1 20 51 https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/e543eb02e9ef7e540c60f955518469a7.jpg?Expires=1779926400&Signature=jowU9dc6rrxOOwvWAn4zyCC5w-cMe%7E%7EDd9F0dpNRJYmFiYq7lHFEOAzhQJ7Dt-9HgiyRRzhBdh3aQbMdFjWRCBLFav4EBBH6nTzLxv7Ij73XhwjMs9yUD%7ERmLTdTvW7Y3Ke8YVyH6W8Ojo-9fWOSOAJVbzjWM3P6FgM4q48Soj8putzzvtNqfHlGDjGMgI9Ho4l8oLYt-4hjlV1l2UfYR9MdFjteFmk7RoHitlqonMiUfKQL3vGQb7ztLzxEJ2OQUQYv5Yn4Hv0EykskCcaZ7oyDxwl9JnOuIltGoiMgshOY58FzWmAo3wA6ye5GRdDnafzpbmPxAB2IrTDMKz5UeA__&Key-Pair-Id=K6UGZS9ZTDSZM 8dfc3377672b5e9ea1dbe554ca93d14f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pacific Stereopticon Company Lantern Slides Description An account of the resource Produced by the Pacific Stereopticon Company of Los Angeles, this collection of forty-five lantern slides depicts individuals involved in the restoration of Williamsburg, as well as some of the restored buildings. The slides are a mixture of black and white and color images taken by various photographers in the late 1930s. Many are copies based upon photos taken by contract professionals hired to document the appeal of the architecture and landscapes of Colonial Williamsburg. Several of the black and white slides are derived from photos taken by noted architectural photographer F.S. Lincoln, whose collection is also available for viewing on this site. The lantern slides are significant because they document early efforts to publicize the newly opened museum. California architect Reginald Davis Johnson utilized the set to lecture to students and colleagues about the massive efforts undertaken to bring Williamsburg's historic district back to its 18th-century appearance. Noted for his contributions to the development of the Spanish-Southern California architecture of Santa Barbara, Reginald Davis Johnson resided in Pasadena and operated an architectural design studio. Some of his best known projects include the Santa Barbara Biltmore Hotel, the Santa Barbara Post Office, and the Harbor Hills, Rancho San Pedro, and Baldwin Hills communities in Los Angeles. A precursor of 35mm slides, lantern slides are large format positive transparencies, usually 3.25 x 4 inches, sandwiched between two pieces of glass. Many were hand-colored. A projector allowed the slides to be viewed on a wall or screen. Instead of automatically advancing from one slide to the next, the lantern slides had to be manually placed into a slot on the projector. Invented in 1848, lantern slides evolved from those associated with magic lanterns in the late 19th-century to the format represented in this collection. Between 1848-1870, oil lamps served as the light source for magic lantern projectors. By the 1890s, the carbon arc lamp offered a better lighting method. The introduction of electricity in the 20th-century allowed the projection of lantern slides to become common in schools and universities. Lantern slides became obsolete in the 1950s when the Kodachrome three-color process brought about the introduction of 35mm slides. Subject The topic of the resource Pacific Stereopticon Co. Lantern slides - Hand-colored - 1930-1940 Johnson, Reginald Davis, 1882-1952 Creator An entity primarily responsible for making the resource Pacific Stereopticon Co. Date A point or period of time associated with an event in the lifecycle of the resource ca. 1935 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Lantern slide Physical Dimensions The actual physical size of the original image. 2 x 3 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Dining Room in the Travis House Subject The topic of the resource Travis House (Williamsburg, Va.) Taverns (Inns) - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Restaurants - Virginia - Williamsburg Block 13. Building 23A. Identifier An unambiguous reference to the resource within a given context PSC-026 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Lantern slide featuring a photo taken by F.S. Lincoln of the Dining Room in the Travis House as it appeared in 1935. It is the twenty-sixth slide in a set produced by the Pacific Stereopticon Co. of Los Angeles, California, now defunct, to illustrate the story of Dr. W.A.R. Goodwin's dream to restore a portion of Williamsburg, Virginia to its 18th-century appearance as a shrine to early American ideals. A popular restaurant for tourists in the 1930s, the Travis House stood for a period of time along Duke of Gloucester Street on the site formerly occupied by the Palace Theatre. Its menu featured dishes inspired by colonial recipes. The structure moved back to its original location at the northeast corner of Francis and Henry Streets in the early 1950s. Colonel Edward Champion Travis built the home in 1765 and it acquired several additions as successive owners occupied the site. Travis served in the House of Burgesses and was its most prominent colonial occupant. The house became a residence for superintendents of Eastern State Hospital in the nineteenth and early twentieth centuries. Eastern State Hospital turned the building over to the Williamsburg Restoration in 1929 and this led to its temporary move to Duke of Gloucester Street to become a restaurant between 1930-1951. Publisher An entity responsible for making the resource available Pacific Stereopticon Co. Date A point or period of time associated with an event in the lifecycle of the resource 1935 Is Part Of A related resource in which the described resource is physically or logically included. Pacific Stereopticon Company Lantern Slide Collection Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Creator An entity primarily responsible for making the resource Lincoln, F.S. Candlesticks Ceramics Chair Rails Curtains Dining Rooms Fireplaces Flatware Glassware Goblets Inns Lantern Slides Mantels Ordinaries Pacific Stereopticon Company Pewter Plates Platters Portraits Restaurants Sconces Side Chairs Sideboard Tables Sideboards Tables Taverns Travis House Valances Virginia Wainscotting Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/3c883c9742a39639f5732aa08aeb9191.jpg?Expires=1779926400&Signature=GuLubd2loO9KbJUCy1kJcyAZ35vamM4UUAbLCbPLqQYnxou6WpS8w%7EOHYT2rlu5I2rwK5QgsyZiEHvnKc6TMYB2JTyr53OJlR-V60NqNwmDeAYzp5WWeXfbawgQ4Hcg%7E2Vfk5%7EB1JyunyOYVG-D7C4Nsv%7EmUSNG3Sz7NZ8ZpLRHbUUl2taeptTExjRLl2ogyZeHWdI8Y1lKh%7E9TQ-7NT7KkMeta8cR%7E4CXMQY45F3P6Px8WO%7EMHXLYPXhUObJL%7EkpCS0Ve3zCA1aSiXQJXibVe5jtIOYsAiHYPzRkusWBRPMhmxwVRJopnQhcMQppYDa4f5ID4ApzhzujUyzb0Gcmw__&Key-Pair-Id=K6UGZS9ZTDSZM 605b4eeeea7df86f5d970bd5e1cf1805 https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/8d8117888463bdccc29a07444de156ac.jpg?Expires=1779926400&Signature=OU6ZV-gWJX8puu9Ym2PR-fihjOVEWEOAEH%7EwGYM%7E0YeZ%7EysxbOJhMP96CybvwPIj04H9%7EOjDqBvCMkGT1L2oHkOsS-lHARle-eFSwq9STjWBZDgqrFpXLaOyRFRxoEJXTFom-3HJDXFsEK2ZH73oxz0qkLugqIL4-Q49f-71aWQ8Du5kPeVITeCsKP78jrGZgWrhCwg4eM9JNSXj4qhUmb18rphaLEVTLyY%7Erd1%7EESF7HDAs1MHZ0IG8rHo2lOhJF4bhQkT5HmmEpXWTyw3zu11CiFnaae%7ED0N6JCxh-Fjz4maxZV5O7vd5cBiT4vNIaZhFrk5HulGXcHJjktu4wNg__&Key-Pair-Id=K6UGZS9ZTDSZM 39d8f701b97a3661a594dc5797172bb7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Selections from the Postcard Collection Description An account of the resource The Postcard Collection housed at the John D. Rockefeller Jr. Library consists of postcards of Williamsburg and surrounding areas dating from the late 19th-century to the present. It includes examples of early postcards of the town prior to its restoration by John D. Rockefeller Jr. In addition, it encompasses many examples of official postcards produced by Colonial Williamsburg for tourists. A smaller number of postcards of neighboring historic sites, such as Jamestown and Yorktown, are also present. The selections included here are primarily vintage postcards of Colonial Williamsburg and surrounding tourist attractions ranging in date from 1898 to the 1950s. Early cards in the collection illustrate a range of common postcard types and reproduction techniques. The history of the postcard's development as a souvenir, as well as the growth of tourism in Williamsburg, can be traced via Colonial Williamsburg's Postcard Collection. During what is known as the Pioneer Era from 1870-1898, the first form of postcard, featuring an illustration on one side and an undivided back on the other, did not allow the sender to include a note, unless it was written across a portion of the image on the front. The majority of pioneering postcard formats served as advertisements up until the 1893 Columbia Exposition, when postcards first appeared as souvenirs for Exposition visitors to purchase. The Private Mailing Card Era from 1898-1901 is characterized by cards printed with the notice "Private Mailing Card Authorized by Act of Congress on May 19, 1898." Backs of the cards remained undivided and purchasers could mail the cards for a cost of one cent. Several examples of postcards from this era are present in the collection. They include some of the earliest instances of souvenir cards created to promote Williamsburg historic sites, such as the Courthouse, Bruton Parish Church, the Powder Magazine, and the Capitol site. European rather than American printers created many of these postcards due to their superb skills. Chromo-lithograph cards of this era exhibit extremely rich colors. By the time the Jamestown Exposition took place in 1907, postcard production had entered the Divided Back Era, which continued until 1915. Modified postcard backs offered a segment on the left side for senders to pen a brief message. Production of cards gradually shifted to more American printers. The Jamestown Exposition provided a strong impetus for promotion of other historic sites that attendees might also stop at along the way. A series of postcards commemorating Williamsburg area historic sites in conjunction with the 1907 celebration are excellent examples of very early divided back cards. The Early Modern Era between 1916-1930 led to an increase in production of souvenir cards relating to the Williamsburg area. One type of format popular in this period is the "White Border Card" characterized by a view surrounded with a white border. Real photo cards also began to appear that featured photographs, rather than prints, of local surroundings. In the era before Colonial Williamsburg operated official gift shops, tourists counted on the Cole News Shop as their source for maps, postcards, travel guides, and souvenirs. Mr. Henry Dennison Cole served as the proprietor. His business stood on the site of the present day Taliaferro-Cole Shop. He produced his own postcards of historic sites in the area being restored by the Association for the Preservation of Virginia Antiquities and other groups of preservation minded citizens. Several examples of cards published by the Cole Shop can be found in the collection and offer a glimpse of attractions popular with early 20th-century tourists, such as the old Masonic Hall and Custis Kitchen. Once Colonial Williamsburg opened a core group of exhibition buildings to the public in the early 1930s, a new era dawned in which the museum began production of official postcards as souvenirs for visitors. Photographs by F.S. Lincoln, an architectural photographer hired on a contract basis in 1935 to take some of the first promotional photos of Colonial Williamsburg exhibition buildings, appeared on a number of real photo postcards issued in the late 1930s. Both examples of postcards bearing his photos, as well as his actual photograph collection, reside at the Rockefeller Library. The Albertype Company of Brooklyn, New York, produced one of the earliest official postcard series highlighting Colonial Williamsburg exhibition buildings, costumed interpreters, Williamsburg Inn and Lodge, and Merchants Square. In addition to holding numerous examples of Albertype cards, the Rockefeller Library also houses the corresponding photographic prints used to generate the postcards. Albertype cards are characterized by sepia toned images that show exterior and interior views of exhibition buildings, as well as some of the earliest scenes of African Americans in costume demonstrating colonial cooking techniques. For further information about Williamsburg postcards, please consult: Preacher, Kristopher J. "Williamsburg in Vintage Postcards." Charleston: Arcadia Publishing, 2002. Reisweber, Kurt. "Williamsburg in Old Post Cards." Colonial Williamsburg XXI, No.2, (June/July 1999): 52-57. Subject The topic of the resource Postcards - Virginia - Williamsburg Souvenirs (Keepsakes) - Virginia - Williamsburg - Pictorial works Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Postcard Physical Dimensions The actual physical size of the original image. 