvard Graduate School of Design in 1963 and taught courses focusing upon historic landscape preservation and city planning.. These lantern slides served as visual aids during lectures he gave about the Williamsburg Restoration and eighteenth-century garden history. The lantern slides encompass a variety of images of Williamsburg available commercially from A.D. Handy, F.S. Lincoln, Eldredge Studio, and the National Geographic Society. They also include some images of historic homes and gardens in other parts of Virginia and in Great Britain.
This collection is significant as a record of how landscape architects were interpreting and presenting eighteenth-century garden history during the 1930s and 1940s. It also provides a visual record of Williamsburg buildings and gardens before, during, and after the restoration work undertaken in the early 1930s. In addition, the collection documents how the Williamsburg Restoration publicized its work through commercial slide sets. For example, Mr. F.S. Lincoln, a New York photographer hired to compile a photographic portfolio of restored Williamsburg buildings for a special issue of the "Architectural Record" in 1935, also created colorized lantern slides of his photos for sale in Williamsburg shops. The Peter Hornbeck Lantern Slide Collection contains numerous examples of these early souvenir images.
A precursor of 35mm slides, lantern slides are large format positive transparencies, usually 3.25 x 4 inches, sandwiched between two pieces of glass. Many were hand-colored. A projector allowed the slides to be viewed on a wall or screen. Instead of automatically advancing from one slide to the next, the lantern slides had to be manually placed into a slot on the projector.
Invented in 1848, lantern slides evolved from those associated with magic lanterns in the late nineteenth-century to the format represented in this collection. Between 1848-1870, oil lamps served as the light source for magic lantern projectors. By the 1890s, the carbon arc lamp offered a better lighting method. The introduction of electricity in the twentieth-century allowed the projection of lantern slides to become common in schools and universities. Lantern slides became obsolete in the 1950s when the Kodachrome three-color process brought about the introduction of 35mm slides.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Lantern Slide
Physical Dimensions
The actual physical size of the original image.
3.25 x 4 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Is Part Of
A related resource in which the described resource is physically or logically included.
Peter Hornbeck Lantern Slides Collection, AV-2000.9, Box 2
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
HLS-74
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Creator
An entity primarily responsible for making the resource
A.D. Handy Co.
Title
A name given to the resource
Coke-Garrett House Garden, Williamsburg, Virginia
Subject
The topic of the resource
Coke-Garrett House (Williamsburg, Va.)
Block 27. Building 01.
Gardens - Virginia - Williamsburg
Garden ornaments and furniture - Virginia - Williamsburg
Lantern Slides - Hand-colored - 1930-1940
Description
An account of the resource
Remnants of boxwood and an ornamental bench provide a pre-restoration view of the garden behind the Coke-Garrett House.
Date
A point or period of time associated with an event in the lifecycle of the resource
Circa 1930
A.D. Handy Company
Benches
Boxwood
Coke-Garrett House
Garden Ornaments
Gardens
Glass Transparencies
Lantern Slides
Peter Hornbeck
Pre-Restoration
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/77fa907fd6a4814182899a8250c96ed5.jpg?Expires=1712793600&Signature=e1NjtSHluAMrMSPKLRk9Lx3Lq9NEIQc5XBaHqbrOjhjXLR3bcIBhj8wC2r6v4WA%7ET0dzDnHiH6pL-qQlI8P0ZCvkGVGAY7qrvBDon2sYpKgyQoZKc4D4nzgVvq-QlfEWpLITSrCPrf2p6rydjIf2iirY9jEBw3wbMXrstZMjcdq1irizX7WkW3BBFFIUtd156YoqfVHrgyxVhoYAu3GQx5Ffi6t5gSbpRQ0BcGx8FUTlSgIyzczKKDdZJrzj6b2Tkmxib5ixqwzzVH2oMmD1K1j2C84Bo99yKZ%7E7t-d6JSsQlhkzP5Suwdff4goW5mqARKlBZUxJ7ZNlvSTOV1DZ0A__&Key-Pair-Id=K6UGZS9ZTDSZM
575346e3ec012981616d0856d4786ee5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Peter Hornbeck Lantern Slide Collection
Subject
The topic of the resource
Lantern slides - Hand-colored - 1930-1940
Hornbeck, Peter - 1936-1998
Williamsburg (Va.)--History.
Architecture, Colonial - Virginia - Williamsburg
Description
An account of the resource
Mr. Peter Hornbeck, a renowned Landscape Architect and Harvard professor, assembled this collection of lantern slides produced between the late 1930s and early 1940s. A graduate of the University of Pennsylvania and the Harvard Graduate School of Design, Peter Hornbeck managed the landscape architecture firm of Hornbeck Associates in North Andover, Massachusetts during the 1950s. He became a faculty member of the Harvard Graduate School of Design in 1963 and taught courses focusing upon historic landscape preservation and city planning.. These lantern slides served as visual aids during lectures he gave about the Williamsburg Restoration and eighteenth-century garden history. The lantern slides encompass a variety of images of Williamsburg available commercially from A.D. Handy, F.S. Lincoln, Eldredge Studio, and the National Geographic Society. They also include some images of historic homes and gardens in other parts of Virginia and in Great Britain.
This collection is significant as a record of how landscape architects were interpreting and presenting eighteenth-century garden history during the 1930s and 1940s. It also provides a visual record of Williamsburg buildings and gardens before, during, and after the restoration work undertaken in the early 1930s. In addition, the collection documents how the Williamsburg Restoration publicized its work through commercial slide sets. For example, Mr. F.S. Lincoln, a New York photographer hired to compile a photographic portfolio of restored Williamsburg buildings for a special issue of the "Architectural Record" in 1935, also created colorized lantern slides of his photos for sale in Williamsburg shops. The Peter Hornbeck Lantern Slide Collection contains numerous examples of these early souvenir images.
A precursor of 35mm slides, lantern slides are large format positive transparencies, usually 3.25 x 4 inches, sandwiched between two pieces of glass. Many were hand-colored. A projector allowed the slides to be viewed on a wall or screen. Instead of automatically advancing from one slide to the next, the lantern slides had to be manually placed into a slot on the projector.
Invented in 1848, lantern slides evolved from those associated with magic lanterns in the late nineteenth-century to the format represented in this collection. Between 1848-1870, oil lamps served as the light source for magic lantern projectors. By the 1890s, the carbon arc lamp offered a better lighting method. The introduction of electricity in the twentieth-century allowed the projection of lantern slides to become common in schools and universities. Lantern slides became obsolete in the 1950s when the Kodachrome three-color process brought about the introduction of 35mm slides.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Lantern Slide
Physical Dimensions
The actual physical size of the original image.
3.25 x 4 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lottie Garrett
Is Part Of
A related resource in which the described resource is physically or logically included.
Peter Hornbeck Lantern Slides Collection, AV-2000.9, Box 2
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
HLS-94
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Creator
An entity primarily responsible for making the resource
A.D. Handy Co.
Subject
The topic of the resource
Coke-Garrett House (Williamsburg, Va.)
Block 27. Building 01.
Lantern slides - Hand-colored - 1930-1940
Gardens - Virginia - Williamsburg
Description
An account of the resource
View looking from the garden towards the rear of the Coke-Garrett House. Once the eighteenth-century residence of silversmith John Coke, the house later became the home of the Garrett family in the nineteenth century. The garden features a combination of boxwood hedges, formal parterres, and shrubs. Paths laid out in geometric formations offer various vistas of the house, outbuildings, and garden ornaments.
Date
A point or period of time associated with an event in the lifecycle of the resource
1935
Boxwood
Brick Pathways
Chimneys
Coke-Garrett House
Dormer Windows
Gardens
Glass Transparencies
Lantern Slides
Outbuildings
Parterres
Peter Hornbeck
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/998eb9370c38d5b8a07c6d550750618f.jpg?Expires=1712793600&Signature=ao6L-rRHNKgS6GqMg5pMBiahXtogcBpp2xKsq8ksNm9ZhHp-svS38Szmf5GHs74BaK0EwHljX9fwYYFAXLZBtNKF8unAL0bIYWB9vSKCjbRZbJeGjs8EaRReY0whnBVGUVXb6-eWqQGIY7iJg2fUBv8j5nHfFBIn5356AUuC8P%7EtOi7mmC9LqaXKanPqb7O9W-d6f9RkxW6aHjMaKiiqX%7EY7smJcf8EJR2TOI1Bd9Z1tbgfIv403bxr1tcbVcNomUsRXcikks63lMdOdBq6wGHMiAFowUF0lZOJ1P77FwDcIB-8fuygvJXHcc1DwD9EhIN8Fw%7EjoayfM5EoLg7QxFw__&Key-Pair-Id=K6UGZS9ZTDSZM
fa11eb53af5f315eff3bc95053295060
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John A. Barrows Photograph Collection
Subject
The topic of the resource
Barrows, John A.
Photography - Virginia
Historic buildings - Virginia - Williamsburg
Description
An account of the resource
BIOGRAPHICAL SKETCH
John A. Barrows joined the staff of the Williamsburg office of Boston architects Perry, Shaw & Hepburn as a draftsman in the early days of the restoration. Remaining with them until his untimely death, Barrows assisted in the restoration of the College of William and Mary's Wren Building, and was involved with design work for the reconstructed Raleigh Tavern, Capitol, and Governor's Palace. In addition to his research and restoration work, John A. Barrows co-authored "The Domestic Colonial Architecture of Tidewater Virginia" with colleague Thomas Waterman.
As part of his field research, Barrows--at the wheel of his 1928 Buick roadster "Lucy"--photographed numerous buildings and plantations throughout the Tidewater region, including sites in the now restored historic area of Williamsburg, Bacon's Castle, Cleve, Carter's Grove, King William Courthouse, Mt. Airy, Mt. Vernon, Rosewell, Stratford Hall, Sabine Hall, Shirley, Little England, the U.S. Capitol, and the British Embassy in Washington, D.C. These photographs form the core of the collection. The John A. Barrows Photograph Collection is an important adjunct to existing groups of photographic documentation for buildings in Williamsburg's historic area and of Virginia architecture.
SCOPE AND CONTENTS
Black and white photographs, negatives, postcards, and miscellaneous items of Norfolk native John Alden Barrows (b. ca. 1905, d. 1931), architect for the Colonial Williamsburg Restoration. The photographs--some taken by Barrows, Thomas Waterman, Milton Grigg and others--remain in their original order, which follows a somewhat erratic alphabetical arrangement by site/subject.
The John A. Barrows Photograph Collection contains photoprints, taken mainly in Virginia and South Carolina, negatives, portraits, and personal papers and objects. The Photoprints series comprises the bulk of the collection, numbering close to 800 items. The photos, taken by architect and photographer John A. Barrows, display homes, churches, college buildings, and other structures along the eastern seaboard of the United States. Most of the photos were taken in Virginia and South Carolina, but other locations include New Jersey and Maryland. The prints were made in two sizes, 2.5x4 inches and 5x7 inches. The Negatives series has not been inventoried. John A. Barrows is the subject of the portraits found in the Portraits Series. The five images were all taken at different times. The final series, Personal Papers and Objects, includes some of Barrows' writings as well as memorabilia from trips and celebrations.
Creator
An entity primarily responsible for making the resource
Barrows, John A.
Date
A point or period of time associated with an event in the lifecycle of the resource
Circa 1930
Is Part Of
A related resource in which the described resource is physically or logically included.
John A. Barrows Photograph Collection, MS1996.22
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
2.5 x 4 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Kitchen Wing, Coke-Garrett House
Subject
The topic of the resource
Coke-Garrett House (Williamsburg, Va.)
Architecture, Domestic - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Description
An account of the resource
South elevation of kitchen wing of Coke-Garrett House, Williamsburg, Virginia
Creator
An entity primarily responsible for making the resource
Barrows, John A.
Date
A point or period of time associated with an event in the lifecycle of the resource
Circa 1930
Date Created
Date of creation of the resource.
Circa 1930
Is Part Of
A related resource in which the described resource is physically or logically included.
