1 20 81 https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/c4987f32edcb474f12e6fbd01e48f957.jpg?Expires=1779926400&Signature=Yt3f6Q2-SpUngEVXQcRZtEfJKDXUQilMyg-uYw472yJCE1KvzuEAVw65815Mwwh8qw28BmPoRK5bf6%7EM2zjsrukbn64NungeS%7EMkdbe%7ELvBCrPbPjQo7kKFj47aWJjWE364UDlhK4v9PoD0BoDXWIcH9AprXR80buAlFtfHDHin%7EfsneFux%7Eee952HxY4i7lOjkfZp9Y4ytdFU1vpiz1WADRUJWkcqexb9lc7xO3YeQlamkcNI%7EN%7E-BpHDpd-ruSDIqW%7EhkgiN1l5IWEGp6DizjHm6QamJLShCZAVvMA597d8Rigbrs2mKctCK4Rbeq-2MbOdwIBd9CYy6Aq59ljHQ__&Key-Pair-Id=K6UGZS9ZTDSZM cdda05c7c4cc1b8bdefd15c205d8c7f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moody House Kitchen Description An account of the resource Detail view of a window and shutters on the Moody Kitchen, Williamsburg, Virginia. Identifier An unambiguous reference to the resource within a given context AV2009-58-A06-FRA019_002 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, Colonial Williamsburg Foundation. Subject The topic of the resource Moody House (Williamsburg, Va.) Outbuildings - Virginia - Williamsburg Block 02. Building 31A. Creator An entity primarily responsible for making the resource Frank, Ernest M. Date A point or period of time associated with an event in the lifecycle of the resource 1940s Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 6, Page 19 (shows as page 27) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Ernest Frank Kitchens Moody House Shutters Virginia Williamsburg Windows https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/2a983079ba92500bf15784482f380e8c.jpg?Expires=1779926400&Signature=dk8v8ajLqlgPkwcKolrn4yQexK6KF5HuHZbNF5rERVWmgNm0qnMkoGLcUKH7K13kA0BJXa3eGFjI7tc8qvKdCUS2zHyJ4Y6GUi9cNiMP9g9DlcWtgpshReV4UFBuRi8mhkzaXwnwdcYc1ekagtLkTKYlKfgfOTXDWUlo5cDeAvgiEhTDoR9FC%7Eh4vG7ZlUDHoR9CR7rsSHJYxaGyhRHQMEIkciaQQbu%7EPqdNeU3-FQwt1sh8qdkcU214Em2gLL0CvsJ-hybWGcZuelFiAZs-Lkmm3vpU7nV8Lq1C219Q4682JOyDV%7ESUGDtWWiyR4VdC4C2ufpc2cXseqRRiWEg6lw__&Key-Pair-Id=K6UGZS9ZTDSZM f9ed3a19bff5f8b7543e344d001bf882 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moody House Description An account of the resource View of the west elevation of the Moody House, Williamsburg, Virginia. Identifier An unambiguous reference to the resource within a given context AV2009-58-A06-FRA017_002 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, Colonial Williamsburg Foundation. Subject The topic of the resource Block 02. Building 31. Moody House (Williamsburg, Va.) Architecture, Domestic - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Frank, Ernest M. Date A point or period of time associated with an event in the lifecycle of the resource 1940s Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 6, Page 17 (shows as page 23) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Chimneys Clapboard Siding Cornices Dormers Ernest Frank Moody House Shutters Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/c89a938aa255f4eb13b0d6592ec8f32e.jpg?Expires=1779926400&Signature=iynTHur7yPN9ByH1I3NIh4ADMe21n1WUpcSuL8pqBkUo0VgMd%7EX2FoZQEUSxEp1eP%7EQcFLeej4bepI7EOmom%7EuRKye0cJRzmGQMIN9oIpXX1FXi1JJCGFkNiBdXP9oFFzOUYLznjVCcy6JVWHcYunXm6MdNmaROZlsKV-INoDss7vmBH%7EWOG5NVg6IZYzGsETZf2YbVP8ZwfxVD5AR6WnAOV52OHmTCCdkqeqovAk0sNGhsr%7EgyZJ%7ERD2tLc4Uui377P4zfsCMG7aCkx5sDkCPWOjdw-GOLWFWGrC1GtrHjCExU2SpAV0FuHsEEfgDdTvkZZYZc4LCEYMxZuiPlZxg__&Key-Pair-Id=K6UGZS9ZTDSZM cdb2065408a35bdc765b55bb08d3c394 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Silver gelatin print mounted on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moody House Dairy Description An account of the resource Exterior view of the Moody House Dairy, Williamsburg, Virginia. Identifier An unambiguous reference to the resource within a given context AV2009-58-A04-FRA032_003 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 4, Page 32 (shows as Page 37) Creator An entity primarily responsible for making the resource Frank, Ernest M. Subject The topic of the resource Moody House (Williamsburg, Va.) Block 02. Building 31. Architecture, Domestic - Virginia - Williamsburg Outbuildings - Virginia - Williamsburg Date A point or period of time associated with an event in the lifecycle of the resource 1940s Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Dairies Moody House Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/9a6edd89b022e9383c266a82daebdc51.jpg?Expires=1779926400&Signature=PcqntIryw1XKN0fpjZn0U9u3nEbl3JxrQkdUEruivDkDcgzZ7Y13dXQoCEuC2Gdez4D6TX2qf43SJwZmuv6yQtmL2o6loKW-T9u8eKhUqrD31%7EW8%7ED4SM3FvNMkZ1IOT6JqMrYm-xzNPKqMBQbZokGcrU3GfdEP6UIR6lyFqr-SUnTUjTh9gizcUfY1C3Q3r5Ap%7ES0Klj4KzB8YbaZZCUpoLewCzVNULKTeQMUaOVw-VTbcwDu-ExIpTbCusAC3idCme%7EyCKOAyO27K48xJL9bv3%7ELX02cE9BhvNGbb%7EFEEe7dy%7EBoJQOZQ8zW5vHD2Bg5ZE8vUWNyIjr5qx6HQ8ZA__&Key-Pair-Id=K6UGZS9ZTDSZM 