3.5 x 5.5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bruton Parish Church, Williamsburg, Virginia Subject The topic of the resource Bruton Parish Church (Williamsburg, Va.) Block 21. Building 01. Church architecture - Virginia - Williamsburg Postcards - Virginia - Williamsburg Historical films Williamsburg, the story of a patriot (Motion picture) Description An account of the resource Among the official Colonial Williamsburg postcards produced by H.S. Crocker Co., Inc. in the 1950s was a series featuring scenes from the new Visitor's Center orientation film known as "Williamsburg - The Story of a Patriot." The caption reads: "This view, which recreates an eighteenth-century service in Bruton Parish Church, was taken from the Paramount-Colonial Williamsburg film, 'Williamsburg - The Story of a Patriot.' The historic church, now restored to its eighteenth-century appearance, was the Court Church of the Virginia colony. Here many great American patriots, including George Washington, Thomas Jefferson, John Marshall, and Patrick Henry, worshipped. It has been in continuous use since colonial days." Creator An entity primarily responsible for making the resource H.S. Crocker Co., Inc. for Colonial Williamsburg Date A point or period of time associated with an event in the lifecycle of the resource Circa 1957 Date Created Date of creation of the resource. Circa 1957 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Identifier An unambiguous reference to the resource within a given context AVPC-005-R AVPC-005-V Altars Balconies Bruton Parish Church Congregations H.S. Crocker Co. Inc. Historical Films Ministers Naves Pews Postcards Pulpits Round-headed Windows Sanctuaries Sconces Sounding Boards Story of a Patriot Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/7da43038be8a40a32499b46b9c02f6ce.jpg?Expires=1779926400&Signature=IK-iaOCwhOG6wu%7EcZqjmoqeFHFPIuN7Gj6gptQP6edz1jbDW-i50F3E2nrjSDMeT57Sl8vsfdGZGs34O0AWnb0nFQF0eDTJcCeKsikqORc8zxTa2F1fTZWI0SAepFIBSS6qB1u4KYR4D5fXL7pWYHem51BuqtfFRSFEN9hIeG5VYgruY-MyxnLnTxyLJ0Db93BcGTD2wqRj%7Eybs91n6E201kb9gSb90s1Y%7Eke%7ExqLI89sJWJ7QO4RKDG6qaP64tvecc6kNqvHLMo7TD51rPrr1Gn%7E9SACv7e9wtTjnTOz9E%7EmMg9ApwPzljKoxspsOKQ3hE%7EU4l5CO1IST1ge1Y2pg__&Key-Pair-Id=K6UGZS9ZTDSZM 7914b5c9c1781f26179b66b20cb76483 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Selections from the Postcard Collection Description An account of the resource The Postcard Collection housed at the John D. Rockefeller Jr. Library consists of postcards of Williamsburg and surrounding areas dating from the late 19th-century to the present. It includes examples of early postcards of the town prior to its restoration by John D. Rockefeller Jr. In addition, it encompasses many examples of official postcards produced by Colonial Williamsburg for tourists. A smaller number of postcards of neighboring historic sites, such as Jamestown and Yorktown, are also present. The selections included here are primarily vintage postcards of Colonial Williamsburg and surrounding tourist attractions ranging in date from 1898 to the 1950s. Early cards in the collection illustrate a range of common postcard types and reproduction techniques. The history of the postcard's development as a souvenir, as well as the growth of tourism in Williamsburg, can be traced via Colonial Williamsburg's Postcard Collection. During what is known as the Pioneer Era from 1870-1898, the first form of postcard, featuring an illustration on one side and an undivided back on the other, did not allow the sender to include a note, unless it was written across a portion of the image on the front. The majority of pioneering postcard formats served as advertisements up until the 1893 Columbia Exposition, when postcards first appeared as souvenirs for Exposition visitors to purchase. The Private Mailing Card Era from 1898-1901 is characterized by cards printed with the notice "Private Mailing Card Authorized by Act of Congress on May 19, 1898." Backs of the cards remained undivided and purchasers could mail the cards for a cost of one cent. Several examples of postcards from this era are present in the collection. They include some of the earliest instances of souvenir cards created to promote Williamsburg historic sites, such as the Courthouse, Bruton Parish Church, the Powder Magazine, and the Capitol site. European rather than American printers created many of these postcards due to their superb skills. Chromo-lithograph cards of this era exhibit extremely rich colors. By the time the Jamestown Exposition took place in 1907, postcard production had entered the Divided Back Era, which continued until 1915. Modified postcard backs offered a segment on the left side for senders to pen a brief message. Production of cards gradually shifted to more American printers. The Jamestown Exposition provided a strong impetus for promotion of other historic sites that attendees might also stop at along the way. A series of postcards commemorating Williamsburg area historic sites in conjunction with the 1907 celebration are excellent examples of very early divided back cards. The Early Modern Era between 1916-1930 led to an increase in production of souvenir cards relating to the Williamsburg area. One type of format popular in this period is the "White Border Card" characterized by a view surrounded with a white border. Real photo cards also began to appear that featured photographs, rather than prints, of local surroundings. In the era before Colonial Williamsburg operated official gift shops, tourists counted on the Cole News Shop as their source for maps, postcards, travel guides, and souvenirs. Mr. Henry Dennison Cole served as the proprietor. His business stood on the site of the present day Taliaferro-Cole Shop. He produced his own postcards of historic sites in the area being restored by the Association for the Preservation of Virginia Antiquities and other groups of preservation minded citizens. Several examples of cards published by the Cole Shop can be found in the collection and offer a glimpse of attractions popular with early 20th-century tourists, such as the old Masonic Hall and Custis Kitchen. Once Colonial Williamsburg opened a core group of exhibition buildings to the public in the early 1930s, a new era dawned in which the museum began production of official postcards as souvenirs for visitors. Photographs by F.S. Lincoln, an architectural photographer hired on a contract basis in 1935 to take some of the first promotional photos of Colonial Williamsburg exhibition buildings, appeared on a number of real photo postcards issued in the late 1930s. Both examples of postcards bearing his photos, as well as his actual photograph collection, reside at the Rockefeller Library. The Albertype Company of Brooklyn, New York, produced one of the earliest official postcard series highlighting Colonial Williamsburg exhibition buildings, costumed interpreters, Williamsburg Inn and Lodge, and Merchants Square. In addition to holding numerous examples of Albertype cards, the Rockefeller Library also houses the corresponding photographic prints used to generate the postcards. Albertype cards are characterized by sepia toned images that show exterior and interior views of exhibition buildings, as well as some of the earliest scenes of African Americans in costume demonstrating colonial cooking techniques. For further information about Williamsburg postcards, please consult: Preacher, Kristopher J. "Williamsburg in Vintage Postcards." Charleston: Arcadia Publishing, 2002. Reisweber, Kurt. "Williamsburg in Old Post Cards." Colonial Williamsburg XXI, No.2, (June/July 1999): 52-57. Subject The topic of the resource Postcards - Virginia - Williamsburg Souvenirs (Keepsakes) - Virginia - Williamsburg - Pictorial works Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Postcard Physical Dimensions The actual physical size of the original image. 3 x 5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Capitol - General Court, Williamsburg, Virginia Subject The topic of the resource Capitol (Williamsburg, Va.) Block 08. Building 11. Public buildings - Virginia - Williamsburg Courtrooms - Virginia - Williamsburg Description An account of the resource Recto of postcard depicting General Court inside the Capitol, Williamsburg, Virginia, published by Colonial Williamsburg, Inc. and printed by The Albertype Co., Brooklyn, NY Creator An entity primarily responsible for making the resource Colonial Williamsburg, inc. Publisher An entity responsible for making the resource available Albertype Co. Date A point or period of time associated with an event in the lifecycle of the resource ca. 1930s Rights Information about rights held in and over the resource This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: <a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm">Rights and reproductions</a> Is Part Of A related resource in which the described resource is physically or logically included. Postcard Collection Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AVPC-93-093-R Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Benches Bull's-Eye Windows Capitol Chair Rails Chandeliers Courtrooms Dentils Galleries General Court Oculus Windows Round-headed Windows Royal Coats of Arms Sconces Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/701049a89947396c0c25b845cd13c737.jpg?Expires=1779926400&Signature=EdgemH5fZxXAMy0NMqS%7EHRIj0MUW9XkKNWmmeLuaYKglRqJmkXCaZB7aED9c3ZmwtGanlY63fP9JNYI5wbn14TMXirVxCbkR8HFzIdT81iLZwTD2tyKgiUNc9CRHJnJmaS11MeAY9R-5HfimcLKa6D732BM01eECwuMLxhdRCu6W1kKGDqEoT-kOrLVyMZnuFgdU2li-RDthaHyYZ0-bnKjGx82ilM5a%7EdSd8jS8ueSFtT%7E8TaeZeDITBsgXndBEih9d%7EmJ2kcVSv9li%7E3U1ef3GaXrPQlKMhJKhxBuGz-TjeJULW4UXav5hyKIm9YNLZESvVnByLEEbmoJ3aTiMSQ__&Key-Pair-Id=K6UGZS9ZTDSZM 6403d157f6e64d605fa8d8496288e52c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Tebbs Photograph Collection Subject The topic of the resource Tebbs, Robert W., 1875-1945 Public buildings - Virginia - Williamsburg Raleigh Tavern (Williamsburg, Va.) Capitol (Williamsburg, Va.) Wren Building (Williamsburg, Va.) Williamsburg (Va.) - Photographs Portfolios Taverns (Inns) - Virginia - Williamsburg Description An account of the resource Robert W. Tebbs was a prominent architectural photographer in the New York firm of Tebbs & Knell, 101 Park Avenue, New York, New York. He marketed himself as "Photographer to Architects and Decorators." His pictures are widely available in mid-twentieth century photographic essays concerning architecture and architectural history. He is well-known for his photographic survey of Louisiana plantation homes created in the 1920s. Tebbs photographed the Raleigh Tavern, the Capitol, and the Wren Building at Colonial Williamsburg soon after their restoration on commission for publication in various magazines and newspapers. In October 1933, he conducted his first photographic survey in Williamsburg and approached the Williamsburg Holding Corporation with a proposal for a "Travelling Exhibition of Williamsburg" featuring his photographs of the exteriors and interiors of completed exhibition buildings. He also suggested that his photos could be marketed to various architectural magazines and newspapers to help promote the new museum. William Graves Perry and Susan Higginson Nash reviewed his portfolios and selected those images they approved for publication use. Tebbs was then allowed to sell and distribute them to various publishers provided the Williamsburg Holding Corporation agreed to the proposed usage. In a letter to Kenneth Chorley, Vice-President of the Williamsburg Holding Corporation, written on December 5, 1933, Bela Norton, Director of Public Relations, noted "Everyone here who has seen the pictures agrees that they have the stamp of quality and professional excellence that we have not yet had." Tebbs remained in contact with Williamsburg Holding Corporation officials between 1933 and 1934, and returned several times to take more photographs when passing through the area on other assignments. However, he never received a contract from Colonial Williamsburg for more extensive photographic work due to an agreement already in place with Frank Nivison, who served as the official contract photographer for documentation of the Restoration's progress. He approached Colonial Williamsburg officials again in 1939 with a proposal to return and photograph some of the more recently completed structures, noting that his Williamsburg photos from the early 1930s had been exhibited at the Metropolitan Museum of Art. Upon his death in 1945, Robert Tebbs left a legacy of architectural photos that are preserved at several other institutions, including the Library of Congress and the Louisiana State Museum. This collection of ninety-seven photographs encompasses two portfolios, one titled "View of Capitol Building of Reconstructed Colonial Williamsburg" and the other titled "Views of Raleigh Tavern, Williamsburg, Va.," which also includes images of the Wren Building and the President's House at the College of William & Mary. Exterior and interior view of each structure are included, along with detail views of various furnishings and architectural features. Rooms featured in the portfolio of Capitol photos include the General Court, House of Burgesses, Council Chamber, Conference Room, Committee Room, Clerk's Office, and Secretary's Office. The Raleigh Tavern interior views include the Parlor, Reception Room, Tap Room, Daphne Room, Apollo Room, and Public Dining Room. Tebbs also documented the Chapel, Great Hall, and the Blue Room inside the Wren Building. Extent The size or duration of the resource. 97 photographs Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 7.75 x 12.75 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clerk's Office, Capitol Description An account of the resource Charles Willson Peale's portrait, "George Washington at Princeton," hanging in the Clerk's Office at the Capitol soon after the completion of the building's reconstruction, Williamsburg, Virginia. Creator An entity primarily responsible for making the resource Tebbs, Robert W. Date A point or period of time associated with an event in the lifecycle of the resource 1933 Is Part Of A related resource in which the described resource is physically or logically included. Robert W. Tebbs Photograph Collection, AV2009.47, Box 1 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context AV2009-47_Tebb036 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Subject The topic of the resource Capitol (Williamsburg, Va.) Block 08. Building 11. Public buildings - Virginia - Williamsburg Furnishings - Virginia - Williamsburg Balustrades Candlesticks Capitol Chairs Chandeliers George Washington Portable Desks Portraits Robert Tebbs Robert W. Tebbs Sconces Tables Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/00100c32771a661157e78efc25a94e4f.jpg?Expires=1779926400&Signature=c%7EBTRx-BnFGRxfEW2JSntcXZ68M-1IWvtZO4lb6x0HNkrLeBkdXNXnjA%7EX6SIrr-BJ6i7Z3HsfkhZ89z2xhSLcl2nVgmSJbptjcP42zuziDNHtmwvfr2dC9Hgo5OVGoA7rGEiNpA-GFWxwe01kMjY-GzhfgHVkKHnurYj0M-xO8E21Rhajgd7bkN%7EMghXRfmBJTqMonDHNRhgqvlMTbn4PKeJNfEU7dongtopH6q36xvLVCOXmpgdz9Auvy-KK9Oa11Z1bh1PGkbiK0BvUmAVJEIoHDc51%7E6yErzXBIV79av1rykI6-ieYOqDojdh5pHB9fa8kWB9FuFDvNA7m9K-Q__&Key-Pair-Id=K6UGZS9ZTDSZM bffa78de714155b7f7c498cb292b0038 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 768 Width 975 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource F.S. Lincoln Photography Collection Description An account of the resource The FS Lincoln Collection Biographical Sketch Mr. Fay S. Lincoln (known professionally as F.S. Lincoln) operated a photography studio in New York City from the 1930s until the mid 1960s. He was born in Keene, New Hampshire in 1894 and attended the Massachusetts Institute of Technology. Although he received training as an engineer, Mr. Lincoln chose to become a professional photographer in 1929, when he opened the firm of Nyholm &amp; Lincoln in conjunction with another photographer, Peter Nyholm, in New York City. A few years later, he opened his own studio at 114 East 32nd St.1 In 