John A. Barrows Photograph Collection, MS1996.22, Box 1
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
Bar-148w (see also 1991-694CN)
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Clapboard Siding
Coke-Garrett House
Colonial Architeture
Dormers
John Barrows
Kitchens
Pediments
Porches
Shutters
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/9f64f3ede92164b4866ec8680bc095f9.jpg?Expires=1712793600&Signature=hd8FnvCIXj%7EmisoSJvJ3amzPzn0UDJemTCxwUFykMIKs23AgaeaJEB3nwIYOXmGaaGKxdo8cYq7cLQilFmj4e-O9LXL3bU-SJUWGj0wCMBwHGofAVj%7E3KQkrbut-Vhtw7pEcoJj5UPBMpm6nfKNmEfoumFgP2oSoSbTLAyIlBOO5nO0nXqGk%7EUz8ga99rKG7nkwsaXiL3y6qvqYNS37nUk91aMigJqzeRgYD68J7lUizmxhjAwbf8nl9c2csV0aRyX9mrTcYVglPHjtJ3q2%7EOIvQw36M038Y6qJWZ3JlVwnLKSfWXZIqPAyTD9s7iJBpdAIy-zBHxfJt4eF-GfzQFg__&Key-Pair-Id=K6UGZS9ZTDSZM
fa11eb53af5f315eff3bc95053295060
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John A. Barrows Photograph Collection
Subject
The topic of the resource
Barrows, John A.
Photography - Virginia
Historic buildings - Virginia - Williamsburg
Description
An account of the resource
BIOGRAPHICAL SKETCH
John A. Barrows joined the staff of the Williamsburg office of Boston architects Perry, Shaw & Hepburn as a draftsman in the early days of the restoration. Remaining with them until his untimely death, Barrows assisted in the restoration of the College of William and Mary's Wren Building, and was involved with design work for the reconstructed Raleigh Tavern, Capitol, and Governor's Palace. In addition to his research and restoration work, John A. Barrows co-authored "The Domestic Colonial Architecture of Tidewater Virginia" with colleague Thomas Waterman.
As part of his field research, Barrows--at the wheel of his 1928 Buick roadster "Lucy"--photographed numerous buildings and plantations throughout the Tidewater region, including sites in the now restored historic area of Williamsburg, Bacon's Castle, Cleve, Carter's Grove, King William Courthouse, Mt. Airy, Mt. Vernon, Rosewell, Stratford Hall, Sabine Hall, Shirley, Little England, the U.S. Capitol, and the British Embassy in Washington, D.C. These photographs form the core of the collection. The John A. Barrows Photograph Collection is an important adjunct to existing groups of photographic documentation for buildings in Williamsburg's historic area and of Virginia architecture.
SCOPE AND CONTENTS
Black and white photographs, negatives, postcards, and miscellaneous items of Norfolk native John Alden Barrows (b. ca. 1905, d. 1931), architect for the Colonial Williamsburg Restoration. The photographs--some taken by Barrows, Thomas Waterman, Milton Grigg and others--remain in their original order, which follows a somewhat erratic alphabetical arrangement by site/subject.
The John A. Barrows Photograph Collection contains photoprints, taken mainly in Virginia and South Carolina, negatives, portraits, and personal papers and objects. The Photoprints series comprises the bulk of the collection, numbering close to 800 items. The photos, taken by architect and photographer John A. Barrows, display homes, churches, college buildings, and other structures along the eastern seaboard of the United States. Most of the photos were taken in Virginia and South Carolina, but other locations include New Jersey and Maryland. The prints were made in two sizes, 2.5x4 inches and 5x7 inches. The Negatives series has not been inventoried. John A. Barrows is the subject of the portraits found in the Portraits Series. The five images were all taken at different times. The final series, Personal Papers and Objects, includes some of Barrows' writings as well as memorabilia from trips and celebrations.
Creator
An entity primarily responsible for making the resource
Barrows, John A.
Date
A point or period of time associated with an event in the lifecycle of the resource
Circa 1930
Is Part Of
A related resource in which the described resource is physically or logically included.
John A. Barrows Photograph Collection, MS1996.22
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
2.5 x 4 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Kitchen Wing, Coke-Garrett House
Subject
The topic of the resource
Architecture, Domestic - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Coke-Garrett House (Williamsburg, Va.)
Block 27. Building 01.
Description
An account of the resource
South elevation of the kitchen wing of the Coke-Garrett House, Williamsburg, Virginia
Creator
An entity primarily responsible for making the resource
Barrows, John A.
Date
A point or period of time associated with an event in the lifecycle of the resource
Circa 1930
Date Created
Date of creation of the resource.
Circa 1930
Is Part Of
A related resource in which the described resource is physically or logically included.
John A. Barrows Photograph Collection, MS1996.22, Box 1
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
Bar-149w (see also 1990-704CN)
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Clapboard Siding
Coke-Garrett House
Dormers
John Barrows
Pediments
Porches
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/4b440ca1c530ca8b7bd1f8abd886c1d9.jpg?Expires=1712793600&Signature=danxcZPnOaUj%7EgIf8QCbMUOjgD13Kt5xlOBpRIJPdac%7EwChciUcNrRqS2QZAcVbMB7EgH%7EcyaDDnPWjhO0inJ0a%7EdgPxX72LvTrylkTAN3YeEEAnDu7lCRrggZUjpbyaEpG%7Emp2OarERGB-wGb98mvkzFMiO9ACgyWA8Dnn5bgPh3abA2kxF9WviM0uhEyX1OAocvkguGJRiNUBOEOON7fiSJ3zL5GXQgxkmUMYgsQGYTzGqEFZO7dKkiDM9hb49Q0eDRIm3FPLACQ89Dt0o6hpOEobKcWo3oKxvUz7VrcnernkVR8rHUcsa0RCwTFVXtYczNC4HAAAjwb3OPnrWQQ__&Key-Pair-Id=K6UGZS9ZTDSZM
e5d718608f91624b083d7c41d5af2e23
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John A. Barrows Photograph Collection
Subject
The topic of the resource
Barrows, John A.
Photography - Virginia
Historic buildings - Virginia - Williamsburg
Description
An account of the resource
BIOGRAPHICAL SKETCH
John A. Barrows joined the staff of the Williamsburg office of Boston architects Perry, Shaw & Hepburn as a draftsman in the early days of the restoration. Remaining with them until his untimely death, Barrows assisted in the restoration of the College of William and Mary's Wren Building, and was involved with design work for the reconstructed Raleigh Tavern, Capitol, and Governor's Palace. In addition to his research and restoration work, John A. Barrows co-authored "The Domestic Colonial Architecture of Tidewater Virginia" with colleague Thomas Waterman.
As part of his field research, Barrows--at the wheel of his 1928 Buick roadster "Lucy"--photographed numerous buildings and plantations throughout the Tidewater region, including sites in the now restored historic area of Williamsburg, Bacon's Castle, Cleve, Carter's Grove, King William Courthouse, Mt. Airy, Mt. Vernon, Rosewell, Stratford Hall, Sabine Hall, Shirley, Little England, the U.S. Capitol, and the British Embassy in Washington, D.C. These photographs form the core of the collection. The John A. Barrows Photograph Collection is an important adjunct to existing groups of photographic documentation for buildings in Williamsburg's historic area and of Virginia architecture.
SCOPE AND CONTENTS
Black and white photographs, negatives, postcards, and miscellaneous items of Norfolk native John Alden Barrows (b. ca. 1905, d. 1931), architect for the Colonial Williamsburg Restoration. The photographs--some taken by Barrows, Thomas Waterman, Milton Grigg and others--remain in their original order, which follows a somewhat erratic alphabetical arrangement by site/subject.
The John A. Barrows Photograph Collection contains photoprints, taken mainly in Virginia and South Carolina, negatives, portraits, and personal papers and objects. The Photoprints series comprises the bulk of the collection, numbering close to 800 items. The photos, taken by architect and photographer John A. Barrows, display homes, churches, college buildings, and other structures along the eastern seaboard of the United States. Most of the photos were taken in Virginia and South Carolina, but other locations include New Jersey and Maryland. The prints were made in two sizes, 2.5x4 inches and 5x7 inches. The Negatives series has not been inventoried. John A. Barrows is the subject of the portraits found in the Portraits Series. The five images were all taken at different times. The final series, Personal Papers and Objects, includes some of Barrows' writings as well as memorabilia from trips and celebrations.
Creator
An entity primarily responsible for making the resource
Barrows, John A.
Date
A point or period of time associated with an event in the lifecycle of the resource
Circa 1930
Is Part Of
A related resource in which the described resource is physically or logically included.
John A. Barrows Photograph Collection, MS1996.22
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
2.5 x 4 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Coke-Garrett House
Subject
The topic of the resource
Coke-Garrett House (Williamsburg, Va.)
Block 27. Building 01.
Architecture, Domestic - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Description
An account of the resource
View looking northeast towards Coke-Garrett House, Williamsburg, Virginia
Creator
An entity primarily responsible for making the resource
Barrows, John A.
Date
A point or period of time associated with an event in the lifecycle of the resource
Circa 1930
Date Created
Date of creation of the resource.
Circa 1930
Is Part Of
A related resource in which the described resource is physically or logically included.
John A. Barrows Photograph Collection, MS1996.22, Box 1
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
Bar-149w (see also 1990-704CN)
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Boxwood
Chimneys
Clapboard Siding
Coke-Garrett House
Dormers
Fences
John Barrows
Porches
Shutters
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/32668da14f83382f92cd35ee0bd9a610.jpg?Expires=1712793600&Signature=OhtbOZCaYZZ2pv9nPPk5pNAYtjT9lA6%7EYg6ABWLbp6SWwGNwwm24Qmii-rEWhOCLd8OWSSilwwFfk24O8b26HkSwWfC2FtsRTQ0dF2ITW07e-4U2c4svnJa933bI5HCgEQJXvBTtscUwVWP-X5aayYHW2OspsbzEpReE7cqkg5n44AXkaTRherjGnBw8--ISXh35eJqlzTUwWoiN2yPdomI4fRwhmird2OBxMCnBa014-DuYEtwwHQhq%7E2fdeyc5sdLMimO8T8-CD3o-q4dEsypJm7-cYTiWV86%7EFuK%7ExosL6rj1-dg8AsrPCmOSHzvTzU%7E%7EFZ5aLkvNOHE-pElS3g__&Key-Pair-Id=K6UGZS9ZTDSZM
d1970951dbf6147a3d6f6cf65f3d0965
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John A. Barrows Photograph Collection
Subject
The topic of the resource
Barrows, John A.
Photography - Virginia
Historic buildings - Virginia - Williamsburg
Description
An account of the resource
BIOGRAPHICAL SKETCH
John A. Barrows joined the staff of the Williamsburg office of Boston architects Perry, Shaw & Hepburn as a draftsman in the early days of the restoration. Remaining with them until his untimely death, Barrows assisted in the restoration of the College of William and Mary's Wren Building, and was involved with design work for the reconstructed Raleigh Tavern, Capitol, and Governor's Palace. In addition to his research and restoration work, John A. Barrows co-authored "The Domestic Colonial Architecture of Tidewater Virginia" with colleague Thomas Waterman.
As part of his field research, Barrows--at the wheel of his 1928 Buick roadster "Lucy"--photographed numerous buildings and plantations throughout the Tidewater region, including sites in the now restored historic area of Williamsburg, Bacon's Castle, Cleve, Carter's Grove, King William Courthouse, Mt. Airy, Mt. Vernon, Rosewell, Stratford Hall, Sabine Hall, Shirley, Little England, the U.S. Capitol, and the British Embassy in Washington, D.C. These photographs form the core of the collection. The John A. Barrows Photograph Collection is an important adjunct to existing groups of photographic documentation for buildings in Williamsburg's historic area and of Virginia architecture.
SCOPE AND CONTENTS
Black and white photographs, negatives, postcards, and miscellaneous items of Norfolk native John Alden Barrows (b. ca. 1905, d. 1931), architect for the Colonial Williamsburg Restoration. The photographs--some taken by Barrows, Thomas Waterman, Milton Grigg and others--remain in their original order, which follows a somewhat erratic alphabetical arrangement by site/subject.
The John A. Barrows Photograph Collection contains photoprints, taken mainly in Virginia and South Carolina, negatives, portraits, and personal papers and objects. The Photoprints series comprises the bulk of the collection, numbering close to 800 items. The photos, taken by architect and photographer John A. Barrows, display homes, churches, college buildings, and other structures along the eastern seaboard of the United States. Most of the photos were taken in Virginia and South Carolina, but other locations include New Jersey and Maryland. The prints were made in two sizes, 2.5x4 inches and 5x7 inches. The Negatives series has not been inventoried. John A. Barrows is the subject of the portraits found in the Portraits Series. The five images were all taken at different times. The final series, Personal Papers and Objects, includes some of Barrows' writings as well as memorabilia from trips and celebrations.
Creator
An entity primarily responsible for making the resource
Barrows, John A.
Date
A point or period of time associated with an event in the lifecycle of the resource
Circa 1930
Is Part Of
A related resource in which the described resource is physically or logically included.
John A. Barrows Photograph Collection, MS1996.22
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
2.5 x 4 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Coke-Garrett House
Description
An account of the resource
South elevation of Coke-Garrett House, Williamsburg, Virginia
Creator
An entity primarily responsible for making the resource
Barrows, John A.
