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&#13;
In October 1933, he conducted his first photographic survey in Williamsburg and approached the Williamsburg Holding Corporation with a proposal for a "Travelling Exhibition of Williamsburg" featuring his photographs of the exteriors and interiors of completed exhibition buildings. He also suggested that his photos could be marketed to various architectural magazines and newspapers to help promote the new museum. William Graves Perry and Susan Higginson Nash reviewed his portfolios and selected those images they approved for publication use.  Tebbs was then allowed to sell and distribute them to various publishers provided the Williamsburg Holding Corporation agreed to the proposed usage. In a letter to Kenneth Chorley, Vice-President of the Williamsburg Holding Corporation, written on December 5, 1933, Bela Norton, Director of Public Relations, noted "Everyone here who has seen the pictures agrees that they have the stamp of quality and professional excellence that we have not yet had."  &#13;
&#13;
Tebbs remained in contact with Williamsburg Holding Corporation officials between 1933 and 1934, and returned several times to take more photographs when passing through the area on other assignments. However,  he never received a contract from Colonial Williamsburg for more extensive photographic work due to an agreement already in place with Frank Nivison, who served as the official contract photographer for documentation of the Restoration's progress.  He approached Colonial Williamsburg officials again in 1939 with a proposal to return and photograph some of the more recently completed structures, noting that his Williamsburg photos from the early 1930s had been exhibited at the Metropolitan Museum of Art. Upon his death in 1945, Robert Tebbs left a legacy of  architectural photos that are preserved at several other institutions, including the Library of Congress and the Louisiana State Museum.&#13;
&#13;
This collection  of ninety-seven photographs encompasses two portfolios, one titled "View of Capitol Building of Reconstructed Colonial Williamsburg" and the other titled "Views of Raleigh Tavern, Williamsburg, Va.," which also includes images of the Wren Building and the President's House at the College of William &amp; Mary. Exterior and interior view of each structure are included, along with detail views of various furnishings and architectural features. Rooms featured in the portfolio of Capitol photos include the General Court, House of Burgesses, Council Chamber, Conference Room, Committee Room, Clerk's Office, and Secretary's Office. The Raleigh Tavern interior views include the Parlor, Reception Room, Tap Room, Daphne Room, Apollo Room, and Public Dining Room. Tebbs also documented the Chapel, Great Hall, and the Blue Room inside the Wren Building.&#13;
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&#13;
In October 1933, he conducted his first photographic survey in Williamsburg and approached the Williamsburg Holding Corporation with a proposal for a "Travelling Exhibition of Williamsburg" featuring his photographs of the exteriors and interiors of completed exhibition buildings. He also suggested that his photos could be marketed to various architectural magazines and newspapers to help promote the new museum. William Graves Perry and Susan Higginson Nash reviewed his portfolios and selected those images they approved for publication use.  Tebbs was then allowed to sell and distribute them to various publishers provided the Williamsburg Holding Corporation agreed to the proposed usage. In a letter to Kenneth Chorley, Vice-President of the Williamsburg Holding Corporation, written on December 5, 1933, Bela Norton, Director of Public Relations, noted "Everyone here who has seen the pictures agrees that they have the stamp of quality and professional excellence that we have not yet had."  &#13;
&#13;
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&#13;
This collection  of ninety-seven photographs encompasses two portfolios, one titled "View of Capitol Building of Reconstructed Colonial Williamsburg" and the other titled "Views of Raleigh Tavern, Williamsburg, Va.," which also includes images of the Wren Building and the President's House at the College of William &amp; Mary. Exterior and interior view of each structure are included, along with detail views of various furnishings and architectural features. Rooms featured in the portfolio of Capitol photos include the General Court, House of Burgesses, Council Chamber, Conference Room, Committee Room, Clerk's Office, and Secretary's Office. The Raleigh Tavern interior views include the Parlor, Reception Room, Tap Room, Daphne Room, Apollo Room, and Public Dining Room. Tebbs also documented the Chapel, Great Hall, and the Blue Room inside the Wren Building.&#13;
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>John A. Barrows Photograph Collection</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Barrows, John A.</text>
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                  <text>Photography - Virginia</text>
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                  <text>Historic buildings - Virginia - Williamsburg</text>
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              <name>Description</name>
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                  <text>BIOGRAPHICAL SKETCH&#13;