1932, Lincoln began corresponding with Kenneth Chorley, President of the Colonial Williamsburg Foundation, about the possibility of contracting with the Foundation to photograph the completed restoration work at Williamsburg. Lincoln had learned that John D. Rockefeller, Jr. was looking for someone to create a master collection of photos of Williamsburg through Arthur S. Vernay, an acquaintance of Abby Aldrich Rockefeller. In his correspondence, Lincoln noted he had completed photographic assignments for many of the top architects and designers in New York, including Arthur S. Vernay, Joseph Urban, James Gamble Rogers, Voorhees, Gmelin &amp; Walker, McKim, Mead, &amp; White, Robert Locher, and Eugene Schoen. He also pointed out that he had sold architectural photos to many prominent magazines, including "Architectural Record," "National Geographic," "Country Life," "Architectural Forum," and "Spur."2 Lincoln's credentials, along with sample photographs and recommendations from magazine editors, enabled him to secure a contract with Colonial Williamsburg on April 22, 1935. According to the terms of the contract, Lincoln was hired to prepare a master collection of photographs and negatives that Colonial Williamsburg could sell to tourists and residents of Williamsburg, as well as use for promotional purposes. Lincoln retained the right to sell copies of his photographs at his New York studio, provided he consulted with the Foundation regarding the proposed use of the photographs. He also retained title to all negatives and copyright for all photos until the termination of his business. Plans for a traveling exhibition of Lincoln's photographs of Williamsburg were also mentioned in the contract.3 During 1935, F.S. Lincoln traveled to Williamsburg at seasonal intervals to photograph views requested by the Foundation. A panel of Colonial Williamsburg employees reviewed each series of photos and selected a group to be added to the master collection. F.S. Lincoln photos illustrated two portfolios about Colonial Williamsburg published in the "Architectural Record" in December 1935 and November 1936. Full-page black and white photos of restored buildings and gardens accompanied articles on the restoration written by Kenneth Chorley, Fiske Kimball, William G. Perry, and Arthur Shurcliff. Thus, Lincoln's photos gave the American public their first introduction to the completed restoration. Lincoln had also been hired by Colonial Williamsburg to create a group of photographs of Williamsburg that could be exhibited. Correspondence between staff members indicates that John D. Rockefeller, Jr. hoped to mount a traveling exhibit of Williamsburg photographs. An exhibit of a selection of Lincoln's views of Williamsburg, along with photos he took for "Harper's Bazaar," "House and Garden," "House Beautiful," "Vanity Fair," "National Geographic," and "Town and Country," was held at the Rabinovitch Gallery in New York City from October 4-17, 1935. Although Foundation employees were satisfied with the quality of Lincoln's photographs, they were dismayed by the cost of individual prints and enlargements. Memos exchanged between members of the marketing staff indicate that employees were having a hard time convincing distributors to purchase enlargements of the Lincoln photos for display in shop windows. As a result, the Foundation's agreement with F.S. Lincoln was terminated on April 21, 1936.4 Despite this setback, F.S. Lincoln secured contracts for many other architectural photography projects in the 1930s. He received numerous commissions to photograph buildings in New York City and also traveled abroad on several assignments. In 1934, he completed a portfolio of photos of Mont St. Michel and in 1938 he toured the deep South and photographed examples of antebellum architecture. Lincoln's photos were widely published in the 1930s and 1940s in such magazines as "Architectural Record," "House Beautiful," "National Geographic," "Country Life," and "Architectural Forum." In addition, he published a book of his photographs in 1946 entitled "Charleston: Photographic Studies by F.S. Lincoln."5 F.S. Lincoln continued to operate a photography studio in New York City until 1965, when he retired and moved to Center Hall, Pennsylvania to live with his sister. He forwarded all of his negatives of Williamsburg buildings to the Foundation in 1972, along with a letter stating that “the copyright of the photographs has run out, so you are free to use them as desired.”6 Upon his death in 1976, the remainder of Lincoln's archive of prints and negatives, as well as some business papers, were donated to the Pennsylvania State University Archives. Scope and Contents The F.S. Lincoln collection consists of black and white negatives and prints taken by Mr. Lincoln in preparation for the publication of "The Restoration of Colonial Williamsburg in Virginia," a series of articles appearing in the December 1935 and November 1936 issues of "The Architectural Record." Both issues featured a portfolio of buildings and gardens in the newly restored historic area of Williamsburg. In order to produce a large pool of photos for use in these portfolios, Mr. Lincoln created comprehensive visual documentation of the work completed during the initial phases of the restoration (1927-1935.) He photographed the exteriors and interiors of thirty restored buildings, including the exhibition buildings open to the public, such as the Governor's Palace, the Capitol, Raleigh Tavern, Bruton Parish Church, the Wren Building, and the Powder Magazine. In addition, he captured exterior views of some of the shops open on Merchant's Square and restored buildings adapted for public use, such as the Public Library. He also photographed many of the gardens and garden ornaments throughout the restored area. The collection is organized into series by format. Series included in the collection are negatives; bound matted and signed prints; unbound matted and signed prints; and small albums. Within each format, items are organized according to the numbering system assigned by Mr. Lincoln. The first three digits of numbers assigned to the images correspond to a particular building or subject category. For example, all images of the Capitol have numbers beginning with 325 and all miscellaneous views have numbers beginning with 365. After these first three digits, Lincoln added a P for print and then a successive number for each view. For example, the first view of the Capitol is number 325P1. An “LC” prefix has been added to all image numbers by the Colonial Williamsburg Foundation to identify the images as coming from the Lincoln Collection. Endnotes 1 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17, (Spring 1993): 127-128. 2 F.S. Lincoln to B.W. Norton, October 18, 1933. Colonial Williamsburg Foundation Archives. 3 Agreement dated April 22, 1935 between Colonial Williamsburg, Inc. and F.S. Lincoln, Colonial Williamsburg Foundation Archives. 4 Mr. Norton to Mr. Darling, February 22, 1937; Kenneth Chorley to F.S. Lincoln, April 6, 1937, Colonial Williamsburg Foundation Archives. 5 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17 (Spring 1993): 128. 6 F.S. Lincoln to James R. Short, May 15, 1972, Colonial Williamsburg Foundation Archives. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin or collodian printing out paper with platinum toning, mounted on board. Physical Dimensions The actual physical size of the original image. 8x10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daphne Dining Room, Raleigh Tavern Subject The topic of the resource Raleigh Tavern (Williamsburg, Va.) Historic buildings-Virginia-Williamsburg Taverns (Inns)-Virginia-Williamsburg Block 17. Building 06A. Interior decoration-Virginia-Williamsburg Description An account of the resource <p>The Raleigh Tavern opened in 1932 as one of the earliest exhibition buildings at Colonial Williamsburg. One of the rooms open to visitors was the Daphne Room, a private room offered to tavern guests for holding meals and meetings. Interior decor for the Daphne Room consisted of a dining room ensemble, patterned wallpaper, and brocade curtains. Later research led to a reinterpretation of the room with plain painted walls and curtainless windows.</p> <p>Above the fireplace hangs a painting entitled <em>Imaginary Landscape </em>(accession #1931.101.3), a gift of Abby Aldrich Rockefeller.  In anticipation of guests' needs, a <strong><a href="http://emuseum.history.org/view/objects/asitem/items$0040:25073#.Uw-dJdkP_PY.google">bottle case or cellaret (accession # 1930-58)</a></strong> is pictured to the left of the fireplace. Cellarets functioned as portable wine cellars for holding wine and bottled spirits at mealtimes.  </p> Creator An entity primarily responsible for making the resource Lincoln, F.S. Date A point or period of time associated with an event in the lifecycle of the resource 1935 Date Created Date of creation of the resource. 1935 Rights Information about rights held in and over the resource This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: <a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm">Rights and reproductions</a> Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context LC326P1 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Armchairs Candlesticks Case Furniture Ceramics Chair Rails Cruets Curtains Daphne Room Dentils Dining Room Dining Tables F.S. Lincoln Firedogs Fireplaces Historic Buildings Inns Knife Boxes Looking Glasses Mantels Mirrors Paintings Public Buildings Raleigh Tavern Sconces Side Chairs Sideboard Tables Silver Taverns Tea Urns Virginia Wainscotting Wallpaper Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/8d18a6cc2694c449d40da3f4ba16f191.jpg?Expires=1779926400&Signature=oPn8RVrKhpLKYqwcg8TLcV2ly3i-T163ZwOk5VzjgCDNWGJ6CINslke4c--XVoaEL-WcqoradOdg8Aw%7EiAC10yRvHC%7E6TJaaANoYl8kQ-PLydhDS4ZLoFy04lYpL5HNa%7EGPZAKMsLUqKFG12ThQqmx0Zgs6080th5roNM65GlWKBlkEGGRGx84Ybw5s8PTiJcuPweDWQcVULR4eip-V-nYafqLlwidxiibG9sQPb-pYARwIxa21ruQBWP8txTfZFKNvO1kro2anmTkO3Qqc5itfby-5Ng3EFkFzrDPhoWpc3cK60E%7EzmniOA5-Shmx3qH52lPqe0v4rxJPdQMMQVHA__&Key-Pair-Id=K6UGZS9ZTDSZM 2a3ffa00ad829bf4ee1f5595171bcf49 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pacific Stereopticon Company Lantern Slides Description An account of the resource Produced by the Pacific Stereopticon Company of Los Angeles, this collection of forty-five lantern slides depicts individuals involved in the restoration of Williamsburg, as well as some of the restored buildings. The slides are a mixture of black and white and color images taken by various photographers in the late 1930s. Many are copies based upon photos taken by contract professionals hired to document the appeal of the architecture and landscapes of Colonial Williamsburg. Several of the black and white slides are derived from photos taken by noted architectural photographer F.S. Lincoln, whose collection is also available for viewing on this site. The lantern slides are significant because they document early efforts to publicize the newly opened museum. California architect Reginald Davis Johnson utilized the set to lecture to students and colleagues about the massive efforts undertaken to bring Williamsburg's historic district back to its 18th-century appearance. Noted for his contributions to the development of the Spanish-Southern California architecture of Santa Barbara, Reginald Davis Johnson resided in Pasadena and operated an architectural design studio. Some of his best known projects include the Santa Barbara Biltmore Hotel, the Santa Barbara Post Office, and the Harbor Hills, Rancho San Pedro, and Baldwin Hills communities in Los Angeles. A precursor of 35mm slides, lantern slides are large format positive transparencies, usually 3.25 x 4 inches, sandwiched between two pieces of glass. Many were hand-colored. A projector allowed the slides to be viewed on a wall or screen. Instead of automatically advancing from one slide to the next, the lantern slides had to be manually placed into a slot on the projector. Invented in 1848, lantern slides evolved from those associated with magic lanterns in the late 19th-century to the format represented in this collection. Between 1848-1870, oil lamps served as the light source for magic lantern projectors. By the 1890s, the carbon arc lamp offered a better lighting method. The introduction of electricity in the 20th-century allowed the projection of lantern slides to become common in schools and universities. Lantern slides became obsolete in the 1950s when the Kodachrome three-color process brought about the introduction of 35mm slides. Subject The topic of the resource Pacific Stereopticon Co. Lantern slides - Hand-colored - 1930-1940 Johnson, Reginald Davis, 1882-1952 Creator An entity primarily responsible for making the resource Pacific Stereopticon Co. Date A point or period of time associated with an event in the lifecycle of the resource ca. 1935 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Lantern slide Physical Dimensions The actual physical size of the original image. 