2 20 67 https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/fa7e34c631d129f2713eb5b392ce51cb.jpg?Expires=1787788800&Signature=B3FMMYahnglTHpQQt6lfrzxEcx-SusRrE3E7tRyOEAyd7xeJH%7EH3pfVB2uTq4UpKWcID7Cl40QF13ma9dlgMnBIP4rq6yNe30Esr3e3mue%7EBd7o7mSqBOJLC85y2SSyrifq%7ExWxx4QP5QTUjLv1%7EI69dhbWmMPgj7i5cUxH5wGz4iNdTJfxuBke2zvt1qkg%7Ek7XfTrL664hDf-u0gIMUIHDnzvNS7nK1i48GpQfNiKAu5B1Qqj6JPO7mXzsxxrCiRXVhMoS7VCY4iwJpMO0IKg%7E4Se0aONqGpTXoaMFLRMWYGYg0INOaCYQ9iqFeYWRpKVI6sss4cglENPq11ULIBw__&Key-Pair-Id=K6UGZS9ZTDSZM 0f21550032b5ff81e77ac6c0f1fa7796 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Peter Hornbeck Lantern Slide Collection Subject The topic of the resource Lantern slides - Hand-colored - 1930-1940 Hornbeck, Peter - 1936-1998 Williamsburg (Va.)--History. Architecture, Colonial - Virginia - Williamsburg Description An account of the resource Mr. Peter Hornbeck, a renowned Landscape Architect and Harvard professor, assembled this collection of lantern slides produced between the late 1930s and early 1940s. A graduate of the University of Pennsylvania and the Harvard Graduate School of Design, Peter Hornbeck managed the landscape architecture firm of Hornbeck Associates in North Andover, Massachusetts during the 1950s. He became a faculty member of the Harvard Graduate School of Design in 1963 and taught courses focusing upon historic landscape preservation and city planning.. These lantern slides served as visual aids during lectures he gave about the Williamsburg Restoration and eighteenth-century garden history. The lantern slides encompass a variety of images of Williamsburg available commercially from A.D. Handy, F.S. Lincoln, Eldredge Studio, and the National Geographic Society. They also include some images of historic homes and gardens in other parts of Virginia and in Great Britain. This collection is significant as a record of how landscape architects were interpreting and presenting eighteenth-century garden history during the 1930s and 1940s. It also provides a visual record of Williamsburg buildings and gardens before, during, and after the restoration work undertaken in the early 1930s. In addition, the collection documents how the Williamsburg Restoration publicized its work through commercial slide sets. For example, Mr. F.S. Lincoln, a New York photographer hired to compile a photographic portfolio of restored Williamsburg buildings for a special issue of the "Architectural Record" in 1935, also created colorized lantern slides of his photos for sale in Williamsburg shops. The Peter Hornbeck Lantern Slide Collection contains numerous examples of these early souvenir images. A precursor of 35mm slides, lantern slides are large format positive transparencies, usually 3.25 x 4 inches, sandwiched between two pieces of glass. Many were hand-colored. A projector allowed the slides to be viewed on a wall or screen. Instead of automatically advancing from one slide to the next, the lantern slides had to be manually placed into a slot on the projector. Invented in 1848, lantern slides evolved from those associated with magic lanterns in the late nineteenth-century to the format represented in this collection. Between 1848-1870, oil lamps served as the light source for magic lantern projectors. By the 1890s, the carbon arc lamp offered a better lighting method. The introduction of electricity in the twentieth-century allowed the projection of lantern slides to become common in schools and universities. Lantern slides became obsolete in the 1950s when the Kodachrome three-color process brought about the introduction of 35mm slides. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Lantern Slide Physical Dimensions The actual physical size of the original image. 3.25 x 4 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fonthill Identifier An unambiguous reference to the resource within a given context HLS-25 Is Part Of A related resource in which the described resource is physically or logically included. Peter Hornbeck Lantern Slides Collection, AV-2000.9, Box 1 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Creator An entity primarily responsible for making the resource A. D. Handy Co. Subject The topic of the resource Fonthill Museum Gardens - Pennsylvania - Doylestown Lantern slides- Hand-colored - 1930-1940 Description An account of the resource View of the garden and grounds of Fonthill Castle, Doylestown, Pennsylvania, circa 1935. Date A point or period of time associated with an event in the lifecycle of the resource Circa 1935 Doylestown Fonthill Castle Fonthill Museum Gardens Glass Transparencies Lantern Slides Pennsylvania Peter Hornbeck https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/c54b660eba1e727b7ac239c42c437fbe.jpg?Expires=1787788800&Signature=A8GfjiRLj-crXkU00qctlYaufjhGDMVBBXkPzGAY4RoE2jde8anIjMLijvBC2t4Iiyem7DgmGl4cDJHrADKX1N%7EpasmH7xVXC2W-PambN58l%7EZjthQFasJ1rydiN6M4KpO1m1WOuLXAdQ8m-J5iTlnqDxn9z7S0PX3Q52klNQ%7Ewz94ecE-gmQc0WRELZ0tvKgf9QjNe3fGkXvbJZ3F5TegO%7EjAc5uHlLZmuFswM4b%7ErjOBSdbPHZ5QHzCJae2SY-xnf1ZfXwLcyIVzwlGf5R8wqDRCh1liM49da78qOqbYutn5F-06Vfo283f7YYAm8xnbOVvC0GMdXa6ImhLX-JaA__&Key-Pair-Id=K6UGZS9ZTDSZM dac7915dae3097c445c72534b76200ad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Peter Hornbeck Lantern Slide Collection Subject The topic of the resource Lantern slides - Hand-colored - 1930-1940 Hornbeck, Peter - 1936-1998 Williamsburg (Va.)