	John A. Barrows joined the staff of the Williamsburg office of Boston architects Perry, Shaw &amp; Hepburn as a draftsman in the early days of the restoration.  Remaining with them until his untimely death, Barrows assisted in the restoration of the College of William and Mary's Wren Building, and was involved with design work for the reconstructed Raleigh Tavern, Capitol, and Governor's Palace. In addition to his research and restoration work, John A. Barrows co-authored "The Domestic Colonial Architecture of Tidewater Virginia" with colleague Thomas Waterman.  &#13;
&#13;
	As part of his field research, Barrows--at the wheel of his 1928 Buick roadster "Lucy"--photographed numerous buildings and plantations throughout the Tidewater region, including sites in the now restored historic area of Williamsburg, Bacon's Castle, Cleve, Carter's Grove, King William Courthouse, Mt. Airy, Mt. Vernon, Rosewell, Stratford Hall, Sabine Hall, Shirley, Little England, the U.S. Capitol, and the British Embassy in Washington, D.C.  These photographs form the core of the collection. The John A. Barrows Photograph Collection is an important adjunct to existing groups of photographic documentation for buildings in Williamsburg's historic area and of Virginia architecture.&#13;
&#13;
SCOPE AND CONTENTS&#13;
&#13;
Black and white photographs, negatives, postcards, and miscellaneous items of Norfolk native John Alden Barrows (b. ca. 1905, d. 1931), architect for the Colonial Williamsburg Restoration. The photographs--some taken by Barrows, Thomas Waterman, Milton Grigg and others--remain in their original order, which follows a somewhat erratic alphabetical arrangement by site/subject.&#13;
	&#13;
The John A. Barrows Photograph Collection contains photoprints, taken mainly in Virginia and South Carolina, negatives, portraits, and personal papers and objects. The Photoprints series comprises the bulk of the collection, numbering close to 800 items. The photos, taken by architect and photographer John A. Barrows, display homes, churches, college buildings, and other structures along the eastern seaboard of the United States. Most of the photos were taken in Virginia and South Carolina, but other locations include New Jersey and Maryland. The prints were made in two sizes, 2.5x4 inches and 5x7 inches. The Negatives series has not been inventoried. John A. Barrows is the subject of the portraits found in the Portraits Series. The five images were all taken at different times. The final series, Personal Papers and Objects, includes some of Barrows' writings as well as memorabilia from trips and celebrations.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Barrows, John A.</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>Circa 1930</text>
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              <name>Is Part Of</name>
              <description>A related resource in which the described resource is physically or logically included.</description>
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                  <text>John A. Barrows Photograph Collection, MS1996.22</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>jpeg</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Image</text>
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              <name>Rights Holder</name>
              <description>A person or organization owning or managing rights over the resource.</description>
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                  <text>Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Gelatin silver print</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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              <text>2.5 x 4 inches</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Reredos Fragments, Bruton Parish Church</text>
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            <description>The topic of the resource</description>
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                <text>Architectural elements - Virginia - Williamsburg</text>
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                <text>Bruton Parish Church (Williamsburg, Va.)</text>
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                <text>Block 21. Building 01.</text>
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                <text>Altarpieces - Virginia - Williamsburg</text>
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                <text>Fragments of reredos, Bruton Parish Church, Williamsburg, Virginia</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Barrows, John A.</text>
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                <text>Circa 1930</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>Circa 1930</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>John A. Barrows Photograph Collection, MS1996.22, Box 1</text>
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                <text>jpeg</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Bar-131w (see also 1990-687CN)</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation</text>
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        <name>Bruton Parish Church</name>
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        <name>John Barrows</name>
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        <name>Reredos</name>
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        <name>Virginia</name>
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        <name>Williamsburg</name>
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