2 x 3 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daphne Room in the Raleigh Tavern Subject The topic of the resource Raleigh Tavern (Williamsburg, Va.) Block 17. Building 06. Taverns (Inns) - Virginia - Williamsburg Furniture - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Lincoln, F.S. Identifier An unambiguous reference to the resource within a given context PSC-030 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Lantern slide featuring a photo taken by F.S. Lincoln of the Daphne Room in the Raleigh Tavern as it appeared in 1935. It is the thirtieth slide in a set produced by the Pacific Stereopticon Co. of Los Angeles, California, now defunct, to illustrate the story of Dr. W.A.R. Goodwin's dream to restore a portion of Williamsburg, Virginia to its 18th-century appearance as a shrine to early American ideals. The family portrait on the wall, entitled "Family Group With Two Servants," was painted in England in 1790 (accession #1939-290). Under the portrait, two mahogany knife boxes (accession #1930-303, 1) are featured on either end of a sideboard table. The Raleigh Tavern was the frequent scene of both jollity and consequence. Dinners and dances rivaled in elegance those at the Palace and burgesses reconvened at the tavern when they were dissolved by royal governors prior to the Revolution. Burned to the ground in 1859, it was reconstructed from published illustrations, insurance policies, and archaeology that uncovered most of the original foundations. Interior furnishings and decor reflect curators' views in the 1930s as to how Williamsburg's historic interiors may have looked in the eighteenth century. Nevertheless, with new research advancements over the years, the Raleigh Tavern's interior furnishings have changed to reflect a more authentic and accurate view of each room's likely contents and arrangements. Publisher An entity responsible for making the resource available Pacific Stereopticon Co. Date A point or period of time associated with an event in the lifecycle of the resource 1935 Is Part Of A related resource in which the described resource is physically or logically included. Pacific Stereopticon Company Lantern Slide Collection Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Armchairs Candelsticks Ceramics Chair Rails Cruets Daphne Room Dentils Dining Rooms F.S. Lincoln Flatware Inns Lantern Slides Looking Glasses Mirrors Ordinaries Pacific Stereopticon Company Paintings Raleigh Tavern Salt Cellars Sconces Side Chairs Silver Tables Taverns Virginia Wainscotting Wallpaper Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/9294de3c89652509e2aa1de86c6338c4.jpg?Expires=1779926400&Signature=qA1YiDQRApoZu0hldTm943QbgcHr9fHX3u4aQgkEKyDXix2lh%7EscwPsuZVBHhigYCCqm0DTKIkSX-k29zKfdYa7HD1b3v-gFb3EN1OBbrwod2tCY0gZvdjuyeqczqoc-Dc9U3Htb9vAQF5Eumhx486972oXuD20yIWnSWhMT7QLgdZZm%7EQlNBOsMjfHt0%7Eaf7qEril9wf08uCj1-3qF6a6c3-Q0j7VWRouGPPyEWy4Y9ZYMzUPSItthmi6PNzeSfAoXiYq-g4WiFNwhsQJ1WXWm8T0WJZ-XKJSlrGDksebENL2TCcFvQZg39wdVntNpU6CcyOJ9QMg6cks0Db0BXBg__&Key-Pair-Id=K6UGZS9ZTDSZM cab8fe42463941de29bd040afe6b5547 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richard Garrison Photography Collection Subject The topic of the resource Garrison, Richard Historic buildings - Virginia - Williamsburg Architectural photographs - 1930-1940 Williamsburg (Va.)--History Description An account of the resource BIOGRAPHICAL SKETCH Richard Garrison was a New York photographer with a studio at 52 Vanderbilt Avenue in New York City. His architectural photographs appeared regularly in such magazines as "House Beautiful," "American Art and Architecture," "Architectural Record," and "House & Garden." According to a recommendation written by Mr. Frederic C. Hirons, Garrison “…was trained as an architect and …knows the vital points in taking architectural photographs…” After F.S. Lincoln’s photography contract expired in 1937, Colonial Williamsburg hired Richard Garrison in his place. A contract signed by Garrison in June 1937 indicates that Garrison was contracted to be available when requested to photograph exterior and interior views of buildings between June 15, 1937 and June 14, 1938. Colonial Williamsburg renewed this agreement with Garrison in 1938 and 1939. Colonial Williamsburg staff members asked Garrison to create a master collection of official photos of Colonial Williamsburg buildings and gardens. He was given several lists of suggested views to take of the exterior and interior of the Governor’s Palace, the Capitol, the Raleigh Tavern, the Public Gaol, the Wren Building, Market Square Tavern, and the Travis House. The lists also instructed him to photograph various gardens and street scenes in the historic area, as well as shops in the business block and exterior views of the Williamsburg Inn. Some of Garrison’s photos formed part of the Virginia exhibit at the New York World’s Fair in 1939. Richard Garrison joined the Navy in 1942 and closed his office for the duration of World War II. During this period, his negative files were made available to Colonial Williamsburg at the offices of Underwood & Underwood in New York City. Garrison received his discharge from the Navy in 1946 and contacted Colonial Williamsburg about the possibility of additional contract work. The photographer presented Kenneth Chorley, President of Colonial Williamsburg, with a proposal to photograph the interiors of private homes within the historic area. Mr. Chorley vetoed the proposal because he felt the private interiors were not accurately restored and would confuse the public as to the objectives of the restoration work. Other Colonial Williamsburg staff members were more enthusiastic about the proposal, but it was never approved. Therefore, Garrison did not perform any more contract photography for Colonial Williamsburg after World War II. Scope and Contents The Richard Garrison Photo Collection consists of one portfolio of black and white and hand-colored photos ranging in size from 8x10 to 11x14. These are the only known Garrison photos in the Foundation’s photo archives. The whereabouts of the other negatives and prints created by Garrison while under contract to Colonial Williamsburg are unknown. Although it is unfortunate that only a small portion of Garrison’s photographic work for Colonial Williamsburg has been preserved, this small portfolio provides a sample of the types of photographs he created. The subject matter includes interior views of the Governor’s Palace, George Wythe House, Market Square Tavern, and the Raleigh Tavern; exterior views of the Capitol, Raleigh Tavern, Public Gaol, Courthouse, Ludwell-Paradise House, Ayscough Shop, Palmer House, Travis House, Pitt Dixon House, Coke-Garrett House, and the Williamsburg Inn; and various unidentified garden scenes. Some of the photos are mounted on board and signed by the photographer. They date from the period of 1937-1939, when Garrison worked on a contract basis for Colonial Williamsburg. Garrison's photographs of Colonial Williamsburg appeared in an exhibit at the Pedac Galleries at Rockefeller Center and also in the publication "Williamsburg, Virginia: A Brief Study in Photographs" published in 1939 by Colonial Williamsburg, Inc. Creator An entity primarily responsible for making the resource Garrison, Richard Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daphne Room, Raleigh Tavern Subject The topic of the resource Garrison, Richard Raleigh Tavern (Williamsburg, Va.) Block 17. Building 06A. Taverns - Virginia - Williamsburg Description An account of the resource Daphne Room, Raleigh Tavern, circa 1937 Creator An entity primarily responsible for making the resource Garrison, Richard Date A point or period of time associated with an event in the lifecycle of the resource 1937 Date Created Date of creation of the resource. 1937 Is Part Of A related resource in which the described resource is physically or logically included. Richard Garrison Photography Collection, AV-1998.14, Box 1, Folder 7 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context GARR-034 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Candlesticks Ceramics Chair Rails Cornices Curtains Daphne Room Furnishings Furniture Knife Boxes Mirrors Raleigh Tavern Richard Garrison Sconces Side Chairs Sideboards Tables Virginia Wallpaper Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/43842716c942a98ecadd76783ddb5ce9.jpg?Expires=1779926400&Signature=ggp39T5fE5Du3eWQkL3I0wbUpY%7EddOYD9qWVz9wm0uqZGAYPzg7zGeo71cj3KgqmS5MSEmhDPz%7E158GAcsbE8qVNN0r%7EXeavjCRlTFBn4-cviyewKXkCfrmO2Z-PkkzrVVgnMAsKc8VVU-N9f0i8GuxoaEHtQIwMzAneNA5uyien9dKkQfuc0mahOEpvlzY11JNqD-Qbzzs0640ib9RpQRiUDpScb2YQvzueHFelHi9bHvpBAYu8BFRhDxJzpc%7EPuErIRlfHhKmL3Ux8TobFYXhPqvUc3joI61qrPlY2ryjpKnribMmjMeC-IhuyzwN-0vajzmEbch0J8rjjNsR4Mw__&Key-Pair-Id=K6UGZS9ZTDSZM 984330cd37251a3e5c36d3e72e3cb560 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richard Garrison Photography Collection Subject The topic of the resource Garrison, Richard Historic buildings - Virginia - Williamsburg Architectural photographs - 1930-1940 Williamsburg (Va.)--History Description An account of the resource BIOGRAPHICAL SKETCH Richard Garrison was a New York photographer with a studio at 52 Vanderbilt Avenue in New York City. His architectural photographs appeared regularly in such magazines as "House Beautiful," "American Art and Architecture," "Architectural Record," and "House & Garden." According to a recommendation written by Mr. Frederic C. Hirons, Garrison “…was trained as an architect and …knows the vital points in taking architectural photographs…” After F.S. Lincoln’s photography contract expired in 1937, Colonial Williamsburg hired Richard Garrison in his place. A contract signed by Garrison in June 1937 indicates that Garrison was contracted to be available when requested to photograph exterior and interior views of buildings between June 15, 1937 and June 14, 1938. Colonial Williamsburg renewed this agreement with Garrison in 1938 and 1939. Colonial Williamsburg staff members asked Garrison to create a master collection of official photos of Colonial Williamsburg buildings and gardens. He was given several lists of suggested views to take of the exterior and interior of the Governor’s Palace, the Capitol, the Raleigh Tavern, the Public Gaol, the Wren Building, Market Square Tavern, and the Travis House. The lists also instructed him to photograph various gardens and street scenes in the historic area, as well as shops in the business block and exterior views of the Williamsburg Inn. Some of Garrison’s photos formed part of the Virginia exhibit at the New York World’s Fair in 1939. Richard Garrison joined the Navy in 1942 and closed his office for the duration of World War II. During this period, his negative files were made available to Colonial Williamsburg at the offices of Underwood & Underwood in New York City. Garrison received his discharge from the Navy in 1946 and contacted Colonial Williamsburg about the possibility of additional contract work. The photographer presented Kenneth Chorley, President of Colonial Williamsburg, with a proposal to photograph the interiors of private homes within the historic area. Mr. Chorley vetoed the proposal because he felt the private interiors were not accurately restored and would confuse the public as to the objectives of the restoration work. Other Colonial Williamsburg staff members were more enthusiastic about the proposal, but it was never approved. Therefore, Garrison did not perform any more contract photography for Colonial Williamsburg after World War II. Scope and Contents The Richard Garrison Photo Collection consists of one portfolio of black and white and hand-colored photos ranging in size from 8x10 to 11x14. These are the only known Garrison photos in the Foundation’s photo archives. The whereabouts of the other negatives and prints created by Garrison while under contract to Colonial Williamsburg are unknown. Although it is unfortunate that only a small portion of Garrison’s photographic work for Colonial Williamsburg has been preserved, this small portfolio provides a sample of the types of photographs he created. The subject matter includes interior views of the Governor’s Palace, George Wythe House, Market Square Tavern, and the Raleigh Tavern; exterior views of the Capitol, Raleigh Tavern, Public Gaol, Courthouse, Ludwell-Paradise House, Ayscough Shop, Palmer House, Travis House, Pitt Dixon House, Coke-Garrett House, and the Williamsburg Inn; and various unidentified garden scenes. Some of the photos are mounted on board and signed by the photographer. They date from the period of 1937-1939, when Garrison worked on a contract basis for Colonial Williamsburg. Garrison's photographs of Colonial Williamsburg appeared in an exhibit at the Pedac Galleries at Rockefeller Center and also in the publication "Williamsburg, Virginia: A Brief Study in Photographs" published in 1939 by Colonial Williamsburg, Inc. Creator An entity primarily responsible for making the resource Garrison, Richard Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 11 x 14 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daphne Room, Raleigh Tavern Subject The topic of the resource Garrison, Richard Raleigh Tavern (Williamsburg, Va.) Block 17. Building 06A. Taverns (Inns) - Virginia - Williamsburg Furnishings - Virginia - Williamsburg Description An account of the resource Daphne Room, Raleigh Tavern, ca, 1937 Creator An entity primarily responsible for making the resource Garrison, Richard Date A point or period of time associated with an event in the lifecycle of the resource 1937 Date Created Date of creation of the resource. 