--History. Architecture, Colonial - Virginia - Williamsburg Description An account of the resource Mr. Peter Hornbeck, a renowned Landscape Architect and Harvard professor, assembled this collection of lantern slides produced between the late 1930s and early 1940s. A graduate of the University of Pennsylvania and the Harvard Graduate School of Design, Peter Hornbeck managed the landscape architecture firm of Hornbeck Associates in North Andover, Massachusetts during the 1950s. He became a faculty member of the Harvard Graduate School of Design in 1963 and taught courses focusing upon historic landscape preservation and city planning.. These lantern slides served as visual aids during lectures he gave about the Williamsburg Restoration and eighteenth-century garden history. The lantern slides encompass a variety of images of Williamsburg available commercially from A.D. Handy, F.S. Lincoln, Eldredge Studio, and the National Geographic Society. They also include some images of historic homes and gardens in other parts of Virginia and in Great Britain. This collection is significant as a record of how landscape architects were interpreting and presenting eighteenth-century garden history during the 1930s and 1940s. It also provides a visual record of Williamsburg buildings and gardens before, during, and after the restoration work undertaken in the early 1930s. In addition, the collection documents how the Williamsburg Restoration publicized its work through commercial slide sets. For example, Mr. F.S. Lincoln, a New York photographer hired to compile a photographic portfolio of restored Williamsburg buildings for a special issue of the "Architectural Record" in 1935, also created colorized lantern slides of his photos for sale in Williamsburg shops. The Peter Hornbeck Lantern Slide Collection contains numerous examples of these early souvenir images. A precursor of 35mm slides, lantern slides are large format positive transparencies, usually 3.25 x 4 inches, sandwiched between two pieces of glass. Many were hand-colored. A projector allowed the slides to be viewed on a wall or screen. Instead of automatically advancing from one slide to the next, the lantern slides had to be manually placed into a slot on the projector. Invented in 1848, lantern slides evolved from those associated with magic lanterns in the late nineteenth-century to the format represented in this collection. Between 1848-1870, oil lamps served as the light source for magic lantern projectors. By the 1890s, the carbon arc lamp offered a better lighting method. The introduction of electricity in the twentieth-century allowed the projection of lantern slides to become common in schools and universities. Lantern slides became obsolete in the 1950s when the Kodachrome three-color process brought about the introduction of 35mm slides. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Lantern Slide Physical Dimensions The actual physical size of the original image. 3.25 x 4 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Is Part Of A related resource in which the described resource is physically or logically included. Peter Hornbeck Lantern Slides Collection, AV-2000.9, Box 1 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context HLS-48 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Title A name given to the resource Fonthill Creator An entity primarily responsible for making the resource A.D. Handy Co. Subject The topic of the resource Fonthill Museum Lantern slides - Hand-colored - 1930-1940 Gardens - Pennsylvania - Doylestown Description An account of the resource Two rows of trees create a narrow pathway on the grounds of Fonthill Castle in Doylestown, Pennsylvania, circa 1935. Date A point or period of time associated with an event in the lifecycle of the resource Circa 1935 Doylestown Fonthill Castle Fonthill Museum Gardens Glass Transparencies Lantern Slides Pathways Pennsylvania Peter Hornbeck Trees