65f4e79d8156922fae1218b761d11318 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moody House Outbuildings Description An account of the resource View of the rear elevations of two outbuildings on the Moody House property, Williamsburg, Virginia. Identifier An unambiguous reference to the resource within a given context AV2009-58-A04-FRA028_005 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. RockefellerJr. Library, The Colonial Williamsburg Foundation. Subject The topic of the resource Moody House (Williamsburg, Va.) Block 02. Building 31. Outbuildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Frank, Ernest M. Date A point or period of time associated with an event in the lifecycle of the resource 1940s Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 4, Page 28 (shows as Page 33) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Moody House Outbuildings Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/adcd21350f29e716ca41c21945b96f7d.jpg?Expires=1779926400&Signature=j%7EUP%7ESPRRntnJemvfxsb9WX4HzVPPvcqWX0h35HhD%7EFQUUYgbxqhSB56ARxSljCf68XSz0zBbc2r8q%7EBZwKQyQTBB8aazPjDOfpPeWYOzhIKWNhTh-c8dUYe3KHBnWrkUO06mETNcXCowjnHodnL7nf2zZ%7E-l0s7NPlU%7ESNNpzOxjylKeK4yM4L3GvCVe7OdiqFO5rLnFyCCLQ62F2%7EjaJQ9KNuLDMSuFPXfFwObPwlp2J-xfVVxE1kV3MbZTOPPme8pknHDHe0wFbMRws1sqr0IntTXcB6f6HYdPxL-z-pSGcjBNRkELGr6AObGpW8v0FcBg%7Ejow3o02CrDnmuVFw__&Key-Pair-Id=K6UGZS9ZTDSZM f60636b5dcb308d70551be0bf4aa70eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moody House Wellhead Description An account of the resource View of the wellhead and side elevation of the Moody House, Williamsburg, Virginia. Identifier An unambiguous reference to the resource within a given context AV2009-58-A04-FRA024_004 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. RockefellerJr. Library, The Colonial Williamsburg Foundation. Subject The topic of the resource Moody House (Williamsburg, Va.) Block 02. Building 31. Block 02. Building 31C. Outbuildings - Virginia - Williamsburg Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 4, Page 24 (shows as Page 28) Creator An entity primarily responsible for making the resource Frank, Ernest M. Date A point or period of time associated with an event in the lifecycle of the resource 1940s Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Moody House Virginia Wellheads Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/3b6b3f2a7e0381ba7a6a64b2c53a97bd.jpg?Expires=1779926400&Signature=cGTVD3WKTVwsIAzudJ1gduJS1zbH5aGF%7EOitgW9nTxQrMDBQf%7EEU%7E8CBCh-fBdFFsh0bKuNDNNORNIJLOkBLga9jQlYC1cVkEdz-i3ESxdbbpqFZtZEX1%7E4%7EXt6mneR6dogUo%7En07yXCUOG4TD9RLkgDmGmTlbQl61DQiTl3PgV7%7EsyNEwPwv9A44ASV16n5wlI9Y1Tz4WRyP-MpnxLdZG-bS%7ENvlLf3QVa0NkydloPOIOAT0ZJx9PoVjWtRyOOkQdgkE4ScfeyJRnHH-gWKEuavTMZ5hJKQzpIPI0dUpYr8TUNEF8JykB4Srta6ibB-P-d-7eNycHDfWFYHa4hguw__&Key-Pair-Id=K6UGZS9ZTDSZM 5e9f2a056ff191eb6e0f01f4a9e96a7b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moody Kitchen Description An account of the resource View of the rear elevation of the Moody House, left, and a portion of the Ewing House, right, Williamsburg, Virginia. Identifier An unambiguous reference to the resource within a given context AV2009-58-A04-FRA005_005 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Creator An entity primarily responsible for making the resource Frank, Ernest M. Date A point or period of time associated with an event in the lifecycle of the resource 1940s Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 4, Page 5 Subject The topic of the resource Moody House (Williamsburg, Va.) Block 02. Building 31A. Architecture, Domestic - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Clapboard Siding Ernest Frank Ewing House Kitchens Moody House Virginia Williamsburg Windows https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/1383c29b8327d92244c45172bcd4854a.jpg?Expires=1779926400&Signature=ItYypCm%7ECerndLq9dBhvlw3NPkgfVOFq0YwybEOHGo0M7tBnbf6wHPQe5SSgBukMk9xL5VAbMyvXqE2Q5q7lstmJ3pR09p-g14BY1XzOPa23d0CeHAjoGm-5-QjYa-WsM3qLv4iTHXaj8e4txVpCdmHJPAfKBD1hOCOANah-7CnFmon5szY5WrJwbFKCLAZjDhMXLM2JkQ1-KN8o%7ECdV1ZThQrKmzhISW%7EPmi70oNvxEKE5myDbB4F%7EVgqho-ujV29yoOXLHYXkJpO3fSStV1lqMhsbp4ZeqR%7EbXuHBijuYAjoLhqnDJKJZ%7EP8P6ntFUWb1RQ9tv5e2AtvW65tnqdQ__&Key-Pair-Id=K6UGZS9ZTDSZM c7f9c0bd6d213e960b63e6c93c4dc873 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moody House Kitchen, Dairy, and Smokehouse Description An account of the resource View looking towards the Moody House Kitchen with the Dairy and Smokehouse to the right, Williamsburg, Virginia. Identifier An unambiguous reference to the resource within a given context AV2009-58-A04-FRA005_003 