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                  <text>Vernon M. Geddy Jr. Photograph Collection</text>
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                  <text>Geddy, Vernon Meredith Jr., 1926-2005</text>
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                  <text>Frank, Ernest M., 1914-1968</text>
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                  <text>Collection of sixty-five black and white photographs donated by Vernon M. Geddy Jr., a local attorney and long-time Williamsburg resident whose father, Vernon M. Geddy Sr., assisted with legal matters connected with Williamsburg's resotration in the late 1920s and early 1930s and who became an executive officer of the Colonial Williamsburg Foundation. Some of the photographs bear the initials of Ernest M. Frank, who rose from the rank of Architectural Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. &#13;
&#13;
The photos all relate to Rosewood, a residence in King and Queen County, Virginia, that was dismantled and moved to Colonial Williamsburg in 1948 to become the residence of James Lowry Cogar and John Lewis. Since several of the photos show individuals inspecting and measuring the building and a few have the date 1948 noted on them, it is thought they all date to around the time period when the house moved from King and Queen County to Williamsburg. The advent of World War II slowed plans for a proposed Phase II expansion of restoration efforts. Buildings along York Street east of the Capitol site had not yet received much study. Cogar purchased the Nicolson House on York Street in 1940 with a goal of restoring it from its dilapidated state back to its eighteenth-century condition. Around 1947, he purchased Rosewood, a house in King and Queen County, Virginia surviving from the middle of the eighteenth-century, as his second restoration project. He arranged for the dismantling and reconstruction of the home next to the Robert Nicolson House in Williamsburg. Cogar continued to live on York Street after leaving Colonial Williamsburg's employ in 1948 and operated his own antique furniture firm, Cogar, Lewis, and Geiger Inc., until 1962. Today the restored home formerly known as Rosewood is called the Cogar Shop in his honor. It houses Colonial Williamsburg staff offices.&#13;
&#13;
James Cogar began his employment in 1931 to assist the Williamsburg Restoration staff with acquisition of artwork and furnishings for the interiors of various exhibition buildings. He became Colonial Williamsburg's first curator and head of the Department of Collections and continued to oversee the museum's object acquisitions, as well as provide guidance on appropriate antique furniture and furnishings for exhibition buildings, until 1948. After restoring the NIcolson House and moving Rosewood from King and Queen County to a lot next to the NIcholson House on York Street, Cogar opened his antique furniture firm, Cogar, Lewis, and Geiger Inc. Upon closure of this business, he sold the Cogar Shop and the Nicolson House to Colonial Williamsburg in 1964 and moved back to his hometown of Midway, Kentucky to become Executive Director of Shakertown.</text>
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                <text>Rosewood, side facade bargeboard and front cornice detail, King and Queen County, Virginia prior to the structure's move to Williamsburg, Virginia to become the private residence of James Cogar and later the Cogar Shop.</text>
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                  <text>Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation</text>
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                  <text>Another collection of photos purchased by the Boston architectural firm of Perry, Shaw &amp; Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw &amp; Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work.&#13;
&#13;
Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities.&#13;
&#13;
The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House,  Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton.&#13;
&#13;
All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. &#13;
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                  <text>Another collection of photos purchased by the Boston architectural firm of Perry, Shaw &amp; Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw &amp; Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work.&#13;
&#13;
Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities.&#13;
&#13;
The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House,  Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton.&#13;
&#13;
All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. &#13;
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&#13;
The photos all relate to Rosewood, a residence in King and Queen County, Virginia, that was dismantled and moved to Colonial Williamsburg in 1948 to become the residence of James Lowry Cogar and John Lewis. Since several of the photos show individuals inspecting and measuring the building and a few have the date 1948 noted on them, it is thought they all date to around the time period when the house moved from King and Queen County to Williamsburg. The advent of World War II slowed plans for a proposed Phase II expansion of restoration efforts. Buildings along York Street east of the Capitol site had not yet received much study. Cogar purchased the Nicolson House on York Street in 1940 with a goal of restoring it from its dilapidated state back to its eighteenth-century condition. Around 1947, he purchased Rosewood, a house in King and Queen County, Virginia surviving from the middle of the eighteenth-century, as his second restoration project. He arranged for the dismantling and reconstruction of the home next to the Robert Nicolson House in Williamsburg. Cogar continued to live on York Street after leaving Colonial Williamsburg's employ in 1948 and operated his own antique furniture firm, Cogar, Lewis, and Geiger Inc., until 1962. Today the restored home formerly known as Rosewood is called the Cogar Shop in his honor. It houses Colonial Williamsburg staff offices.&#13;
