1 20 67 https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/fa7e34c631d129f2713eb5b392ce51cb.jpg?Expires=1776902400&Signature=esTbBoIrvup4lgxtV1LbNAiUrjz4Lu43eZ9eYESzf1eRMqS-krHH%7En4hWC4YXoEjCVZtdCHZgJXK1Q090cK%7EFhZsqMqMbAHy2KDR13SCBoW6iMLeprIXEGo1BLUUOQrHyISwfFKDRdSXCVyZ%7Ewg9dixgQZ1WfyRkhkwz-ofqLpFZS%7EogTS2OuEZDcE6FmABg019VbALQAq9TdQyL-dmste%7EBaGpNtIt0vke1wP5bonUpJaJW7bSAmV4c6J2aX5Ctd5zaK5HM855MKx5pdJwMtraUCZl6g3qZPJ%7Ey8QGY1r1FmPHXyJvDRH16fEEDBVLhlPVUbAm%7E6Ha8E%7EM2DE6rIg__&Key-Pair-Id=K6UGZS9ZTDSZM 0f21550032b5ff81e77ac6c0f1fa7796 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Peter Hornbeck Lantern Slide Collection Subject The topic of the resource Lantern slides - Hand-colored - 1930-1940 Hornbeck, Peter - 1936-1998 Williamsburg (Va.)--History. Architecture, Colonial - Virginia - Williamsburg Description An account of the resource Mr. Peter Hornbeck, a renowned Landscape Architect and Harvard professor, assembled this collection of lantern slides produced between the late 1930s and early 1940s. A graduate of the University of Pennsylvania and the Harvard Graduate School of Design, Peter Hornbeck managed the landscape architecture firm of Hornbeck Associates in North Andover, Massachusetts during the 1950s. He became a faculty member of the Harvard Graduate School of Design in 1963 and taught courses focusing upon historic landscape preservation and city planning.. These lantern slides served as visual aids during lectures he gave about the Williamsburg Restoration and eighteenth-century garden history. The lantern slides encompass a variety of images of Williamsburg available commercially from A.D. Handy, F.S. Lincoln, Eldredge Studio, and the National Geographic Society. They also include some images of historic homes and gardens in other parts of Virginia and in Great Britain. This collection is significant as a record of how landscape architects were interpreting and presenting eighteenth-century garden history during the 1930s and 1940s. It also provides a visual record of Williamsburg buildings and gardens before, during, and after the restoration work undertaken in the early 1930s. In addition, the collection documents how the Williamsburg Restoration publicized its work through commercial slide sets. For example, Mr. F.S. Lincoln, a New York photographer hired to compile a photographic portfolio of restored Williamsburg buildings for a special issue of the "Architectural Record" in 1935, also created colorized lantern slides of his photos for sale in Williamsburg shops. The Peter Hornbeck Lantern Slide Collection contains numerous examples of these early souvenir images. A precursor of 35mm slides, lantern slides are large format positive transparencies, usually 3.25 x 4 inches, sandwiched between two pieces of glass. Many were hand-colored. A projector allowed the slides to be viewed on a wall or screen. Instead of automatically advancing from one slide to the next, the lantern slides had to be manually placed into a slot on the projector. Invented in 1848, lantern slides evolved from those associated with magic lanterns in the late nineteenth-century to the format represented in this collection. Between 1848-1870, oil lamps served as the light source for magic lantern projectors. By the 1890s, the carbon arc lamp offered a better lighting method. The introduction of electricity in the twentieth-century allowed the projection of lantern slides to become common in schools and universities. Lantern slides became obsolete in the 1950s when the Kodachrome three-color process brought about the introduction of 35mm slides. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Lantern Slide Physical Dimensions The actual physical size of the original image. 