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Creator An entity primarily responsible for making the resource Frank, Ernest M. Date A point or period of time associated with an event in the lifecycle of the resource 1940s Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 4, Page 5 Subject The topic of the resource Moody House (Williamsburg, Va.) Block 02. Building 31. Outbuildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Dairies Ernest Frank Kitchens Moody House Smokehouses Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/183f2f5d7b2da0ff295b800d6a914812.jpg?Expires=1779926400&Signature=YsJn1cot%7Er28eCEqUwF2QrS2pI1BzWx%7Ezkz7CJT72UN3kUDIkKZFXVp9ipZKM9rY%7EimD4dKFGYBaG-5LDbkzofg8KZMUlkAEYjTV2Igwc-UGCUEUFSEsoGswaP69VlO3hnjGV35w9eFY1orsfvs00MpAwjbTSwNbgM%7ETbF43TAlUarA14tclIS13s-MCPNl%7EsZaRk-O-P4-8NyBnL8aPVqyj43Zztd6oQni-RZxESbjU6v5YRzQhWR4VzvC9fbZmJla3uPwAJaqo56q5UfjgQm-aado8fYDpQszj4quCVD8eLLGpvM9W5QJ5jp%7EnBbGLbTIWAzNne-UqbpcfIWtW7A__&Key-Pair-Id=K6UGZS9ZTDSZM f95b9940805c03154d39a9d287ac4908 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Outbuildings, Moody House Description An account of the resource View looking over a fence towards outbuildings behind the Moody House, Williamsburg, Virginia. Identifier An unambiguous reference to the resource within a given context AV2009-58-A04-FRA005_002 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Creator An entity primarily responsible for making the resource Frank, Ernest M. Date A point or period of time associated with an event in the lifecycle of the resource 1940s Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 4, Page 5 Subject The topic of the resource Moody House (Williamsburg, Va.) Block 02. Building 31. Architecture, Domestic - Virginia - Williamsburg Outbuildings - Virginia - Williamsburg Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Ernest Frank Moody House Outbuildings Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/d3a9bc453f71762e5ce912a8855dcab2.jpg?Expires=1779926400&Signature=NlAaXjuTwVjewg7p4JppL70iXk5pGAlpzaLNuuDUs8UkwPvx3XOIwIszrJJDKGzCzR2WmF8%7EOqmVJGnD5Rln4NOwCYqRzJkOPnoQEhuAAIDbUgVSWI9Q5QBzzbjl-QXQkxwdY4fBlY%7E%7EFy%7E91H4PWzQgwFL3MFzX8m-0hKuD-cKbsnIfRnAimMFK65Qvng57byCCbar1K-3qdTDEUcqKYP66LKIgH5cz-FDUq9O0mWtIPsGCSewDi4qFWi4GRBOBuzPc2CGnPET6OGIQ5M81BZTVnQva9Wfz2agMunzSxQ-cgNM2aXP-Ehe0KydtvPCjUn60xsGl3gZl8rIxE6VVuA__&Key-Pair-Id=K6UGZS9ZTDSZM 8604d02fe70ed07a5358973c609a4934 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moody House Description An account of the resource View of the chimney and gable on the west elevation of the Moody House, Williamsburg, Virginia. Identifier An unambiguous reference to the resource within a given context AV2009-58-A02-FRA026_004 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Subject The topic of the resource Moody House (Williamsburg, Va.) Block 02. Building 31. Architecture, Domestic - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 2, Page 26 (shows as Page 28) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Creator An entity primarily responsible for making the resource Frank, Ernest M. Date A point or period of time associated with an event in the lifecycle of the resource 1940s Chimneys Clapboard Siding Dormers Ernest Frank Fences Moody House Shutters Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/45eff7059451e3ef4b9576472ad24f2b.jpg?Expires=1779926400&Signature=Ylb94aqVLH9-NmHokq3Kum4QH6XtKxzWC6yZy50NGFlB95NPdX2p0-6%7Ej22jYIZX99pPvcpGIMVdxRSnsoG8z6K%7EUGuRQrjWB1%7EVluITeIjLqWfXuzeX54wSKap8i0yRd9u3wopWHIrFhgXKoTftQFY2bjo3jvx9wT87PgvRZRVv23C-B1aMNwR753paw8l%7E2yy55qda4cdAQeohztMNDYo7k8R5K-X2eN58a9F54BpktrHCfPCavwSPcYRXAJ9P3VQw%7E2JlEmDAQQ-giC-6qpwPW-VZsx%7EGRupulVJkcWhmdst1umePOlFwYYSt6zMzbl%7EX%7Eg9EWyDjon43g4D89w__&Key-Pair-Id=K6UGZS9ZTDSZM 886e189868718670df1c91f5211d9db8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moody House Description An account of the resource View of the chimney and gable on the east elevation of the Moody House, Williamsburg, Virginia. Identifier An unambiguous reference to the resource within a given context AV2009-58-A02-FRA026_002 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Subject The topic of the resource Block 02. Building 31. Moody House (Williamsburg, Va.) Architecture, Domestic - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 2, Page 26 (shows as Page 28) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Creator An entity primarily responsible for making the resource Frank, Ernest M. Date A point or period of time associated with an event in the lifecycle of the resource 1940s Brickwork Chimneys Clapboard Siding Ernest Frank Gables Moody House Virginia