&#13;
James Cogar began his employment in 1931 to assist the Williamsburg Restoration staff with acquisition of artwork and furnishings for the interiors of various exhibition buildings. He became Colonial Williamsburg's first curator and head of the Department of Collections and continued to oversee the museum's object acquisitions, as well as provide guidance on appropriate antique furniture and furnishings for exhibition buildings, until 1948. After restoring the NIcolson House and moving Rosewood from King and Queen County to a lot next to the NIcholson House on York Street, Cogar opened his antique furniture firm, Cogar, Lewis, and Geiger Inc. Upon closure of this business, he sold the Cogar Shop and the Nicolson House to Colonial Williamsburg in 1964 and moved back to his hometown of Midway, Kentucky to become Executive Director of Shakertown.</text>
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&#13;
Vernon M. Geddy Jr., the son of Vernon Geddy Sr., a Williamsburg attorney who held senior level positions at Colonial Williamsburg during its founding decades, donated the collection in 1986. The photographer is unknown, although a few of the images bear the initials of Colonial Williamsburg architect Ernest M. Frank. Since several of the photos show individuals inspecting and measuring the building and a few have the date 1948 noted on them, it is thought they all date to around the time period when the house moved from King and Queen County to Williamsburg.</text>
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&#13;
The photos all relate to Rosewood, a residence in King and Queen County, Virginia, that was dismantled and moved to Colonial Williamsburg in 1948 to become the residence of James Lowry Cogar and John Lewis. Since several of the photos show individuals inspecting and measuring the building and a few have the date 1948 noted on them, it is thought they all date to around the time period when the house moved from King and Queen County to Williamsburg. The advent of World War II slowed plans for a proposed Phase II expansion of restoration efforts. Buildings along York Street east of the Capitol site had not yet received much study. Cogar purchased the Nicolson House on York Street in 1940 with a goal of restoring it from its dilapidated state back to its eighteenth-century condition. Around 1947, he purchased Rosewood, a house in King and Queen County, Virginia surviving from the middle of the eighteenth-century, as his second restoration project. He arranged for the dismantling and reconstruction of the home next to the Robert Nicolson House in Williamsburg. Cogar continued to live on York Street after leaving Colonial Williamsburg's employ in 1948 and operated his own antique furniture firm, Cogar, Lewis, and Geiger Inc., until 1962. Today the restored home formerly known as Rosewood is called the Cogar Shop in his honor. It houses Colonial Williamsburg staff offices.&#13;
&#13;
James Cogar began his employment in 1931 to assist the Williamsburg Restoration staff with acquisition of artwork and furnishings for the interiors of various exhibition buildings. He became Colonial Williamsburg's first curator and head of the Department of Collections and continued to oversee the museum's object acquisitions, as well as provide guidance on appropriate antique furniture and furnishings for exhibition buildings, until 1948. After restoring the NIcolson House and moving Rosewood from King and Queen County to a lot next to the NIcholson House on York Street, Cogar opened his antique furniture firm, Cogar, Lewis, and Geiger Inc. Upon closure of this business, he sold the Cogar Shop and the Nicolson House to Colonial Williamsburg in 1964 and moved back to his hometown of Midway, Kentucky to become Executive Director of Shakertown.</text>
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&#13;
The photos all relate to Rosewood, a residence in King and Queen County, Virginia, that was dismantled and moved to Colonial Williamsburg in 1948 to become the residence of James Lowry Cogar and John Lewis. Since several of the photos show individuals inspecting and measuring the building and a few have the date 1948 noted on them, it is thought they all date to around the time period when the house moved from King and Queen County to Williamsburg. The advent of World War II slowed plans for a proposed Phase II expansion of restoration efforts. Buildings along York Street east of the Capitol site had not yet received much study. Cogar purchased the Nicolson House on York Street in 1940 with a goal of restoring it from its dilapidated state back to its eighteenth-century condition. Around 1947, he purchased Rosewood, a house in King and Queen County, Virginia surviving from the middle of the eighteenth-century, as his second restoration project. He arranged for the dismantling and reconstruction of the home next to the Robert Nicolson House in Williamsburg. Cogar continued to live on York Street after leaving Colonial Williamsburg's employ in 1948 and operated his own antique furniture firm, Cogar, Lewis, and Geiger Inc., until 1962. Today the restored home formerly known as Rosewood is called the Cogar Shop in his honor. It houses Colonial Williamsburg staff offices.&#13;
&#13;
James Cogar began his employment in 1931 to assist the Williamsburg Restoration staff with acquisition of artwork and furnishings for the interiors of various exhibition buildings. He became Colonial Williamsburg's first curator and head of the Department of Collections and continued to oversee the museum's object acquisitions, as well as provide guidance on appropriate antique furniture and furnishings for exhibition buildings, until 1948. After restoring the NIcolson House and moving Rosewood from King and Queen County to a lot next to the NIcholson House on York Street, Cogar opened his antique furniture firm, Cogar, Lewis, and Geiger Inc. Upon closure of this business, he sold the Cogar Shop and the Nicolson House to Colonial Williamsburg in 1964 and moved back to his hometown of Midway, Kentucky to become Executive Director of Shakertown.</text>