Subject
The topic of the resource
Architecture, Domestic - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Coke-Garrett House (Williamsburg, Va.)
Block 27. Building 01.
Date
A point or period of time associated with an event in the lifecycle of the resource
Circa 1930
Is Part Of
A related resource in which the described resource is physically or logically included.
John A. Barrows Photograph Collection, MS1996.22, Box 1
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
Bar-279w (see also 1990-1053CN)
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Chimneys
Clapboard Siding
Coke-Garrett House
Cornices
Dormers
Fences
John Barrows
Nicholson Street
Porches
Shutters
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/eb9990ffdc36c2e777391feaea0fef7a.jpg?Expires=1712793600&Signature=AbQ%7EKFF61opXS5KnapgBkt1bcdvJkqIwrWhr1jz6qtVXEYU4hQyhjqkXEUeKr5LAT2zSqElwNBWufDICKqlk1DKcUN2UrwIfvEHpsJsZuoPB85BfCa53JuMwwcMe0MJ3x6Y4IcSRrTB8u1BBOmb6gwBFSot7kiZoYltW1NRADPw%7Er7TNNRVr1WhF041nMsip%7EYLPNexLlB%7EI58DlqdC5DP2S7AoqAsiHaMiHTabaNp2NGhGbzvH4HbXnOqUSrlWSdDf711hFqZGkPxPBiOzJwX2egRpjH0bSTHnYNIp%7EywLm%7ERTeDLnVhIa9ofsMPvWw3hHN8H1ak0OPSQlDSncp5A__&Key-Pair-Id=K6UGZS9ZTDSZM
89ee6fcd8726f899d06e4fb0b2bfc46d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Edward Beckwith Photograph Collection
Subject
The topic of the resource
Beckwith, Edward A.
Photographs - Virginia - Williamsburg
Architecture, Domestic - Virginia - Williamsburg
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Creator
An entity primarily responsible for making the resource
Beckwith, Edward A.
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
363 photographs
Type
The nature or genre of the resource
Image
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Description
An account of the resource
Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work.
Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities.
The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton.
All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication.
Date Created
Date of creation of the resource.
1926-1929
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
11 x 14 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
West End Gable, Coke-Garrett House
Description
An account of the resource
Pre-restoration view of the west gable end and chimney of the Coke-Garrett House, Williamsburg, Virginia.
Creator
An entity primarily responsible for making the resource
Beckwith, Edward A.
Is Part Of
A related resource in which the described resource is physically or logically included.
Edward Beckwith Photograph Collection, AV2009.5, Box 1
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
Be93
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Subject
The topic of the resource
Coke-Garrett House (Williamsburg, Va.)
Block 27. Building 01.
Architecture, Domestic - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Chimneys
Clapboard Siding
Coke-Garrett House
Dormers
Edward Beckwith
Gables
James City County
Pre-Restoration
Shutters
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/4f06d243734fb3e58c1a57da134f41b4.jpg?Expires=1712793600&Signature=lEqbfpcT1669hP6hlCCNAGex7unkPbULBCbxJxchCZfaIPcZW8OHNzVu8MwgpALXDfvahQhV3oDso0x7GhhXaQNFxqGbmYo5FAGuXLx5F-oAhzo226WuUUllvkVAI1g27Grey7PX2HcuJ3rnFz8%7Eqh63Xd6dcXWZeiOqIuFOzEdgfw7eJ2NgCG2nFIm3C4vBlptw7fKdSjrEv6yaSXETJ4Rj4BDaOAysMhmuPskcBvxkln7Cdwvn5NmWWKTsAFlt2TGgb8UOcAUKTec3c7BmTbaciSAvK4UdCN8U-QiKXpjaEUZpN0ZnglQkRxs6cV37rIXZl1uS4Xru3E8hDfHp5g__&Key-Pair-Id=K6UGZS9ZTDSZM
f9eef95270d2107e2fc8f23ca04123e8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thomas Layton Photograph Collection
Subject
The topic of the resource
Layton, Thomas
Williamsburg (Va.) - Photographs
Williamsburg (Va.) - Buildings, structures, etc.
Description
An account of the resource
A series of eight hundred progress photographs taken by Thomas Layton, a contract photographer for the Williamsburg Restoration between 1928-1930, to document the first phase of work. Layton operated a photo studio at 507 E. Broad Street in Richmond, Virginia. The Williamsburg office of architects Perry, Shaw & Hepburn hired him in 1928 to take record photographs at different sites and to make copy photographs from historical publications and nineteenth-century images that would aid their research. The subject matter of the collection focuses upon restoration or reconstruction work taking place in Blocks 13, 16, 17, 18, 19, 20 and 21, with the greatest number focusing upon the architectural investigations and preservation work at the Wren Building, College of William & Mary. A smaller segment of the collection encompasses general Williamsburg scenes and structures in the mid-Atlantic region studied by the team as architectural precedents for the work being undertaken in Williamsburg.
Colonial Williamsburg's Audiovisual Department produced master file prints from all of the negatives in the Layton Collection in the 1950s. By the early 1960s, a group of over three hundred nitrate negatives began showing signs of deterioration and were disposed of.
Creator
An entity primarily responsible for making the resource
Layton, Thomas
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Extent
The size or duration of the resource.
800 photographs
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
8 x 10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Coke-Garrett House
Subject
The topic of the resource
Block 27. Building 01.
Coke-Garrett House (Williamsburg, Va.)
Architecture, Domestic - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Description
An account of the resource
Pre-restoration view of the right wing of the Coke-Garrett House, formerly Lottie Garrett House, including the office, Williamsburg, Virginia
Creator
An entity primarily responsible for making the resource
Layton, Thomas
Date
A point or period of time associated with an event in the lifecycle of the resource
June 23, 1929
Is Part Of
A related resource in which the described resource is physically or logically included.
Thomas Layton Photograph Collection
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 photograph
Type
The nature or genre of the resource
image
Identifier
An unambiguous reference to the resource within a given context
L-40-X
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Clapboard Siding
Coke-Garrett House
Fences
Lottie Garrett House
Offices
Shutters
Thomas Layton
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/52dfc5057f19025ea9faab800d351488.jpg?Expires=1712793600&Signature=QBAr2QMEGkJC2f8IJJzqWjYACuOuyU%7EJr8KmMGzsNfDzoJ5k0uL3F6KN1M%7EZjn2NkI1kGBXPEH1SSOt2uQ29e%7EnOYiFFAoM6wZCwyrWY%7EJumJACTuLiD4oQZCmgXKtM1AJMcDqGbw2ycJiWbsweVychHGMZkQe9uXRP1AkUjj6kQvN5njBwshr00KstGsAUnTBqj0%7EdBCK3KLKngZrHjwj12VdJoyw6a992jJGtj79uMts08TyQsi9y7L5a6tDFiBLT1-uBdsoGDqs28B-vG6H3ZFESIT5uu-90IsosQFQsLAfLdSON92OeH84gInFYqWryt7QZqCOpm6k4O7ytiIg__&Key-Pair-Id=K6UGZS9ZTDSZM
b9921ac3cafedea7cfafd223e03b19d5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thomas Layton Photograph Collection
Subject
The topic of the resource
Layton, Thomas
Williamsburg (Va.) - Photographs
Williamsburg (Va.) - Buildings, structures, etc.
Description
An account of the resource
A series of eight hundred progress photographs taken by Thomas Layton, a contract photographer for the Williamsburg Restoration between 1928-1930, to document the first phase of work. Layton operated a photo studio at 507 E. Broad Street in Richmond, Virginia. The Williamsburg office of architects Perry, Shaw & Hepburn hired him in 1928 to take record photographs at different sites and to make copy photographs from historical publications and nineteenth-century images that would aid their research. The subject matter of the collection focuses upon restoration or reconstruction work taking place in Blocks 13, 16, 17, 18, 19, 20 and 21, with the greatest number focusing upon the architectural investigations and preservation work at the Wren Building, College of William & Mary. A smaller segment of the collection encompasses general Williamsburg scenes and structures in the mid-Atlantic region studied by the team as architectural precedents for the work being undertaken in Williamsburg.
Colonial Williamsburg's Audiovisual Department produced master file prints from all of the negatives in the Layton Collection in the 1950s. By the early 1960s, a group of over three hundred nitrate negatives began showing signs of deterioration and were disposed of.
Creator
An entity primarily responsible for making the resource
Layton, Thomas
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Extent
The size or duration of the resource.
800 photographs
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
8 x 10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Garden, Coke-Garrett House
Subject
The topic of the resource
Block 27. Building 01.
Coke-Garrett House (Williamsburg, Va.)
Architecture, Domestic - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Description
An account of the resource
View looking from garden towards the rear elevation of the Coke-Garrett House, prior to restoration, Williamsburg, Virginia
Creator
An entity primarily responsible for making the resource
Layton, Thomas
Is Part Of
A related resource in which the described resource is physically or logically included.
Thomas Layton Photograph Collection
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 photograph
Type
The nature or genre of the resource
image
Identifier
An unambiguous reference to the resource within a given context
L-79-X
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Boxwoods
Coke-Garrett House
Gardens
Thomas Layton
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/8f65dd5a157ca34e0253f93457acf695.jpg?Expires=1712793600&Signature=bHNkVW8y1nnKGrbhEYDzIakY2ZBrE6gKAmkiyhdvRYMvv0INMh9FobGzzOrjc2YGtTPUQblTYIF9cLK%7ESrY5q%7EpWAq1ecO4K%7ER9bD3qkOilwgRhm1TezXT5yhFhAvFtUdCxWkMQRKw%7EpFG-eSKZZ5yKr2PiEPDQyK9qClSL5TtS72cWNaHy4NmfpRgTGf2eX9f-f3sUI-4D2t4lUKcBdFlKULvypJAy-V7deazNdodJ9oKTus0Fw54yEjR8daYQdZuwTA9gojvxZ5ajMtiAytpooJEqGvrE9SdCMzkw19n5KlBk6eg4U1G2ReDhzyFcpSAX0Ca5Fft3qQ5Kwd0ORQA__&Key-Pair-Id=K6UGZS9ZTDSZM
22ec1226760a3fb603d520707cf5d4e2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thomas Layton Photograph Collection
Subject
The topic of the resource
Layton, Thomas
Williamsburg (Va.) - Photographs
Williamsburg (Va.) - Buildings, structures, etc.
Description
An account of the resource
A series of eight hundred progress photographs taken by Thomas Layton, a contract photographer for the Williamsburg Restoration between 1928-1930, to document the first phase of work. Layton operated a photo studio at 507 E. Broad Street in Richmond, Virginia. The Williamsburg office of architects Perry, Shaw & Hepburn hired him in 1928 to take record photographs at different sites and to make copy photographs from historical publications and nineteenth-century images that would aid their research. The subject matter of the collection focuses upon restoration or reconstruction work taking place in Blocks 13, 16, 17, 18, 19, 20 and 21, with the greatest number focusing upon the architectural investigations and preservation work at the Wren Building, College of William & Mary. A smaller segment of the collection encompasses general Williamsburg scenes and structures in the mid-Atlantic region studied by the team as architectural precedents for the work being undertaken in Williamsburg.
Colonial Williamsburg's Audiovisual Department produced master file prints from all of the negatives in the Layton Collection in the 1950s. By the early 1960s, a group of over three hundred nitrate negatives began showing signs of deterioration and were disposed of.
Creator
An entity primarily responsible for making the resource
Layton, Thomas
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Extent
The size or duration of the resource.
800 photographs
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
8 x 10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Garden, Coke-Garrett House
Subject
The topic of the resource
Block 27. Building 01.
Coke-Garrett House (Williamsburg, Va.)
Gardens - Virginia - Williamsburg
Description
An account of the resource
Pre-restoration view of the Coke-Garrett House garden, Williamsburg, Virginia
Creator
An entity primarily responsible for making the resource
Layton, Thomas
Is Part Of
A related resource in which the described resource is physically or logically included.