https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/b72e977b0354ab5eaaa18a5ce73b144d.jpg?Expires=1787788800&Signature=tdclA9E9FVrctcjddOKqU-oQnN5iRVRiaUfnRxGcQI5vdFDsFxZAq3ArT7dJ5VnOGFX1uIh3ySdc1PlUxXxWHkLkfXT9TMDO5gmU6sU-e99fIFNZXf9FHZE7PXPgCsbCqMP1foXZ-24gtlkyAnpR1ZGH34vFLuXNOncNyitigG-0lyWWdfT793B%7E1Z4ev6WTQ-OoHs4x8m-3sunMpeosgAmiHVs47pRbXmxP927KniztYqKaYHe5BGpjWovEULQ%7EH1zwOmz0uVezs%7E2Gcx1VI2e-fN2UIJuuSl-gjXnH8kP%7EBfDnMH1JtxG4tj9hiOasnAtkbl8L-LtB%7EdJIAZ6L8Q__&Key-Pair-Id=K6UGZS9ZTDSZM a1f921452054b2808e15b0f41aca6cc6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hall Door, Spencer Naumann House Description An account of the resource Hall door, Spencer Nauman House, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be308 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Architectural elements - Pennsylvania - Harrisburg Date A point or period of time associated with an event in the lifecycle of the resource 1933 Arches Doors Edward Beckwith Halls Harrisburg Keystones Pennsylvania Pilasters Spencer Nauman House Wallpaper https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/24506f17627b6f4f624255a6b804f7de.jpg?Expires=1787788800&Signature=mWar4su9jiV9sjcjqzTpBX7-BQYKHszaU-N09TycM8kyvll8iMwlUq82EEaN73eigeV6OWNXvmrS13owQ5DlYt1QDduznxq8kjJjU6xk1HFRHGSIL7ZMlFJ8l-IXmC-NjTNFApeCUBg6-oBSZmLyORY79Ntb%7EeeBRJQHdHyeu7fV1TbM%7EDANPa-I6pzvmza0r6vwnNZmykbPxshzxq2EZSAJaiILLgD%7EhEbwTc9WKTls24B0c9EcLvhsz-sEO7Zbb6JLgGpagfIRcv2ymAKT2kuaCdeEMuYQ9Vp55WBXt8q9T2VfoV6CQt7f-WzRhlhdmPHADgToPJu2q0dky7kdQg__&Key-Pair-Id=K6UGZS9ZTDSZM fc3d956c29a5909bf8728313adc439f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hyphen Entrance, Spencer Nauman House Description An account of the resource Entrance on hyphen, Spencer Nauman House, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be301 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania -Harrisburg Historic buildings - Pennsylvania - Harrisburg Architectural elements - Pennsylvania - Harrisburg Date A point or period of time associated with an event in the lifecycle of the resource 1933 Brick Arches Doors Edward Beckwith Harrisburg Hyphens Pennsylvania Shutters Spencer Nauman House https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/2d2a2393c95cd2a5d71742c169d4686e.jpg?Expires=1787788800&Signature=KrcEY%7ExNN8-QvVX9Q5ByCvnb8-LXuFWMce0%7EkM6QKQ3zIM8luCLq2npTroavSpKJ-ikvwJCgWz30gwHAFtrVdPpbXkKRLVbbrIfftDqj2MmAihn6fZkVUOqCIKxGW8lBQiFpddCH3WiupSvB0Jdoiph8uZbUieasLPL%7EuYjeTWdZlhhoc%7EBnGK2M18vjKyL-nS13cmT07ANaInInK%7EVQFLh-ueysKzb1pJt9S67vLgGtv4g3DJT%7E3kQJRmcSEcWqB-pmR4lg-s3V9B7QIN9OBuJg%7EBeuYEUG4-kQ1p504GFZxCvGIO7A%7Ebv3YnJtKKlTHVBqfJAa8niVLdKJV13LaQ__&Key-Pair-Id=K6UGZS9ZTDSZM 6236dcbed1257bf4250f7e2d4bac6152 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Johannes Mueller and Christian Schropp Houses Description An account of the resource Street scene looking down Main Street, Lititz, Pennsylvania with the front elevation of the Johannes Mueller and Christian Schropp Houses to the left. Creator An entity primarily responsible for making the resource Frank, Ernest M. Identifier An unambiguous reference to the resource within a given context AV2009-58-A07-FRA006_005 Date A point or period of time associated with an event in the lifecycle of the resource 1949 Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 7, Page 6 (shows as page 5) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Frame dwellings - Pennsylvania - Lititz Architecture, Domestic - Pennsylvania - Lititz Historic buildings - Pennsylvania - Lititz Stone buildings - Pennsylvania - Lititiz Christian Schropp House Ernest Frank Frame Dwellings Johannes Mueller House Lititz Pennsylvania Street Scenes https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/747fa529cca0c7423b224c36d20c8d11.jpg?Expires=1787788800&Signature=Bmlj7%7EQJONWeK%7Ehda89HdUrd2b4lqJBLpFn0B9AWQ3-fzeG3Xx1fgc5nK6NRotYiAz4L-vmr8MMglaUOuQiypEBvZ8lOBFP2kRuJDvbgir5QYR5GYEJlxpbKERFpmQbtXpUVnJFMR9RbTO6A-KVnlPmwrfwKalVASx4gAzp2AHFn5X2Bb%7E9Kw1gS1cCzNTTswESLUKivI1OLpTvZyuO7y0-3hwvS1JRls3---Yfd0Q%7EmxF5pW0UuS4xiLebDOUVGFU3O6O9r-d%7EhwKnvzmoHxqkqp0SeGnmMZI0X9hDZPWnBadqjV6DI-9xZdqny9T5LyILMyP-J%7Efr0mlhHTCvcOw__&Key-Pair-Id=K6UGZS9ZTDSZM 45cbb49870bcf031196a24f1602f6298 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Johannes Mueller House Description An account of the resource View of the front elevation of the Johannes Mueller House on Main Street, Lititz, Pennsylvania. Creator An entity primarily responsible for making the resource Frank, Ernest M. Identifier An unambiguous reference to the resource within a given context AV2009-58-A07-FRA006_004 Date A point or period of time associated with an event in the lifecycle of the resource 1949 Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 7, Page 6 (shows as page 5) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundatioin Subject The topic of the resource Architecture, Domestic - Pennsylvania - Lititz Historic buildings - Pennsylvania - Lititz Clapboard Siding Dormers Ernest Frank Frame Dwellings Lititz Pennsylvania Shutters Windows https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/8d582c49f5fe6867bdb0ef0dc7cf0d76.jpg?Expires=1787788800&Signature=XkacJ-t-TX8itk5%7EHMwdCkCWEuClkSvNI5avLj4lYztNY%7EqJ4B7M5gn54gOWrzFbdhNMJsoKWJ9J%7EBFUGdLPH5vrfc-WImHl5aKpvoHhWGWdfncX%7E1j1Eg2NHLHJ4VTV4r5YO8cbM55v-dfVrUvSiwnM8W-Vg6e20jXXLocj5F3waF8mQ7na7oV1mq-N-Gc-U1o61epaBpoX8D11bp14ALuRe2UnkOtaNETXVdSah8B6o28a4uGOXUg965tT81w6F7BZDdZ8olh9PqNDcvEs3JXqFn7HxP4fbGblHpkakbgKdZqjMcmw7eqyyc-RdaTclo-C0cLSFVMg7NnGxS2jGQ__&Key-Pair-Id=K6UGZS9ZTDSZM a3571d502548738a98da85dc88931012 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Johannes Mueller House Description An account of the resource View looking down a sidewalk along Main Street in Lititz, Pennsylvania with the front elevation of the Johannes Mueller House to the left. Creator An entity primarily responsible for making the resource Frank, Ernest M. Identifier An unambiguous reference to the resource within a given context AV2009-58-A07-FRA006_006 Date A point or period of time associated with an event in the lifecycle of the resource 1949 Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 7, Page 6 (shows as page 5) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Lititz Historic buildings - Pennsylvania - Lititz Clapboard Siding Dormers Ernest Frank Frame Dwellings Johannes Mueller House Lititz Pennsylvania Shutters Street Scenes https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/318fdbd47eb925be1e8333594634562b.jpg?Expires=1787788800&Signature=gVBIDlCpjlINujY9HkgEJ-Bka826m01X6EHQQC-lD-AbrHiF0v52-Ky2u7P4oWsGm9QrDzQeyMd3cPzHupLTNPFrhnR8kNn7TRL9XCImRb0JJjIwtFdzhJn%7E9saZyMdg13KxuICqhbdQG7jugTH7NpIv4YBewc4ECLoIGYtntBraf8%7E0qXcM595pmTtNFwW2cQfhPvhAl3GbAxRR4upDg6-FTWuHCAj0KkyHUM5zKCiEY8h3%7ERI5ykPYSDEsMW0Lu0HDFcsE-twVhywLBXrXyexDfuH05q06%7EXLjOoYW4J8JiosxgaeEOHUXe2rTfAgIMx8R5Je%7Eq2wHdivUzG-r5g__&Key-Pair-Id=K6UGZS9ZTDSZM 3f8cabff48f001c861cdfffd2560a7b1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Frank, Ernest M. Title A name given to the resource Johannes Mueller House Description An account of the resource View of roof cornice and drainage pipe on the Johannes Mueller House on Main Street, Lititz, Pennsylvania. Identifier An unambiguous reference to the resource within a given context AV2009-58-A07-FRA006_007 Date A point or period of time associated with an event in the lifecycle of the resource 1949 Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 7, Page 6 (shows as page 5) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Lititz Architectural elements - Pennsylvania - Lititz Historic buildings - Pennsylvania - Lititz Cornices Drains Ernest Frank Frame Dwellings Johannes Mueller House Lititz Pennsylvania https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/382f20216883311b0e02d230aeacb79b.jpg?Expires=1787788800&Signature=jgCKmyX2x1sbIrt2Pa4YLjpkfEqnldOtkeyfOuNOLnXSjfJvn-o3bCzJFSkp3RGx2UFQGCJjckmiXA10mzX-voJ1HaLzulf4aPb%7ET6v5YvUNEGJIqCQgTMDixI9UpwLkOZr9UoeRtnY6oxvzImvqvaryuMkhm9W4QFW%7ExwI5%7Es09WiD4zdtx0Khno1EBdS49sqZKj2q3S4I8ZaYjeD4iiDuwc5QBSJppSb7S-%7EP17eMeymNdYjx528k1EklNM9KZijOMpHXSK0pKn3B0uIH%7EjgZPK3JOI%7EVpfisXZ5gaW%7ET13WFgplKWlmsyB31vJrV2s%7E25-9RD5Z%7Eny1LKuCVI2g__&Key-Pair-Id=K6UGZS9ZTDSZM d3d896abb1b9811f8cd907fb12e8cde1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Library, Spencer Nauman House Description An account of the resource Paneled Library with fireplace, Spencer Nauman House, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be306 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Furnishings Date A point or period of time associated with an event in the lifecycle of the resource 1933 Bookcases Edward Beckwith Fireplaces Harrisburg Libraries Mantels Paneling Pennsylvania Spencer Nauman House Woodwork https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/04c853fa4c3be09434eb5f41549a1a26.jpg?Expires=1787788800&Signature=eHtEmQPiQQYBGbo%7E3gSFOHOpAtvySYCgOUsJbeRVgcVQvuiRG2wbvXjmAFilpPjFXdYC9Fokhjp7UQIAVhyCUchXjDrJYabyMXw4VFRG7HK-Ywmyop2mwWjfiozPZ8J1sle4lCGMqSSdlKeURM57lZwup11cB-Xcu%7EpfW30wMnFFQ7UtwYdeSllJoeR93CBRhQFwIhYTPLdzTwe9cvOViOQ3um4xmnz4dRWSLnmQh0%7E-cCptYmjB9CqxUzsvzzo7UPQdoYjhWGJWnWiOUO-GoxDXiDdnTmA25EMqlXNAycSa6AhRt2R64WUc7EieE64OP6vysqiCP%7EdM4SPo6bwG0Q__&Key-Pair-Id=K6UGZS9ZTDSZM 26e1661e9834d0bdbcbcf94ae207c8ad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Library, Spencer Nauman House Description An account of the resource Paneled Library, Spencer Nauman House, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be307 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Furnishings Date A point or period of time associated with an