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&#13;
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&#13;
James Cogar began his employment in 1931 to assist the Williamsburg Restoration staff with acquisition of artwork and furnishings for the interiors of various exhibition buildings. He became Colonial Williamsburg's first curator and head of the Department of Collections and continued to oversee the museum's object acquisitions, as well as provide guidance on appropriate antique furniture and furnishings for exhibition buildings, until 1948. After restoring the NIcolson House and moving Rosewood from King and Queen County to a lot next to the NIcholson House on York Street, Cogar opened his antique furniture firm, Cogar, Lewis, and Geiger Inc. Upon closure of this business, he sold the Cogar Shop and the Nicolson House to Colonial Williamsburg in 1964 and moved back to his hometown of Midway, Kentucky to become Executive Director of Shakertown.</text>
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&#13;
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James Cogar began his employment in 1931 to assist the Williamsburg Restoration staff with acquisition of artwork and furnishings for the interiors of various exhibition buildings. He became Colonial Williamsburg's first curator and head of the Department of Collections and continued to oversee the museum's object acquisitions, as well as provide guidance on appropriate antique furniture and furnishings for exhibition buildings, until 1948. After restoring the NIcolson House and moving Rosewood from King and Queen County to a lot next to the NIcholson House on York Street, Cogar opened his antique furniture firm, Cogar, Lewis, and Geiger Inc. Upon closure of this business, he sold the Cogar Shop and the Nicolson House to Colonial Williamsburg in 1964 and moved back to his hometown of Midway, Kentucky to become Executive Director of Shakertown.</text>
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&#13;
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&#13;
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                <text>AV2009-18_GED030. See also 87-1059.</text>
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                  <text>Collection of sixty-five black and white photographs donated by Vernon M. Geddy Jr., a local attorney and long-time Williamsburg resident whose father, Vernon M. Geddy Sr., assisted with legal matters connected with Williamsburg's resotration in the late 1920s and early 1930s and who became an executive officer of the Colonial Williamsburg Foundation. Some of the photographs bear the initials of Ernest M. Frank, who rose from the rank of Architectural Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. &#13;
&#13;
The photos all relate to Rosewood, a residence in King and Queen County, Virginia, that was dismantled and moved to Colonial Williamsburg in 1948 to become the residence of James Lowry Cogar and John Lewis. Since several of the photos show individuals inspecting and measuring the building and a few have the date 1948 noted on them, it is thought they all date to around the time period when the house moved from King and Queen County to Williamsburg. The advent of World War II slowed plans for a proposed Phase II expansion of restoration efforts. Buildings along York Street east of the Capitol site had not yet received much study. Cogar purchased the Nicolson House on York Street in 1940 with a goal of restoring it from its dilapidated state back to its eighteenth-century condition. Around 1947, he purchased Rosewood, a house in King and Queen County, Virginia surviving from the middle of the eighteenth-century, as his second restoration project. He arranged for the dismantling and reconstruction of the home next to the Robert Nicolson House in Williamsburg. Cogar continued to live on York Street after leaving Colonial Williamsburg's employ in 1948 and operated his own antique furniture firm, Cogar, Lewis, and Geiger Inc., until 1962. Today the restored home formerly known as Rosewood is called the Cogar Shop in his honor. It houses Colonial Williamsburg staff offices.&#13;
&#13;
James Cogar began his employment in 1931 to assist the Williamsburg Restoration staff with acquisition of artwork and furnishings for the interiors of various exhibition buildings. He became Colonial Williamsburg's first curator and head of the Department of Collections and continued to oversee the museum's object acquisitions, as well as provide guidance on appropriate antique furniture and furnishings for exhibition buildings, until 1948. After restoring the NIcolson House and moving Rosewood from King and Queen County to a lot next to the NIcholson House on York Street, Cogar opened his antique furniture firm, Cogar, Lewis, and Geiger Inc. Upon closure of this business, he sold the Cogar Shop and the Nicolson House to Colonial Williamsburg in 1964 and moved back to his hometown of Midway, Kentucky to become Executive Director of Shakertown.</text>
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                  <text>Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation.</text>
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              <text>Gelatin silver print</text>
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            <name>Title</name>
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                <text>Interior Stairway, Rosewood</text>
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                <text>Interior view looking down stairway from second floor, Rosewood, King and Queen County, Virginia, prior to the structure's move to Williamsburg, Virginia to become the private residence of James Cogar and later the Cogar Shop.</text>
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