1937 Is Part Of A related resource in which the described resource is physically or logically included. Richard Garrison Photography Collection, AV-1998.14, Box 1, Folder 7 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context Garr-033b Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Candlesticks Ceramics Chimney Pieces Curtains Daphne Room Dentils Fireplaces Furnishings Furniture Mirrors Raleigh Tavern Richard Garrison Sconces Side Chairs Sideboards Tables Virginia Wallpaper Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/62e935d75c69f8acb038519f66c543d3.jpg?Expires=1779926400&Signature=D8d%7EJOdi333daBTO1AL%7Eq4C6dyxQia0IosHa-GT%7EvWAG3B32cX%7EhIC0EoFWC%7EqXznRxSY1jyBfnkptaOH87vAR1yWtldMbTCH52VI-7xkHH0%7Ec1OWZg2oalRGhVpgy1KB4il-2zWyMwRU7SAlBFHt1JBCfTlnLKuJ4EOoWO4k4XwzSdA4M4lHdVsvoL7FGh-qsho-OFfoFmVio9ZYjEg3nBzKRjAsJYNUkAZgqii6LBklPIhoo5vh7iIeL44brYTfE7zoqt5NEoaK70IiQtmfSB7n9Wp2ZQnwLERxSRo5AHgTzwBaEL3fwtGYvvUzjUy7xRJ%7EU91NmpVG%7EiyTXuGTg__&Key-Pair-Id=K6UGZS9ZTDSZM cd8a7da88599e777a2e5d57f8bbc7db6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John A. Barrows Photograph Collection Subject The topic of the resource Barrows, John A. Photography - Virginia Historic buildings - Virginia - Williamsburg Description An account of the resource BIOGRAPHICAL SKETCH John A. Barrows joined the staff of the Williamsburg office of Boston architects Perry, Shaw & Hepburn as a draftsman in the early days of the restoration. Remaining with them until his untimely death, Barrows assisted in the restoration of the College of William and Mary's Wren Building, and was involved with design work for the reconstructed Raleigh Tavern, Capitol, and Governor's Palace. In addition to his research and restoration work, John A. Barrows co-authored "The Domestic Colonial Architecture of Tidewater Virginia" with colleague Thomas Waterman. As part of his field research, Barrows--at the wheel of his 1928 Buick roadster "Lucy"--photographed numerous buildings and plantations throughout the Tidewater region, including sites in the now restored historic area of Williamsburg, Bacon's Castle, Cleve, Carter's Grove, King William Courthouse, Mt. Airy, Mt. Vernon, Rosewell, Stratford Hall, Sabine Hall, Shirley, Little England, the U.S. Capitol, and the British Embassy in Washington, D.C. These photographs form the core of the collection. The John A. Barrows Photograph Collection is an important adjunct to existing groups of photographic documentation for buildings in Williamsburg's historic area and of Virginia architecture. SCOPE AND CONTENTS Black and white photographs, negatives, postcards, and miscellaneous items of Norfolk native John Alden Barrows (b. ca. 1905, d. 1931), architect for the Colonial Williamsburg Restoration. The photographs--some taken by Barrows, Thomas Waterman, Milton Grigg and others--remain in their original order, which follows a somewhat erratic alphabetical arrangement by site/subject. The John A. Barrows Photograph Collection contains photoprints, taken mainly in Virginia and South Carolina, negatives, portraits, and personal papers and objects. The Photoprints series comprises the bulk of the collection, numbering close to 800 items. The photos, taken by architect and photographer John A. Barrows, display homes, churches, college buildings, and other structures along the eastern seaboard of the United States. Most of the photos were taken in Virginia and South Carolina, but other locations include New Jersey and Maryland. The prints were made in two sizes, 2.5x4 inches and 5x7 inches. The Negatives series has not been inventoried. John A. Barrows is the subject of the portraits found in the Portraits Series. The five images were all taken at different times. The final series, Personal Papers and Objects, includes some of Barrows' writings as well as memorabilia from trips and celebrations. Creator An entity primarily responsible for making the resource Barrows, John A. Date A point or period of time associated with an event in the lifecycle of the resource Circa 1930 Is Part Of A related resource in which the described resource is physically or logically included. John A. Barrows Photograph Collection, MS1996.22 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 2.5 x 4 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daphne Room, Raleigh Tavern Subject The topic of the resource Raleigh Tavern (Williamsburg, Va.) Block 17. Building 06. Taverns (Inns) - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource Reconstruction progress photo of the fireplace on north wall of the Daphne Room, Raleigh Tavern, Williamsburg, Virginia Notation on reverse: "Minerva Rm. Mantel Raleigh Tavern Oct. 1 1930 TTW" Creator An entity primarily responsible for making the resource Barrows, John Date A point or period of time associated with an event in the lifecycle of the resource October 1st, 1930 Is Part Of A related resource in which the described resource is physically or logically included. John A. Barrows Photograph Collection, MS1996.22, Box 2 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context Bar-499. See also 1991-1533 CN. Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Chimneypieces Daphne Room Fireplaces John Barrows Mantels Raleigh Tavern Sconces Virginia Williamsburg Woodwork https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/6dac2a428c5a25655f754d6932ab1d29.jpg?Expires=1779926400&Signature=IGwhVVwC9dMQCUcR7OqTUFZiaUu9R5D2-BuJpljz4yqlYYCY7aYkf1gxLlVMIhxns7Vr-6DYq12glxkTno1gRUl9Rn25Bglz3%7Et%7EH7CUIiSSwcajNT4YqT50q0PuW3OT8rMy%7EK-2SwZHn4lD%7EaT4XrFKKGCLc80zbXmOs4da9dTVy5BKlG0XOq4elmpjlTzvlcaLpryYv7nPOUb7ci%7EMCXgNaMR1ob1HQHKuP7%7EJvh4InjOm47wRNpbwk8Fr--LItkIiorhPgn22CkQF81oX52UryG-z7YhjdpJo3seIweoHx0PiU6lYKCUKjb2qOpKaKv65L0ybIQq4eX3Onk6l6Q__&Key-Pair-Id=K6UGZS9ZTDSZM 8cd615fb4fc03fc6641f156b6a27e82e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Tebbs Photograph Collection Subject The topic of the resource Tebbs, Robert W., 1875-1945 Public buildings - Virginia - Williamsburg Raleigh Tavern (Williamsburg, Va.) Capitol (Williamsburg, Va.) Wren Building (Williamsburg, Va.) Williamsburg (Va.) - Photographs Portfolios Taverns (Inns) - Virginia - Williamsburg Description An account of the resource Robert W. Tebbs was a prominent architectural photographer in the New York firm of Tebbs & Knell, 101 Park Avenue, New York, New York. He marketed himself as "Photographer to Architects and Decorators." His pictures are widely available in mid-twentieth century photographic essays concerning architecture and architectural history. He is well-known for his photographic survey of Louisiana plantation homes created in the 1920s. Tebbs photographed the Raleigh Tavern, the Capitol, and the Wren Building at Colonial Williamsburg soon after their restoration on commission for publication in various magazines and newspapers. In October 1933, he conducted his first photographic survey in Williamsburg and approached the Williamsburg Holding Corporation with a proposal for a "Travelling Exhibition of Williamsburg" featuring his photographs of the exteriors and interiors of completed exhibition buildings. He also suggested that his photos could be marketed to various architectural magazines and newspapers to help promote the new museum. William Graves Perry and Susan Higginson Nash reviewed his portfolios and selected those images they approved for publication use. Tebbs was then allowed to sell and distribute them to various publishers provided the Williamsburg Holding Corporation agreed to the proposed usage. In a letter to Kenneth Chorley, Vice-President of the Williamsburg Holding Corporation, written on December 5, 1933, Bela Norton, Director of Public Relations, noted "Everyone here who has seen the pictures agrees that they have the stamp of quality and professional excellence that we have not yet had." Tebbs remained in contact with Williamsburg Holding Corporation officials between 1933 and 1934, and returned several times to take more photographs when passing through the area on other assignments. However, he never received a contract from Colonial Williamsburg for more extensive photographic work due to an agreement already in place with Frank Nivison, who served as the official contract photographer for documentation of the Restoration's progress. He approached Colonial Williamsburg officials again in 1939 with a proposal to return and photograph some of the more recently completed structures, noting that his Williamsburg photos from the early 1930s had been exhibited at the Metropolitan Museum of Art. Upon his death in 1945, Robert Tebbs left a legacy of architectural photos that are preserved at several other institutions, including the Library of Congress and the Louisiana State Museum. This collection of ninety-seven photographs encompasses two portfolios, one titled "View of Capitol Building of Reconstructed Colonial Williamsburg" and the other titled "Views of Raleigh Tavern, Williamsburg, Va.," which also includes images of the Wren Building and the President's House at the College of William & Mary. Exterior and interior view of each structure are included, along with detail views of various furnishings and architectural features. Rooms featured in the portfolio of Capitol photos include the General Court, House of Burgesses, Council Chamber, Conference Room, Committee Room, Clerk's Office, and Secretary's Office. The Raleigh Tavern interior views include the Parlor, Reception Room, Tap Room, Daphne Room, Apollo Room, and Public Dining Room. Tebbs also documented the Chapel, Great Hall, and the Blue Room inside the Wren Building. Extent The size or duration of the resource. 97 photographs Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 13 x 10.25 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daphne Room, Raleigh Tavern Description An account of the resource View looking towards the fireplace of the Daphne Room, a private room offered to Raleigh Tavern guests for holding meals and meetings. When the Raleigh Tavern first opened in 1932, interior decor for the Daphne Room consisted of a dining room ensemble, patterned wallpaper, and brocade curtains. Subject The topic of the resource Raleigh Tavern (Williamsburg, Va.) Block 17. Building 06A. Taverns (Inns) - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Furnishings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Tebbs, Robert W. Date A point or period of time associated with an event in the lifecycle of the resource 1933 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Is Part Of A related resource in which the described resource is physically or logically included. Robert W. Tebbs Photograph Collection, AV2009.47, Box 1 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AV2009-47_Tebb016 Candlesticks Cornices Daphne Room Dentils Chimneys Dining Tables Draperies Fireplace Surrounds Fireplaces Mantels Mirrors Raleigh Tavern Robert Tebbs Sconces Side Chairs Side Tables Virginia Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/044068b2f343d1594e19d91027a791f2.jpg?Expires=1779926400&Signature=OJjOevnwmhPWgupXfQVeNp5KRNmSreJMiILAQ0MnpCvvV25XQmfGKB7EJYLJK2vsWghN4fnIMF0okXS2JjIe6c-POiIoV9qgHl%7E16tim1doEIRGbcncUoyJUnpHAEN74QzV-uPBzEQoW3mtjitIW0WQyXF13UJ4Uhcs-EwTGV6WfeMdG7xk3hEn2gbCgLcOQ3RcDdpIfedzpoGo4FVUeOjzqLjwQnmaJC1faboKRG33Etf5JempL0vAC9GTBitOgAhkAyn0eeV8CMCdItgOl7yhUnY8CdYKw8uV84FZUKqfPCl3GH4TiPQjBD01Kr26I8cn0ZarhnUVAgeUCTY4VpQ__&Key-Pair-Id=K6UGZS9ZTDSZM c9c6c2a9d75244f900f3efb9e13d9cd3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Tebbs Photograph Collection Subject The topic of the resource Tebbs, Robert W., 1875-1945 Public buildings - Virginia - Williamsburg Raleigh Tavern (Williamsburg, Va.) Capitol (Williamsburg, Va.) Wren Building (Williamsburg, Va.) Williamsburg (Va.) - Photographs Portfolios Taverns (Inns) - Virginia - Williamsburg Description An account of the resource Robert W. Tebbs was a prominent architectural photographer in the New York firm of Tebbs & Knell, 101 Park Avenue, New York, New York. He marketed himself as "Photographer to Architects and Decorators." His pictures are widely available in mid-twentieth century photographic essays concerning architecture and architectural history. He is well-known for his photographic survey of Louisiana plantation homes created in the 1920s. Tebbs photographed the Raleigh Tavern, the Capitol, and the Wren Building at Colonial Williamsburg soon after their restoration on commission for publication in various magazines and newspapers. In October 1933, he conducted his first photographic survey in Williamsburg and approached the Williamsburg Holding Corporation with a proposal for a "Travelling Exhibition of Williamsburg" featuring his photographs of the exteriors and interiors of completed exhibition buildings. He also suggested that his photos could be marketed to various architectural magazines and newspapers to help promote the new museum. William Graves Perry and Susan Higginson Nash reviewed his portfolios and selected those images they approved for publication use. Tebbs was then allowed to sell and distribute them to various publishers provided the Williamsburg Holding Corporation agreed to the proposed usage. In a letter to Kenneth Chorley, Vice-President of the Williamsburg Holding Corporation, written on December 5, 1933, Bela Norton, Director of Public Relations, noted "Everyone here who has seen the pictures agrees that they have the stamp of quality and professional excellence that we have not yet had." Tebbs remained in contact with Williamsburg Holding Corporation officials between 1933 and 1934, and returned several times to take more photographs when passing through the area on other assignments. However, he never received a contract from Colonial Williamsburg for more extensive photographic work due to an agreement already in place with Frank Nivison, who served as the official contract photographer for documentation of the Restoration's progress. He approached Colonial Williamsburg officials again in 1939 with a proposal to return and photograph some of the more recently completed structures, noting that his Williamsburg photos from the early 1930s had been exhibited at the Metropolitan Museum of Art. Upon his death in 1945, Robert Tebbs left a legacy of architectural photos that are preserved at several other institutions, including the Library of Congress and the Louisiana State Museum. This collection of ninety-seven photographs encompasses two portfolios, one titled "View of Capitol Building of Reconstructed Colonial Williamsburg" and the other titled "Views of Raleigh Tavern, Williamsburg, Va.," which also includes images of the Wren Building and the President's House at the College of William & Mary. Exterior and interior view of each structure are included, along with detail views of various furnishings and architectural features. Rooms featured in the portfolio of Capitol photos include the General Court, House of Burgesses, Council Chamber, Conference Room, Committee Room, Clerk's Office, and Secretary's Office. The Raleigh Tavern interior views include the Parlor, Reception Room, Tap Room, Daphne Room, Apollo Room, and Public Dining Room. Tebbs also documented the Chapel, Great Hall, and the Blue Room inside the Wren Building. Extent The size or duration of the resource. 