Williamsburg Windows https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/52dea4dee9b5412a4dfadc35eabfa584.jpg?Expires=1779926400&Signature=AK0D-17MtOtxVCIMLewzujrGQm7wCq8YPNBzUU1L5KAU%7EMUze9p5HpzMdUF5CMLD8QOI95HWRH5YZMy6Y1Sn7VP-J2BGiBuupvBSWdwFMHgBUjcnehV6CBLuTwg60nTd%7E74tNxxkyStoa2ARnuKT32h4OUXydrQOY8Uz3hkxsEVa7Fe-CR6v1NYW7ph3WlyFUO80NhU0wSZtNxTZlBHH%7E-SeWWCFDoxxE9miiDYhzO3fm53mRSkA6EBg7%7ETbQYFo3FT7tWBeq9TSbKXKyaLv%7EtM02PiEPbL5nkDlremstYb6F4cD4%7ExN7UD%7Ef3rEHONxmhvwNYmNvHl1PcBvjp1uFg__&Key-Pair-Id=K6UGZS9ZTDSZM d8a4259ce9959f1903b34d13c0a49008 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moody House Description An account of the resource View of the west elevation of the Moody House, Williamsburg, Virginia. Identifier An unambiguous reference to the resource within a given context AV2009-58-A02-FRA006_004 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Subject The topic of the resource Moody House (Williamsburg, Va.) Block 02. Building 31. Architecture, Domestic - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 2, Page 6 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Creator An entity primarily responsible for making the resource Frank, Ernest M. Date A point or period of time associated with an event in the lifecycle of the resource 1940s Chimneys Clapboard Siding Dormers Ernest Frank Fences Moody House Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/27a0e09b423c22c83701fba16abb603c.jpg?Expires=1779926400&Signature=Z5uo51RVkrona-lN5RrDwXjbCBiH5pfUrVCoFE1UMq9uSqIFHu5QKbaRjGPFYbZm9kBxHQVDL9RBvLrjrAJeH6jELj2GmYH%7E3A3lkUekgUdvJSJfARdLEyXnlQ5pb4fIQUeo16hD8xxlRh4H-izuvLZL6BiqnEP39Fbz4GIZVRq%7EnxVeaZUHFPqBWR0Dcjbir8bfl7eXpbbTMX%7EQiulMHEdo5hffBS%7Ep6vAk3bAIBtsq60MXe6uH1YghFmzviwnwHXLg5ZuV%7E8KxngzaYREDVUVPAafmcpf5MhQiUVBmfFsJ6jMlHckgBrtHwFwCnbSNvupM%7EW%7E3RI94DSf8Sw3uyg__&Key-Pair-Id=K6UGZS9ZTDSZM 716433246359f18aae2c1edf7bf35f78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architectural Photo Albums Collection Description An account of the resource The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs. Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site. The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant. In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s. Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley. Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses). Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg (Va.) - Photographs Williamsburg (Va.) - Buildings, structures, etc. Photograph albums Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Extent The size or duration of the resource. 367 boxes Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on linen Physical Dimensions The actual physical size of the original image. 8 x 10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Moody House (Williamsburg, Va.) Block 02. Building 31. Outbuildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Title A name given to the resource Moody House Outbuildings Description An account of the resource Restoration progress photo of the Moody House outbuildings, including, left to right, the Kitchen, Dairy, and Smokehouse, Williamsburg, Virginia. Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2, Box 21, Folder 5 Creator An entity primarily responsible for making the resource Nivison, Frank Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context N6218R Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Date A point or period of time associated with an event in the lifecycle of the resource 1939-12-19 Dairies Frank Nivison Kitchens Moody House Outbuildings Smokehouses Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/1b6dad5c2a0e2651420765b55271dfe4.jpg?Expires=1779926400&Signature=fJLYMB6ZpewJRIQIqpP2w65aJPpH4wVCPDwoSRRrsLDmWzYHeLI0g8Q4d3bz25958fwLk86JIClA8O57GIgE0x2HpftnapRnf8fSqmUvzudlOYwl-aIbl%7EKW46qTA5sKBw6VCAFON6Z91qE-10zYUrjhwBBra%7EM5xMa%7EreyMtW9xIdcKRC-thjNcy6a49pfDWc34ZMdZfZbIm7Q48eJ4btcTW55klekDPV7ZiFWXSFwJfokm3c-fF3FK4VL1z5l85z7sfZtyfLsfxcQC4gjEES4HTPUWj5MDocUiBaWzvS4Rl5WDTuIsoHARrQTnVvTZZYTmMpYWmlt6PFW-8g5c1A__&Key-Pair-Id=K6UGZS9ZTDSZM af0a17f1febc5531c73ed9d933b70a17 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architectural Photo Albums Collection Description An account of the resource The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs. Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site. The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant. In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s. Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley. Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses). Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg (Va.) - Photographs Williamsburg (Va.) - Buildings, structures, etc. Photograph albums Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Extent The size or duration of the resource. 367 boxes Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on linen Physical Dimensions The actual physical size of the original image. 8 x 10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Moody House (Williamsburg, Va.) Block 02. Building 31. Outbuildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Title A name given to the resource Moody House Outbuildings Description An account of the resource Restoration progress photo of the northwest elevation of the Moody House Dairy and Smokehouse, Williamsburg, Virginia. Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2, Box 21, Folder 5 Creator An entity primarily responsible for making the resource Nivison, Frank Date A point or period of time associated with an event in the lifecycle of the resource 1939-11-16 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context N6172R Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Construction Progress Construction Workers Dairies Frank Nivison Moody House Smokehouses Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/d4a3120a5f72e8962a691eb1fbda3c13.jpg?Expires=1779926400&Signature=YDreTuamRqWtpLjt720kRRvnsH3Zhy0wisK5x%7EvXjfhCVebv6uRjZMu7RhmSiF0cWqDeRfihFSa7kXAu5a6ankWXtwMX40PZQnpkEjq3qY7AXSEPDh9Xy3YQqP-AeTnwJ9quc8KZFlzliBpLWW4iSuvxjFx5-Uxo0JgFYg-oKYs8aS4rpeGoZoaYBJb1yKAUpr9OUeRqdT2q9wKQ7-Y1fFRqzkAjtrlGn6HnDPVaHApY7-OS%7ECTBh2E7f%7EL4IHRNHgGTJDdd8e4R8XXmEiISv1uGMHU1zVqs07cXdIM92CvQ1nSBnc6mb-w%7EVYx9qP70g19vcTGQCODgRSI9SloLCA__&Key-Pair-Id=K6UGZS9ZTDSZM 89d76300da9961069e3273c91dcab566 https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/e887bc40d90d5552d88dc2bff97904ef.jpg?Expires=1779926400&Signature=bTAN7I4HUL8s165L9k6wDKHpbaTxI3Dws9nPnSjYI4uPGgnpvO9WWOQaoczdMYlGetdYCE9W3bepSRH1WZGz5iS3Bm32yykSdqazf5AwlVKSU1HlmeYwMCn%7ExywFmL%7EtsI-lrAqObs0jM-BbqqNYE02LldLrw-9cGBzurg3l-TdLozJi9hoJacAUnHZuCeM8Q6tJbxadCFq5X8SZYHbOKKn00GLs2NGDqAAGskGgyNnB3BAWoJc%7ELOA5s8d3rghxcAj1jv%7EbudhTwEcIjxJCIRCS4ij2xaaU5m4lja8oYMzftBATrJ1NuZHBvmkbJ9uM%7EepuoiY3w7N%7E%7EV3w36UnFQ__&Key-Pair-Id=K6UGZS9ZTDSZM b3ef54d0dcb6cabfb9d8bacb9bbfd43c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architectural Photo Albums Collection Description An account of the resource The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs. Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site. The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant. In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s. Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley. Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses). Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg (Va.) - Photographs Williamsburg (Va.) - Buildings, structures, etc. Photograph albums Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Extent The size or duration of the resource. 367 boxes Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on linen Physical Dimensions The actual physical size of the original image. 8 x 10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Moody House (Williamsburg, Va.) Block 02. Building 31. Archaeological sites - Virginia - Williamsburg Title A name given to the resource Excavations, Moody House Description An account of the resource Recto and verso, excavated foundations at the Moody House archaeological site, Williamsburg, Virginia. Notation on verso reads: "Remains of colonial entrance porch shown in foreground and probably middle or early 19th-century porch foundations shown centering on present door. Stone and cement steps on right were to accomodate removed modern porch. See archaeological drawing for Block 2, Area C." Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2, Box 21, Folder 5 Creator An entity primarily responsible for making the resource Nivison, Frank Date A point or period of time associated with an event in the lifecycle of the resource 1939 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context N6004R, N6004V Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Excavations Foundations Frank Nivison Moody House Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/f194aecc5a21872b662aecb0a05e30f0.jpg?Expires=1779926400&Signature=JxVRbOYWXV-4Oz2qRfANBom4I5VPVM5AOVh%7E4V3xOYEOJB45zQUc%7EfDNg4gn4lOPh15XRVCD6KYdok8Yp0HhjuHX-oiPqobliOkYr23E8763tAWMmcSuUY0KS-M5p-Fvfm7nL0Mwgg8oQAy6%7EN9wMPoXrULch8mINw%7E8vQqQ1zSjMTOlwsd6pPxgYDzVMFYL7OAOZSoXsXKylz4ZDgYNtYmPeWCvPm-2uD4G66Y6U6sBOZfSI67Ofbepd9s7Uei-S2FhqKrw4QnkEwIlmRISE%7EBhXVjMRaOwEKNiutfjLEce5F0Zoe7mLNwR0uWsaEDxQm6EsPfrYkP46jPcUl4dlQ__&Key-Pair-Id=K6UGZS9ZTDSZM 