1 20 14 https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/5f6a756e9f294d4ec966dd50dc677447.jpg?Expires=1779321600&Signature=spaE0nvLia9h26tmfFb28XbeU90uID8q5sdqF5-eq2Q4rewq3GwBLOsVE%7EKftRQemzmHzH4Qn0AAY8JjiW0gylwH31M5T3URFchRpspugsnl%7EoyfH7x2pXwMBnEwAr7cgSsJuwc3Rj-i4nVP8JcctWOQmRO6bzq0L-99B%7Ea7cy0BV0j6giQrkFV1dH5fWGYfA0gOBKD6F0ouHhnrA0sR9Ve2PFhVEV86UlhYiYkTWvAdHJ5zfzVr5esnThsOnKMZzDMFzrI9CmAE1wCxtiSZam-f0rpHp6EQ7JMLpgY1lerJ%7EDSR5zj6EXMOCNtkaHMg%7E22dkgdQSgYcatTSJUa4sg__&Key-Pair-Id=K6UGZS9ZTDSZM 30ff2775b79bde7cb17c4f7dc3b0cb2b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Craft House, Block 3, Building 30, Williamsburg, Virginia; Architectural Photo Albums Collection, AV2013.2, Box 32, Folder 2 https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/97d7df2cc579a5c45c6c7c569563f8b6.jpg?Expires=1779321600&Signature=r9qauYcrRc857CfS7zqLmdTHpZa%7EKc7tDY1FW2SJqOnyjUha%7EmV%7Evfi8UBOFk89braezu-NKURznikXPYNomXdgbU9HY471gWzvQqylZWyM3ybSRLRnbFea4%7EFWgWTovNnvoDv4mQbv2vtVOiCXJJIfUFMrp6NzSaTr3U7kX7CoV-x65frSkCkdtV8NNcqp9y%7EFanH9lg%7EqYQulmRZmkPcseTMpqaFOFf2%7E0J61SnXZXHC1ZC6dqKekuwEMGMcLlzF-7GcZfS0En3iWYPuK0Xhf5btPfq8TvKIHnmYePVbPvobL0mjmuDFC5w3nBG3CG2CSlEEIFwdNasXtBZlaGlg__&Key-Pair-Id=K6UGZS9ZTDSZM 3c2c4eea85d215ae8aaa9488ca521861 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architectural Photo Albums Collection Description An account of the resource The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs. Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site. The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant. In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s. Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley. Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses). Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg (Va.) - Photographs Williamsburg (Va.) - Buildings, structures, etc. Photograph albums Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Extent The size or duration of the resource. 367 boxes Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on linen Physical Dimensions The actual physical size of the original image. 8 x 10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Craft House Subject The topic of the resource Block 03. Building 30. Craft House (Williamsburg, Va.) Stores, Retail - Virginia - Williamsburg Description An account of the resource Recto and verso, construction progress photo looking from the Williamsburg Inn parking lot towards the Craft House nearing completion, Williamsburg, Virginia. Creator An entity primarily responsible for making the resource Nivison, Frank Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2, Box 32, Folder 2 Identifier An unambiguous reference to the resource within a given context N6829R N6829V Date A point or period of time associated with an event in the lifecycle of the resource 1937 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Automobiles Construction Progress Craft House Frank Nivison Parking Lots Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/52b4c0d6735a18fc0fd3fda7a2834071.jpg?Expires=1779321600&Signature=A3yr4OGGcZSjZO3jF7lVQbZe0dl%7EeJ23XKn8F%7EpKVMR3NIVaw56-gEqauqM5dpwMK3v%7EY6OOnZOFqzifsKMDXlNdzPnSMg4Dzkkhc4is9ndvQp0s7mQsFRHmyoKS4qkDKjz0xVRzAj0QNP5ngtr78jcxqfMZleBjS6gwUE8nEXbghpurOq1w7guT3y%7E9QIub24TzT4HAFYelfpOsSue6jjcr1huN1-up98mvl0zXPj-SVqi8ujsgbP7UCe-d0Wt1NYkwEBvwiLVtvxvg3ISVg7tZuVClBJCOUnOpxQeuMF5TIk7l1iI6RqYs03KtofCSwqd3n4fs6cpdlTsyTsoPAw__&Key-Pair-Id=K6UGZS9ZTDSZM 6ac157dc416d7601b3e96437e172af60 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Craft House, progress, 7/26/37, Block 3, Building 30, Williamsburg, Virginia; Architectural Photo Albums Collection, AV2013.2, Box 32, Folder 2 https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/8b594223757848d8f822cb9de36dbe11.jpg?Expires=1779321600&Signature=vPhe0uHxj8vtuMULYqW4zHzl1ScjbhIbunVZhwzgpY6JGcRX%7EYmIMkGQ8elpKsmxidWUWdL2G7Ce%7ECY-cou81aJa-8Y7qw9N4ihv5RpXUBrh1p1gE1T2%7ExtYt9r4%7En1jE0RIl4kA7OwsjDQgA%7Eu-4kfF2sJcR6R-n0KLH5-8JoiAkLXywA%7EPbmKR%7E785OZ0AwtnRcuaNtnrs-h8cwtkC-wKX1J6cymfhwIplXk566njYwDhGQTe-9dpNH0i-YNnTAXKDSNZVkoNdsv5l6MnuE%7E5mWcGOU4d3PTQuiyITIo0FjxTBZ1ScamRhfxEHfG7eRM5mM3YGuilYjedE%7EaJHXQ__&Key-Pair-Id=K6UGZS9ZTDSZM f345974add0ee4317fef25fcd6d63bf9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architectural Photo Albums Collection Description An account of the resource The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs. Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site. The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant. In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s. Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley. Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses). Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg (Va.) - Photographs Williamsburg (Va.) - Buildings, structures, etc. Photograph albums Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Extent The size or duration of the resource. 367 boxes Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on linen Physical Dimensions The actual physical size of the original image. 8 x 10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Craft House Inn Subject The topic of the resource Block 03. Building 30. Craft House (Williamsburg, Va.) Stores, Retail - Virginia - Williamsburg Description An account of the resource Recto and verso, construction progress photo of the rear elevation of the Craft House Inn and the Williamsburg Lodge parking lot, Williamsburg, Virginia. Creator An entity primarily responsible for making the resource Nivison, Frank Date A point or period of time associated with an event in the lifecycle of the resource 1937-07-26 Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2, Box 32, Folder 2 Identifier An unambiguous reference to the resource within a given context N5569R N5569V Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Automobiles Construction Progress Craft House Frank Nivison Parking Lots Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/0919441ce844b9ffb6636278943150af.jpg?Expires=1779321600&Signature=DqecMiBnXCenunDW6hgt6bfwuPml3At73H78j7W4Mq50VO-ypJ5--oCwVG4XeHljf6PdheTvR0e%7Epdz74njksCcxXqTHDQBr7Eq-Y6r%7Eaz4PWAd-ho9v8XnJgjCjQ0LZVa6FJktcD1mo6u5y2mvodpb9VQHExUeHxGk6o6wGQz1qj2537ch%7EwXIXNAZPzM27XdFmXJ7bWMIGUzLCN%7E0268Ymj31iUNd4Q8X7yPEpXQUrxChIrXzCSUoABO5mOSAQISmvLbqlUxpjjkNo9DijgzY2ABzbX32cZwJimEsCwnZwxF9OH-TqllsT4E82aGsGk5AU2Mv2GHIUybyP4oxMDw__&Key-Pair-Id=K6UGZS9ZTDSZM 0a6e56fe7b511d499c9b379b4e2b949d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architectural Photo Albums Collection Description An account of the resource The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs. Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site. The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant. In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s. Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley. Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses). Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg (Va.) - Photographs Williamsburg (Va.) - Buildings, structures, etc. Photograph albums Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Extent The size or duration of the resource. 367 boxes Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on linen Physical Dimensions The actual physical size of the original image. 8 x 10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Williamsburg Inn Description An account of the resource View looking east towards the Williamsburg Inn service yard under construction, Williamsburg, Virginia. Identifier An unambiguous reference to the resource within a given context AV-2013-02-B24-F2A-004 Creator An entity primarily responsible for making the resource Shurcliff, Arthur Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. RockefellerJr. Library, The Colonial Williamsburg Foundation. Subject The topic of the resource Block 02. Building 65. Williamsburg Inn (Williamsburg, Va.) Hotels - Virginia - Williamsburg Date A point or period of time associated with an event in the lifecycle of the resource 1937 Is Part Of A related resource in which the described resource is physically or logically included. Architectural Photo Albums Collection, AV2013.2, Box 24, Folder 2A Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Arthur Shurcliff Automobiles Construction Progress Parking Lots Virginia Williamsburg Williamsburg Inn https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/4f36258c4c557fa1892c313e2ecec8ce.jpg?Expires=1779321600&Signature=gdi3n7UWksYS1epUwpAzvoB7XjR22GrbQHv0vxIFKBQ9JQTTCTYoiIIUjf-W7Gs0Xh9WhiIXyct98M76ZL7EPb9s5VRdi3x4TQ0bIQkkM0Pcd3aNXc64BwhBOKdm6Da2dkIL8AgCpkz0eEkaKxepxsL32Ae0dEgFUf0VFtpHAvv7BbRu9KXxIKJqDuR1tGl2A7VNarV3LgFYl9PpO44hL0nbT8acEmboCyoWew9Xk50SNS2dr3qowCOPWLtefeNF8JlccmMlAkDQt3PZq-Pax0REnckVxo6vDTjzNl62W4YQzMEQ%7E451sDzK73arrIjv%7Esvg-abl%7EyrvcExRO2b7vg__&Key-Pair-Id=K6UGZS9ZTDSZM 223ad67ce49e43b4347531ce16b5bfb6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Finlay Forbes Ferguson Jr. Photograph Collection Subject The topic of the resource Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Photographs Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource The son of Norfolk architect Finlay Forbes Ferguson Sr., who served as an Advisory Architect in the late 1920s as Williamsburg’s restoration began, Finlay Ferguson Jr. contributed to two different periods of architectural projects at Colonial Williamsburg. A graduate of the University of Virginia’s architecture program, Finlay Jr. started the first phase of his career working as a draftsman at Colonial Williamsburg between 1930-1933. He assisted other members of the research and design team with preparation of conjectural sketches, preliminary elevations and floor plans, and final measured drawings. Finlay left Williamsburg to work in his father’s architectural firm, Peebles and Ferguson, on the restoration of Fort Macon in Moorehead City, North Carolina between 1934-1935. He continued his association with the Norfolk firm until 1939, when he returned to Colonial Williamsburg to work on research and design for the restoration of Bruton Parish Church until 1943. After serving in the Navy during the remainder of World War II, Ferguson resumed practicing architecture in Norfolk. His early association with Colonial Williamsburg allowed him to become a respected expert in architectural restoration and he oversaw projects at the Adam Thoroughgood House, the Moses Myers House, the Willoughby-Baylor House, and the Old Norfolk Academy. Ferguson also designed the General Douglas MacArthur Memorial and restored St. Paul’s Episcopal Church in Edenton, North Carolina. Ferguson joined his architectural colleagues in taking numerous photographs of both ongoing work in the Historic Area and field research at other sites. These are preserved in the Finlay Forbes Ferguson Jr. Photograph Collection, AV2009.16, which encompasses over four hundred black and white images of restoration projects underway in Williamsburg’s Historic Area, as well as architectural design precedents at historic sites in Virginia, Maryland, North Carolina, and South Carolina used to facilitate reconstruction of details not documented in historical records, archaeological investigations, or visual representations. Creator An entity primarily responsible for making the resource Ferguson, Finlay Forbes Date A point or period of time associated with an event in the lifecycle of the resource 1933-1943 Is Part Of A related resource in which the described resource is physically or logically included. Finlay Forbes Ferguson Jr. Photograph Collection, AV2009.16 Extent The size or duration of the resource. 439 photographs Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 3x2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Goodwin Building under Construction Subject The topic of the resource Merchants Square (Williamsburg, Va.) Central business districts - Virginia - Williamsburg Block 23. Building 31. Goodwin Building (Williamsburg, Va.) Description An account of the resource View looking across the parking lot behind the shop buildings on the south side of the Business Block towards the foundations of the Goodwin Building under construction, Williamsburg, Virginia. Creator An entity primarily responsible for making the resource Ferguson, Finlay Forbes Jr. Date A point or period of time associated with an event in the lifecycle of the resource 1938 Is Part Of A related resource in which the described resource is physically or logically included. Finlay Forbes Ferguson Photograph Collection, AV2009.16, Box 1, Folder 1 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Identifier An unambiguous reference to the resource within a given context AV2009-16_FER0032 Automobiles Construction Progress Finlay Forbes Ferguson Goodwin Building Parking Lots Shopping Districts Trucks Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/27d8c391361217fb700ee6bf6851f23a.jpg?Expires=1779321600&Signature=XTESonPg4Oc9z4FAn9UpHbWnXXyOxYnzP6p8SoDFv-vjN8J6YKyfs%7EafSCVz0EuuEDPGc7MjxCTfXF3pXZYbT%7EsR%7EOF2wwdtfhP5FhUm-kCzcY8EAYuo-NGe1rlPEGjFIqji-DR2rxYqKnNtK3r7Q-aTC%7EIdmofUxXhj%7ETu964aSCJkE6IGLg%7EQxCIxH0HHNlY7F7NFpH1l3H-B%7E1auepBG3UxbggFDNtreDL%7ET6Q5P6r9rqu%7EwSGbIoOMaUN1DO6ouw0J3KF%7E-9GhvvpVp7X08EglfsU-6FA%7EtXFsGVhzjL3hd6IIV770XjiG9V5rFyNNHCd7dX0EqvXu8hPC8Gvw__&Key-Pair-Id=K6UGZS9ZTDSZM 0b7782e98198f6b575375245e6acdb22 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arthur Shurcliff Bird's-Eye View Pencil Sketches Subject The topic of the resource Shurcliff, Arthur A. (Arthur Asahel), 1870-1957 Landscape architecture - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Landscape drawings Extent The size or duration of the resource. 