Thomas Layton Photograph Collection
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 photograph
Type
The nature or genre of the resource
image
Identifier
An unambiguous reference to the resource within a given context
L-81-X
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1929
Coke-Garrett House
Gardens
Thomas Layton
Trees
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/89f5bffbfbe7b4f6ed5db06d8fa1d93b.jpg?Expires=1712793600&Signature=RafAFnO6hj7aiGSGN59fXjsy%7E50hYhxvAur8it3MkzE-FSiLrXHlGok42ugXAzi5PcQ6FvEkR2VuSBn8q5i8HdjJikiCz5rwmmwgIgKvjNs50S17KiY6jRQ2-A2asVQHzJx5hxPa3cwtvq1U%7EYxgQ%7EqY9Nz2ssl59mW0NB3dHcz8Ac2UdW5zEhGg8fqxaGe6yBoWfXF2GK2%7E6FO%7E8UuT0gfVkw7pHY0zFMuXb6cMZGnDU7GrZjvu7V8QfsaGYqjprdMdSCmR8VslE3OlMvuP4rBLrPzBX2prJQTOCL0%7EzXNcVQ3OzK2hHOj3pzSy7GLC1r2cFUH-61USoL4KW8rkYQ__&Key-Pair-Id=K6UGZS9ZTDSZM
d95cb95eeab0aa773c18069abc4e3905
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
1
Height
768
Width
603
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
F.S. Lincoln Photography Collection
Description
An account of the resource
The FS Lincoln Collection
Biographical Sketch
Mr. Fay S. Lincoln (known professionally as F.S. Lincoln) operated a photography studio in New York City from the 1930s until the mid 1960s. He was born in Keene, New Hampshire in 1894 and attended the Massachusetts Institute of Technology. Although he received training as an engineer, Mr. Lincoln chose to become a professional photographer in 1929, when he opened the firm of Nyholm & Lincoln in conjunction with another photographer, Peter Nyholm, in New York City. A few years later, he opened his own studio at 114 East 32nd St.1
In 1932, Lincoln began corresponding with Kenneth Chorley, President of the Colonial Williamsburg Foundation, about the possibility of contracting with the Foundation to photograph the completed restoration work at Williamsburg. Lincoln had learned that John D. Rockefeller, Jr. was looking for someone to create a master collection of photos of Williamsburg through Arthur S. Vernay, an acquaintance of Abby Aldrich Rockefeller. In his correspondence, Lincoln noted he had completed photographic assignments for many of the top architects and designers in New York, including Arthur S. Vernay, Joseph Urban, James Gamble Rogers, Voorhees, Gmelin & Walker, McKim, Mead, & White, Robert Locher, and Eugene Schoen. He also pointed out that he had sold architectural photos to many prominent magazines, including "Architectural Record," "National Geographic," "Country Life," "Architectural Forum," and "Spur."2
Lincoln's credentials, along with sample photographs and recommendations from magazine editors, enabled him to secure a contract with Colonial Williamsburg on April 22, 1935. According to the terms of the contract, Lincoln was hired to prepare a master collection of photographs and negatives that Colonial Williamsburg could sell to tourists and residents of Williamsburg, as well as use for promotional purposes. Lincoln retained the right to sell copies of his photographs at his New York studio, provided he consulted with the Foundation regarding the proposed use of the photographs. He also retained title to all negatives and copyright for all photos until the termination of his business. Plans for a traveling exhibition of Lincoln's photographs of Williamsburg were also mentioned in the contract.3
During 1935, F.S. Lincoln traveled to Williamsburg at seasonal intervals to photograph views requested by the Foundation. A panel of Colonial Williamsburg employees reviewed each series of photos and selected a group to be added to the master collection. F.S. Lincoln photos illustrated two portfolios about Colonial Williamsburg published in the "Architectural Record" in December 1935 and November 1936. Full-page black and white photos of restored buildings and gardens accompanied articles on the restoration written by Kenneth Chorley, Fiske Kimball, William G. Perry, and Arthur Shurcliff. Thus, Lincoln's photos gave the American public their first introduction to the completed restoration.
Lincoln had also been hired by Colonial Williamsburg to create a group of photographs of Williamsburg that could be exhibited. Correspondence between staff members indicates that John D. Rockefeller, Jr. hoped to mount a traveling exhibit of Williamsburg photographs. An exhibit of a selection of Lincoln's views of Williamsburg, along with photos he took for "Harper's Bazaar," "House and Garden," "House Beautiful," "Vanity Fair," "National Geographic," and "Town and Country," was held at the Rabinovitch Gallery in New York City from October 4-17, 1935.
Although Foundation employees were satisfied with the quality of Lincoln's photographs, they were dismayed by the cost of individual prints and enlargements. Memos exchanged between members of the marketing staff indicate that employees were having a hard time convincing distributors to purchase enlargements of the Lincoln photos for display in shop windows. As a result, the Foundation's agreement with F.S. Lincoln was terminated on April 21, 1936.4
Despite this setback, F.S. Lincoln secured contracts for many other architectural photography projects in the 1930s. He received numerous commissions to photograph buildings in New York City and also traveled abroad on several assignments. In 1934, he completed a portfolio of photos of Mont St. Michel and in 1938 he toured the deep South and photographed examples of antebellum architecture. Lincoln's photos were widely published in the 1930s and 1940s in such magazines as "Architectural Record," "House Beautiful," "National Geographic," "Country Life," and "Architectural Forum." In addition, he published a book of his photographs in 1946 entitled "Charleston: Photographic Studies by F.S. Lincoln."5
F.S. Lincoln continued to operate a photography studio in New York City until 1965, when he retired and moved to Center Hall, Pennsylvania to live with his sister. He forwarded all of his negatives of Williamsburg buildings to the Foundation in 1972, along with a letter stating that “the copyright of the photographs has run out, so you are free to use them as desired.”6 Upon his death in 1976, the remainder of Lincoln's archive of prints and negatives, as well as some business papers, were donated to the Pennsylvania State University Archives.
Scope and Contents
The F.S. Lincoln collection consists of black and white negatives and prints taken by Mr. Lincoln in preparation for the publication of "The Restoration of Colonial Williamsburg in Virginia," a series of articles appearing in the December 1935 and November 1936 issues of "The Architectural Record." Both issues featured a portfolio of buildings and gardens in the newly restored historic area of Williamsburg.
In order to produce a large pool of photos for use in these portfolios, Mr. Lincoln created comprehensive visual documentation of the work completed during the initial phases of the restoration (1927-1935.) He photographed the exteriors and interiors of thirty restored buildings, including the exhibition buildings open to the public, such as the Governor's Palace, the Capitol, Raleigh Tavern, Bruton Parish Church, the Wren Building, and the Powder Magazine. In addition, he captured exterior views of some of the shops open on Merchant's Square and restored buildings adapted for public use, such as the Public Library. He also photographed many of the gardens and garden ornaments throughout the restored area.
The collection is organized into series by format. Series included in the collection are negatives; bound matted and signed prints; unbound matted and signed prints; and small albums. Within each format, items are organized according to the numbering system assigned by Mr. Lincoln. The first three digits of numbers assigned to the images correspond to a particular building or subject category. For example, all images of the Capitol have numbers beginning with 325 and all miscellaneous views have numbers beginning with 365. After these first three digits, Lincoln added a P for print and then a successive number for each view. For example, the first view of the Capitol is number 325P1. An “LC” prefix has been added to all image numbers by the Colonial Williamsburg Foundation to identify the images as coming from the Lincoln Collection.
Endnotes
1 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17, (Spring 1993): 127-128.
2 F.S. Lincoln to B.W. Norton, October 18, 1933. Colonial Williamsburg Foundation Archives.
3 Agreement dated April 22, 1935 between Colonial Williamsburg, Inc. and F.S. Lincoln, Colonial Williamsburg Foundation Archives.
4 Mr. Norton to Mr. Darling, February 22, 1937; Kenneth Chorley to F.S. Lincoln, April 6, 1937, Colonial Williamsburg Foundation Archives.
5 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17 (Spring 1993): 128.
6 F.S. Lincoln to James R. Short, May 15, 1972, Colonial Williamsburg Foundation Archives.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin or collodian printing out paper with platinum toning, mounted on board.
Physical Dimensions
The actual physical size of the original image.
8x10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Coke-Garrett House, View from Garden
Subject
The topic of the resource
Coke-Garrett House (Williamsburg, Va.)
Block 27. Building 01.
Architecture, Domestic - Virginia - Williamsburg
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Description
An account of the resource
View of the Coke-Garrett House, taken from the garden by F.S. Lincoln in 1935. Three costumed interpreters or "hostesses" stand along a brick pathway in the boxwood garden adjacent to the house. Once the eighteenth-century residence of silversmith John Coke, the house later became the home of the Garrett family in the nineteenth century.
The gardens feature a combination of boxwood hedges, formal parterres, and shrubs. Paths laid out in geometric formations offer various vistas of the house, outbuildings, and garden ornaments.
Abstract
A summary of the resource.
.
Creator
An entity primarily responsible for making the resource
Lincoln, F.S.
Date
A point or period of time associated with an event in the lifecycle of the resource
1935
Date Created
Date of creation of the resource.
1935
Rights
Information about rights held in and over the resource
This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: <a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm">Rights and reproductions</a>
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
LC333P1
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Boxwood
Chimneys
Coke-Garrett House
Costumed Interpreters
Domestic Architecture
Dormer Windows
Dormers
F.S. Lincoln
Fences
Gardens
Hostesses
Parterres
Porches
Shutters
Virginia
Weatherboarding
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/629bb3023ecda1a4bb9c3164b220dcb3.jpg?Expires=1712793600&Signature=nTgNJXK8zzhLCdrITqI8gHbWgxsFudr7eAJYmPKzh8pXiqD-ugta2re3G84HUfi1bmPzGqNBksoCIheT6TImvq%7EyDYDJDaxsfZS4huG65MAkLNyecqwmiI1K0CuOrpwaQtQ9T9WVFG8aQUiulCngWOxgfzerzP06m4G0G7KE8ECRBBIdF0zAPpKEiJL7NYYjvjKXlprPFcoq1%7EqlITvOxGmIHfrMQtgug-CtHnyHfdJz%7EzM04lO8Xdvf8ksauk1IVTNv1lOMtJH1pn09PAfrFs0Ubs5HVy6PaWwg%7EdkM5mjMRjNSyQ1-JuSca0fbiH-gb2rBwei-6P54jTyzcDyAaQ__&Key-Pair-Id=K6UGZS9ZTDSZM
dbab40769b7789daa5ca8f76fc52fc54
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
768
Width
972
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
F.S. Lincoln Photography Collection
Description
An account of the resource
The FS Lincoln Collection
Biographical Sketch
Mr. Fay S. Lincoln (known professionally as F.S. Lincoln) operated a photography studio in New York City from the 1930s until the mid 1960s. He was born in Keene, New Hampshire in 1894 and attended the Massachusetts Institute of Technology. Although he received training as an engineer, Mr. Lincoln chose to become a professional photographer in 1929, when he opened the firm of Nyholm & Lincoln in conjunction with another photographer, Peter Nyholm, in New York City. A few years later, he opened his own studio at 114 East 32nd St.1
In 1932, Lincoln began corresponding with Kenneth Chorley, President of the Colonial Williamsburg Foundation, about the possibility of contracting with the Foundation to photograph the completed restoration work at Williamsburg. Lincoln had learned that John D. Rockefeller, Jr. was looking for someone to create a master collection of photos of Williamsburg through Arthur S. Vernay, an acquaintance of Abby Aldrich Rockefeller. In his correspondence, Lincoln noted he had completed photographic assignments for many of the top architects and designers in New York, including Arthur S. Vernay, Joseph Urban, James Gamble Rogers, Voorhees, Gmelin & Walker, McKim, Mead, & White, Robert Locher, and Eugene Schoen. He also pointed out that he had sold architectural photos to many prominent magazines, including "Architectural Record," "National Geographic," "Country Life," "Architectural Forum," and "Spur."2
Lincoln's credentials, along with sample photographs and recommendations from magazine editors, enabled him to secure a contract with Colonial Williamsburg on April 22, 1935. According to the terms of the contract, Lincoln was hired to prepare a master collection of photographs and negatives that Colonial Williamsburg could sell to tourists and residents of Williamsburg, as well as use for promotional purposes. Lincoln retained the right to sell copies of his photographs at his New York studio, provided he consulted with the Foundation regarding the proposed use of the photographs. He also retained title to all negatives and copyright for all photos until the termination of his business. Plans for a traveling exhibition of Lincoln's photographs of Williamsburg were also mentioned in the contract.3
During 1935, F.S. Lincoln traveled to Williamsburg at seasonal intervals to photograph views requested by the Foundation. A panel of Colonial Williamsburg employees reviewed each series of photos and selected a group to be added to the master collection. F.S. Lincoln photos illustrated two portfolios about Colonial Williamsburg published in the "Architectural Record" in December 1935 and November 1936. Full-page black and white photos of restored buildings and gardens accompanied articles on the restoration written by Kenneth Chorley, Fiske Kimball, William G. Perry, and Arthur Shurcliff. Thus, Lincoln's photos gave the American public their first introduction to the completed restoration.