97 photographs Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 10.25 x 13 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daphne Room, Raleigh Tavern Description An account of the resource View looking towards the doorway of the Daphne Room in the Raleigh Tavern, with various furnishings visible including a side chair and side table, wallpaper, sconces, and draperies, Williamsburg, Virginia. Subject The topic of the resource Raleigh Tavern (Williamsburg, Va.) Block 17. Building 06A. Taverns (Inns) - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Furnishings - Virginia - Williamsburg Creator An entity primarily responsible for making the resource Tebbs, Robert W. Date A point or period of time associated with an event in the lifecycle of the resource 1933 Is Part Of A related resource in which the described resource is physically or logically included. Robert W. Tebbs Photograph Collection, AV2009.47, Box 1 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Identifier An unambiguous reference to the resource within a given context AV2009-47_Tebb017 Daphne Room Draperies Raleigh Tavern Robert Tebbs Sconces Side Chairs Side Tables Virginia Wallpaper Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/f0699a7f62f7a728175c2dfb30f7e326.jpg?Expires=1779926400&Signature=nh9pTQck-zgwZ-EEucZVRsjk1IAtqqTbwYN1pZNpqnIJi6qulO0hv7nk0Cqli%7ErFgXir2B0NFRdAIf8NFG2aLKeBR1ULE4KyjQh2IhjmpQe25NU%7ECJZTUqjD3Xmb2qkS5ieVUbfM1jG3bTgq-c87oI3%7Eb1PhtSb2OrE9U7kMU1oytezr6tec1aLMFvnn4OUaNry2D8ckLQdnt5k-VaM5L0TkJw%7EbnYjMVERb4imnk0s8nmJrzRXDVQP7B0ZghPWYfaGrB7oAcDjA9cfMt66iEoqDfwLuj4OZzvVHvX0BEQNeZFh4j05n9ApUH-yU0elSj7pGeeR6MO1CjouRiJmUbA__&Key-Pair-Id=K6UGZS9ZTDSZM 9e16139a980fc756712391ac5bedf83d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pacific Stereopticon Company Lantern Slides Description An account of the resource Produced by the Pacific Stereopticon Company of Los Angeles, this collection of forty-five lantern slides depicts individuals involved in the restoration of Williamsburg, as well as some of the restored buildings. The slides are a mixture of black and white and color images taken by various photographers in the late 1930s. Many are copies based upon photos taken by contract professionals hired to document the appeal of the architecture and landscapes of Colonial Williamsburg. Several of the black and white slides are derived from photos taken by noted architectural photographer F.S. Lincoln, whose collection is also available for viewing on this site. The lantern slides are significant because they document early efforts to publicize the newly opened museum. California architect Reginald Davis Johnson utilized the set to lecture to students and colleagues about the massive efforts undertaken to bring Williamsburg's historic district back to its 18th-century appearance. Noted for his contributions to the development of the Spanish-Southern California architecture of Santa Barbara, Reginald Davis Johnson resided in Pasadena and operated an architectural design studio. Some of his best known projects include the Santa Barbara Biltmore Hotel, the Santa Barbara Post Office, and the Harbor Hills, Rancho San Pedro, and Baldwin Hills communities in Los Angeles. A precursor of 35mm slides, lantern slides are large format positive transparencies, usually 3.25 x 4 inches, sandwiched between two pieces of glass. Many were hand-colored. A projector allowed the slides to be viewed on a wall or screen. Instead of automatically advancing from one slide to the next, the lantern slides had to be manually placed into a slot on the projector. Invented in 1848, lantern slides evolved from those associated with magic lanterns in the late 19th-century to the format represented in this collection. Between 1848-1870, oil lamps served as the light source for magic lantern projectors. By the 1890s, the carbon arc lamp offered a better lighting method. The introduction of electricity in the 20th-century allowed the projection of lantern slides to become common in schools and universities. Lantern slides became obsolete in the 1950s when the Kodachrome three-color process brought about the introduction of 35mm slides. Subject The topic of the resource Pacific Stereopticon Co. Lantern slides - Hand-colored - 1930-1940 Johnson, Reginald Davis, 1882-1952 Creator An entity primarily responsible for making the resource Pacific Stereopticon Co. Date A point or period of time associated with an event in the lifecycle of the resource ca. 1935 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Lantern slide Physical Dimensions The actual physical size of the original image. 2 x 3 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dining Room in the Raleigh Tavern Subject The topic of the resource Raleigh Tavern (Williamsburg, Va.) Block 17. Building 06. Taverns (Inns) - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Furniture - Virginia - Williamsburg Identifier An unambiguous reference to the resource within a given context PSC-028 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Description An account of the resource Lantern slide featuring a photo taken by F.S. Lincoln of the Common Dining Room in the Raleigh Tavern as it appeared in 1935. It is the twenty-eighth slide in a set produced by the Pacific Stereopticon Co. of Los Angeles, California, now defunct, to illustrate the story of Dr. W.A.R. Goodwin's dream to restore a portion of Williamsburg, Virginia to its 18th-century appearance as a shrine to early American ideals. The Raleigh Tavern was the frequent scene of both jollity and consequence. Burned to the ground in 1859, the tavern was reconstructed from published illustrations, insurance policies, and archaeology that uncovered most of the original foundations. Interior furnishings and decor reflect curators' views in the 1930s as to how Williamsburg's historic interiors may have looked in the eighteenth century. Nevertheless, with new research advances over the years, the Raleigh Tavern's interiors have changed and evolved to reflect a more authentic and accurate view of each room's likely contents and arrangements. Publisher An entity responsible for making the resource available Pacific Stereopticon Co. Date A point or period of time associated with an event in the lifecycle of the resource ca. 1935 Is Part Of A related resource in which the described resource is physically or logically included. Pacific Stereopticon Company Lantern Slide Collection Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Creator An entity primarily responsible for making the resource Lincoln, F.S. Candlesticks Ceramics Chair Rails Common Dining Room Curtains Dining Rooms Firedogs Fireplaces Glass Bottles Glassware Inns Lantern Slides Mantels Maps Ordinaries Pacific Stereopticon Company Pewter Pilasters Prints Raleigh Tavern Sconces Side Chairs Tables Tankards Taverns Venetian Blinds Virginia Williamsburg Windsor Chairs https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/631c9e6cb2d1c4a3645be63bc983c357.jpg?Expires=1779926400&Signature=NPsMuXs24mjYM7XLsQLozvUQVkKTFC9lmeep%7EyzHKjFvkrUq6tULAUgXT9c2rEor-AEXMM8ot%7Eg8ueEj03diduPOeg0WvGUP2226uLa3jp3WXtCjSVx1ThqmoEELKcs6Po30dgq0MBCbVu4pRduMmoXhf5fhckj52BNG5beug8ZYc55r7cRrQFB8Tr4t8yJX-PeAa80aa-QzNop3oL5EUV1INRUfNH8-GnwuR2879A4CkY9iluQEBTOYBXr4Zh2UKkUoATL9RJAHkD%7E8Y%7Eac-EhCMEotNtNLLAxAnEWqMrHN11cUyLyGlc-q5l2W1-CgkBkyj7zVbwSstqQogq9e2A__&Key-Pair-Id=K6UGZS9ZTDSZM 745a775423e80b12583f51f0cd92a85a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1022 IPTC Array a:5:{s:7:"caption";s:157:"Recto of postcard depicting a dining room in the Richard Bland Tavern, Williamsburg, Va., published by The Collotype co., ca.1930s, accession # AV-2001.9, 3.";s:14:"caption_writer";s:15:"Marianne Martin";s:11:"object_name";s:17:"AV-2001-R-09-03-R";s:7:"keyword";s:66:"Richard Bland Tavern, Wetherburn's Tavern, Dining Rooms, Postcards";s:16:"copyright_notice";s:91:"Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation";} IPTC String caption:Recto of postcard depicting a dining room in the Richard Bland Tavern, Williamsburg, Va., published by The Collotype co., ca.1930s, accession # AV-2001.9, 3. caption_writer:Marianne Martin object_name:AV-2001-R-09-03-R keyword:Richard Bland Tavern, Wetherburn's Tavern, Dining Rooms, Postcards copyright_notice:Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Width 1590 https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/9709540c3cb626ddfa8f9914d7652817.jpg?Expires=1779926400&Signature=a65AKKRpn6mMgz1k1fxa3SGv8nVE450K1t05R5kSQAvWxYr8xU8kKMKwwoRTrZfop2SYkW2SjQkmKT1eIBGiVbO6rXsWT5BGYAars2i-m9kdjXpttiNwPQkXsYHCO8OkBEvO6D3ZIkeZZx6uRzOvHpB6lZmtAM8CYIcjEPtHVmeNMWmZzqIu7Jb0HXIVBCUyN%7ELrnWGV68S8a2OF%7EPWYnF4xo0SFlQJUoY2bW3eSHdEZ1iCvNJDykkcs81Y5zp1AUxnSb554w9yaTePZTBmqeSLCUuUdupzQrksa2mxSrGHuOTNHbNGrs7FpQSehqbRFptveSvdnLZP1m-Dt6Mi7FQ__&Key-Pair-Id=K6UGZS9ZTDSZM b24081acf8eac55977bbc8b9f92a0bd0 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1029 IPTC Array a:5:{s:7:"caption";s:157:"Verso of postcard depicting a dining room in the Richard Bland Tavern, Williamsburg, Va., published by The Collotype co., ca.1930s, accession # AV-2001.9, 3.";s:14:"caption_writer";s:15:"Marianne Martin";s:11:"object_name";s:15:"AV-2001-09-03-V";s:7:"keyword";s:66:"Richard Bland Tavern, Wetherburn's Tavern, Dining Rooms, Postcards";s:16:"copyright_notice";s:91:"Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation";} IPTC String caption:Verso of postcard depicting a dining room in the Richard Bland Tavern, Williamsburg, Va., published by The Collotype co., ca.1930s, accession # AV-2001.9, 3. caption_writer:Marianne Martin object_name:AV-2001-09-03-V keyword:Richard Bland Tavern, Wetherburn's Tavern, Dining Rooms, Postcards copyright_notice:Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Width 1629 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Selections from the Postcard Collection Description An account of the resource The Postcard Collection housed at the John D. Rockefeller Jr. Library consists of postcards of Williamsburg and surrounding areas dating from the late 19th-century to the present. It includes examples of early postcards of the town prior to its restoration by John D. Rockefeller Jr. In addition, it encompasses many examples of official postcards produced by Colonial Williamsburg for tourists. A smaller number of postcards of neighboring historic sites, such as Jamestown and Yorktown, are also present. The selections included here are primarily vintage postcards of Colonial Williamsburg and surrounding tourist attractions ranging in date from 1898 to the 1950s. Early cards in the collection illustrate a range of common postcard types and reproduction techniques. The history of the postcard's development as a souvenir, as well as the growth of tourism in Williamsburg, can be traced via Colonial Williamsburg's Postcard Collection. During what is known as the Pioneer Era from 1870-1898, the first form of postcard, featuring an illustration on one side and an undivided back on the other, did not allow the sender to include a note, unless it was written across a portion of the image on the front. The majority of pioneering postcard formats served as advertisements up until the 1893 Columbia Exposition, when postcards first appeared as souvenirs for Exposition visitors to purchase. The Private Mailing Card Era from 1898-1901 is characterized by cards printed with the notice "Private Mailing Card Authorized by Act of Congress on May 19, 1898." Backs of the cards remained undivided and purchasers could mail the cards for a cost of one cent. Several examples of postcards from this era are present in the collection. They include some of the earliest instances of souvenir cards created to promote Williamsburg historic sites, such as the Courthouse, Bruton Parish Church, the Powder Magazine, and the Capitol site. European rather than American printers created many of these postcards due to their superb skills. Chromo-lithograph cards of this era exhibit extremely rich colors. By the time the Jamestown Exposition took place in 1907, postcard production had entered the Divided Back Era, which continued until 1915. Modified postcard backs offered a segment on the left side for senders to pen a brief message. Production of cards gradually shifted to more American printers. The Jamestown Exposition provided a strong impetus for promotion of other historic sites that attendees might also stop at along the way. A series of postcards commemorating Williamsburg area historic sites in conjunction with the 1907 celebration are excellent examples of very early divided back cards. The Early Modern Era between 1916-1930 led to an increase in production of souvenir cards relating to the Williamsburg area. One type of format popular in this period is the "White Border Card" characterized by a view surrounded with a white border. Real photo cards also began to appear that featured photographs, rather than prints, of local surroundings. In the era before Colonial Williamsburg operated official gift shops, tourists counted on the Cole News Shop as their source for maps, postcards, travel guides, and souvenirs. Mr. Henry Dennison Cole served as the proprietor. His business stood on the site of the present day Taliaferro-Cole Shop. He produced his own postcards of historic sites in the area being restored by the Association for the Preservation of Virginia Antiquities and other groups of preservation minded citizens. Several examples of cards published by the Cole Shop can be found in the collection and offer a glimpse of attractions popular with early 20th-century tourists, such as the old Masonic Hall and Custis Kitchen. Once Colonial Williamsburg opened a core group of exhibition buildings to the public in the early 1930s, a new era dawned in which the museum began production of official postcards as souvenirs for visitors. Photographs by F.S. Lincoln, an architectural photographer hired on a contract basis in 1935 to take some of the first promotional photos of Colonial Williamsburg exhibition buildings, appeared on a number of real photo postcards issued in the late 1930s. Both examples of postcards bearing his photos, as well as his actual photograph collection, reside at the Rockefeller Library. The Albertype Company of Brooklyn, New York, produced one of the earliest official postcard series highlighting Colonial Williamsburg exhibition buildings, costumed interpreters, Williamsburg Inn and Lodge, and Merchants Square. In addition to holding numerous examples of Albertype cards, the Rockefeller Library also houses the corresponding photographic prints used to generate the postcards. Albertype cards are characterized by sepia toned images that show exterior and interior views of exhibition buildings, as well as some of the earliest scenes of African Americans in costume demonstrating colonial cooking techniques. For further information about Williamsburg postcards, please consult: Preacher, Kristopher J. "Williamsburg in Vintage Postcards." Charleston: Arcadia Publishing, 2002. Reisweber, Kurt. "Williamsburg in Old Post Cards." Colonial Williamsburg XXI, No.2, (June/July 1999): 52-57. Subject The topic of the resource Postcards - Virginia - Williamsburg Souvenirs (Keepsakes) - Virginia - Williamsburg - Pictorial works Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Postcard Physical Dimensions The actual physical size of the original image. 