138 drawings Description An account of the resource Arthur A. Shurcliff [ne Shurtleff] (1870 – 1957) was the Colonial Williamsburg Foundation’s first landscape architect. A student of Frederick Law Olmsted, Sr., considered the father of landscape architecture in America, Shurcliff’s Williamsburg gardens are recognized as consummate examples of the Colonial Revival style. Arthur Shurcliff arrived in Williamsburg in 1928 to join the Williamsburg office of architects Perry, Shaw and Hepburn. A graduate of the Massachusetts Institute of Technology and Harvard University, Shurcliff worked in the office of well-known landscape architects, Charles W. Eliot and Frederick Law Olmsted Sr. in Brookline, Massachusetts between 1896-1905. He then opened his own landscape design practice and received commissions for many landscape projects in Boston, such as the grounds of the Boston Museum of Fine Arts, the Charles River Esplanade, and the Franklin Park Zoo. Between 1928 and 1941, Shurcliff oversaw the planning and layout of gardens at Colonial Williamsburg, as well as of traffic patterns, parking, and street curb design, and continued to advise in a consultant capacity until just before his death in 1957. Shurcliff’s series of pencil sketches on tissue paper are conceptual views, many from a bird’s-eye perspective, that he and his associates designed to serve as illustrations for discussions about how guests would access the overall Historic Area, as well as specific gardens, and navigate through them. Some also offer ground level views of vistas and landscape features to show the strengths and weaknesses of several variations for a particular design concept. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 11 1/8in x 8 1/2in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Bird's-eye view of parking lot for the Craft House and Williamsburg Lodge, Williamsburg, Virginia. Identifier An unambiguous reference to the resource within a given context AV2021.05-120-001 Title A name given to the resource Craft House Parking Lot Subject The topic of the resource Parking lots - Virginia - Williamsburg Craft House (Williamsburg, Va.) Creator An entity primarily responsible for making the resource Shurcliff, Arthur Date A point or period of time associated with an event in the lifecycle of the resource 1939 Is Part Of A related resource in which the described resource is physically or logically included. Arthur Shurcliff Bird's-Eye Pencil Sketches of Williamsburg, AV2021.5, #120, Folder 4 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 drawing Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Arthur Shurcliff Automobiles Craft House Parking Lots Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/853c4e0f12ccd45db82fc746a0001e17.jpg?Expires=1779321600&Signature=XQ1oh35Ulc8A9ZzavzDEZojIWZireb3rKUuOo9fZ%7EEtf-HARw32LCopiOUzq08I5Aup1fyKoBtkwCsJuWEmzviilVNtG63Bd-1bclOPR8UTZUbs1vo-kX5KjvRUeESk3zno1kS24MLkhkwURuOxvST7dsEKBoxC849a7qT3LCkHBBcE4J6vlPMozbQvt%7Ev3DZv-mUxjStRIRellI4or0IiwZAAeJbo%7Eu82zGIFh3YZ63Hi%7EzX9XI3G-kcy5e3SSe1azyVs4vWBlKXEemcT1kidHm67MRQrqfU9OfGblIeUegCGoSJD00PXw2N3lke-qPy-YsEhUerVaL4-iYcz7WNg__&Key-Pair-Id=K6UGZS9ZTDSZM ef1767b7e57da8a328c0f828592b68b4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arthur Shurcliff Bird's-Eye View Pencil Sketches Subject The topic of the resource Shurcliff, Arthur A. (Arthur Asahel), 1870-1957 Landscape architecture - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Landscape drawings Extent The size or duration of the resource. 138 drawings Description An account of the resource Arthur A. Shurcliff [ne Shurtleff] (1870 – 1957) was the Colonial Williamsburg Foundation’s first landscape architect. A student of Frederick Law Olmsted, Sr., considered the father of landscape architecture in America, Shurcliff’s Williamsburg gardens are recognized as consummate examples of the Colonial Revival style. Arthur Shurcliff arrived in Williamsburg in 1928 to join the Williamsburg office of architects Perry, Shaw and Hepburn. A graduate of the Massachusetts Institute of Technology and Harvard University, Shurcliff worked in the office of well-known landscape architects, Charles W. Eliot and Frederick Law Olmsted Sr. in Brookline, Massachusetts between 1896-1905. He then opened his own landscape design practice and received commissions for many landscape projects in Boston, such as the grounds of the Boston Museum of Fine Arts, the Charles River Esplanade, and the Franklin Park Zoo. Between 1928 and 1941, Shurcliff oversaw the planning and layout of gardens at Colonial Williamsburg, as well as of traffic patterns, parking, and street curb design, and continued to advise in a consultant capacity until just before his death in 1957. Shurcliff’s series of pencil sketches on tissue paper are conceptual views, many from a bird’s-eye perspective, that he and his associates designed to serve as illustrations for discussions about how guests would access the overall Historic Area, as well as specific gardens, and navigate through them. Some also offer ground level views of vistas and landscape features to show the strengths and weaknesses of several variations for a particular design concept. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 25 1/4in x 20 1/16in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource View looking south at proposed Visitors' Center with a parking lot in foreground, Williamsburg, Virginia. Title A name given to the resource Visitors' Center Subject The topic of the resource Visitors' centers - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Parking lots - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Campbell, W.M. Is Part Of A related resource in which the described resource is physically or logically included. Arthur Shurcliff Bird's-Eye Pencil Sketches of Williamsburg, AV2021.5, #104, Folder 3 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 drawing Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Identifier An unambiguous reference to the resource within a given context AV2021.05-104-001 Arthur Shurcliff Parking Lots Virginia Visitor's Centers Visitors Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/a1a5809e0ec134350181df278602784c.jpg?Expires=1779321600&Signature=WNuVDjcZG%7EjIk1WihaqMKplFxkZl%7EfEwMNzleOPz99P2ysYk0-7b6TcneCFPyaa1jR3%7EIvjGLwhfGs%7E0vag2W7%7EcU4AyQivnfhWRcdaUzIPdzY8ZMDoMX50kkl-RtFY9u%7EEijDTci9raSdpZvcwYcp0kyeK5RGh8D2BDhk-FEk4aO%7EPuEGOZqe8pQIwNTF5u8XHdKlyzYh0yn1mlXvisoK3dpZ9b1cJoq%7Eqet8K%7EjQKGzMWNQPc5R6DUgn039OdgwUiQqL0l0HnY88PwIh3ZQ7iJlCsvtCY9Oa0CsrC-VpUfJAJ8DTBGIyeooAsfD-NTK9yUNaQF20hQ2OptpvNBJw__&Key-Pair-Id=K6UGZS9ZTDSZM d3e82c4f2d62649cc5cb04d7c746c408 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arthur Shurcliff Bird's-Eye View Pencil Sketches Subject The topic of the resource Shurcliff, Arthur A. (Arthur Asahel), 1870-1957 Landscape architecture - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Landscape drawings Extent The size or duration of the resource. 138 drawings Description An account of the resource Arthur A. Shurcliff [ne Shurtleff] (1870 – 1957) was the Colonial Williamsburg Foundation’s first landscape architect. A student of Frederick Law Olmsted, Sr., considered the father of landscape architecture in America, Shurcliff’s Williamsburg gardens are recognized as consummate examples of the Colonial Revival style. Arthur Shurcliff arrived in Williamsburg in 1928 to join the Williamsburg office of architects Perry, Shaw and Hepburn. A graduate of the Massachusetts Institute of Technology and Harvard University, Shurcliff worked in the office of well-known landscape architects, Charles W. Eliot and Frederick Law Olmsted Sr. in Brookline, Massachusetts between 1896-1905. He then opened his own landscape design practice and received commissions for many landscape projects in Boston, such as the grounds of the Boston Museum of Fine Arts, the Charles River Esplanade, and the Franklin Park Zoo. Between 1928 and 1941, Shurcliff oversaw the planning and layout of gardens at Colonial Williamsburg, as well as of traffic patterns, parking, and street curb design, and continued to advise in a consultant capacity until just before his death in 1957. Shurcliff’s series of pencil sketches on tissue paper are conceptual views, many from a bird’s-eye perspective, that he and his associates designed to serve as illustrations for discussions about how guests would access the overall Historic Area, as well as specific gardens, and navigate through them. Some also offer ground level views of vistas and landscape features to show the strengths and weaknesses of several variations for a particular design concept. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 25 1/4in x 17 1/4in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Bird's-eye view looking south towards proposed Visitors' Center with a parking lot in foreground, Williamsburg, Virginia. Title A name given to the resource Visitors' Center Subject The topic of the resource Visitors' centers - Virginia - Williamsburg Parking lots - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Shurcliff, Arthur Is Part Of A related resource in which the described resource is physically or logically included. Arthur Shurcliff Bird's-eye Pencil Sketches of Williamsburg, AV2021.5, #103, Folder 3 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 drawing Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Identifier An unambiguous reference to the resource within a given context AV2021.05-103-001 Arthur Shurcliff Automobiles Parking Lots Virginia Visitor's Centers Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/50cad5fc34e17794c3fe34d83d499b3b.jpg?Expires=1779321600&Signature=sKarlLQ7DCe4NTxXpFXSaZdGgCb-524p-mKH7gKy8kzQ1ZAFTQ3oOryf%7Efi1aCYYQgwqlQPGMgpw7Fm8Xv0%7Edh2Cj9kIaZjQ1-%7EyiLAYTtAgXmdUrCpZSzpN46KpwVmJSHeXNPmG09x%7E2GzefO4Eo2QoI6UbjxrhzrLUqDxPxjm4CiBlChVZITUYFUlpGHQmd%7Evua6hc-mXsEz6Y8V0cQHiXmjp3JjNu1ME%7EjGCoOuLLT2v5TiOMCmUvICui3G-RkfFo%7EnprroJQWDoO1Iq-EZA2DUN-MlE7EuYolXVnIZ3rPyuCP9gHg6itqqJ26ptEAprrNDuUpyNR9bRnHNRfAw__&Key-Pair-Id=K6UGZS9ZTDSZM b05d84ab7569b11e1d09327da4aeaeb7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arthur Shurcliff Bird's-Eye View Pencil Sketches Subject The topic of the resource Shurcliff, Arthur A. (Arthur Asahel), 1870-1957 Landscape architecture - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Landscape drawings Extent The size or duration of the resource. 138 drawings Description An account of the resource Arthur A. Shurcliff [ne Shurtleff] (1870 – 1957) was the Colonial Williamsburg Foundation’s first landscape architect. A student of Frederick Law Olmsted, Sr., considered the father of landscape architecture in America, Shurcliff’s Williamsburg gardens are recognized as consummate examples of the Colonial Revival style. Arthur Shurcliff arrived in Williamsburg in 1928 to join the Williamsburg office of architects Perry, Shaw and Hepburn. A graduate of the Massachusetts Institute of Technology and Harvard University, Shurcliff worked in the office of well-known landscape architects, Charles W. Eliot and Frederick Law Olmsted Sr. in Brookline, Massachusetts between 1896-1905. He then opened his own landscape design practice and received commissions for many landscape projects in Boston, such as the grounds of the Boston Museum of Fine Arts, the Charles River Esplanade, and the Franklin Park Zoo. Between 1928 and 1941, Shurcliff oversaw the planning and layout of gardens at Colonial Williamsburg, as well as of traffic patterns, parking, and street curb design, and continued to advise in a consultant capacity until just before his death in 1957. Shurcliff’s series of pencil sketches on tissue paper are conceptual views, many from a bird’s-eye perspective, that he and his associates designed to serve as illustrations for discussions about how guests would access the overall Historic Area, as well as specific gardens, and navigate through them. Some also offer ground level views of vistas and landscape features to show the strengths and weaknesses of several variations for a particular design concept. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 18 7/8in x 11 9/16in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Bird's-eye view looking southwest at proposed Peyton Randolph Stable at the head of North England Street and Palace parking lot, Williamsburg, Virginia. Title A name given to the resource Peyton Randolph Stable Creator An entity primarily responsible for making the resource Shurcliff, Arthur Date A point or period of time associated with an event in the lifecycle of the resource 1935 Is Part Of A related resource in which the described resource is physically or logically included. Arthur Shurcliff Bird's-Eye Pencil Sketches of Williamsburg, AV2021.5, #102, Folder 3 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 drawing Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Subject The topic of the resource Peyton Randolph House (Williamsburg, Va.) Stables - Virginia - Williamsburg Parking lots - Virginia - Williamsburg Identifier An unambiguous reference to the resource within a given context AV2021.05-102-001 Arthur Shurcliff Automobiles Carriages Parking Lots Peyton Randolph Stable Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/4abda09ad8169854f8c9b3e09e9fea6d.jpg?Expires=1779321600&Signature=Ky5yyfihnxGaA2t2xljjJAo0oTeAf5QwqXrSiQXYltDtly3x-fQOywHkTHm4KRf78af1%7EB7YNmHBljD93DdzioqM338Ro78O4veeiefgJ8-tX30Mua8SC59E-F-JDpFbso9iMGjKMuRFUmf8p1LAlij%7EDPkC240g22JsVXcPaaFG3vjDbC%7Ey3%7ELN1B0UVz8SfzVbpkbgN-WlaVpL6FZnotirK0g9OYs0TnZEDFkjgjhIJ9Khj4jmQkbNqMKM9o9fmCmu0U36bxTHywuO8XyqyZYXarDJtOD1dDAzp7wKDyc9joOlekQZ5nNNQZ1u94bNYZ7i8Pa%7E-4bUjY4VbocM-w__&Key-Pair-Id=K6UGZS9ZTDSZM 9ca57e30ed084ce53a971e5f93b8fb84 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arthur Shurcliff Bird's-Eye View Pencil Sketches Subject The topic of the resource Shurcliff, Arthur A. (Arthur Asahel), 1870-1957 Landscape architecture - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Landscape drawings Extent The size or duration of the resource. 138 drawings Description An account of the resource Arthur A. Shurcliff [ne Shurtleff] (1870 – 1957) was the Colonial Williamsburg Foundation’s first landscape architect. A student of Frederick Law Olmsted, Sr., considered the father of landscape architecture in America, Shurcliff’s Williamsburg gardens are recognized as consummate examples of the Colonial Revival style. Arthur Shurcliff arrived in Williamsburg in 1928 to join the Williamsburg office of architects Perry, Shaw and Hepburn. A graduate of the Massachusetts Institute of Technology and Harvard University, Shurcliff worked in the office of well-known landscape architects, Charles W. Eliot and Frederick Law Olmsted Sr. in Brookline, Massachusetts between 1896-1905. He then opened his own landscape design practice and received commissions for many landscape projects in Boston, such as the grounds of the Boston Museum of Fine Arts, the Charles River Esplanade, and the Franklin Park Zoo. Between 1928 and 1941, Shurcliff oversaw the planning and layout of gardens at Colonial Williamsburg, as well as of traffic patterns, parking, and street curb design, and continued to advise in a consultant capacity until just before his death in 1957. Shurcliff’s series of pencil sketches on tissue paper are conceptual views, many from a bird’s-eye perspective, that he and his associates designed to serve as illustrations for discussions about how guests would access the overall Historic Area, as well as specific gardens, and navigate through them. Some also offer ground level views of vistas and landscape features to show the strengths and weaknesses of several variations for a particular design concept. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 25 7/8in x 20in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Merchants' Square Creator An entity primarily responsible for making the resource Shurcliff, Arthur Date A point or period of time associated with an event in the lifecycle of the resource 1928 Is Part Of A related resource in which the described resource is physically or logically included. Arthur Shurcliff Bird's-Eye Pencil Sketches of Williamsburg, AV2021.5, #89, Folder 2 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 drawing Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AV2021.05-089-001 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Subject The topic of the resource Merchants Square (Williamsburg, Va.) Central business districts - Virginia - Williamsburg Stores, Retail - Virginia - Williamsburg Description An account of the resource Bird's-eye view looking west at proposed layout for the new Business Blocks, today known as Merchants Square, Williamsburg, Virginia. This drawing shows a scheme for the parking areas located in front of the shops, rather than at the rear as they were eventually constructed. Arthur Shurcliff Automobiles Bird's-Eye Views Merchants Square Parking Lots Shopping Distrcts Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/13e0990c0c731ed8b995e762ddf61663.jpg?Expires=1779321600&Signature=KZqhVRU5zxJL7Ziicd-p%7E8IF2X3X9LmQLOGc56OirA2NVvD60oc7zMSlOn-UW5VY0y8DqU9d5cJQjZN61MixXF01i8Jb9oqG7P3HCDdbbqP2BNlllSnY%7EvkhYUCmCtZRiA%7EiWr3fThT0JD7Aui1sxaqVqymS6RqB%7E%7EdEPr%7EfBy4x5cMmJTHVmQnXt8J8LBcTNlgB7T4THJqDl0TLkIJrHapcdbmnTXgLah-KxFGOgfyXPmUTsQ5qy2HEH1fonfFPrhEnIs0m7DyPFkoarRRV4KJPFr%7EF7UIkzuQCVUnb5R943KjUom%7E4o%7EXq2Q%7EvJM9NlB936N-7raiQL0wH1Qe3Rw__&Key-Pair-Id=K6UGZS9ZTDSZM 0c794acfbec759e1a628e01668533bb0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Williamsburg Record Photographs Description An account of the resource Arthur A. Shurcliff [ne Shurtleff] (1870 – 1957) was the Colonial Williamsburg Foundation’s first landscape architect. A student of Frederick Law Olmsted, Sr., considered the father of landscape architecture in America, Shurcliff’s Williamsburg gardens are recognized as consummate examples of the Colonial Revival style. Record photography played an important role in the research process undertaken to restore Williamsburg’s historic district to its eighteenth century appearance. In addition to having professional contract photographers systematically produce pre-restoration and progress photos of each building site, the members of the architectural team comprising the Williamsburg office of architects Perry, Shaw, and Hepburn also took their own separate series of images to aid their specific projects. Assembled into a series of five volumes labeled "Williamsburg Record Photographs," Shurcliff’s photos document pre-restoration scenes of Williamsburg and archaeological investigations underway, as well as preliminary restoration or reconstruction work on structures, along with recreation of garden paths and plantings. Before beginning landscape work, Shurcliff carefully analyzed existing garden features at each site, examined any archaeological discoveries connected to garden layouts, and studied extant eighteenth-century sites throughout tidewater Virginia to aid with design precedents. Creator An entity primarily responsible for making the resource Shurcliff, Arthur A. Date A point or period of time associated with an event in the lifecycle of the resource 1933-02 Is Part Of A related resource in which the described resource is physically or logically included. AV2010.5 Extent The size or duration of the resource. 