Lincoln had also been hired by Colonial Williamsburg to create a group of photographs of Williamsburg that could be exhibited. Correspondence between staff members indicates that John D. Rockefeller, Jr. hoped to mount a traveling exhibit of Williamsburg photographs. An exhibit of a selection of Lincoln's views of Williamsburg, along with photos he took for "Harper's Bazaar," "House and Garden," "House Beautiful," "Vanity Fair," "National Geographic," and "Town and Country," was held at the Rabinovitch Gallery in New York City from October 4-17, 1935.
Although Foundation employees were satisfied with the quality of Lincoln's photographs, they were dismayed by the cost of individual prints and enlargements. Memos exchanged between members of the marketing staff indicate that employees were having a hard time convincing distributors to purchase enlargements of the Lincoln photos for display in shop windows. As a result, the Foundation's agreement with F.S. Lincoln was terminated on April 21, 1936.4
Despite this setback, F.S. Lincoln secured contracts for many other architectural photography projects in the 1930s. He received numerous commissions to photograph buildings in New York City and also traveled abroad on several assignments. In 1934, he completed a portfolio of photos of Mont St. Michel and in 1938 he toured the deep South and photographed examples of antebellum architecture. Lincoln's photos were widely published in the 1930s and 1940s in such magazines as "Architectural Record," "House Beautiful," "National Geographic," "Country Life," and "Architectural Forum." In addition, he published a book of his photographs in 1946 entitled "Charleston: Photographic Studies by F.S. Lincoln."5
F.S. Lincoln continued to operate a photography studio in New York City until 1965, when he retired and moved to Center Hall, Pennsylvania to live with his sister. He forwarded all of his negatives of Williamsburg buildings to the Foundation in 1972, along with a letter stating that “the copyright of the photographs has run out, so you are free to use them as desired.”6 Upon his death in 1976, the remainder of Lincoln's archive of prints and negatives, as well as some business papers, were donated to the Pennsylvania State University Archives.
Scope and Contents
The F.S. Lincoln collection consists of black and white negatives and prints taken by Mr. Lincoln in preparation for the publication of "The Restoration of Colonial Williamsburg in Virginia," a series of articles appearing in the December 1935 and November 1936 issues of "The Architectural Record." Both issues featured a portfolio of buildings and gardens in the newly restored historic area of Williamsburg.
In order to produce a large pool of photos for use in these portfolios, Mr. Lincoln created comprehensive visual documentation of the work completed during the initial phases of the restoration (1927-1935.) He photographed the exteriors and interiors of thirty restored buildings, including the exhibition buildings open to the public, such as the Governor's Palace, the Capitol, Raleigh Tavern, Bruton Parish Church, the Wren Building, and the Powder Magazine. In addition, he captured exterior views of some of the shops open on Merchant's Square and restored buildings adapted for public use, such as the Public Library. He also photographed many of the gardens and garden ornaments throughout the restored area.
The collection is organized into series by format. Series included in the collection are negatives; bound matted and signed prints; unbound matted and signed prints; and small albums. Within each format, items are organized according to the numbering system assigned by Mr. Lincoln. The first three digits of numbers assigned to the images correspond to a particular building or subject category. For example, all images of the Capitol have numbers beginning with 325 and all miscellaneous views have numbers beginning with 365. After these first three digits, Lincoln added a P for print and then a successive number for each view. For example, the first view of the Capitol is number 325P1. An “LC” prefix has been added to all image numbers by the Colonial Williamsburg Foundation to identify the images as coming from the Lincoln Collection.
Endnotes
1 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17, (Spring 1993): 127-128.
2 F.S. Lincoln to B.W. Norton, October 18, 1933. Colonial Williamsburg Foundation Archives.
3 Agreement dated April 22, 1935 between Colonial Williamsburg, Inc. and F.S. Lincoln, Colonial Williamsburg Foundation Archives.
4 Mr. Norton to Mr. Darling, February 22, 1937; Kenneth Chorley to F.S. Lincoln, April 6, 1937, Colonial Williamsburg Foundation Archives.
5 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17 (Spring 1993): 128.
6 F.S. Lincoln to James R. Short, May 15, 1972, Colonial Williamsburg Foundation Archives.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin or collodian printing out paper with platinum toning, mounted on board.
Physical Dimensions
The actual physical size of the original image.
8x10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Coke-Garrett House, View from Garden
Subject
The topic of the resource
Coke-Garrett House (Williamsburg,Va.)
Block 27. Building 01.
Architecture, Domestic - Virginia - Williamsburg
Architecture, Colonial - Virginia - Williamsburg
Gardens - Virginia - Williamsburg
Description
An account of the resource
View of the Coke-Garrett House taken from the garden by F.S. Lincoln in 1935. Once the eighteenth-century residence of silversmith John Coke, the house later became the home of the Garrett family in the nineteenth century. The garden features a combination of boxwood hedges, formal parterres, and shrubs. Brick paths laid out in geometric formations offer various vistas of the house, outbuildings, and garden ornaments.
Creator
An entity primarily responsible for making the resource
Lincoln, F.S.
Date
A point or period of time associated with an event in the lifecycle of the resource
1935
Date Created
Date of creation of the resource.
1935
Rights
Information about rights held in and over the resource
This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: <a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm">Rights and reproductions</a>
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
LC333P3
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Boxwood
Chimneys
Coke-Garrett House
Domestic Architecture
Dormer Windows
Dormers
F.S. Lincoln
Fences
Gardens
Parterres
Porches
Shutters
Virginia
Weatherboarding
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/03842219e87d27fa1290e8c5b9d30ddc.jpg?Expires=1712793600&Signature=WSRNoQt2JSOeuYtDWDJF4dy3pRs5pMgVHYneQXmoNtkcn76D7dcZNgx20pcL6BO-6XfYPrbaZEJM0l0cnRLdnGA3OFA7kxvJ%7EYjTvA3ZRwgmlzelMYU9L8j9eG0BqGFpRYASJLVhn3v4qbgw6Yl3Qz-0mB%7E5CREZiIQX7ojU%7EL61eRZZArmaCZDxUehWloN7wVsGwYjtKCl2%7EZiWny8jKXNClR%7EP3UMu9j7lIMB%7ECb2wm-ckJ-4gju3LfFnVl-9g%7EHuhVhe01pvhJItdvTW0eiWQ7gaKPJr6-Sj0pgwtb9hAFoPeO3NBsJRpPLIcejmXP5IEVXLzsA-324XTKTL6Ew__&Key-Pair-Id=K6UGZS9ZTDSZM
0d7bf6e452ccf9af3e2d9af078aec0a4
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
1
Height
768
Width
613
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
F.S. Lincoln Photography Collection
Description
An account of the resource
The FS Lincoln Collection
Biographical Sketch
Mr. Fay S. Lincoln (known professionally as F.S. Lincoln) operated a photography studio in New York City from the 1930s until the mid 1960s. He was born in Keene, New Hampshire in 1894 and attended the Massachusetts Institute of Technology. Although he received training as an engineer, Mr. Lincoln chose to become a professional photographer in 1929, when he opened the firm of Nyholm & Lincoln in conjunction with another photographer, Peter Nyholm, in New York City. A few years later, he opened his own studio at 114 East 32nd St.1
In 1932, Lincoln began corresponding with Kenneth Chorley, President of the Colonial Williamsburg Foundation, about the possibility of contracting with the Foundation to photograph the completed restoration work at Williamsburg. Lincoln had learned that John D. Rockefeller, Jr. was looking for someone to create a master collection of photos of Williamsburg through Arthur S. Vernay, an acquaintance of Abby Aldrich Rockefeller. In his correspondence, Lincoln noted he had completed photographic assignments for many of the top architects and designers in New York, including Arthur S. Vernay, Joseph Urban, James Gamble Rogers, Voorhees, Gmelin & Walker, McKim, Mead, & White, Robert Locher, and Eugene Schoen. He also pointed out that he had sold architectural photos to many prominent magazines, including "Architectural Record," "National Geographic," "Country Life," "Architectural Forum," and "Spur."2
Lincoln's credentials, along with sample photographs and recommendations from magazine editors, enabled him to secure a contract with Colonial Williamsburg on April 22, 1935. According to the terms of the contract, Lincoln was hired to prepare a master collection of photographs and negatives that Colonial Williamsburg could sell to tourists and residents of Williamsburg, as well as use for promotional purposes. Lincoln retained the right to sell copies of his photographs at his New York studio, provided he consulted with the Foundation regarding the proposed use of the photographs. He also retained title to all negatives and copyright for all photos until the termination of his business. Plans for a traveling exhibition of Lincoln's photographs of Williamsburg were also mentioned in the contract.3
During 1935, F.S. Lincoln traveled to Williamsburg at seasonal intervals to photograph views requested by the Foundation. A panel of Colonial Williamsburg employees reviewed each series of photos and selected a group to be added to the master collection. F.S. Lincoln photos illustrated two portfolios about Colonial Williamsburg published in the "Architectural Record" in December 1935 and November 1936. Full-page black and white photos of restored buildings and gardens accompanied articles on the restoration written by Kenneth Chorley, Fiske Kimball, William G. Perry, and Arthur Shurcliff. Thus, Lincoln's photos gave the American public their first introduction to the completed restoration.
Lincoln had also been hired by Colonial Williamsburg to create a group of photographs of Williamsburg that could be exhibited. Correspondence between staff members indicates that John D. Rockefeller, Jr. hoped to mount a traveling exhibit of Williamsburg photographs. An exhibit of a selection of Lincoln's views of Williamsburg, along with photos he took for "Harper's Bazaar," "House and Garden," "House Beautiful," "Vanity Fair," "National Geographic," and "Town and Country," was held at the Rabinovitch Gallery in New York City from October 4-17, 1935.
Although Foundation employees were satisfied with the quality of Lincoln's photographs, they were dismayed by the cost of individual prints and enlargements. Memos exchanged between members of the marketing staff indicate that employees were having a hard time convincing distributors to purchase enlargements of the Lincoln photos for display in shop windows. As a result, the Foundation's agreement with F.S. Lincoln was terminated on April 21, 1936.4
Despite this setback, F.S. Lincoln secured contracts for many other architectural photography projects in the 1930s. He received numerous commissions to photograph buildings in New York City and also traveled abroad on several assignments. In 1934, he completed a portfolio of photos of Mont St. Michel and in 1938 he toured the deep South and photographed examples of antebellum architecture. Lincoln's photos were widely published in the 1930s and 1940s in such magazines as "Architectural Record," "House Beautiful," "National Geographic," "Country Life," and "Architectural Forum." In addition, he published a book of his photographs in 1946 entitled "Charleston: Photographic Studies by F.S. Lincoln."5
F.S. Lincoln continued to operate a photography studio in New York City until 1965, when he retired and moved to Center Hall, Pennsylvania to live with his sister. He forwarded all of his negatives of Williamsburg buildings to the Foundation in 1972, along with a letter stating that “the copyright of the photographs has run out, so you are free to use them as desired.”6 Upon his death in 1976, the remainder of Lincoln's archive of prints and negatives, as well as some business papers, were donated to the Pennsylvania State University Archives.
Scope and Contents
The F.S. Lincoln collection consists of black and white negatives and prints taken by Mr. Lincoln in preparation for the publication of "The Restoration of Colonial Williamsburg in Virginia," a series of articles appearing in the December 1935 and November 1936 issues of "The Architectural Record." Both issues featured a portfolio of buildings and gardens in the newly restored historic area of Williamsburg.
In order to produce a large pool of photos for use in these portfolios, Mr. Lincoln created comprehensive visual documentation of the work completed during the initial phases of the restoration (1927-1935.) He photographed the exteriors and interiors of thirty restored buildings, including the exhibition buildings open to the public, such as the Governor's Palace, the Capitol, Raleigh Tavern, Bruton Parish Church, the Wren Building, and the Powder Magazine. In addition, he captured exterior views of some of the shops open on Merchant's Square and restored buildings adapted for public use, such as the Public Library. He also photographed many of the gardens and garden ornaments throughout the restored area.
The collection is organized into series by format. Series included in the collection are negatives; bound matted and signed prints; unbound matted and signed prints; and small albums. Within each format, items are organized according to the numbering system assigned by Mr. Lincoln. The first three digits of numbers assigned to the images correspond to a particular building or subject category. For example, all images of the Capitol have numbers beginning with 325 and all miscellaneous views have numbers beginning with 365. After these first three digits, Lincoln added a P for print and then a successive number for each view. For example, the first view of the Capitol is number 325P1. An “LC” prefix has been added to all image numbers by the Colonial Williamsburg Foundation to identify the images as coming from the Lincoln Collection.
Endnotes
1 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17, (Spring 1993): 127-128.