3 x 5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dining Room, Richard Bland Tavern Description An account of the resource Recto and verso of a postcard depicting a sideboard in the Dining Room of the Richard Bland Tavern published by The Collotype Co. A wall hanging with a blessing written by Robert Burns served as a distinctive feature of the room. Early visitors to Colonial Williamsburg could dine, lodge, and purchase souvenirs and antiques at the Richard Bland Tavern. This postcard formed part of a set that visitors most likely could find in the tavern gift shop. Creator An entity primarily responsible for making the resource The Collotype Co. Date A point or period of time associated with an event in the lifecycle of the resource ca. 1930s Rights Information about rights held in and over the resource This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: <a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm">Rights and reproductions</a> Is Part Of A related resource in which the described resource is physically or logically included. Postcard Collection Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context AV2001-09-03-R Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Bells Blessings Dining Rooms High Chairs Ladder Back Chairs Pewter Plates Postcards Richard Bland Tavern Robert Burns Sconces Sideboards Taverns Tea Tables Virginia Wetherburn's Tavern Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/73328bc4088cee5830ee5802f77f0397.jpg?Expires=1779926400&Signature=jiztZuruhHz8tyPFPuz8WSZ50SUEFhf2L5UFdIwuxYdbDDIJl2LVBaKoPcrDl34hjAHk4yiI7DakFA5vDvh9Ffh0GL-yzNh681WNlQ7CKriSIB-e8xINv2-sZv-8TP8nkAULmTvLiwF7ZGrMfI9kqEQiGVQ0Mpg7nyEZAFPGDfzhtEVAoTOaJKi412C7HKCpuT8knXJodSdFWu1dpkpna5QIZKlpnsQph9ghLKdqUU61IUs0yjFYGqajjoU4s2uG96KD2%7E%7E6wJMGtN8kta0wyx2YV1AJmBm%7E3LZCkbPZfbZgNWMaTy9Eo-7CWOvc6PXcyZ0kfjMlvNZtTvYk0BDFpQ__&Key-Pair-Id=K6UGZS9ZTDSZM 742b5bda7261a43db339138d14b679f2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pacific Stereopticon Company Lantern Slides Description An account of the resource Produced by the Pacific Stereopticon Company of Los Angeles, this collection of forty-five lantern slides depicts individuals involved in the restoration of Williamsburg, as well as some of the restored buildings. The slides are a mixture of black and white and color images taken by various photographers in the late 1930s. Many are copies based upon photos taken by contract professionals hired to document the appeal of the architecture and landscapes of Colonial Williamsburg. Several of the black and white slides are derived from photos taken by noted architectural photographer F.S. Lincoln, whose collection is also available for viewing on this site. The lantern slides are significant because they document early efforts to publicize the newly opened museum. California architect Reginald Davis Johnson utilized the set to lecture to students and colleagues about the massive efforts undertaken to bring Williamsburg's historic district back to its 18th-century appearance. Noted for his contributions to the development of the Spanish-Southern California architecture of Santa Barbara, Reginald Davis Johnson resided in Pasadena and operated an architectural design studio. Some of his best known projects include the Santa Barbara Biltmore Hotel, the Santa Barbara Post Office, and the Harbor Hills, Rancho San Pedro, and Baldwin Hills communities in Los Angeles. A precursor of 35mm slides, lantern slides are large format positive transparencies, usually 3.25 x 4 inches, sandwiched between two pieces of glass. Many were hand-colored. A projector allowed the slides to be viewed on a wall or screen. Instead of automatically advancing from one slide to the next, the lantern slides had to be manually placed into a slot on the projector. Invented in 1848, lantern slides evolved from those associated with magic lanterns in the late 19th-century to the format represented in this collection. Between 1848-1870, oil lamps served as the light source for magic lantern projectors. By the 1890s, the carbon arc lamp offered a better lighting method. The introduction of electricity in the 20th-century allowed the projection of lantern slides to become common in schools and universities. Lantern slides became obsolete in the 1950s when the Kodachrome three-color process brought about the introduction of 35mm slides. Subject The topic of the resource Pacific Stereopticon Co. Lantern slides - Hand-colored - 1930-1940 Johnson, Reginald Davis, 1882-1952 Creator An entity primarily responsible for making the resource Pacific Stereopticon Co. Date A point or period of time associated with an event in the lifecycle of the resource ca. 1935 Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Lantern slide Physical Dimensions The actual physical size of the original image. 2 x 3 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fireplace Detail : Daphne Room Subject The topic of the resource Raleigh Tavern (Williamsburg, Va.) Taverns (Inns) - Virginia - Williamsburg Block 17. Building 06. Furniture - Virginia - Williamsburg Description An account of the resource Lantern slide featuring photo taken by F.S. Lincoln looking towards the fireplace in the Daphne Room of the Raleigh Tavern, 1935. It is the thirty-first slide in a set produced by the Pacific Stereopticon Co. of Los Angeles, California, now defunct, to illustrate the story of Dr. W.A.R. Goodwin's dream to restore a portion of Williamsburg, Virginia to its 18th-century appearance as a shrine to early American ideals. The Raleigh Tavern was the frequent scene of both jollity and consequence. Dinners and dances rivaled in elegance those at the Palace and burgesses reconvened at the tavern when they were dissolved by royal governors prior to the Revolution. Burned to the ground in 1859, the tavern was reconstructed from published illustrations, insurance policies, and archaeology that uncovered most of the original foundations. In anticipation of guests' needs, a bottle case or cellaret (accession # 1930-58) is featured to the left of the fireplace. Cellarets functioned as portable wine cellars for holding wine and bottled spirits at mealtimes. Above the fireplace hangs a painting entitled Imaginary Landscape (accession #1931.101.3), a gift of Abby Aldrich Rockefeller. Interior furnishings and decor reflect curators' views in the 1930s as to what Williamsburg's historic interiors may have looked like in the eighteenth century. Nevertheless, with new research findings evolving over the years, the Raleigh Tavern's interior furnishings have changed to reflect a more authentic and accurate view of each room's likely contents and arrangements. Publisher An entity responsible for making the resource available Pacific Stereopticon Co. Identifier An unambiguous reference to the resource within a given context PSC-031 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation Date A point or period of time associated with an event in the lifecycle of the resource 1935 Is Part Of A related resource in which the described resource is physically or logically included. Pacific Stereopticon Company Lantern Slide Collection Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Creator An entity primarily responsible for making the resource Lincoln, F.S. Armchairs Candlesticks Cellarets Ceramics Chair Rails Chairs Cruets Daphne Room Dentils Dining Rooms F.S. Lincoln Firedogs Fireplaces Flatware Inns Lantern Slides Looking Glasses Mantels Mirrors Ordinaries Pacific Stereopticon Company Paintings Raleigh Tavern Salt Cellars Sconces Side Chairs Silver Tables Taverns Virginia Wainscotting Wallpaper Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/cb26df784c4bf38fe0c5e2fc6dca55a2.jpg?Expires=1779926400&Signature=uaxZ4zI9A5m68Lnd2P%7EM7iB0m0VrukNT1fYAF3GHsI8S%7E-m4-oExQfZIgfwMLsEe9rjjqvqB%7EzLIAXwI5qwea3dw5GgaKtgYi8OVL0RuRKpWGMQM0IJ1TzBKGRTsA1sZFccMxINpCuGNAZmFXtk6wmrOhA1KkhEYot406G62dJuc6j8K-FA7ZPZYrBEwIn5WIjeLMxyIgdgxzARFjirxtl0BBnX-uOQjdQWfJcGz-Um14NHUdPCtivkR8j5cgPadpesZTSjbbqL9mlx1c7%7EPzoRRW8H4jUNz9yY99qB-Ldt8j6mVE4JSEi62x%7E7iJVs31O0rKklR0WSRQd9IKJRDmQ__&Key-Pair-Id=K6UGZS9ZTDSZM a4cf328885f68a8d700ec4e6e6270274 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 768 Width 968 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource F.S. Lincoln Photography Collection Description An account of the resource The FS Lincoln Collection Biographical Sketch Mr. Fay S. Lincoln (known professionally as F.S. Lincoln) operated a photography studio in New York City from the 1930s until the mid 1960s. He was born in Keene, New Hampshire in 1894 and attended the Massachusetts Institute of Technology. Although he received training as an engineer, Mr. Lincoln chose to become a professional photographer in 1929, when he opened the firm of Nyholm &amp; Lincoln in conjunction with another photographer, Peter Nyholm, in New York City. A few years later, he opened his own studio at 114 East 32nd St.1 In 1932, Lincoln began corresponding with Kenneth Chorley, President of the Colonial Williamsburg Foundation, about the possibility of contracting with the Foundation to photograph the completed restoration work at Williamsburg. Lincoln had learned that John D. Rockefeller, Jr. was looking for someone to create a master collection of photos of Williamsburg through Arthur S. Vernay, an acquaintance of Abby Aldrich Rockefeller. In his correspondence, Lincoln noted he had completed photographic assignments for many of the top architects and designers in New York, including Arthur S. Vernay, Joseph Urban, James Gamble Rogers, Voorhees, Gmelin &amp; Walker, McKim, Mead, &amp; White, Robert Locher, and Eugene Schoen. He also pointed out that he had sold architectural photos to many prominent magazines, including "Architectural Record," "National Geographic," "Country Life," "Architectural Forum," and "Spur."2 Lincoln's credentials, along with sample photographs and recommendations from magazine editors, enabled him to secure a contract with Colonial Williamsburg on April 22, 1935. According to the terms of the contract, Lincoln was hired to prepare a master collection of photographs and negatives that Colonial Williamsburg could sell to tourists and residents of Williamsburg, as well as use for promotional purposes. Lincoln retained the right to sell copies of his photographs at his New York studio, provided he consulted with the Foundation regarding the proposed use of the photographs. He also retained title to all negatives and copyright for all photos until the termination of his business. Plans for a traveling exhibition of Lincoln's photographs of Williamsburg were also mentioned in the contract.3 During 1935, F.S. Lincoln traveled to Williamsburg at seasonal intervals to photograph views requested by the Foundation. A panel of Colonial Williamsburg employees reviewed each series of photos and selected a group to be added to the master collection. F.S. Lincoln photos illustrated two portfolios about Colonial Williamsburg published in the "Architectural Record" in December 1935 and November 1936. Full-page black and white photos of restored buildings and gardens accompanied articles on the restoration written by Kenneth Chorley, Fiske Kimball, William G. Perry, and Arthur Shurcliff. Thus, Lincoln's photos gave the American public their first introduction to the completed restoration. Lincoln had also been hired by Colonial Williamsburg to create a group of photographs of Williamsburg that could be exhibited. Correspondence between staff members indicates that John D. Rockefeller, Jr. hoped to mount a traveling exhibit of Williamsburg photographs. An exhibit of a selection of Lincoln's views of Williamsburg, along with photos he took for "Harper's Bazaar," "House and Garden," "House Beautiful," "Vanity Fair," "National Geographic," and "Town and Country," was held at the Rabinovitch Gallery in New York City from October 4-17, 1935. Although Foundation employees were satisfied with the quality of Lincoln's photographs, they were dismayed by the cost of individual prints and enlargements. Memos exchanged between members of the marketing staff indicate that employees were having a hard time convincing distributors to purchase enlargements of the Lincoln photos for display in shop windows. As a result, the Foundation's agreement with F.S. Lincoln was terminated on April 21, 1936.4 Despite this setback, F.S. Lincoln secured contracts for many other architectural photography projects in the 1930s. He received numerous commissions to photograph buildings in New York City and also traveled abroad on several assignments. In 1934, he completed a portfolio of photos of Mont St. Michel and in 1938 he toured the deep South and photographed examples of antebellum architecture. Lincoln's photos were widely published in the 1930s and 1940s in such magazines as "Architectural Record," "House Beautiful," "National Geographic," "Country Life," and "Architectural Forum." In addition, he published a book of his photographs in 1946 entitled "Charleston: Photographic Studies by F.S. Lincoln."5 F.S. Lincoln continued to operate a photography studio in New York City until 1965, when he retired and moved to Center Hall, Pennsylvania to live with his sister. He forwarded all of his negatives of Williamsburg buildings to the Foundation in 1972, along with a letter stating that “the copyright of the photographs has run out, so you are free to use them as desired.”6 Upon his death in 1976, the remainder of Lincoln's archive of prints and negatives, as well as some business papers, were donated to the Pennsylvania State University Archives. Scope and Contents The F.S. Lincoln collection consists of black and white negatives and prints taken by Mr. Lincoln in preparation for the publication of "The Restoration of Colonial Williamsburg in Virginia," a series of articles appearing in the December 1935 and November 1936 issues of "The Architectural Record." Both issues featured a portfolio of buildings and gardens in the newly restored historic area of Williamsburg. In order to produce a large pool of photos for use in these portfolios, Mr. Lincoln created comprehensive visual documentation of the work completed during the initial phases of the restoration (1927-1935.) He photographed the exteriors and interiors of thirty restored buildings, including the exhibition buildings open to the public, such as the Governor's Palace, the Capitol, Raleigh Tavern, Bruton Parish Church, the Wren Building, and the Powder Magazine. In addition, he captured exterior views of some of the shops open on Merchant's Square and restored buildings adapted for public use, such as the Public Library. He also photographed many of the gardens and garden ornaments throughout the restored area. The collection is organized into series by format. Series included in the collection are negatives; bound matted and signed prints; unbound matted and signed prints; and small albums. Within each format, items are organized according to the numbering system assigned by Mr. Lincoln. The first three digits of numbers assigned to the images correspond to a particular building or subject category. For example, all images of the Capitol have numbers beginning with 325 and all miscellaneous views have numbers beginning with 365. After these first three digits, Lincoln added a P for print and then a successive number for each view. For example, the first view of the Capitol is number 325P1. An “LC” prefix has been added to all image numbers by the Colonial Williamsburg Foundation to identify the images as coming from the Lincoln Collection. Endnotes 1 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17, (Spring 1993): 127-128. 