5 volumes; 575 photographs Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Williamsburg (Va.) - Photographs Williamsburg (Va.) - Buildings, structures, etc. Photograph albums Shurcliff, Arthur A. (Arthur Asahel), 1870-1957 Landscape architecture - Virginia - Williamsburg Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print mounted on linen Physical Dimensions The actual physical size of the original image. 5 x 7 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Is Part Of A related resource in which the described resource is physically or logically included. Arthur Shurcliff Williamsburg Record Photograph Albums, AV2010.5, Box 2, Volume 3 Identifier An unambiguous reference to the resource within a given context AV201005_S352 Title A name given to the resource Aerial View of Business Block Subject The topic of the resource Merchants Square (Williamsburg, Va.) Block 23. Central business districts - Virginia - Williamsburg Description An account of the resource Aerial progress photo of automobiles and building materials in the parking lot at the rear of shop buildings under construction on Block 23, one of the Business Blocks that later became part of today's Merchants Square, Williamsburg, Virginia. Creator An entity primarily responsible for making the resource Shurcliff, Arthur Date A point or period of time associated with an event in the lifecycle of the resource 1931 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Automobiles Construction Progress Merchants Square Parking Lots Stores Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/321ed18b8768411d3d2708a88ec7189e.jpg?Expires=1779321600&Signature=Sx48E0-L7-SKWbzMjG8CqSqMQmfQ%7ErOTjUMTu2TzSf-Hc2hpCfx4oIqK8ASYr7pWopKQW4fVGVv8xovd16q5cb8ovc72TUQikgoxO0UR21j6yiCNTbHoIrugr1jJd%7E%7EXLNiEdzkiO-axHV--MCnU48QhVCuT-7SGWN79wizy6fP7baP8M-FnOQPkxlJaPzHHiM7MX1xQfkOWoZ5uWsNV2cgZnWwlx0V96ye%7EkZ1RriZ80JJUufNGLamWh15qvlfZ3s9e7w9KtalHYN-jwGec9UTfs2ll521y8YxSLYuqOIY-qGsVpnTBonfdzd4rphs5UXIwolleo46XBmqqLgHk8g__&Key-Pair-Id=K6UGZS9ZTDSZM 497658fc441b133cd119b473f533759a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Todd and Brown Inc. Photograph Collection Subject The topic of the resource Todd and Brown Inc., New York Todd, Webster B. Brown, J.O. Historic buildings - Virginia - Williamsburg - 1930-1939 Williamsburg (Va.) - Photographs Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Todd and Brown, Incorporated, a subsidiary firm of Todd, Robertson and Todd Engineering Corporation, headquartered in New York City, entered into a contract with the Williamsburg Holding Corporation on June 6, 1928. The engineers and contractors carried out work as directed by the architects and landscape architects on the reconstruction and restoration of historic structures and gardens in Williamsburg, Virginia. Mr. Webster B. Todd and Mr. J.O. Brown served as the principals of Todd and Brown, Incorporated. They appointed Robert Trimble to head the firm's Williamsburg office. Between 1928 and 1934, the Williamsburg crew undertook many different construction tasks in support of the museum's development and the relocation of the town's business district to Merchants Square. The Williamsburg office closed in 1934, when Williamsburg Restoration Inc. established its own Construction and Maintenance Department. However, the firm continued to be involved in a supervisory capacity with the building of the Williamsburg Inn from 1936 to 1938. The Todd and Brown Inc. Photograph Collection, AV2010.3, encompasses over eight hundred negatives and their corresponding photographic prints housed in an album. Systematic examination of the town and extensive planning occurred before the contractors began their assignment to demolish or move buildings not dating to the colonial era. Each photograph they took served a documentary purpose of recording a colonial structure, modern dwelling, business, church, municipal building, or outbuilding as it appeared prior to any work proceeding at a site. The collection is thus a significant archive of the many homes, grocery stores, general stores, gas stations, barber shops, banks, and offices that once stretched up and down Duke of Gloucester Street. It also offers many pre-restoration views of eighteenth-century buildings that had undergone modifications by later residents. A selection of images offers views of early progress on the reconstruction of such public buildings as the Capitol and Raleigh Tavern. Creator An entity primarily responsible for making the resource Todd and Brown Inc., New York Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 2.5 x 4 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Block 23, Building 30A. Stores, Retail - Virginia - Williamsburg Business enterprises - Virginia -Williamsburg Title A name given to the resource Shops on Block 23 Description An account of the resource Rear elevation of shops 4-8 on the North side of the Business Block, later known as Merchants Square, including Pender's Grocery Store, Garner's Clothing Shop, Billiards Parlor, and Confectionery Shop, Williamsburg, Virginia. Construction began on December 3, 1929 and completed on November 19, 1931. Creator An entity primarily responsible for making the resource Todd and Brown Inc. Is Part Of A related resource in which the described resource is physically or logically included. Todd and Brown Inc. Photograph Collection, AV2010.3, Box 1 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context TB662 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Automobiles Billiard Parlors Confectioneries Garner's Store Merchants Square Parking Lots Pender's Grocery Shops Todd and Brown Inc. Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/5b33af737bfe4a1ceebaabc55a7f9c72.jpg?Expires=1779321600&Signature=aqgo1khwznXHTasF-31QVfYJwzvqSKl24ObxPvvdDGQSKEgTvbv0W-p00Vys%7ELIiU4yXB4l9-y4ZMQfAqpT5xSdnMBLzn-gP3vzRJcqn0j3xapiwRy4EV2PDqMezlECEGYlEDEAUcPt4EO06IuIEemnLrYn3q-S%7E2xRObrGTm2WOz1f5wtvBEg-zRolckZ%7E1h1U1RD5sVgLH4-qekAE2o0hU5prSx7tg3ega4GB8U8HHKhJGXA6YW%7EOVybO7t%7Elwn3AAM4k4SPyTO91nRnregFJi2miWM49vgSFbLV1w4Sk3ETmrF0BL3mWcS%7E7WNw9hodN-ncJdjEqBCed4DjeWRA__&Key-Pair-Id=K6UGZS9ZTDSZM 13baf7b2018a21f6169ecafddd639fa3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Hepburn Pencil Sketches Subject The topic of the resource Hepburn, Andrew, 1880-1967 Architectural drawings - Virginia - Williamsburg Sketches - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Biographical Sketch Andrew Hopewell Hepburn was born in Catasauqua, Pennsylvania on March 6, 1880 to Robert Hopewell Hepburn and Elizabeth Hunt. After attending primary schools in New Jersey and Maryland, he undertook study to prepare for entrance into the Naval Academy at Annapolis but did not receive an appointment. He turned his interests towards architecture and gained admittance to the Massachusetts Institute of Technology, where he graduated with an architectural degree in 1904. While at M.I.T., he met Robert E. Lee Taylor, a native of Norfolk, Virginia and a graduate of the University of Virginia. The two worked as colleagues in the office of Harry Morse in Philadelphia. After marrying Beatrice Outram Sturgis in 1907, Hepburn formed a partnership with Taylor in Norfolk, Virginia, where a building boom was predicted to coincide with the Jamestown Tercentennial. The pair collaborated on such projects as the reconstruction of a hospital in Ghent and the Auslow Gallery Building. When the predicted building boom in Norfolk did not materialize, Hepburn relocated to New York City to join the office of Herbert Hale. He later transferred to the firm of Henry F. Bigelow in Boston and then moved on to work for Guy Lowell until 1914. With the start of the First World War, Hepburn received an appointment from the U. S. Housing Administration to serve as architect for Seaside Village, a housing community in Bridgeport, Massachusetts. During this project, he met Arthur Shurcliff, who served as the landscape architect and would later join him in Williamsburg, Virginia. The end of the war led him to his next project with Albert Farwell Bemis to design inexpensive, prefabricated houses for workmen. After that he formed a partnership with Thomas Mott Shaw, with whom he worked from 1919-1922, and then the two added a third partner, William Graves Perry, to form the firm of Perry, Shaw & Hepburn. Hepburn helped to prepare and deliver some of the firm’s first concept drawings for the restoration of Williamsburg to show to Dr. W.A.R. Goodwin and Dr. Lyon G. Tyler. He helped lead the effort to develop a master plan for restoring Williamsburg, Virginia to its colonial appearance. Scope and Content Note Andrew Hepburn’s pencil sketches, created between 1927 and 1948, are primarily rapid concept drawings he prepared as a member of the architectural team for various projects that were part of Colonial Williamsburg’s restoration. They encompass perspective sketches, bird’s-eye views, plans, elevations, and details relating to such 18th-century buildings as the Governor’s Palace and St. George Tucker House, and modern structures such as the Williamsburg Inn and the Business Block, later known as Merchants Square. Reconstruction of the Governor's Palace involved educated guesswork on the part of the architects as they examined archaeological and documentary evidence and then tried to fill in the gaps through study of architectural precedents. One of Hepburn's drawings of the front elevation of the Palace reflects how the architectural team thought it might have appeared prior to the discovery of the Bodleian plate, a copperplate found at the Bodleian Library which included a depiction of the Palace complex. Hepburn also finished studies for the Ballroom Wing and the outbuildings and stable complex. One of Hepburn's major responsibilities involved creating the original concept sketches for structures that would be part of a new business block at the west end of Duke of Gloucester Street. In order to restore Williamsburg to its eighteenth-century appearance, many business, civic, residential and religious buildings along Duke of Gloucester, Francis, and Nicholson streets had to be re-located. The architects suggested concentrating business activity in a new park and shop complex designed to blend harmoniously with the architectural styles of the buildings being restored. The eleven sketches relating to Merchants Square document his evolving ideas for the complex and range from bird's-eye views of blocks of shops to details of multi-bay windows, doorways, and elevations. Between 1937-1938, Hepburn traveled to Williamsburg every other week to oversee construction progress on the Williamsburg Inn. His involvement with the project is reflected in ten sketches of both exterior and interior architectural features ranging from fireplaces, doors and windows to the proposed bath house, pediments, colonnades, and entrances. Together, the set of thirty pencil sketches by Hepburn offer insight into the design process for major eighteenth-century and modern structures that are iconic architectural landmarks for Colonial Williamsburg today. Creator An entity primarily responsible for making the resource Hepburn, Andrew Date A point or period of time associated with an event in the lifecycle of the resource Circa 1929-1934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Pencil on paper Physical Dimensions The actual physical size of the original image. 