13b7a00d42b4de3bd2929d6e93240f9b https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/9322724e1c5ae18293d03f6a5b20fdf9.jpg?Expires=1779926400&Signature=Gp1kn8lLB78vQ6EZRhpzSTJc-WoeC3lVBRA6HipQ9jawJ7S24M3qMvmdtXM4D6Tk5-Qj4F1TYN7mFM7z3V%7Ehs19%7EwHLcStwHkxX1UryNg4bMdZdRb5Hi5SR3sok4qCIqCYe6xzMknPuq2m-8rKqnyTV3bE-vriheHJgDV0i31BQQFSvqNLhM15jIILuq0jQk4rR3Y1SDmUkGgOO334g9k2Lv1akIxedglnKrJ5OQd8kCAMRs7ioch7748aNJ4465cXUwzImg8Qh-VadSVbwzLRbL7uCZOpHzYG-%7Em2Hj5PNpzuqiIaHKnlJB4bZYI6alUI-W1EuXfpLVWBcX3DX%7Edg__&Key-Pair-Id=K6UGZS9ZTDSZM 0311fbc180402928e62e6f8652045540 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architectural Photo Albums Collection Description An account of the resource The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs. Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site. The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant. In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s. Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley. Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses). Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg (Va.) - Photographs Williamsburg (Va.) - Buildings, structures, etc. Photograph albums Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Extent The size or duration of the resource. 367 boxes Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on linen Physical Dimensions The actual physical size of the original image. 8 x 10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Moody House (Williamsburg, Va.) Block 02. Building 31. Archaeological sites - Virginia - Williamsburg Title A name given to the resource Excavations, Moody House Description An account of the resource Recto and verso, progress photo of excavated foundations at the Moody House archaeological site, Williamsburg, Virginia. Notation on verso reads: "Remains of kitchen and two outbuilding foundations. The two smaller foundations were probably those of either a dairy or smokehouse. See archaeological drawing for Block 2, Area C." Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2, Box 21, Folder 5 Creator An entity primarily responsible for making the resource Nivison, Frank Date A point or period of time associated with an event in the lifecycle of the resource 1939 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context N5933R, N5933V Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Excavations Foundations Frank Nivison Kitchens Moody House Smokehouses Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/659125c63a6e0c5ee5b149c340625111.jpg?Expires=1779926400&Signature=lVfFF8n6HbrnD-IJ4iC3G7WupqKr67LiFsAz98aEegm4B8CJwpq4fmSjgfFt9ScKZg8HuMCV77R8L2whp26rNlk1h-K2YSZs6v4nPRdLrh%7ERYj21pTClM8D9DR6Lzaj0aNtcnlImw1BKaxXfrspWe2fTtvUuBfTyknprjp6o%7EiCzfrW1lzu6vc6RokTO9edG6WpMo7yjpIqm5ckyepu3vYR2DzQAKAY%7EEM2p-IevOPCjytAtLdB3ZRTvprdFpOWsjpVaMJxdHavSyeTCbFYNbQx-ElM-8-NNL1vvKC7wBODsq2xWvQiGNRWYutvTbtvCV2wckvhjUruieap4hlWuvw__&Key-Pair-Id=K6UGZS9ZTDSZM d99de16333b709b9dc8d659e9bb2b825 https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/ebdb423e4ae4ae1cb3a120b83f4a77f1.jpg?Expires=1779926400&Signature=Cvp0zkPFv4jFo-j3GJORIJhsH1zYdnS%7EZaG6XNEhx9%7E7jhU31aQDw9CbDQWHH7GxBUa-R5WPPPlf-nHX3Ddr5BJn8HJk4X4IALOjjibl8esf3T9%7EaJ9s9z%7Eg4%7ElRNamCg30Tu3MhuewUWZxenI3zmWB7krPjcf585RScYqhlWfQt-0aokvqJsQeWBX4Cssi5-rE5k5-MUWbSfPTnWyRExOa84gfgSqAerG1Phq1jXBmDvBLRgzDB1IdGpM0YOuD-szdQiHUtfeydkptEgADg%7EdIb%7EFQR6yJW7V3TFj5NHy4aKaDZ6lwyBZC5-TgIglaOD0gnfu2%7E3lSsEgW-QVp6QQ__&Key-Pair-Id=K6UGZS9ZTDSZM b2e80ca0c2be74b781b5d148adca890c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architectural Photo Albums Collection Description An account of the resource The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs. Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site. The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant. In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s. Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley. Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses). Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg (Va.) - Photographs Williamsburg (Va.) - Buildings, structures, etc. Photograph albums Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Extent The size or duration of the resource. 367 boxes Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on linen Physical Dimensions The actual physical size of the original image. 8 x 10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Moody House (Williamsburg, Va.) Block 02. Building 31. Archaeological sites - Virginia - Williamsburg Title A name given to the resource Excavations, Moody House Description An account of the resource Recto and verso, progress photo of archaeological survey of Area C at the Moody House site, Williamsburg, Virginia. Notation on verso reads: "Remains of kitchen and two outbuildings foundations. See photo N5933 for better picture taken from vicinity of well." Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2, Box 21, Folder 5 Creator An entity primarily responsible for making the resource Nivison, Frank Date A point or period of time associated with an event in the lifecycle of the resource 1939 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context N5930R, N5930V Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Excavations Foundations Frank Nivison Kitchens Moody House Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/d1dff2234c1ce15cc4530023cdf28a1a.jpg?Expires=1779926400&Signature=UszyfRRKjd72d8WYB-h9lzGtooTY6jMgpQid6UTOxU8JJ7dBYrmwgpqsJOa2i5eOEYxGftPRoJ7kGy2yugf1iGbQnTMl7R7pWyPGXK59KGR%7E2cIwvrjig3VXn77z8ooMcE0HBdYz0kmTE5m1Njc55SISdGqu4Ve4iS3J0Dj4Q6huSPaFxgCMms0yjz97jGx5kfsOpPanI%7E55CcEucBELtSQgKxzEzSzo%7EBuwP3grbQ-i2gkw5AqLDl6r0yOBl0ftA24u8%7EXvmuHSsVDZZsFSg-%7E93WmwCcc4x0icg-wu6gziWdPEo6FnbLKmtBMVllqf9FSr2WtuVmPPPQsGw%7EgZhQ__&Key-Pair-Id=K6UGZS9ZTDSZM 3fb75f3a73c0d400b0238ab408322f9c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architectural Photo Albums Collection Description An account of the resource The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs. Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site. The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant. In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s. Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley. Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses). Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg (Va.) - Photographs Williamsburg (Va.) - Buildings, structures, etc. Photograph albums Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Extent The size or duration of the resource. 367 boxes Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on linen Physical Dimensions The actual physical size of the original image. 8 x 10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Moody House (Williamsburg, Va.) Block 02. Building 31. Outbuildings- Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Title A name given to the resource Moody Smokehouse Description An account of the resource Pre-restoration view of the southwest elevation of the Moody Smokehouse, Williamsburg, Virginia Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2, Box 21, Folder 5 Creator An entity primarily responsible for making the resource Nivison, Frank Date A point or period of time associated with an event in the lifecycle of the resource 1939 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context N5469R Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Frank Nivison Moody House Pre-Restoration Smokehouses Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/8f5360d4b664183cc436c4495ec80d2e.jpg?Expires=1779926400&Signature=t4fCb1-ij6Q1Fsorz%7EsfD6X3s5ZtNGeUd-o8-mMVXAO8QleAf2wEt%7E7XynnctQooRLczMJQaMALjuGpmsx57yiHcyA7IsRjBweY0m2gr2HHHGDh6Hvghv44uZrAiSpALiGZkWsFlKtvE3mcX4DcKTU8y8DGEASMMH%7EBfblvP36VtQSZA58FbXg63DcXZwTGC2uTkNwja4bfsQC0UFpQDvSM63hVEhLYTkT3C7H4aZFP1B7LuEoYa3POdnazQkof7OYSxu7gjIHqs2ibXU06okqV0Arq%7EbwRJuIYVnapLaB15EiBrOIcB1DfxT5PXW6WlC6RFrmzoEr3o4mkFQdKs%7EQ__&Key-Pair-Id=K6UGZS9ZTDSZM ffd95f16a8b8c3f42c4254ded5cfca8e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architectural Photo Albums Collection Description An account of the resource The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs. Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site. The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant. In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s. Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley. Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses). Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg (Va.) - Photographs Williamsburg (Va.) - Buildings, structures, etc. Photograph albums Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Extent The size or duration of the resource. 367 boxes Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on linen Physical Dimensions The actual physical size of the original image. 8 x 10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Moody House (Williamsburg, Va.) Block 02. Building 31. Outbuildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Title A name given to the resource Moody Smokehouse Identifier An unambiguous reference to the resource within a given context N5468R Description An account of the resource Pre-restoration view of the northeast elevation of the Moody Smokehouse, Williamsburg, Virginia. Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2, Box 21, Folder 5 Creator An entity primarily responsible for making the resource Nivison, Frank Date A point or period of time associated with an event in the lifecycle of the resource 1939 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Frank Nivison Moody House Pre-Restoration Smokehouses Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/93b32b82f616737bda69864fb048605a.jpg?Expires=1779926400&Signature=WFQCeIuUu1awB7v5z%7ENJ2Vc-CjoRoo2efwol7l51nA8qCVEuilznpiY6WcxItwVWtb0J4x%7EYGh6oteMgy9ue6nK7Qb3N1wgYkzI2KH22sbSiSD-3lSM4DVDBnFuoPC1hhIslMteiukEczbnMCbfBK9FE5bPSL2AMqtZmFlJW4E9sFLVMvbmd3sj4%7EBHKO70GZuqvxpj-dI0jV1Ri2ITELzuRjrhqFU6MXF6ChWTe5O3a9B9YQCSDQUlGNDCIcf3seTJoxjPy%7E63PGvcIpW%7EZYQU3fFHz31OhSY1h-5SY9VlcTQ0InyOHAXnSBXsk7jrl6LT-rR-Wi4Pq6yw2TrPOsg__&Key-Pair-Id=K6UGZS9ZTDSZM 0397d76fdf7f1e8cc3547fcae16036f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architectural Photo Albums Collection Description An account of the resource The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs. Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site. The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant. In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s. Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley. Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses). Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg (Va.) - Photographs Williamsburg (Va.) - Buildings, structures, etc. Photograph albums Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Extent The size or duration of the resource. 367 boxes Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on linen Physical Dimensions The actual physical size of the original image. 8 x 10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Moody House (Williamsburg, Va.) Block 02. Building 31. Outbuildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Title A name given to the resource Moody House Kitchen and Dairy Description An account of the resource Northwest elevation of the Moody House Kitchen and Dairy, Williamsburg, Virginia. Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2, Box 21, Folder 5 Identifier An unambiguous reference to the resource within a given context 56-RV-544R Creator An entity primarily responsible for making the resource Veal, Ralph Date A point or period of time associated with an event in the lifecycle of the resource 1956 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Dairies Kitchens Moody House Ralph Veal Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/a94e8a818dc14985a618603f97a80431.jpg?Expires=1779926400&Signature=XJ2P7ROp9Cva8cr4tEgwa7KJyBEadCRJ%7EyDlVA0L4G8wHAg1LFcvhnU%7Ee4bXE3h%7EoufRyZCmBeghxqGwSfmq0VT4ACR3xI0arePU2UAZid5cipzB1AaYpV7cnZ4pvcrAJ21pLgx3TV9%7E7IB6VCJITKNSeUTnFV6elX54Xb4qi6VodMGmiJ5PTBLV9d%7EtBG6nuUCofBFy32vAvBYkwB263sOfZWk-I02cnbzc2vANtbtIdJ1Wu9unZAw4ctb%7Ebl2K7JniluHMmXEow4%7EYOgjQ0vo3H%7EBCG9jOSrbTndug5p4%7Ej3RTiNsRfaNz2ARDPMT-wM-2Sqh8eYfJvdzVW4RB1g__&Key-Pair-Id=K6UGZS9ZTDSZM 98b7f0696d1a9bd244eb7a20b64d4698 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architectural Photo Albums Collection Description An account of the resource The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs. Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site. The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant. In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s. Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley. Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses). Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg (Va.) - Photographs Williamsburg (Va.) - Buildings, structures, etc. Photograph albums Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Extent The size or duration of the resource. 367 boxes Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on linen Physical Dimensions The actual physical size of the original image. 8 x 10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Moody House (Williamsburg, Va.) Block 02. Building 31. Outbuildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Title A name given to the resource Moody Smokehouse and Dairy Description An account of the resource Northwest elevations of the Moody Smokehouse and Dairy, Williamsburg, Virginia. Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2, Box 21, Folder 5 Identifier An unambiguous reference to the resource within a given context 56-RV-542R Creator An entity primarily responsible for making the resource Veal, Ralph Date A point or period of time associated with an event in the lifecycle of the resource 1956 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Dairies Moody House Ralph Veal Smokehouses Virginia Williamsburg