3.25 x 4 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fonthill Identifier An unambiguous reference to the resource within a given context HLS-25 Is Part Of A related resource in which the described resource is physically or logically included. Peter Hornbeck Lantern Slides Collection, AV-2000.9, Box 1 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Creator An entity primarily responsible for making the resource A. D. Handy Co. Subject The topic of the resource Fonthill Museum Gardens - Pennsylvania - Doylestown Lantern slides- Hand-colored - 1930-1940 Description An account of the resource View of the garden and grounds of Fonthill Castle, Doylestown, Pennsylvania, circa 1935. Date A point or period of time associated with an event in the lifecycle of the resource Circa 1935 Doylestown Fonthill Castle Fonthill Museum Gardens Glass Transparencies Lantern Slides Pennsylvania Peter Hornbeck https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/c54b660eba1e727b7ac239c42c437fbe.jpg?Expires=1776902400&Signature=wQwg1C29%7Et079Y4TXLCDVQy5zfxTn1-9wBIkpuDWbVY7qpNitx-m5wzC7GZnumwTUtaxyMYZXggcV1a9idLXH6PdZoFcl0t01lYn3Qj0n2j-Sf344IWCN4rM7BSp%7Ev1QUp8ChbbD2oCKo9DcqndvT28YKNh11gVaP4TC0aCcDQ2J1iak0VgGikhfIsP309Knrs-8dRsFYyc6gQ2vAuAUQdfUYT1E86UiSrny6byjGT7i8ZE3Kx56HjMFXwkrUaCUr1jESLbKOku2XZE07iFsODTPmyfnxcBarjtvnSIO26U2h-DiJIZCNRtEMD3qB9FjVoPD4eFPPoC4pqU6vFYj9g__&Key-Pair-Id=K6UGZS9ZTDSZM dac7915dae3097c445c72534b76200ad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Peter Hornbeck Lantern Slide Collection Subject The topic of the resource Lantern slides - Hand-colored - 1930-1940 Hornbeck, Peter - 1936-1998 Williamsburg (Va.)--History. Architecture, Colonial - Virginia - Williamsburg Description An account of the resource Mr. Peter Hornbeck, a renowned Landscape Architect and Harvard professor, assembled this collection of lantern slides produced between the late 1930s and early 1940s. A graduate of the University of Pennsylvania and the Harvard Graduate School of Design, Peter Hornbeck managed the landscape architecture firm of Hornbeck Associates in North Andover, Massachusetts during the 1950s. He became a faculty member of the Harvard Graduate School of Design in 1963 and taught courses focusing upon historic landscape preservation and city planning.. These lantern slides served as visual aids during lectures he gave about the Williamsburg Restoration and eighteenth-century garden history. The lantern slides encompass a variety of images of Williamsburg available commercially from A.D. Handy, F.S. Lincoln, Eldredge Studio, and the National Geographic Society. They also include some images of historic homes and gardens in other parts of Virginia and in Great Britain. This collection is significant as a record of how landscape architects were interpreting and presenting eighteenth-century garden history during the 1930s and 1940s. It also provides a visual record of Williamsburg buildings and gardens before, during, and after the restoration work undertaken in the early 1930s. In addition, the collection documents how the Williamsburg Restoration publicized its work through commercial slide sets. For example, Mr. F.S. Lincoln, a New York photographer hired to compile a photographic portfolio of restored Williamsburg buildings for a special issue of the "Architectural Record" in 1935, also created colorized lantern slides of his photos for sale in Williamsburg shops. The Peter Hornbeck Lantern Slide Collection contains numerous examples of these early souvenir images. A precursor of 35mm slides, lantern slides are large format positive transparencies, usually 3.25 x 4 inches, sandwiched between two pieces of glass. Many were hand-colored. A projector allowed the slides to be viewed on a wall or screen. Instead of automatically