8 1/2 x 11 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Business Block Shops Description An account of the resource Pencil concept sketch of the rear elevations of shops overlooking a parking lot in the proposed business district in Williamsburg, Virginia. Creator An entity primarily responsible for making the resource Hepburn, Andrew Is Part Of A related resource in which the described resource is physically or logically included. Andrew Hepburn Pencil Sketches, Drawing #3 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AHH-003 W Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Central business districts - Virginia - Williamsburg Merchants Square (Williamsburg, Va.) Block 23 Stores, Retail - Virginia - Williamsburg Andrew Hepburn Automobiles Business Districts Merchants Square Parking Lots Pedestrians Pencil Sketches Shop Windows Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/24422cb504e8c8b0e6a3f14322a2c81f.jpg?Expires=1779321600&Signature=Bcbu-KGGOAZsjMtlzVWaBtY3flMUKdj4b-TWk10o%7E7w8m2NnWiqm%7EP1N5ajRa68qmAqqBMdIBmYOhlWQogUtWTpyul04ki2N76lm9SAh4ELmB1iE4%7E-CF40MDCfJAQoAbXLZs5Ts3Dl7EmLSuhS222IYS-Ht6mIZnPa64n1TPWj72l5H1o8MGLqwgLwFUZ9DtSpzXZqT2FkhwPj6c4vhy4yrVPz2zs%7E0BSirg%7EicUiMpeBtGPPfrCrtzubYRmw7aGyNEZUH9bJja37-Fb19sxB3bFBzV5%7EnjEKq1SUELjMQDIZGTTiKKj95RaN3fqkNN8lQT94NRIiwnsiBzF5b8tQ__&Key-Pair-Id=K6UGZS9ZTDSZM 0b0bfaa728c995ce2064fd06bfc439ec Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 8 x 10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Merchants Square Parking Lot Subject The topic of the resource Block 23 Shurcliff, Arthur A. (Arthur Asahel), 1870-1957 Merchants Square (Williamsburg, Va.) Central business districts - Virginia - Williamsburg Description An account of the resource An aerial view, perhaps taken from the tower of Williamsburg Methodist Church, of the parking lot in Merchants Square during construction of the new business district in Williamsburg, Virginia, November 1931. Creator An entity primarily responsible for making the resource Shurcliff, Arthur Date A point or period of time associated with an event in the lifecycle of the resource 111931 Date Created Date of creation of the resource. 111931 Is Part Of A related resource in which the described resource is physically or logically included. Arthur Shurcliff Photograph Collection Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context S1205 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Arthur Shurcliff Automobiles Business Districts Merchants Square Parking Lots Restoration Progress Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/83186a8ec7665ebc7c107761eb2cc83e.jpg?Expires=1779321600&Signature=ZT5b-Cj2x2pH-56wMfTZJ0a8e33Ui-Se8OCuoVo3vR1KOXhSQeWVFkX2JiSyqwrleeekiU1XwRr%7E1ThEyNq-i-MXDiwGtg9NMCTMEKHzV9dLx5OJfMimESHN3PJKO%7ECPoQtw03zTGRpJrbdiHIb3Q%7EoFRekRioNwICb5Hs6Lid-S%7EpXMORCifY%7E-ImvYl5fvBzgQVNONpc1QmKF73i2TRklNqp5Pd6GMA8fYuR97IeCxp4SwyQU4r6HQD%7EsLLPybFZgL37Obe6rm8Or77L4zxS3MwsHTFW21ii4h6ecXKjM9NrRK10CkGdxBYZkksnhNarvpLCzg-aOiwMZuALB7uA__&Key-Pair-Id=K6UGZS9ZTDSZM 6030c43637ff9a244979ba409355fa7e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Peter Hornbeck Lantern Slide Collection Subject The topic of the resource Lantern slides - Hand-colored - 1930-1940 Hornbeck, Peter - 1936-1998 Williamsburg (Va.)--History. Architecture, Colonial - Virginia - Williamsburg Description An account of the resource Mr. Peter Hornbeck, a renowned Landscape Architect and Harvard professor, assembled this collection of lantern slides produced between the late 1930s and early 1940s. A graduate of the University of Pennsylvania and the Harvard Graduate School of Design, Peter Hornbeck managed the landscape architecture firm of Hornbeck Associates in North Andover, Massachusetts during the 1950s. He became a faculty member of the Harvard Graduate School of Design in 1963 and taught courses focusing upon historic landscape preservation and city planning.. These lantern slides served as visual aids during lectures he gave about the Williamsburg Restoration and eighteenth-century garden history. The lantern slides encompass a variety of images of Williamsburg available commercially from A.D. Handy, F.S. Lincoln, Eldredge Studio, and the National Geographic Society. They also include some images of historic homes and gardens in other parts of Virginia and in Great Britain. This collection is significant as a record of how landscape architects were interpreting and presenting eighteenth-century garden history during the 1930s and 1940s. It also provides a visual record of Williamsburg buildings and gardens before, during, and after the restoration work undertaken in the early 1930s. In addition, the collection documents how the Williamsburg Restoration publicized its work through commercial slide sets. For example, Mr. F.S. Lincoln, a New York photographer hired to compile a photographic portfolio of restored Williamsburg buildings for a special issue of the "Architectural Record" in 1935, also created colorized lantern slides of his photos for sale in Williamsburg shops. The Peter Hornbeck Lantern Slide Collection contains numerous examples of these early souvenir images. A precursor of 35mm slides, lantern slides are large format positive transparencies, usually 3.25 x 4 inches, sandwiched between two pieces of glass. Many were hand-colored. A projector allowed the slides to be viewed on a wall or screen. Instead of automatically advancing from one slide to the next, the lantern slides had to be manually placed into a slot on the projector. Invented in 1848, lantern slides evolved from those associated with magic lanterns in the late nineteenth-century to the format represented in this collection. Between 1848-1870, oil lamps served as the light source for magic lantern projectors. By the 1890s, the carbon arc lamp offered a better lighting method. The introduction of electricity in the twentieth-century allowed the projection of lantern slides to become common in schools and universities. Lantern slides became obsolete in the 1950s when the Kodachrome three-color process brought about the introduction of 35mm slides. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Lantern Slide Physical Dimensions The actual physical size of the original image. 3.25 x 4 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource A.D. Handy Co. Is Part Of A related resource in which the described resource is physically or logically included. Peter Hornbeck Lantern Slides Collection, AV-2000.9, Box 3 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context HLS-134 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Title A name given to the resource Colonial Williamsburg Parking Lot, Williamsburg, Virginia Subject The topic of the resource Parking lots - Virginia - Williamsburg Lantern slides - Hand-colored - 1930-1940 Description An account of the resource Automobiles parked in a lot adjacent to Colonial Williamsburg, Williamsburg, Virginia, circa 1930s. A. D. Handy Company Automobiles Colonial Williamsburg Glass Transparencies Lantern Slides Parking Lots Peter Hornbeck Virginia Williamsburg