event in the lifecycle of the resource 1933 Bookcases Desks Edward Beckwith Harrisburg Libraries Paneling Pennsylvania Spencer Nauman House Woodwork https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/1bd4ecc76ebabaa9f97232b5a272f8c2.jpg?Expires=1787788800&Signature=NAbRuyWouZJ6NlbcwlxXL0fZXGpPoAjiVvFNxG-qVwZu1iaL1Vh0fTIxi7zNwLCU5VgBcFdJ756FjnpCWyiONzdVgEfZV2ZitSyL1XgINOrhsxlTzSklU1CIo1vp3QaC2mH0Sun7421ZKY572eguS3zpBOhW1nAjp7x%7E7L%7E0-pzdsOchdDTURz3bzI8FRYrSgmJgoVMoezTBr8LGNefw4BaLB-ykPy3VAL1YlyYbCJajhCEF5EjkWJ5jQsevHLtoCX5y%7EgJe7MmQBtDwlsgG6PnerzD%7ETJ618yN90G49lX2EbXzR9qe4yA9WU-egdJDcfQsvA2c5Vegj34E5s8rR7w__&Key-Pair-Id=K6UGZS9ZTDSZM a7c551c96370690e1e071e1c0683598c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moravian Boys' School Description An account of the resource View of a portion of the rear elevation and cupola of the Moravian Boys' School, Nazareth, Pennsylvania. Creator An entity primarily responsible for making the resource Frank, Ernest M. Identifier An unambiguous reference to the resource within a given context AV2009-58-A07-FRA004_002 Date A point or period of time associated with an event in the lifecycle of the resource 1947 Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 7, Page 4 (shows as page 3) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Schools - Pennsylvania - Nazareth Architectural elements - Pennsylvania - Nazareth Historic buildings - Pennsylvania - Nazareth Cupolas Ernest Frank Moravian Boys School Nazareth Pennsylvania Schools https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/0f5edf35e8a2fe4374a1fa7d9e80b2f3.jpg?Expires=1787788800&Signature=gCT4XPWzI8-56TyN2PX-xXw7mfGs8pA5pja3%7ELoAybz8w5-xVZIyyqL6wuSu2CxlbYCvDtcOjCEhPkcuIEHxCgzUjsb7S8z4ghSTy8nqDZ-2mvZKBHF3AhNrcG1iJOBJlQtnTfhjD553ymtOK4spUxOGOyAfhBhnuWDx3LqdyjeUZiPLABrOmadS6STNR7L44gvCEiH7hfiNmxv6XCkrBpW0UHKvBoR7qd4pCljAof%7EI5KXGceERG%7ENgPIdHGuhkhG8XPIFV07Q%7E38wkBmDOeTE-nKGQdGtjJZSG%7Ej-8qfrhPe2uovSr5XRiBhFRXYKY7CvkFQQOOEDxtozRcUzGIQ__&Key-Pair-Id=K6UGZS9ZTDSZM be332f61aacde307bb36cfa5a1940a56 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moravian Boys' School Description An account of the resource View of the front elevation and main entrance of the Moravian Boys' School, Nazareth, Pennsylvania. Creator An entity primarily responsible for making the resource Frank, Ernest M. Identifier An unambiguous reference to the resource within a given context AV2009-58-A07-FRA004_003 Date A point or period of time associated with an event in the lifecycle of the resource 1947 Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 7, Page 4 (shows as page 3) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Schools - Pennsylvania - Nazareth Religious communities - Pennsylvania - Nazareth Historic buildings - Pennsylvania - Nazareth Doors Dormers Ernest Frank Fanlights Moravian Boys School Nazareth Pennsylvania Railings Schools Shutters Stairways Windows https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/df55c4288f0266cc89acca1d026ba77d.jpg?Expires=1787788800&Signature=DTGAR%7Etv5TLsysHqjtv3vrssIcoOUkSBsmXs%7EU63Gpj13K5HlNu2lN5jHtgONu0gRrkdW7IqySZxt%7EMfNzr1IGAQzsuVUu4oe%7Er2S56UzAMlJsJZ-xfDSDG2xxGDD3wq1YGQOdvKS4sTja-6sTqhLk-DR2ADm18Jz8B5ykEOWpi9N03dK3lh--jhX3rcqfeV9wq879DCpnZjtAOWW8DS%7ElS-ugMhspMsSg6VopUDLsg9Bnipn3pn9GgTQzh2S-Z6kot8PV1gmmOT%7EJKqMAhRhV8VdAylmmeeN4k8wYaoU8%7ESqADAXRXj5WDZadua7FWQgSjpCL8MKvt94Ccs1QsAWw__&Key-Pair-Id=K6UGZS9ZTDSZM 1dbf4ec07d3cdd55283bff4c0627ff20 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moravian Boys' School Description An account of the resource View of the rear elevation and fire escape on the Moravian Boys' School, Nazareth, Pennsylvania. Creator An entity primarily responsible for making the resource Frank, Ernest M. Identifier An unambiguous reference to the resource within a given context AV2009-58-A07-FRA004_004 Date A point or period of time associated with an event in the lifecycle of the resource 1947 Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 7, Page 4 (shows as page 3) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Schools - Pennsylvania - Nazareth Religious communities - Pennsylvania - Nazareth Historic buildings - Pennsylvania - Nazareth Dormers Ernest Frank Fire Escapes Lintels Moravian Boys School Nazareth Pennsylvania Stone Buildings Windows https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/4040ad8cded23c3ab4e6b9bca3069993.jpg?Expires=1787788800&Signature=R5E03SZJI7CR4LyakeB9HZp2eT7mC7BskjajdtNnWV7F%7EFKiBjbAgfEBUva381HSzsdpUyIWFdh6BJ6RKDmLAoo7mut%7EnUh%7ESWTG905OX7bojubROxyIrOz1vqP9d-cUTY710JKIqQd1qwYh5dz%7EdcPc%7EDYFFXifU-nY6%7ETGlA3BLWr6eTAtdMjSHHsGTiJq5ALRUhXW0HyjCAUTXKYs2lf3xSCKxsOrt80bA8hY9lKSda9VVXd%7EfN3qrdLQFk3UjOJzVc33Qt3teznfPWf3jwMcR4myWnTJTQ2C9501luDwSpDDRfnfFOYY4AGISFe1iSft6fqMG73oeR9RpB30AA__&Key-Pair-Id=K6UGZS9ZTDSZM