advancing from one slide to the next, the lantern slides had to be manually placed into a slot on the projector. Invented in 1848, lantern slides evolved from those associated with magic lanterns in the late nineteenth-century to the format represented in this collection. Between 1848-1870, oil lamps served as the light source for magic lantern projectors. By the 1890s, the carbon arc lamp offered a better lighting method. The introduction of electricity in the twentieth-century allowed the projection of lantern slides to become common in schools and universities. Lantern slides became obsolete in the 1950s when the Kodachrome three-color process brought about the introduction of 35mm slides. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Lantern Slide Physical Dimensions The actual physical size of the original image. 3.25 x 4 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Is Part Of A related resource in which the described resource is physically or logically included. Peter Hornbeck Lantern Slides Collection, AV-2000.9, Box 1 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context HLS-48 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Title A name given to the resource Fonthill Creator An entity primarily responsible for making the resource A.D. Handy Co. Subject The topic of the resource Fonthill Museum Lantern slides - Hand-colored - 1930-1940 Gardens - Pennsylvania - Doylestown Description An account of the resource Two rows of trees create a narrow pathway on the grounds of Fonthill Castle in Doylestown, Pennsylvania, circa 1935. Date A point or period of time associated with an event in the lifecycle of the resource Circa 1935 Doylestown Fonthill Castle Fonthill Museum Gardens Glass Transparencies Lantern Slides Pathways Pennsylvania Peter Hornbeck Trees https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/056b48e23cc194f7dfe5b563906a432c.jpg?Expires=1776902400&Signature=U1V7YidXfkVGDWkfdCkAVENjyH4MPSCvJ8xVzO0GT44kUGdrsyBup7u-CmtS-cpYNdvBl-pHC1vVpAono6a-21bY1oONm7xwoaHrK7n-pMceigL6f%7EbiFm0Sfy18IIEND4qshHuLt3-GuRWLGZ0r-NpwUjZXQPbpCNZoc3HwraFHfVd7w-xjYqENdKWQth9J5MlVQO9ros971V413vc-cMf2veC3deuDBCItI8VPlBeGv6cpvM8WpAdIMZ0gB31VDTuXlReQ9kdqRnuquBERPz-YwBxwrx9-OUt5CadXCpi0ma1mFfHQJROnMpmi-xw0p-StO5d0XAEswfa%7EUIerGw__&Key-Pair-Id=K6UGZS9ZTDSZM f1f2d4bb0d857ad12b1a12b268990a4b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spencer Nauman House Description An account of the resource Front elevation and entrance gate of Spencer Nauman House, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Date A point or period of time associated with an event in the lifecycle of the resource 1933 Date Created Date of creation of the resource. 1933 Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be287 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Brick Walls Chimneys Door Surrounds Dormers Edward Beckwith Gates Harrisburg Pennsylvania Spencer Nauman House Urns https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/f66d2d2798509477c4a1dc6002b5f0c3.jpg?Expires=1776902400&Signature=IwctpJ2cr2yNVCuNKvB8rW4WvmzyBREVRC%7ErRnm3ZDKRg4pg8fR%7E0VnB9V2qjqY9dwadzRc09sPh1geKHVlZsxIQPFRhiClM5cZsXKC0yCDWeyMcwqIWVg3I938cWPeULo-G5710rm6qOYjvX23J%7Ewmed8mM7vzOj-uBMS3t0YDVoWxC93Rk6o2mdtOcgowvG4u%7EkB8UzVjfCYySPOPHaKuMFEznlVbUr4tLJLPCACz3WS%7EUVOHmkSPbQC5TGRsTjHZu9XtjYi2WDOA6LLrDQ4lZVliSlk8MR88a7y2K494xTc5MTrdUNVoLbp%7ECpC6xLsI-QSPVoDEgM8uSR-O-7Q__&Key-Pair-Id=K6UGZS9ZTDSZM 92dda68f8c7799158218521731e3e370 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spencer Nauman House Description An account of the resource Front elevation and entrance gate of Spencer Nauman House, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Date A point or period of time associated with an event in the lifecycle of the resource 1933 Date Created Date of creation of the resource. 