2 F.S. Lincoln to B.W. Norton, October 18, 1933. Colonial Williamsburg Foundation Archives.
3 Agreement dated April 22, 1935 between Colonial Williamsburg, Inc. and F.S. Lincoln, Colonial Williamsburg Foundation Archives.
4 Mr. Norton to Mr. Darling, February 22, 1937; Kenneth Chorley to F.S. Lincoln, April 6, 1937, Colonial Williamsburg Foundation Archives.
5 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17 (Spring 1993): 128.
6 F.S. Lincoln to James R. Short, May 15, 1972, Colonial Williamsburg Foundation Archives.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin or collodian printing out paper with platinum toning, mounted on board.
Physical Dimensions
The actual physical size of the original image.
8x10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Coke-Garrett House, View from Garden
Subject
The topic of the resource
Coke-Garrett House (Williamsburg, Va.)
Block 27. Building 01.
Architecture, Domestic - Virginia - Williamsburg
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Description
An account of the resource
View of brick path leading towards the Coke-Garrett House, taken by F.S. Lincoln in 1935. Once the eighteenth-century residence of silversmith John Coke, the house later became the home of the Garrett family in the nineteenth century. The garden features a combination of boxwood hedges, formal parterres, and shrubs. Paths laid out in geometric formations offer various vistas of the house, outbuildings, and garden ornaments.
Creator
An entity primarily responsible for making the resource
Lincoln, F.S.
Date
A point or period of time associated with an event in the lifecycle of the resource
1935
Date Created
Date of creation of the resource.
1935
Rights
Information about rights held in and over the resource
This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: <a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm">Rights and reproductions</a>
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
LC333P6
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Boxwood
Chimneys
Coke-Garrett House
Colonial Architecture
Dentils
Domestic Architecture
Dormer Windows
Dormers
F.S. Lincoln
Fences
Gardens
Gates
Porches
Shutters
Virginia
Weatherboarding
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/0f619ba646a15941c901b7abc7ec96b2.jpg?Expires=1712793600&Signature=KzryUfGzFoWSE8pF1QGb1xDQSIQxU26o7UEQ9GyCOO6Sh0wz5Fb9TvaBjvsp5CiiJl6e6eXoLq8m5BULi3cM-vP7EEIgUVPbGvVxn5z42CDOLdRU97wqAYGnE2TquqtaFDWmLmxOIHxtIPXTolHu6JwWYNR3bKh7DL3EvaX1DYp4aGfs2ujQmmfiFtiV4RKT9JzWbqTa7uhMWvuk0QtE2YQy8wWZSfstRYHvJdvP%7EyWzq6ErhFJl5AxYNPKk2rT55qB5gXOy0TndBQcaSSbmNTH1StDThJTeVBOhmBZCcuBKXeojVWKqAXSHoF70tdYebf1yUyZLX%7EkWAt5vZGus6A__&Key-Pair-Id=K6UGZS9ZTDSZM
9ce4772951dd0ea20dafefe1a0531ab9
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
1
Height
768
Width
609
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
F.S. Lincoln Photography Collection
Description
An account of the resource
The FS Lincoln Collection
Biographical Sketch
Mr. Fay S. Lincoln (known professionally as F.S. Lincoln) operated a photography studio in New York City from the 1930s until the mid 1960s. He was born in Keene, New Hampshire in 1894 and attended the Massachusetts Institute of Technology. Although he received training as an engineer, Mr. Lincoln chose to become a professional photographer in 1929, when he opened the firm of Nyholm & Lincoln in conjunction with another photographer, Peter Nyholm, in New York City. A few years later, he opened his own studio at 114 East 32nd St.1
In 1932, Lincoln began corresponding with Kenneth Chorley, President of the Colonial Williamsburg Foundation, about the possibility of contracting with the Foundation to photograph the completed restoration work at Williamsburg. Lincoln had learned that John D. Rockefeller, Jr. was looking for someone to create a master collection of photos of Williamsburg through Arthur S. Vernay, an acquaintance of Abby Aldrich Rockefeller. In his correspondence, Lincoln noted he had completed photographic assignments for many of the top architects and designers in New York, including Arthur S. Vernay, Joseph Urban, James Gamble Rogers, Voorhees, Gmelin & Walker, McKim, Mead, & White, Robert Locher, and Eugene Schoen. He also pointed out that he had sold architectural photos to many prominent magazines, including "Architectural Record," "National Geographic," "Country Life," "Architectural Forum," and "Spur."2
Lincoln's credentials, along with sample photographs and recommendations from magazine editors, enabled him to secure a contract with Colonial Williamsburg on April 22, 1935. According to the terms of the contract, Lincoln was hired to prepare a master collection of photographs and negatives that Colonial Williamsburg could sell to tourists and residents of Williamsburg, as well as use for promotional purposes. Lincoln retained the right to sell copies of his photographs at his New York studio, provided he consulted with the Foundation regarding the proposed use of the photographs. He also retained title to all negatives and copyright for all photos until the termination of his business. Plans for a traveling exhibition of Lincoln's photographs of Williamsburg were also mentioned in the contract.3
During 1935, F.S. Lincoln traveled to Williamsburg at seasonal intervals to photograph views requested by the Foundation. A panel of Colonial Williamsburg employees reviewed each series of photos and selected a group to be added to the master collection. F.S. Lincoln photos illustrated two portfolios about Colonial Williamsburg published in the "Architectural Record" in December 1935 and November 1936. Full-page black and white photos of restored buildings and gardens accompanied articles on the restoration written by Kenneth Chorley, Fiske Kimball, William G. Perry, and Arthur Shurcliff. Thus, Lincoln's photos gave the American public their first introduction to the completed restoration.
Lincoln had also been hired by Colonial Williamsburg to create a group of photographs of Williamsburg that could be exhibited. Correspondence between staff members indicates that John D. Rockefeller, Jr. hoped to mount a traveling exhibit of Williamsburg photographs. An exhibit of a selection of Lincoln's views of Williamsburg, along with photos he took for "Harper's Bazaar," "House and Garden," "House Beautiful," "Vanity Fair," "National Geographic," and "Town and Country," was held at the Rabinovitch Gallery in New York City from October 4-17, 1935.
Although Foundation employees were satisfied with the quality of Lincoln's photographs, they were dismayed by the cost of individual prints and enlargements. Memos exchanged between members of the marketing staff indicate that employees were having a hard time convincing distributors to purchase enlargements of the Lincoln photos for display in shop windows. As a result, the Foundation's agreement with F.S. Lincoln was terminated on April 21, 1936.4
Despite this setback, F.S. Lincoln secured contracts for many other architectural photography projects in the 1930s. He received numerous commissions to photograph buildings in New York City and also traveled abroad on several assignments. In 1934, he completed a portfolio of photos of Mont St. Michel and in 1938 he toured the deep South and photographed examples of antebellum architecture. Lincoln's photos were widely published in the 1930s and 1940s in such magazines as "Architectural Record," "House Beautiful," "National Geographic," "Country Life," and "Architectural Forum." In addition, he published a book of his photographs in 1946 entitled "Charleston: Photographic Studies by F.S. Lincoln."5
F.S. Lincoln continued to operate a photography studio in New York City until 1965, when he retired and moved to Center Hall, Pennsylvania to live with his sister. He forwarded all of his negatives of Williamsburg buildings to the Foundation in 1972, along with a letter stating that “the copyright of the photographs has run out, so you are free to use them as desired.”6 Upon his death in 1976, the remainder of Lincoln's archive of prints and negatives, as well as some business papers, were donated to the Pennsylvania State University Archives.
Scope and Contents
The F.S. Lincoln collection consists of black and white negatives and prints taken by Mr. Lincoln in preparation for the publication of "The Restoration of Colonial Williamsburg in Virginia," a series of articles appearing in the December 1935 and November 1936 issues of "The Architectural Record." Both issues featured a portfolio of buildings and gardens in the newly restored historic area of Williamsburg.
In order to produce a large pool of photos for use in these portfolios, Mr. Lincoln created comprehensive visual documentation of the work completed during the initial phases of the restoration (1927-1935.) He photographed the exteriors and interiors of thirty restored buildings, including the exhibition buildings open to the public, such as the Governor's Palace, the Capitol, Raleigh Tavern, Bruton Parish Church, the Wren Building, and the Powder Magazine. In addition, he captured exterior views of some of the shops open on Merchant's Square and restored buildings adapted for public use, such as the Public Library. He also photographed many of the gardens and garden ornaments throughout the restored area.
The collection is organized into series by format. Series included in the collection are negatives; bound matted and signed prints; unbound matted and signed prints; and small albums. Within each format, items are organized according to the numbering system assigned by Mr. Lincoln. The first three digits of numbers assigned to the images correspond to a particular building or subject category. For example, all images of the Capitol have numbers beginning with 325 and all miscellaneous views have numbers beginning with 365. After these first three digits, Lincoln added a P for print and then a successive number for each view. For example, the first view of the Capitol is number 325P1. An “LC” prefix has been added to all image numbers by the Colonial Williamsburg Foundation to identify the images as coming from the Lincoln Collection.
Endnotes
1 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17, (Spring 1993): 127-128.
2 F.S. Lincoln to B.W. Norton, October 18, 1933. Colonial Williamsburg Foundation Archives.
3 Agreement dated April 22, 1935 between Colonial Williamsburg, Inc. and F.S. Lincoln, Colonial Williamsburg Foundation Archives.
4 Mr. Norton to Mr. Darling, February 22, 1937; Kenneth Chorley to F.S. Lincoln, April 6, 1937, Colonial Williamsburg Foundation Archives.
5 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17 (Spring 1993): 128.
6 F.S. Lincoln to James R. Short, May 15, 1972, Colonial Williamsburg Foundation Archives.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin or collodian printing out paper with platinum toning, mounted on board.
Physical Dimensions
The actual physical size of the original image.
8x10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Coke-Garrett House, View from Garden
Subject
The topic of the resource
Coke-Garrett House (Williamsburg, Va.)
Block 27. Building 01.
Architecture, Domestic - Virginia - Williamsburg
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Description
An account of the resource
View of the brick pathway leading toward the Coke-Garrett House, taken by F.S. Lincoln in 1935. Once the eighteenth-century residence of silversmith John Coke, the house later became the home of the Garrett family in the nineteenth century. The garden features a combination of boxwood hedges, formal parterres, and shrubs. Paths laid out in geometric formations offer various vistas of the house, outbuildings, and garden ornaments.
Creator
An entity primarily responsible for making the resource
Lincoln, F.S.
Date
A point or period of time associated with an event in the lifecycle of the resource
1935
Date Created
Date of creation of the resource.
1935
Rights
Information about rights held in and over the resource
This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: <a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm">Rights and reproductions</a>
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
LC333P7
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Boxwood
Brick Pathways
Chimneys
Coke-Garrett House
Domestic Architecture
Dormer Windows
Dormers
F.S. Lincoln
Gardens
Shutters
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/57cdda4075ec9d8b5cd877fc3d2a6acb.jpg?Expires=1712793600&Signature=TUes4QLAmajC1lhUrsq2%7EHhaXr59jrsI7lr9E0O%7EYwlaFp8wfUKfemh9cXWoRziMDx1MhbI7ECFKlFDmp5e%7EXpF83OiKU-pZR%7Ehpstk5Dg4Yc6dFuKVVC2hztPmxhp92wxc29HyeRHLmNDJkks9TPBD1Ya6sEWmo385d-uPpPBorrkFDffrjgojCkJroo1ryV9JTxp8OyzQbjafqWZgvXsoDiJ5hm-rFHjqi6GdIwTCwG20jWV1FcXoEJ9szXG49yuTasoiUNI2R1i1QmPFrNodlsvMPxzUpCiiKKu650rLlCghQf1c1J8pzmow92Ts6AGa%7EVVhXu0GTjcQMoCiZPw__&Key-Pair-Id=K6UGZS9ZTDSZM
4d3d8323a9f752ed54abfc57565d88f8
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
1
Height
768
Width
609
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
F.S. Lincoln Photography Collection
Description
An account of the resource
The FS Lincoln Collection
Biographical Sketch
Mr. Fay S. Lincoln (known professionally as F.S. Lincoln) operated a photography studio in New York City from the 1930s until the mid 1960s. He was born in Keene, New Hampshire in 1894 and attended the Massachusetts Institute of Technology. Although he received training as an engineer, Mr. Lincoln chose to become a professional photographer in 1929, when he opened the firm of Nyholm & Lincoln in conjunction with another photographer, Peter Nyholm, in New York City. A few years later, he opened his own studio at 114 East 32nd St.1
In 1932, Lincoln began corresponding with Kenneth Chorley, President of the Colonial Williamsburg Foundation, about the possibility of contracting with the Foundation to photograph the completed restoration work at Williamsburg. Lincoln had learned that John D. Rockefeller, Jr. was looking for someone to create a master collection of photos of Williamsburg through Arthur S. Vernay, an acquaintance of Abby Aldrich Rockefeller. In his correspondence, Lincoln noted he had completed photographic assignments for many of the top architects and designers in New York, including Arthur S. Vernay, Joseph Urban, James Gamble Rogers, Voorhees, Gmelin & Walker, McKim, Mead, & White, Robert Locher, and Eugene Schoen. He also pointed out that he had sold architectural photos to many prominent magazines, including "Architectural Record," "National Geographic," "Country Life," "Architectural Forum," and "Spur."2
Lincoln's credentials, along with sample photographs and recommendations from magazine editors, enabled him to secure a contract with Colonial Williamsburg on April 22, 1935. According to the terms of the contract, Lincoln was hired to prepare a master collection of photographs and negatives that Colonial Williamsburg could sell to tourists and residents of Williamsburg, as well as use for promotional purposes. Lincoln retained the right to sell copies of his photographs at his New York studio, provided he consulted with the Foundation regarding the proposed use of the photographs. He also retained title to all negatives and copyright for all photos until the termination of his business. Plans for a traveling exhibition of Lincoln's photographs of Williamsburg were also mentioned in the contract.3
During 1935, F.S. Lincoln traveled to Williamsburg at seasonal intervals to photograph views requested by the Foundation. A panel of Colonial Williamsburg employees reviewed each series of photos and selected a group to be added to the master collection. F.S. Lincoln photos illustrated two portfolios about Colonial Williamsburg published in the "Architectural Record" in December 1935 and November 1936. Full-page black and white photos of restored buildings and gardens accompanied articles on the restoration written by Kenneth Chorley, Fiske Kimball, William G. Perry, and Arthur Shurcliff. Thus, Lincoln's photos gave the American public their first introduction to the completed restoration.