cb492c0f3533606c903ee3efac0c0d6b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moravian Boys' School Description An account of the resource View of the exterior entrance to the Moravian Boys' School, Nazareth, Pennsylvania. Creator An entity primarily responsible for making the resource Frank, Ernest M. Identifier An unambiguous reference to the resource within a given context AV2009-58-A07-FRA004_005 Date A point or period of time associated with an event in the lifecycle of the resource 1947 Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 7, Page 4 (shows as page 3) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Schools - Pennsylvania - Nazareth Religious communities - Pennsylvania - Nazareth Historic buildings - Pennsylvania - Nazareth Doors Ernest Frank Fanlights Moravian Boys School Nazareth Pennsylvania Railings Signs Stairways Stone Buildings Windows https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/7c868f26b881a7a54dbec20fd1079d9a.jpg?Expires=1787788800&Signature=ELZLWBCupE%7ENTWWJ-f0ADQqgtGKyThD9yhQS1kymTLUNSOaw1oWzwGqI-Fr2FV1-sEfmiN0BNiBowgrEKJRVy4IWQaN5vmSTuQJz8APU%7ER8NKQmmvdOuF5LkZBgtckwXkAijRoDBjHUemBdCG1dFxLNcqfFOrMgGeNmWpllHmC1WmAisCxVocxaG70xzLPjI5a99p-4bnxqwuTZuHsm4B8-s0IB6%7ERJyhjR0NgKN4xciz23PaQFe9nvIcCplWy7nVnuN6BTnERtCLH2B3tCGlgwudRyq5wCoQsN7K4plZ7VOV7QKSLit7ggzDJUuxgm9BnvhpB2k2UyQgAqvJ%7EtIEQ__&Key-Pair-Id=K6UGZS9ZTDSZM 1c28dbb2419cf8321da91a78989920cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moravian Boys' School Description An account of the resource View of the exterior elevation of the Moravian Boys' School, Nazareth, Pennsylvania. Creator An entity primarily responsible for making the resource Frank, Ernest M. Identifier An unambiguous reference to the resource within a given context AV2009-58-A07-FRA004_007 Date A point or period of time associated with an event in the lifecycle of the resource 1935 Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 7, Page 4 (shows as page 3) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Schools - Pennsylvania - Nazareth Historic buildings - Pennsylvania - Nazareth Ernest Frank Moravian Boys School Nazareth Pennsylvania Schools https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/81e273650983e5912cb38f893dc560a7.jpg?Expires=1787788800&Signature=I7hAJYVCMcBHeUnsf9IFK-atVKRNb9xs6GmxD8fZYFqNkpmTzmPXrwsGlvshp6ZlqdRmuw5fX4ZVKO3Uo10%7ERkMx-TIE7WSPPrsUYQOx-Y2x-mLLXlwX-SxlFbl-aTdWcenUaxijUFQxW9inrTQUVTY3ei8ontk4GqJ1kZrjffNONSqfqLulR9%7E00pD%7EM-i4HjYpGLb8U5GcJwCNxL-2SqKVODzsAMgq0TYVgKTU7HZc1MSGhRGu-fKfhBYFMwIqm60vsE7WCiIkVdGvy4eWpywdYzVWz3PCJiDj0D9ccJOneZYSDOZ8oinyBkxGEx7kHqakh9N1sB%7EKln0v6jCCow__&Key-Pair-Id=K6UGZS9ZTDSZM 011d3e6073961293e504e88c491ae3f3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moravian Chapel Description An account of the resource View of the entrance door to a Moravian Chapel located in Bethlehem, Pennsylvania. Creator An entity primarily responsible for making the resource Frank, Ernest M. Identifier An unambiguous reference to the resource within a given context AV2009-58-A07-FRA003_005 Date A point or period of time associated with an event in the lifecycle of the resource 1935 Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 7, Page 3 (shows as page 2) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Church architecture - Pennsylvania - Bethlehem Historic buildings - Pennsylvania - Bethlehem Religious communities - Pennsylvania - Bethlehem Bethlehem Chapels Doors Ernest Frank Lintels Pennsylvania Stone Buildings https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/b108dbd15669cd223d44b6b54f40d324.jpg?Expires=1787788800&Signature=EyzkFAUyTTh%7E1OuEKqFpUGVO4ADoTB9KRGxkWXBRL0PmrGC3aMta4it9X95FmGnjNuufL0Ap0MAiisQZXu6dAKQhEw3d-b2ClRxZGYicsuLofvHs0wOEE1Hg7szNSjjdNVENu517ddGGNRKCP0I21WUnLWDK1gMoVBeadgHJgVYb0U14aK1RSGrL9zWVEi-1l0tgEvWXxUrfXPURp0WxCgPguniwJ2uUUI4iqhh2enrhw0z8mXL4I6NAq75hmfNqBDY48dsI0H4YhHPzV%7EAFZNMEii2xsTfK3yZ6A1iHKGloxhTGgHBeFKPrSQ-4x2U1hDScINZo7UPTfOImGJMZkA__&Key-Pair-Id=K6UGZS9ZTDSZM 07d026cd2ae43b85d706169cf5517c1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moravian Church Description An account of the resource View of the side elevation and cupola of a Moravian church, built circa 1803-1806, located in Bethlehem, Pennsylvania. Creator An entity primarily responsible for making the resource Frank, Ernest M. Identifier An unambiguous reference to the resource within a given context AV2009-58-A07-FRA001_004 Date A point or period of time associated with an event in the lifecycle of the resource 1935 Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 7, Page 1 (shows as page 0) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Church architecture - Pennsylvania - Bethlehem Architectural elements - Pennsylvania - Bethlehem Historic buildings - Pennsylvania - Bethlehem Bethlehem Churches Cupolas Ernest Frank Lintels Pennsylvania Round-headed Windows Rustication https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/60d0b3469413583e72fe9f6266e9c525.jpg?Expires=1787788800&Signature=W6eUN-DOt2Dyosiecbq7b6C5zatWpyXDbRr9WzaJUarhMIIx8qlVUM47q-tJmOOC4kgxPVo89GjoDWW1bWFJwAwnsuZeFkxb794vSpaelwPjnDV0%7EB06b0aw0dKm368haggVbOIS8eH8oVb9S407yprW80DXNAc2jLRlrRsA4%7E4HD9JJ2P2NVSEMu%7E1sFY9hw5TK96Td3eobsRffKjKpMaqyJyCWwFDxFoNvPbEbRIR7YwOxldo%7ELjIGpQAAfN5FzRplOb7Lv0jHYsJN%7EVopDbk2e-hggGhQx4YoyYM-1mYkVl-PPbLagmQuPKDIwV3I5Oj5H%7EAavb7U4m7ts%7EoukQ__&Key-Pair-Id=K6UGZS9ZTDSZM 59126d68815dd664ed37cdcb24fa438e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moravian Church Description An account of the resource View of an exterior entrance to a Moravian church, built circa 1803-1806, Bethlehem, Pennsylvania. Creator An entity primarily responsible for making the resource Frank, Ernest M. Identifier An unambiguous reference to the resource within a given context AV2009-58-A07-FRA002_002 Date A point or period of time associated with an event in the lifecycle of the resource 1935 Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 7, Page 2 (shows as page 1) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Church architecture - Pennsylvania - Bethlehem Stone buildings - Pennsylvania - Bethlehem Architectural elements - Pennsylvania - Bethlehem Balustrades Bethlehem Churches Doors Ernest Frank Pennsylvania Stairways https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/2691e57a3e0c3783c001def15b3358aa.jpg?Expires=1787788800&Signature=SMgxMek7-XSVDck7IRBJfSjHsKKwV13FuvsdBNIErKR7sxGSPy4WPQsiqf998RLxSOFxOAADSw0JS7hTASVUhfPbEPtWhRJT9euzrykhobW%7ErQF6xM1-9ZrGH%7EG1FIH-XR3vBniJYKezguEhertbE%7ESfRz2GlA0up38HeAv3NxCxbNBxWH15zCE20u4LktcmHyGsyFyXYrIrYpSYSJnQw9QQ-NDA91OBf7hJmwfGIy-PTeWNCDqeUIeejavQNTfjK91X8O4FH2FvqV7eUYXnwkBdKToTBC-KNRNKQHgG58dIEed%7Evgw6QRqa7kkIBw1GhM7a6TPrkVuS8R1uSmsd7g__&Key-Pair-Id=K6UGZS9ZTDSZM 5ca1c0f65286970a91b94ae821e5b39d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moravian Church Description An account of the resource Exterior view of the church tower and large double-hung sash window on a Moravian church, built circa 1803-1806, with a chapel dating to circa 1751, Bethlehem, Pennsylvania. Creator An entity primarily responsible for making the resource Frank, Ernest M. Identifier An unambiguous reference to the resource within a given context AV2009-58-A07-FRA002_004 Date A point or period of time associated with an event in the lifecycle of the resource 1935 Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 7, Page 2 (shows as page 1) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Church architecture - Pennsylvania - Bethlehem Historic buildings - Pennsylvania - Bethlehem Bethlehem Chapels Church Towers Churches Ernest Frank Pennsylvania Sash Windows https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/94aeaecef2f7a130134b47542e504a54.jpg?Expires=1787788800&Signature=uuxQkq7J%7EQmh9Y27lN8%7E8Jqu9nlfd-00HJJtm27-jtUbCpQRduUm846w7zF5X91rMQ%7EOATybJFPy5L1rIORVv%7E8sV7zxpQeu06mhFNNYGK6dzhUJutYfPoRnNeljEqn6W%7EYnZEKF4CN3OMuMInUoWrUV36dSDOlW9V8UUk%7EEXAjA398olbBn0BDlA7W9PZ-zAAKj52NJOGZBKimY5c7axCfpk5YLGGdWBoe0cCFQWd4kFN-yHzSOiITIwpbpTNtfkxAzzkjdrJE-HMIxW1rewfvrANz0rzyHqIJ%7Ey6mS0FAXQ2FesW-0OT4vsVS-zP%7EZzs-cPwerFWe-ndFf%7ErxSbg__&Key-Pair-Id=K6UGZS9ZTDSZM 269c2be84de467ab512c95e5e47c7efa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moravian Seminary Description An account of the resource Moravian Seminary, exterior with bell house, 1935, Bethlehem, Pennsylvania; E. Maurice Frank Photograph Collection, AV2009.58, Album 7, Page 3 (shows as page 2) Creator An entity primarily responsible for making the resource Frank, Ernest M. Identifier An unambiguous reference to the resource within a given context AV2009-58-A07-FRA003_004 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernest M. Frank Photograph Collection Subject The topic of the resource Frank, Ernest M., 1914-1968 Photograph albums Williamsburg (Va.) - Photographs Architecture, Domestic - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Williamsburg (Va.) - Buildings, structures, etc. Description An account of the resource Ernest Maurice Frank, a graduate of Cornell University, rose from the ranks of Draftsman to Assistant Vice-President over the course of a three-decade career at Colonial Williamsburg. During the late 1930s, a team of architects drafted plans to fill in the gaps with reconstruction or restoration of structures not included in the initial group completed in the early 1930s. Known as “Phase II” in Colonial