1933 Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource imaage Identifier An unambiguous reference to the resource within a given context Be288 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Brick Walls Chimneys Door Surrounds Edward Beckwith Gates Harrisburg Oculus Windows Pennsylvania Shutters Spencer Nauman House Urns https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/9f1549e094d2256f4bbb8c0907599a3e.jpg?Expires=1776902400&Signature=di8Q6r35-DAOXVPze6OzPbspp0ZJM%7EgKBcGceSoMtYP-DovujOwzIVXPrk4GTODFYUvUFV4hsB5PTkX5J%7EIDhSf%7ElEj8jiZblC56N4Rw4-gWeybVwF26ApZA3oEdzLCfiet7MkbY9HZWtHy-mNYbjehvncVahy1%7EvBHpkaTfp66He9aEocYu7vdHOssYYSPFInocdjY%7Ej6xmuY0hcI7yESj%7En5Nq57Loct4Zt1Tt2Uw97Nh%7EerjugU-tQLNuAL0E8DUOx5PJZg7tO5XX1JbS6Z4mh0IEnsdAt03ekk8hFt8IfiezQEzBym91rFXHUW3tgsktUU3ZtvbaNCHz-g-JlQ__&Key-Pair-Id=K6UGZS9ZTDSZM e32d8c4c8ab94257178e075ce4b0fa71 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Entrance, Spencer Nauman House Description An account of the resource Detail of entrance to Spencer Nauman House, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be289 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Architectural elements - Pennsylvania - Harrisburg Date A point or period of time associated with an event in the lifecycle of the resource 1933 Door Surrounds Doors Edward Beckwith Harrisburg Light Fixtures Oculus Windows Pennsylvania Spencer Nauman House https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/fa0b7ab172e2d7063e3370eb591cb281.jpg?Expires=1776902400&Signature=eUNQ9W9y%7EjT4cRIahoraf0fDQaatz6iKTFzOrUdgjPcan8evpuj5Ri3mdxiF1hJlyTvZIEeRL0dXXEAT6ip5nc%7EF7iXrgpOsErCmkuIQaV30Dmz%7E2BHkNHsvZ9JebHHfH7ZdzoZpfSmjWO8oAZPz68snL-a0APB3zqklPbJFTYFNh2cG5xsKuViaS3hkqej9l%7EKJ%7EC8tu1ixIpk1mnMxFRrlgX%7E4KozWb%7ET-Ea-OkBrlziNAWy13zn4wRCAexuXCP0u9okiqgPlIhhcAmiWKL-4UzHjoadX3iu3T%7EIRFg4V3FthpSzmvTupWpFxZO5LF7R9okY5vfrQoDaKNediYWA__&Key-Pair-Id=K6UGZS9ZTDSZM aa5f7e363b21ee31b42c29e1f3d67216 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spencer Nauman House, Entrance Description An account of the resource Child standing in entrance doorway of the Spencer Nauman House, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be290 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Architectural elements - Pennsylvania - Harrisburg Date A point or period of time associated with an event in the lifecycle of the resource 1933 Children Door Surrounds Doors Edward Beckwith Harrisburg Pennsylvania Spencer Nauman House https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/a6441e4593450ea5c44dac768597719c.jpg?Expires=1776902400&Signature=soE3oDcz3KTfrXe%7EHU7MtTIXNEdJsGvrF%7Ewgpr0RK%7EzBFWJOFp6F40RT0eGLUsdN59sY7TVqgdyHGQUigUdUy-4HzANwnTJR76f8x8EsfApQcov3kOCe4V6pT9T-dO7JTQUEx-qGDqGsEdKyNz762Z4NSZq9L4o5Qxk6B72k3neVbyfAKF-0HW%7EVsNV%7E8mp9RZOwIBSgOkN0YtehCgTHC5E4r7Qk1Epgm5XHbwKyKYQroe5FL%7EyMUITSFTg2%7EBp%7EWJjcb%7ECZ9AshY%7EIgZBIb7eV53NWaQsiwGNjRtxUIFeuH87OZzhdqnKXOCNVRrYH3ZTqDWCznUK9q8%7EbTUejD-w__&Key-Pair-Id=K6UGZS9ZTDSZM d4d089b1437fda46b33437b95a78b6de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spencer Nauman House, Entrance Description An account of the resource Front elevation and entrance to the Spencer Nauman House, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be291 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Architectural elements - Pennsylvania - Harrisburg Date A point or period of time associated with an event in the lifecycle of the resource 1933 Brickwork Door Surrounds Doors Edward Beckwith Harrisburg Light Fixtures Oculus Windows Pennsylvania Shutters Spencer Nauman House