Lincoln had also been hired by Colonial Williamsburg to create a group of photographs of Williamsburg that could be exhibited. Correspondence between staff members indicates that John D. Rockefeller, Jr. hoped to mount a traveling exhibit of Williamsburg photographs. An exhibit of a selection of Lincoln's views of Williamsburg, along with photos he took for "Harper's Bazaar," "House and Garden," "House Beautiful," "Vanity Fair," "National Geographic," and "Town and Country," was held at the Rabinovitch Gallery in New York City from October 4-17, 1935.
Although Foundation employees were satisfied with the quality of Lincoln's photographs, they were dismayed by the cost of individual prints and enlargements. Memos exchanged between members of the marketing staff indicate that employees were having a hard time convincing distributors to purchase enlargements of the Lincoln photos for display in shop windows. As a result, the Foundation's agreement with F.S. Lincoln was terminated on April 21, 1936.4
Despite this setback, F.S. Lincoln secured contracts for many other architectural photography projects in the 1930s. He received numerous commissions to photograph buildings in New York City and also traveled abroad on several assignments. In 1934, he completed a portfolio of photos of Mont St. Michel and in 1938 he toured the deep South and photographed examples of antebellum architecture. Lincoln's photos were widely published in the 1930s and 1940s in such magazines as "Architectural Record," "House Beautiful," "National Geographic," "Country Life," and "Architectural Forum." In addition, he published a book of his photographs in 1946 entitled "Charleston: Photographic Studies by F.S. Lincoln."5
F.S. Lincoln continued to operate a photography studio in New York City until 1965, when he retired and moved to Center Hall, Pennsylvania to live with his sister. He forwarded all of his negatives of Williamsburg buildings to the Foundation in 1972, along with a letter stating that “the copyright of the photographs has run out, so you are free to use them as desired.”6 Upon his death in 1976, the remainder of Lincoln's archive of prints and negatives, as well as some business papers, were donated to the Pennsylvania State University Archives.
Scope and Contents
The F.S. Lincoln collection consists of black and white negatives and prints taken by Mr. Lincoln in preparation for the publication of "The Restoration of Colonial Williamsburg in Virginia," a series of articles appearing in the December 1935 and November 1936 issues of "The Architectural Record." Both issues featured a portfolio of buildings and gardens in the newly restored historic area of Williamsburg.
In order to produce a large pool of photos for use in these portfolios, Mr. Lincoln created comprehensive visual documentation of the work completed during the initial phases of the restoration (1927-1935.) He photographed the exteriors and interiors of thirty restored buildings, including the exhibition buildings open to the public, such as the Governor's Palace, the Capitol, Raleigh Tavern, Bruton Parish Church, the Wren Building, and the Powder Magazine. In addition, he captured exterior views of some of the shops open on Merchant's Square and restored buildings adapted for public use, such as the Public Library. He also photographed many of the gardens and garden ornaments throughout the restored area.
The collection is organized into series by format. Series included in the collection are negatives; bound matted and signed prints; unbound matted and signed prints; and small albums. Within each format, items are organized according to the numbering system assigned by Mr. Lincoln. The first three digits of numbers assigned to the images correspond to a particular building or subject category. For example, all images of the Capitol have numbers beginning with 325 and all miscellaneous views have numbers beginning with 365. After these first three digits, Lincoln added a P for print and then a successive number for each view. For example, the first view of the Capitol is number 325P1. An “LC” prefix has been added to all image numbers by the Colonial Williamsburg Foundation to identify the images as coming from the Lincoln Collection.
Endnotes
1 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17, (Spring 1993): 127-128.
2 F.S. Lincoln to B.W. Norton, October 18, 1933. Colonial Williamsburg Foundation Archives.
3 Agreement dated April 22, 1935 between Colonial Williamsburg, Inc. and F.S. Lincoln, Colonial Williamsburg Foundation Archives.
4 Mr. Norton to Mr. Darling, February 22, 1937; Kenneth Chorley to F.S. Lincoln, April 6, 1937, Colonial Williamsburg Foundation Archives.
5 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17 (Spring 1993): 128.
6 F.S. Lincoln to James R. Short, May 15, 1972, Colonial Williamsburg Foundation Archives.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin or collodian printing out paper with platinum toning, mounted on board.
Physical Dimensions
The actual physical size of the original image.
8x10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Coke-Garrett House, Garden
Subject
The topic of the resource
Coke-Garrett House (Williamsburg, Va.)
Gardens - Virginia - Williamsburg
Block 27. Building 01.
Description
An account of the resource
View of a brick pathway leading through a portion of the Coke-Garrett House garden taken by F.S. Lincoln in 1935. Once the eighteenth-century residence of silversmith John Coke, the house later became the home of the Garrett family during the nineteenth century. The garden features a combination of boxwood hedges, formal parterres, and shrubs.
Creator
An entity primarily responsible for making the resource
Lincoln, F.S.
Date
A point or period of time associated with an event in the lifecycle of the resource
1935
Date Created
Date of creation of the resource.
1935
Rights
Information about rights held in and over the resource
This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: <a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm">Rights and reproductions</a>
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
LC333P8
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Boxwood
Brick Pathways
Chimneys
Coke-Garrett House
F.S. Lincoln
Fences
Gardens
Outbuildings
Parterres
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/23a54963c9dd5ec3065f1262bf5f156a.jpg?Expires=1712793600&Signature=m5W4iHs3UZ-EYY23mLLV26W7RZf8qWPYLkzW2mNZN95s0Dm7vrtuJeS6PtwF8s7JRAzdZHAfZjqJnwXEkflQPPOiTBq2xCSmRsgBl2cDieJUYf-bsRPm1uOTLrDoyUQGG3x2vP-WpzQ7q-m4Ibq%7E89tzIPoXQzE0OYAyYoPUgiUwwoi5JKm562jO%7ESvCPQFgrqChxMQcO1Qmv2Wcgm-wv5f8f9lkYUWyzh4SvozBITpm2UE9XM8zrwPKgFxf2Rc3VDe5X2E9hLCBomXylOGl0CXnJC285fpnQMdKo4LXUuu0kitjwLH06u2ldzbB29Y-dBfB2kpw5Ut7CdaFOq5cbA__&Key-Pair-Id=K6UGZS9ZTDSZM
d388cddfe3c2904e61c3bdaa3f1062ab
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
1
Height
768
Width
670
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
F.S. Lincoln Photography Collection
Description
An account of the resource
The FS Lincoln Collection
Biographical Sketch
Mr. Fay S. Lincoln (known professionally as F.S. Lincoln) operated a photography studio in New York City from the 1930s until the mid 1960s. He was born in Keene, New Hampshire in 1894 and attended the Massachusetts Institute of Technology. Although he received training as an engineer, Mr. Lincoln chose to become a professional photographer in 1929, when he opened the firm of Nyholm & Lincoln in conjunction with another photographer, Peter Nyholm, in New York City. A few years later, he opened his own studio at 114 East 32nd St.1
In 1932, Lincoln began corresponding with Kenneth Chorley, President of the Colonial Williamsburg Foundation, about the possibility of contracting with the Foundation to photograph the completed restoration work at Williamsburg. Lincoln had learned that John D. Rockefeller, Jr. was looking for someone to create a master collection of photos of Williamsburg through Arthur S. Vernay, an acquaintance of Abby Aldrich Rockefeller. In his correspondence, Lincoln noted he had completed photographic assignments for many of the top architects and designers in New York, including Arthur S. Vernay, Joseph Urban, James Gamble Rogers, Voorhees, Gmelin & Walker, McKim, Mead, & White, Robert Locher, and Eugene Schoen. He also pointed out that he had sold architectural photos to many prominent magazines, including "Architectural Record," "National Geographic," "Country Life," "Architectural Forum," and "Spur."2
Lincoln's credentials, along with sample photographs and recommendations from magazine editors, enabled him to secure a contract with Colonial Williamsburg on April 22, 1935. According to the terms of the contract, Lincoln was hired to prepare a master collection of photographs and negatives that Colonial Williamsburg could sell to tourists and residents of Williamsburg, as well as use for promotional purposes. Lincoln retained the right to sell copies of his photographs at his New York studio, provided he consulted with the Foundation regarding the proposed use of the photographs. He also retained title to all negatives and copyright for all photos until the termination of his business. Plans for a traveling exhibition of Lincoln's photographs of Williamsburg were also mentioned in the contract.3
During 1935, F.S. Lincoln traveled to Williamsburg at seasonal intervals to photograph views requested by the Foundation. A panel of Colonial Williamsburg employees reviewed each series of photos and selected a group to be added to the master collection. F.S. Lincoln photos illustrated two portfolios about Colonial Williamsburg published in the "Architectural Record" in December 1935 and November 1936. Full-page black and white photos of restored buildings and gardens accompanied articles on the restoration written by Kenneth Chorley, Fiske Kimball, William G. Perry, and Arthur Shurcliff. Thus, Lincoln's photos gave the American public their first introduction to the completed restoration.
Lincoln had also been hired by Colonial Williamsburg to create a group of photographs of Williamsburg that could be exhibited. Correspondence between staff members indicates that John D. Rockefeller, Jr. hoped to mount a traveling exhibit of Williamsburg photographs. An exhibit of a selection of Lincoln's views of Williamsburg, along with photos he took for "Harper's Bazaar," "House and Garden," "House Beautiful," "Vanity Fair," "National Geographic," and "Town and Country," was held at the Rabinovitch Gallery in New York City from October 4-17, 1935.
Although Foundation employees were satisfied with the quality of Lincoln's photographs, they were dismayed by the cost of individual prints and enlargements. Memos exchanged between members of the marketing staff indicate that employees were having a hard time convincing distributors to purchase enlargements of the Lincoln photos for display in shop windows. As a result, the Foundation's agreement with F.S. Lincoln was terminated on April 21, 1936.4
Despite this setback, F.S. Lincoln secured contracts for many other architectural photography projects in the 1930s. He received numerous commissions to photograph buildings in New York City and also traveled abroad on several assignments. In 1934, he completed a portfolio of photos of Mont St. Michel and in 1938 he toured the deep South and photographed examples of antebellum architecture. Lincoln's photos were widely published in the 1930s and 1940s in such magazines as "Architectural Record," "House Beautiful," "National Geographic," "Country Life," and "Architectural Forum." In addition, he published a book of his photographs in 1946 entitled "Charleston: Photographic Studies by F.S. Lincoln."5
F.S. Lincoln continued to operate a photography studio in New York City until 1965, when he retired and moved to Center Hall, Pennsylvania to live with his sister. He forwarded all of his negatives of Williamsburg buildings to the Foundation in 1972, along with a letter stating that “the copyright of the photographs has run out, so you are free to use them as desired.”6 Upon his death in 1976, the remainder of Lincoln's archive of prints and negatives, as well as some business papers, were donated to the Pennsylvania State University Archives.