Williamsburg’s evolution, the period launched an expansion of plans for future projects at sites such as the George Wythe and Peyton Randolph Houses, many of which became reality after the end of World War II. Singleton P. Moorehead, an architect who joined the Restoration team in 1928 and became part of the architectural office in 1934, and A.E. Kendrew, Foundation Architect, proved to be pivotal in moving Colonial Williamsburg forward with the Phase II transition. They hired Ernest Frank in 1939 to join their team of draftsmen beginning work on Phase II planning. Unfortunately, World War II intervened, and Frank and many other employees left the organization to fulfill their military duties in 1942. Frank re-joined Colonial Williamsburg in 1946 and established his own architectural practice in Williamsburg on the side in 1947. He rapidly advanced to Senior Draftsmen in 1947, Designer in 1948, and assumed the position of Assistant Director of the Architecture, Construction, and Maintenance Division from 1949-1956. In 1957, he became Director of the division until 1964, when he received a promotion to Assistant Vice-President for Colonial Williamsburg Inc. under Charles Hackett. One of Frank’s major projects involved overseeing the reconstruction of additional eighteenth-century features of the Robert Carter House complex. He and his team researched and designed the two long covered ways connecting outbuildings to the main house, as well as Dr. McKenzie’s Shop and several outbuildings. His architectural drawings for the Powder Magazine and Guardhouse, Bryan House, Ewing House, John Crump House, and the new Visitor’s Center complex and Motor House all attest to his extensive contributions. A member of the American Institute of Architects, Frank regularly spoke at architectural forums and design schools and became a recognized authority on colonial Virginian architecture. In his final years at Colonial Williamsburg, Frank served as a deputy to Charles Hackett, who led Colonial Williamsburg Inc. and Williamsburg Restoration Inc., until his death in 1968. A record of Frank’s meticulous research conducted as part of the process of developing designs for reconstructions can be found in the Ernest M. Frank Photograph Collection, AV2009.58, housed at the Rockefeller Library. Frank joined other members of the architectural team in the late 1940s and early 1950s in a series of trips throughout the mid-Atlantic region and to Great Britain to visit sites and record details that might be used as precedents for features of buildings planned for reconstruction. The team had to engage in a certain amount of educated guesswork for certain features of structures for which they could not find archaeological, historical, or visual evidence. A series of ten photo albums encompasses images from the late 1940s to early 1950s of sites at Colonial Williamsburg, various counties in Virginia, Maryland, North Carolina, and South Carolina, and Great Britain. The two albums focusing upon his 1951 trip to England are organized by various types of details under study, such as lamp brackets, signs, shop windows, foot scrapers, chimneys, gates, and fences. Together, the photo albums offer insight into the process used to gather clues for drafting designs for some of the buildings that constitute the second phase of Colonial Williamsburg’s development after World War II. Creator An entity primarily responsible for making the resource Frank, Ernest Maurice Is Part Of A related resource in which the described resource is physically or logically included. Ernest M. Frank Photograph Collection, AV2009.58 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Extent The size or duration of the resource. Ten albums Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print on paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moravian Seminary Description An account of the resource Exterior view of Moravian Seminary Bell House, 56 West Church Street, Bethlehem, Northampton County, Pennsylvania. Creator An entity primarily responsible for making the resource Frank, Ernest M. Identifier An unambiguous reference to the resource within a given context AV2009-58-A07-FRA003_004 Date A point or period of time associated with an event in the lifecycle of the resource 1935 Is Part Of A related resource in which the described resource is physically or logically included. Ernest Maurice Frank Photograph Collection, AV2009.58, Album 7, Page 3 (shows as page 2) Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Religious communities - Pennsylvania - Bethlehem Theological seminaries Historic buildings - Pennsylvania - Bethlehem Bethlehem Cupolas Dormers Ernest Frank Lintels Pennsylvania Shutters Stone Buildings Theological Seminaries Windows