https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/bfb9a49a6b85248a8db3b069c79b1965.jpg?Expires=1776902400&Signature=aEUJPlPzqRUGVJQQmX98DSH2G%7E6X349F34OmueDMgfvjXWCTVbAIbhckdKc9c89DSkq9MYZoOlxZ%7El34wTBlr4xcYNZ%7EoTZaJ2jdiChn1CVqCWxiiTASztxsEe6DbRR-3ksEVALeyast7RW9D-g7UM3lWmldfb9ue5sYfLwSMYchgqNF10Ya9qcrZsYN53JYsEHnpJb2q9Ni4RAd7LdzEiQH-JDYYqhimhwIEzHAMMIXCSNJxlxuTtnp74692kC7-10OYVwQ2zme-ZYmrfxH9lSObd-EG5eWa4wybsrm-5Z2MxksMeo6pO0hRVVEXJn4kneaCiQNcSDtXt-U2PgYEw__&Key-Pair-Id=K6UGZS9ZTDSZM e46e9852c9a1f62617fb206d53327513 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Entrance and Wing, Spencer Nauman House Description An account of the resource Angled view of the front elevation and entrance of the Spencer Nauman House with a wing of the mansion visible beyond it, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be292 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Architectural elements - Pennsylvania - Harrisburg Date A point or period of time associated with an event in the lifecycle of the resource 1933 Brickwork Cornices Dentils Door Surrounds Edward Beckwith Harrisburg Pennsylvania Shutters Spencer Nauman House Stringcourses https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/b600a59e8c87ed156a8a67097f32f1a4.jpg?Expires=1776902400&Signature=QXv-Qe%7EIHt98rdTHdUp20XuEu%7EiGSzV8f9ThSUtl4A0B202T8b55ZnCsLJdSgJ157gsVwh2dX%7EkgKcAX1jrFyL3X-I4Z64VnBu50dWy9QP9%7EOd28XAiD2oNlLFKu2-66LbNXs6HeiFaarLL50OhXHFQUK1gQlL85bdukNYHZnkzyQ7njJHVju2DL4MfxpgrJoG92JdsLt-WQr2T9K-MUA0t4NQ%7En1fug6mc5V4USz2mSmEPw5fjnfBYvDz3VyhE3uqG-86MuTKxPJ1-7lM9zwt7LNX%7EJPYjeiBowdRDfZLlevO1p3cXeMCs1IP2Ap50U483wew31hGxdoFDMuuMbyg__&Key-Pair-Id=K6UGZS9ZTDSZM 0c76961af211b48acbc219624aa0ee56 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rear Elevation, Spencer Nauman House Description An account of the resource Distant view of rear elevation of the Spencer Nauman House from the garden, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be293 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Gardens - Pennsylvania - Harrisburg Date A point or period of time associated with an event in the lifecycle of the resource 1933 Edward Beckwith Gardens Harrisburg Pennsylvania Spencer Nauman House https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/d657277323142206af8a5242c75533a3.jpg?Expires=1776902400&Signature=diZp6DRziZpERnaXCF9T3dlF4K1MZFGm3PbAZDpEAfNN8WrMyRku-VsRXXxfC8%7EPNygnwgKged9ArqkwiSHkX52Gm%7EgtC7j5LHaArZ0dKW37vqSUOR-3joCAk-U6V39lC0o24ecA0I5hFWTF8otTD1P02xFqaAgZa6OuoeFIQ5a%7Euk1bHw6KNFWjVq1e4mI9EI4-jFguAjk3SBGXOAwKIDkK8HzYg5Zj6v04phmHe3TKK9FxKx1n5yIPlP8HkY5NBAO-GIaMik5AdvQd7W5H-V4alK0rAc%7EgdoD%7ESqjQ77vqzDI%7E-M6cQtiSajsP9cURoMT%7E0TEB47TyETrtsl4VYg__&Key-Pair-Id=K6UGZS9ZTDSZM ad52c5bffed99b7546453bb57f20ec58 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spencer Nauman House, Garden View Description An account of the resource Distant view of rear elevation of the Spencer Nauman from the garden, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be294 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Gardens - Pennsylvania - Harrisburg Date A point or period of time associated with an event in the lifecycle of the resource 1933 Edward Beckwith Gardens Harrisburg Pennsylvania Spencer Nauman House https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/23687f3d1549c91c0d6d88eb1c2764ff.jpg?Expires=1776902400&Signature=Nb2TBuO2AC18W2ty8TJDSSEbTfStINU%7EZr-OC-fHHx4k%7EXnl9PECotqWCMwmT-XOkNN6viFpemdsoaD6eqcsrMl7QoBeamnsJLMpe%7EnLuBfuD1GswjKj2ihf2gTazaLULSEJ2Ji5YbkI5b9RYxj4WAwtJ3de6g6ojvstbZrxip0YCt7X84o0l8K3DdBYoFzINIblEsj3nU4dMnE0dRusogq9soFo%7EAprYEywcXSOaoTvMDAr2WsHFjM7tum5TWQJv64PQaHW2GrMxa875UVE4iczVmqF2dniz2MEOcSpPss-inUtXKS65JFIDuRjdwKgIoJrFhSh63945272R6B7hw__&Key-Pair-Id=K6UGZS9ZTDSZM e20438fa7cf1bb55b27e93666c43c861 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rear