Scope and Contents
The F.S. Lincoln collection consists of black and white negatives and prints taken by Mr. Lincoln in preparation for the publication of "The Restoration of Colonial Williamsburg in Virginia," a series of articles appearing in the December 1935 and November 1936 issues of "The Architectural Record." Both issues featured a portfolio of buildings and gardens in the newly restored historic area of Williamsburg.
In order to produce a large pool of photos for use in these portfolios, Mr. Lincoln created comprehensive visual documentation of the work completed during the initial phases of the restoration (1927-1935.) He photographed the exteriors and interiors of thirty restored buildings, including the exhibition buildings open to the public, such as the Governor's Palace, the Capitol, Raleigh Tavern, Bruton Parish Church, the Wren Building, and the Powder Magazine. In addition, he captured exterior views of some of the shops open on Merchant's Square and restored buildings adapted for public use, such as the Public Library. He also photographed many of the gardens and garden ornaments throughout the restored area.
The collection is organized into series by format. Series included in the collection are negatives; bound matted and signed prints; unbound matted and signed prints; and small albums. Within each format, items are organized according to the numbering system assigned by Mr. Lincoln. The first three digits of numbers assigned to the images correspond to a particular building or subject category. For example, all images of the Capitol have numbers beginning with 325 and all miscellaneous views have numbers beginning with 365. After these first three digits, Lincoln added a P for print and then a successive number for each view. For example, the first view of the Capitol is number 325P1. An “LC” prefix has been added to all image numbers by the Colonial Williamsburg Foundation to identify the images as coming from the Lincoln Collection.
Endnotes
1 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17, (Spring 1993): 127-128.
2 F.S. Lincoln to B.W. Norton, October 18, 1933. Colonial Williamsburg Foundation Archives.
3 Agreement dated April 22, 1935 between Colonial Williamsburg, Inc. and F.S. Lincoln, Colonial Williamsburg Foundation Archives.
4 Mr. Norton to Mr. Darling, February 22, 1937; Kenneth Chorley to F.S. Lincoln, April 6, 1937, Colonial Williamsburg Foundation Archives.
5 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17 (Spring 1993): 128.
6 F.S. Lincoln to James R. Short, May 15, 1972, Colonial Williamsburg Foundation Archives.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin or collodian printing out paper with platinum toning, mounted on board.
Physical Dimensions
The actual physical size of the original image.
8x10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Coke-Garrett House, Office
Subject
The topic of the resource
Coke-Garrett House (Williamsburg, Va.)
Block 27. Building 01.
Architecture, Domestic - Virginia - Williamsburg
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Description
An account of the resource
View of the Office of the Coke-Garrett House taken by F.S. Lincoln in 1935. Once the eighteenth-century residence of silversmith John Coke, the house later became the home of the Garrett family, who added the central Greek Revival style portion and Office in the early nineteenth century.
Dr. Robert M. Garrett performed surgical procedures on wounded soldiers inside the Office after the Battle of Williamsburg in 1862.
Creator
An entity primarily responsible for making the resource
Lincoln, F.S.
Date
A point or period of time associated with an event in the lifecycle of the resource
1935
Date Created
Date of creation of the resource.
1935
Rights
Information about rights held in and over the resource
This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: <a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm">Rights and reproductions</a>
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
LC333P9
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Brick Pathways
Chimneys
Coke-Garrett House
Columns
Domestic Architecture
F.S. Lincoln
Gardens
Greek Revival
Offices
Outbuildings
Pediments
Porches
Porticoes
Virginia
Weatherboarding
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/066104ae59b56261772723bf44e601df.jpg?Expires=1712793600&Signature=SAdvhCkjYWZ5dBat%7EFXgYyim8e6lnkd2D0XmZwlB5Kn5F8IaRmQeXdTr-q0i%7EOe7tQKKXvzwQ7QRkAA0PMu7G6s8Wslg5UWhJT3H0prH3BMy%7EXbQsIAfN29hoFn1OlOwXULNJ07csvj80rjwyfyoqeUp4KLnp4ZqN5WnW4SCgFWETQTwuP%7Es%7EVHfFWBVxh%7E6-KDHElI8HZn7WCm0z%7EsGZ5t6svopjf4VdN2B9oMC0TPbPzH4MxEU%7ERR9ncA9%7EGPjz9k7Rxy9rX02nz0RcqPMZixZbNAXRGa8UYLXtna09rM2gL9CArJ2v4lOKHLZ2WL0XMGFJgxql08pmRjZBKaE5A__&Key-Pair-Id=K6UGZS9ZTDSZM
bdeac9b59ca500e7a6e8446e3e655c8f
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
1
Height
768
Width
609
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
F.S. Lincoln Photography Collection
Description
An account of the resource
The FS Lincoln Collection
Biographical Sketch
Mr. Fay S. Lincoln (known professionally as F.S. Lincoln) operated a photography studio in New York City from the 1930s until the mid 1960s. He was born in Keene, New Hampshire in 1894 and attended the Massachusetts Institute of Technology. Although he received training as an engineer, Mr. Lincoln chose to become a professional photographer in 1929, when he opened the firm of Nyholm & Lincoln in conjunction with another photographer, Peter Nyholm, in New York City. A few years later, he opened his own studio at 114 East 32nd St.1
In 1932, Lincoln began corresponding with Kenneth Chorley, President of the Colonial Williamsburg Foundation, about the possibility of contracting with the Foundation to photograph the completed restoration work at Williamsburg. Lincoln had learned that John D. Rockefeller, Jr. was looking for someone to create a master collection of photos of Williamsburg through Arthur S. Vernay, an acquaintance of Abby Aldrich Rockefeller. In his correspondence, Lincoln noted he had completed photographic assignments for many of the top architects and designers in New York, including Arthur S. Vernay, Joseph Urban, James Gamble Rogers, Voorhees, Gmelin & Walker, McKim, Mead, & White, Robert Locher, and Eugene Schoen. He also pointed out that he had sold architectural photos to many prominent magazines, including "Architectural Record," "National Geographic," "Country Life," "Architectural Forum," and "Spur."2
Lincoln's credentials, along with sample photographs and recommendations from magazine editors, enabled him to secure a contract with Colonial Williamsburg on April 22, 1935. According to the terms of the contract, Lincoln was hired to prepare a master collection of photographs and negatives that Colonial Williamsburg could sell to tourists and residents of Williamsburg, as well as use for promotional purposes. Lincoln retained the right to sell copies of his photographs at his New York studio, provided he consulted with the Foundation regarding the proposed use of the photographs. He also retained title to all negatives and copyright for all photos until the termination of his business. Plans for a traveling exhibition of Lincoln's photographs of Williamsburg were also mentioned in the contract.3
During 1935, F.S. Lincoln traveled to Williamsburg at seasonal intervals to photograph views requested by the Foundation. A panel of Colonial Williamsburg employees reviewed each series of photos and selected a group to be added to the master collection. F.S. Lincoln photos illustrated two portfolios about Colonial Williamsburg published in the "Architectural Record" in December 1935 and November 1936. Full-page black and white photos of restored buildings and gardens accompanied articles on the restoration written by Kenneth Chorley, Fiske Kimball, William G. Perry, and Arthur Shurcliff. Thus, Lincoln's photos gave the American public their first introduction to the completed restoration.
Lincoln had also been hired by Colonial Williamsburg to create a group of photographs of Williamsburg that could be exhibited. Correspondence between staff members indicates that John D. Rockefeller, Jr. hoped to mount a traveling exhibit of Williamsburg photographs. An exhibit of a selection of Lincoln's views of Williamsburg, along with photos he took for "Harper's Bazaar," "House and Garden," "House Beautiful," "Vanity Fair," "National Geographic," and "Town and Country," was held at the Rabinovitch Gallery in New York City from October 4-17, 1935.
Although Foundation employees were satisfied with the quality of Lincoln's photographs, they were dismayed by the cost of individual prints and enlargements. Memos exchanged between members of the marketing staff indicate that employees were having a hard time convincing distributors to purchase enlargements of the Lincoln photos for display in shop windows. As a result, the Foundation's agreement with F.S. Lincoln was terminated on April 21, 1936.4
Despite this setback, F.S. Lincoln secured contracts for many other architectural photography projects in the 1930s. He received numerous commissions to photograph buildings in New York City and also traveled abroad on several assignments. In 1934, he completed a portfolio of photos of Mont St. Michel and in 1938 he toured the deep South and photographed examples of antebellum architecture. Lincoln's photos were widely published in the 1930s and 1940s in such magazines as "Architectural Record," "House Beautiful," "National Geographic," "Country Life," and "Architectural Forum." In addition, he published a book of his photographs in 1946 entitled "Charleston: Photographic Studies by F.S. Lincoln."5
F.S. Lincoln continued to operate a photography studio in New York City until 1965, when he retired and moved to Center Hall, Pennsylvania to live with his sister. He forwarded all of his negatives of Williamsburg buildings to the Foundation in 1972, along with a letter stating that “the copyright of the photographs has run out, so you are free to use them as desired.”6 Upon his death in 1976, the remainder of Lincoln's archive of prints and negatives, as well as some business papers, were donated to the Pennsylvania State University Archives.
Scope and Contents
The F.S. Lincoln collection consists of black and white negatives and prints taken by Mr. Lincoln in preparation for the publication of "The Restoration of Colonial Williamsburg in Virginia," a series of articles appearing in the December 1935 and November 1936 issues of "The Architectural Record." Both issues featured a portfolio of buildings and gardens in the newly restored historic area of Williamsburg.
In order to produce a large pool of photos for use in these portfolios, Mr. Lincoln created comprehensive visual documentation of the work completed during the initial phases of the restoration (1927-1935.) He photographed the exteriors and interiors of thirty restored buildings, including the exhibition buildings open to the public, such as the Governor's Palace, the Capitol, Raleigh Tavern, Bruton Parish Church, the Wren Building, and the Powder Magazine. In addition, he captured exterior views of some of the shops open on Merchant's Square and restored buildings adapted for public use, such as the Public Library. He also photographed many of the gardens and garden ornaments throughout the restored area.
The collection is organized into series by format. Series included in the collection are negatives; bound matted and signed prints; unbound matted and signed prints; and small albums. Within each format, items are organized according to the numbering system assigned by Mr. Lincoln. The first three digits of numbers assigned to the images correspond to a particular building or subject category. For example, all images of the Capitol have numbers beginning with 325 and all miscellaneous views have numbers beginning with 365. After these first three digits, Lincoln added a P for print and then a successive number for each view. For example, the first view of the Capitol is number 325P1. An “LC” prefix has been added to all image numbers by the Colonial Williamsburg Foundation to identify the images as coming from the Lincoln Collection.
Endnotes
1 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17, (Spring 1993): 127-128.
2 F.S. Lincoln to B.W. Norton, October 18, 1933. Colonial Williamsburg Foundation Archives.
3 Agreement dated April 22, 1935 between Colonial Williamsburg, Inc. and F.S. Lincoln, Colonial Williamsburg Foundation Archives.
4 Mr. Norton to Mr. Darling, February 22, 1937; Kenneth Chorley to F.S. Lincoln, April 6, 1937, Colonial Williamsburg Foundation Archives.
5 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17 (Spring 1993): 128.
6 F.S. Lincoln to James R. Short, May 15, 1972, Colonial Williamsburg Foundation Archives.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin or collodian printing out paper with platinum toning, mounted on board.
Physical Dimensions
The actual physical size of the original image.
8x10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Coke-Garrett House, West End
Subject
The topic of the resource
Coke-Garrett House (Williamsburg, Va.)
Block 27. Building 01.
Architecture, Domestic - Virginia - Williamsburg
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Description
An account of the resource
View of the Coke-Garrett House taken from the garden by F.S. Lincoln in 1935. The western portion served as the eighteenth-century residence of silversmith John Coke, while the central Greek Revival style portion was constructed in the early nineteenth century by the Garrett family.
Creator
An entity primarily responsible for making the resource
Lincoln, F.S.
Date
A point or period of time associated with an event in the lifecycle of the resource
1935
Date Created
Date of creation of the resource.
1935
Rights
Information about rights held in and over the resource
This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: <a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm">Rights and reproductions</a>
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
LC333P10
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Brick Pathways
Chimneys
Coke-Garrett House
Colonial Architecture
Columns
Domestic Architecture
Dormer Windows
Dormers
F.S. Lincoln
Fences
Gardens
Gates
Pediments
Porches
Porticoes
Shutters
Virginia
Weatherboarding
Williamsburg