Elevation, Spencer Nauman House Description An account of the resource View of rear elevation of the Spencer Nauman House from the garden, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be295 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Gardens - Pennsylvania - Harrisburg Date A point or period of time associated with an event in the lifecycle of the resource 1933 Bay Windows Brickwork Chimneys Cornices Dormers Edward Beckwith Gardens Harrisburg Pennsylvania Quoins Spencer Nauman House https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/b746bd1133529c8b997ad9e559d55bc6.jpg?Expires=1776902400&Signature=N5SGqpoS-4LZ2PD1dnGbmPn4wOWZpz1uNOoVxHuRJuYTeYMEKuJ8lhh3T%7EbuEI3izTXIxiZKmnC9ySuisMrBGaQLFD7XJhSsbAHOeg1UMBtWTeOOzHMYS7uIqwhVfxg0yKTDeDNwwItCb%7E4Ny84stuSdMz4u4i--%7EY4lreUU%7E3I587zywGMs71IGLNbcBzuESTbLHJ45pDJS1bK04MPO0WtY01jyPGt2EDsnvK3tvsV-pscmYORag8d1kV0kE8xVAmhfYD%7EaCc%7EvzNTfL6rOJ5pMysx44SNz1bhmGAn45b8-5AgIDblFlJuGhAEuZDxW9f8Uk6n8jqSXDbJxGDYHjQ__&Key-Pair-Id=K6UGZS9ZTDSZM db48360167883a4644cf571f03c4a17f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rear Entrance, Spencer Nauman House Description An account of the resource Rear entrance, Spencer Nauman House, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be296 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Architecture elements - Pennsylvania - Harrisburg Date A point or period of time associated with an event in the lifecycle of the resource 1933 Door Surrounds Doors Edward Beckwith Harrisburg Pediments Pennsylvania Pilasters Spencer Nauman House https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/78fe0dadf21d43b04110ef6a7ef16a1b.jpg?Expires=1776902400&Signature=l6sGJ6tPV7Hgfn7fb5%7E5lKfS3lP%7ETGraJ09xnhxkgSmM3Aq6iJkghJ%7EorjyCvEiFQT7gfGksfXI2iIw2c65gUOY9%7E9iOYFKfD1Wuvp7GmU2M0vm9NmnzSha0E8LOGIzX5nE32n4Xsit18J7pUPeJ%7EVG7AQTojiXbpL9cq3Q1mZ2ZhEikC9wr-zhI7Qv3-o1c13k3tOvyr8zWyeTFnNRUXyXQaG26JD60se03jq-KeLMn0Q%7EzSAJ94vn0352i0faVsKxX4YZhDo0Rn8WcW3Rht-pExI-gTEWzCN77NNGPTZjlhO-jwMiBHn3UoSQYYeC7RA328LJvUSW0lMHIclpRnA__&Key-Pair-Id=K6UGZS9ZTDSZM d1a8cf8281d2bbe352ba9ca51a9f43fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spencer Nauman House, Garden Side Entrance Description An account of the resource Rear entrance to the Spencer Nauman House, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be297 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Architectural elements - Pennsylvania - Harrisburg Date A point or period of time associated with an event in the lifecycle of the resource 1933 Door Surrounds Doors Edward Beckwith Harrisburg Pediments Pennsylvania Pilasters Spencer Nauman House https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/768a990ededb4e39dfe8fcd37884bb7b.jpg?Expires=1776902400&Signature=GpqEPfhi4Yr2ZEk%7EafG6opDRVp%7Eyfc%7EELNhE28duN3gyZSY9Rygy6MDl-0GCUZIZgj02lX1sUip9Wr0HI2Or0Eol1zyjPFCQSsxiDDyVk7VKHta35kajeB3l4WG%7EsWMJvSZUHAvLxisWGngpdM0Km08KpFunhaNSnCAur%7ED8k1M9m2Y1QK5gjYnWWREoJoqfdydq06JF5LV2iDe-1f697WdElKEzt8%7EyEbe4QmDbBo7eaPHWk42fkUClORxarOD4%7Epz7E1e6GGMOXXvWhMz-GNRugyl4Tc3N9WoHxTpvrh6H2FvhOtIAS0aGTqPUrCHYrDRG%7EOXxhC1967p5pp6ayA__&Key-Pair-Id=K6UGZS9ZTDSZM d9cc81036a7bf10dcac8f2f248051b8d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rear Elevation and Wings, Spencer Nauman House Description An account of the resource Angled view of rear elevation of Spencer Nauman House, and wings, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be298 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Date A point or period of time associated with an event in the lifecycle of the resource 1933 Bay Windows Cornices Dormers Edward Beckwith Gardens Harrisburg Pennsylvania Shutters Spencer Nauman House https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/bf8b807a042a5a278a016c857ebef1e8.jpg?Expires=1776902400&Signature=pC8ObXlVxUp4eVeBBgHAiEufoO%7E4RohTPi40QO5iU8QF-5qtMj145e8g8Z0-G%7EgSfNVVDtC5RqlAW3GJolDWlTzBrRqZHjPYBOke8IYb40LYN20bqnAfR6ev00K2YP7aRYbf3Zu7tJ1dZYWBxT-FRfK5LuGjpQE7B5HfzTaAfjcw16xdU0BJ1Ex%7EQ4%7EZul5h4XL80M%7Ev8Q8o92nwd38D20K37e0w8tz1XIUPnmXjHYx22-EzR5uY2Qs1XzyBe0OrkYoit%7EpOzH%7E7xJbEeE4nueE3yYjXko25GwjHOowCgEJ2YFU1%7EUkfSRhjKcXfd7uf8eVG3EORqWMCV2X19UmEkg__&Key-Pair-Id=K6UGZS9ZTDSZM 0cd08660399e6fb8d4b9cfbbbd742b3a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rear Elevation, Spencer Nauman House Description An account of the resource Rear elevation, hyphen, and wing of the Spencer Nauman House, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be299 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Architectural elements - Pennsylvania - Harrisburg Date A point or period of time associated with an event in the lifecycle of the resource 1933 Bay Windows Cornices Dormers Edward Beckwith Harrisburg Hyphens Pennsylvania Shutters Spencer Nauman House https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/b10c2bb5234e34525c71afce6cf9466b.jpg?Expires=1776902400&Signature=WZx-4IL7gbbnVdzUG7WldQIn4oBYblS2qCXoBhBeb%7EzPPVv1maXVWrrGWuluqiTHP8%7EJWdhTl5KariNBGsq2d2IeSbq9YG1SYml6I8EGGpI3zwyrtkzTmosXeMiDFHRC51qV6Do7oc9zgshn%7EAtnzA8e6tf7EojGt0xkVXL92eA7Q7V4na%7Edkvr02-DK5L8NaP9Js5qcq8t36KKQqUhKPiy08NZLgj6MYJX-G8RvFI9OBPGaKJN%7ElwUvli4xvymLtPWiCyRzeYSi%7E8Vo7HPoslGNRFQdXaVnJCnMkevwexNB5Nvt3CQZSwK1IVUMd0knnksVmR-jBVoKEgrmBXMtVQ__&Key-Pair-Id=K6UGZS9ZTDSZM ec04096c58981251e0ceff9a283abf13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Side Entrance, Spencer Nauman House Description An account of the resource Side entrance, Spencer Nauman House, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be300 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Architectural elements - Pennsylvania - Harrisburg Date A point or period of time associated with an event in the lifecycle of the resource 1933 Brick Arches Chimneys Door Surrounds Edward Beckwith Harrisburg Pediments Pennsylvania Shutters Spencer Nauman House Stringcourses https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/24506f17627b6f4f624255a6b804f7de.jpg?Expires=1776902400&Signature=TTqMnhEOfsCdBYvr-vzJogc-vGBHn3kBgeaAGkCbVYxjoBq8ZtJp7%7EMOGjspX-sM6l12Gt-ShRzecAAQg3F%7EtsrlAcafoz5R6BSOClXYI7Jw7OdNgNcyYYzcS-xECXeSpqaAoudyEsGmixdpntsVHmlhfjMnw7iBMwAVKGv1ucS0w-XeiFHio%7EEJ3g3%7Es99mbPufkwtsQWJE2PeCbfC5PHfstyVlXnKQWAgC-nOOywZn-MmlFQWA47e%7EZbZBfbSUOujH6U5g4z32hZT5sbEUFMM6Mwmf4EnqWkVjuCeKa68QuEvBXhVJEBgpoxhoq972iNRHOyNYcCW83liHcYzXYg__&Key-Pair-Id=K6UGZS9ZTDSZM fc3d956c29a5909bf8728313adc439f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hyphen Entrance, Spencer Nauman House Description An account of the resource Entrance on hyphen, Spencer Nauman House, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be301 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania -Harrisburg Historic buildings - Pennsylvania - Harrisburg Architectural elements - Pennsylvania - Harrisburg Date A point or period of time associated with an event in the lifecycle of the resource 1933 Brick Arches Doors Edward Beckwith Harrisburg Hyphens Pennsylvania Shutters Spencer Nauman House https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/8f89045caf20718652a4d0fe038c7ced.jpg?Expires=1776902400&Signature=oKwsUhiX8LO7av7tfu7H6vCmg6nItbNqFrueuye1zKXL1JoEDVDyZOkLGyAdA8cDffHVj3UJ9H7HVa0EtQXixxEhv1kaSvgX7FjmiyZc7wEQ1EveehkVVlww54lA107rltMEmfhJ4npyIsMezhgOjuYdrSiBCC0Nistxq0UvRrJag29nnEj18A6NwTvROaDW-yyarVr6Z9SF%7EF5pR51%7E0saIfq1mLy9bgRYUuw8Wq1LrhWCl5R8OZztjIS7-QrLXy7cRRwvJRD3eiE78F-8o0h72HY0E3MwoGUChZZH7nvw1nxnSSV-PbesY4R4mnojwRuv7DxFD7-3%7EOJ8hzoMGjA__&Key-Pair-Id=K6UGZS9ZTDSZM b5ff265ed4b722bdf2c18d88199a96de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Colonnade, Spencer Nauman House Description An account of the resource Brick arch and column on colonnade, Spencer Nauman House, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be302 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundatioin Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Architectural elements - Pennsylvania - Harrisburg Date A point or period of time associated with an event in the lifecycle of the resource 1933 Brick Arches Colonnades Columns Edward Beckwith Harrisburg Pennsylvania Spencer Nauman House https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/8192f607e7ff9f766dcfb56cf6f61890.jpg?Expires=1776902400&Signature=k-61OUE3g7Ztzj4YrOyvE1b%7EUsnZcVS3C9QIwZ%7EEjhFW663U-omwzftbItctUdsCOK37z8dJCDUgr6BnUpe0N3Huvm9-d0gAnrmCVu0ABzQkI3usGRuOVMzPXjhnNUmVRxK6dpnY2OKo4PpGVrIxBEYOUMj3G7z%7EtMz0U%7EaCB3-bWIMdBPDc2Gz6vRdR%7Ea-ueYDJHjBKKahB51VXtNOlMfiVnJIaYxtaCUUh0c0FC68-uVS0DgJusDFKj1kq93qmPJiVLXkl6-uFcA1zqMq-o7EhKx03E17kpxcjsz4dG0GObfejLKF6Aqbi03P46dvZe0a2-izKwcNu1XQI87rcpQ__&Key-Pair-Id=K6UGZS9ZTDSZM bd38e9d486d3b0ba236a76294246c60a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Colonnade, Spencer Nauman House Description An account of the resource Colonnade on Spencer Nauman House, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be303 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Architectural elements - Pennsylvania - Harrisburg Date A point or period of time associated with an event in the lifecycle of the resource 1933 Brick Arches Colonnades Columns Edward Beckwith Harrisburg Pennsylvania Spencer Nauman House https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/f922e18716d26a324be855b7462f43ac.jpg?Expires=1776902400&Signature=d0xwS7cTAuNhdU%7Eo9yFCv-8knJnJtlQAW5DnmkRMW5FAVHIPos0ThbZ%7EjFiXIIL-YVqfOLoM1i6MJtb3D1qR4ShT87YUk-agCssWNEmdlJjkPZ63L1PYBKhDb7V0dzBQZ-x3ZnSL%7E9BYG9I9JIcyTgCt%7EwltCNv5D4s3JU2Wow-pzDNeVGfPL6qhjMxLx4ThRpzb4e5Bn%7ERgI0N9ybW8Kz3n%7EN8lZclA7X%7E9PIj0CdQ1et87UyP91PWlfL662MnN%7ExLWlrbBF2NYjZQRtHg5QkjINX64GBTejsT5V1ENL5J2eQgafimmb8YFSJoWvXdY7CoCjPaBC4OVGmvrxx-xtg__&Key-Pair-Id=K6UGZS9ZTDSZM 356b618305c1f230fe6b62acd439a773 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Beckwith Photograph Collection Subject The topic of the resource Beckwith, Edward A. Photographs - Virginia - Williamsburg Architecture, Domestic - Virginia - Williamsburg Architecture, Colonial - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Beckwith, Edward A. Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 363 photographs Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work. Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities. The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton. All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication. Date Created Date of creation of the resource. 1926-1929 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Parlor, Spencer Nauman House Description An account of the resource Parlor, Spencer Nauman House, Harrisburg, Pennsylvania Creator An entity primarily responsible for making the resource Beckwith, Edward Is Part Of A related resource in which the described resource is physically or logically included. Edward Beckwith Photograph Collection, AV2009.5 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context Be304 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Subject The topic of the resource Architecture, Domestic - Pennsylvania - Harrisburg Historic buildings - Pennsylvania - Harrisburg Furnishings Date A point or period of time associated with an event in the lifecycle of the resource 1933 Andirons Cornices Curtains Edward Beckwith Fireplaces Harrisburg Mantels Parlors Pennsylvania Side Chairs Sofas Spencer Nauman House Woodwork