2 F.S. Lincoln to B.W. Norton, October 18, 1933. Colonial Williamsburg Foundation Archives. 3 Agreement dated April 22, 1935 between Colonial Williamsburg, Inc. and F.S. Lincoln, Colonial Williamsburg Foundation Archives. 4 Mr. Norton to Mr. Darling, February 22, 1937; Kenneth Chorley to F.S. Lincoln, April 6, 1937, Colonial Williamsburg Foundation Archives. 5 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17 (Spring 1993): 128. 6 F.S. Lincoln to James R. Short, May 15, 1972, Colonial Williamsburg Foundation Archives. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin or collodian printing out paper with platinum toning, mounted on board Physical Dimensions The actual physical size of the original image. 8 x 10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource General Court, Capitol Subject The topic of the resource Capitol (Williamsburg, Va.) Block 08. Building 11. Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Courtrooms - Virginia - Williamsburg Description An account of the resource <p>Interior view of the General Court Room in the Capitol, 1935. "The General Court, the highest court in the colony, convened in April and October to hear both civil and criminal cases. The governor and the twelve members of the Council served as the justices of the General Court. After 1710, the Court of Oyer and Terminer (meaning 'to hear and decide'), presided over by the councillors alone, heard criminal cases at sessions in June and December."</p> <p>(Source: Michael Olmert and Suzanne Coffman, <em>Official Guide to Colonial Williamsburg</em> [Williamsburg, VA: The Colonial Williamsburg Foundation, 2007], 69).</p> Creator An entity primarily responsible for making the resource Lincoln, F.S. Date A point or period of time associated with an event in the lifecycle of the resource 1935 Date Created Date of creation of the resource. 1935 Rights Information about rights held in and over the resource This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: <a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm">Rights and reproductions</a> Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context LC325P13 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Benches Bull's-Eye Windows Candlesticks Capitol Chair Rails Chairs Chandeliers Courtrooms Dentils F.S. Lincoln Galleries General Court General Court Room Historic Buildings Oculus Windows Public Buildings Round-headed Windows Royal Coats of Arms Sconces Tables Virginia Wainscotting Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/4fdf5a475658fe11014ae6f8dd9c5900.jpg?Expires=1779926400&Signature=F2z3c%7EjTguHTsiGLV8EQN9CDQiBsEKD3VqGaFQoFnCuQN4YY6uz0HJd7ytt53uvuq44R9Mp75DmugDhko1obyAAQc2sqGJ4whSU7aCNQbTQDcmQPbVPVJqJaIyeRskrTEBpMbO48uXvCYU6gGyFLatHGzEEgb-XzRHil8T56NZC8s7HJ3kbfJHIpDBzIIeC6pYWwHq1iAvI-SHkc-u7kRKifbNrsPDtluFQqSKkrN9ijJYg8eQ99D%7EHGgIcxYnoNn3ryShvqCx1W2HYEW41NYknpsWorIogkoI6V3pGj4yW4GcfLTRQuPaNVn4cZWnsLhO9zGSyz3hc5a1fJpUAn4g__&Key-Pair-Id=K6UGZS9ZTDSZM fe6efee4563644f39f6dcf9dae09ddd3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 768 Width 975 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource F.S. Lincoln Photography Collection Description An account of the resource The FS Lincoln Collection Biographical Sketch Mr. Fay S. Lincoln (known professionally as F.S. Lincoln) operated a photography studio in New York City from the 1930s until the mid 1960s. He was born in Keene, New Hampshire in 1894 and attended the Massachusetts Institute of Technology. Although he received training as an engineer, Mr. Lincoln chose to become a professional photographer in 1929, when he opened the firm of Nyholm &amp; Lincoln in conjunction with another photographer, Peter Nyholm, in New York City. A few years later, he opened his own studio at 114 East 32nd St.1 In 1932, Lincoln began corresponding with Kenneth Chorley, President of the Colonial Williamsburg Foundation, about the possibility of contracting with the Foundation to photograph the completed restoration work at Williamsburg. Lincoln had learned that John D. Rockefeller, Jr. was looking for someone to create a master collection of photos of Williamsburg through Arthur S. Vernay, an acquaintance of Abby Aldrich Rockefeller. In his correspondence, Lincoln noted he had completed photographic assignments for many of the top architects and designers in New York, including Arthur S. Vernay, Joseph Urban, James Gamble Rogers, Voorhees, Gmelin &amp; Walker, McKim, Mead, &amp; White, Robert Locher, and Eugene Schoen. He also pointed out that he had sold architectural photos to many prominent magazines, including "Architectural Record," "National Geographic," "Country Life," "Architectural Forum," and "Spur."2 Lincoln's credentials, along with sample photographs and recommendations from magazine editors, enabled him to secure a contract with Colonial Williamsburg on April 22, 1935. According to the terms of the contract, Lincoln was hired to prepare a master collection of photographs and negatives that Colonial Williamsburg could sell to tourists and residents of Williamsburg, as well as use for promotional purposes. Lincoln retained the right to sell copies of his photographs at his New York studio, provided he consulted with the Foundation regarding the proposed use of the photographs. He also retained title to all negatives and copyright for all photos until the termination of his business. Plans for a traveling exhibition of Lincoln's photographs of Williamsburg were also mentioned in the contract.3 During 1935, F.S. Lincoln traveled to Williamsburg at seasonal intervals to photograph views requested by the Foundation. A panel of Colonial Williamsburg employees reviewed each series of photos and selected a group to be added to the master collection. F.S. Lincoln photos illustrated two portfolios about Colonial Williamsburg published in the "Architectural Record" in December 1935 and November 1936. Full-page black and white photos of restored buildings and gardens accompanied articles on the restoration written by Kenneth Chorley, Fiske Kimball, William G. Perry, and Arthur Shurcliff. Thus, Lincoln's photos gave the American public their first introduction to the completed restoration. Lincoln had also been hired by Colonial Williamsburg to create a group of photographs of Williamsburg that could be exhibited. Correspondence between staff members indicates that John D. Rockefeller, Jr. hoped to mount a traveling exhibit of Williamsburg photographs. An exhibit of a selection of Lincoln's views of Williamsburg, along with photos he took for "Harper's Bazaar," "House and Garden," "House Beautiful," "Vanity Fair," "National Geographic," and "Town and Country," was held at the Rabinovitch Gallery in New York City from October 4-17, 1935. Although Foundation employees were satisfied with the quality of Lincoln's photographs, they were dismayed by the cost of individual prints and enlargements. Memos exchanged between members of the marketing staff indicate that employees were having a hard time convincing distributors to purchase enlargements of the Lincoln photos for display in shop windows. As a result, the Foundation's agreement with F.S. Lincoln was terminated on April 21, 1936.4 Despite this setback, F.S. Lincoln secured contracts for many other architectural photography projects in the 1930s. He received numerous commissions to photograph buildings in New York City and also traveled abroad on several assignments. In 1934, he completed a portfolio of photos of Mont St. Michel and in 1938 he toured the deep South and photographed examples of antebellum architecture. Lincoln's photos were widely published in the 1930s and 1940s in such magazines as "Architectural Record," "House Beautiful," "National Geographic," "Country Life," and "Architectural Forum." In addition, he published a book of his photographs in 1946 entitled "Charleston: Photographic Studies by F.S. Lincoln."5 F.S. Lincoln continued to operate a photography studio in New York City until 1965, when he retired and moved to Center Hall, Pennsylvania to live with his sister. He forwarded all of his negatives of Williamsburg buildings to the Foundation in 1972, along with a letter stating that “the copyright of the photographs has run out, so you are free to use them as desired.”6 Upon his death in 1976, the remainder of Lincoln's archive of prints and negatives, as well as some business papers, were donated to the Pennsylvania State University Archives. Scope and Contents The F.S. Lincoln collection consists of black and white negatives and prints taken by Mr. Lincoln in preparation for the publication of "The Restoration of Colonial Williamsburg in Virginia," a series of articles appearing in the December 1935 and November 1936 issues of "The Architectural Record." Both issues featured a portfolio of buildings and gardens in the newly restored historic area of Williamsburg. In order to produce a large pool of photos for use in these portfolios, Mr. Lincoln created comprehensive visual documentation of the work completed during the initial phases of the restoration (1927-1935.) He photographed the exteriors and interiors of thirty restored buildings, including the exhibition buildings open to the public, such as the Governor's Palace, the Capitol, Raleigh Tavern, Bruton Parish Church, the Wren Building, and the Powder Magazine. In addition, he captured exterior views of some of the shops open on Merchant's Square and restored buildings adapted for public use, such as the Public Library. He also photographed many of the gardens and garden ornaments throughout the restored area. The collection is organized into series by format. Series included in the collection are negatives; bound matted and signed prints; unbound matted and signed prints; and small albums. Within each format, items are organized according to the numbering system assigned by Mr. Lincoln. The first three digits of numbers assigned to the images correspond to a particular building or subject category. For example, all images of the Capitol have numbers beginning with 325 and all miscellaneous views have numbers beginning with 365. After these first three digits, Lincoln added a P for print and then a successive number for each view. For example, the first view of the Capitol is number 325P1. An “LC” prefix has been added to all image numbers by the Colonial Williamsburg Foundation to identify the images as coming from the Lincoln Collection. Endnotes 1 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17, (Spring 1993): 127-128. 2 F.S. Lincoln to B.W. Norton, October 18, 1933. Colonial Williamsburg Foundation Archives. 3 Agreement dated April 22, 1935 between Colonial Williamsburg, Inc. and F.S. Lincoln, Colonial Williamsburg Foundation Archives. 4 Mr. Norton to Mr. Darling, February 22, 1937; Kenneth Chorley to F.S. Lincoln, April 6, 1937, Colonial Williamsburg Foundation Archives. 5 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17 (Spring 1993): 128. 6 F.S. Lincoln to James R. Short, May 15, 1972, Colonial Williamsburg Foundation Archives. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin or collodian printing out paper with platinum toning, mounted on board Physical Dimensions The actual physical size of the original image. 8x10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource General Court, Capitol Subject The topic of the resource Capitol (Williamsburg, Va.) Block 08. Building 11. Historic buildings - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Description An account of the resource <p>Interior view of the General Court Room in the Capitol, 1935. "The General Court, the highest court in the colony, convened in April and October to hear both civil and criminal cases. The governor and the twelve members of the Council served as the justices of the General Court. After 1710, the Court of Oyer and Terminer (meaning 'to hear and decide'), presided over by the councillors alone, heard criminal cases at sessions in June and December."</p> <p>(Source: Michael Olmert and Suzanne Coffman, <em>Official Guide to Colonial Williamsburg</em> [Williamsburg, VA: The Colonial Williamsburg Foundation, 2007], 69).</p> Creator An entity primarily responsible for making the resource Lincoln, F.S. Date A point or period of time associated with an event in the lifecycle of the resource 1935 Date Created Date of creation of the resource. 1935 Rights Information about rights held in and over the resource This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: <a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm">Rights and reproductions</a> Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context LC325P14 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Benches Bull's-Eye Windows Candlesticks Capitol Chair Rails Chairs Chandeliers Courtrooms Dentils F.S. Lincoln Galleries General Court General Court Room Historic Buildings Oculus Windows Public Buildings Round-headed Windows Royal Coats of Arms Sconces Tables Virginia Wainscotting Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/a6b6d84fecf8ee593d33872f67cc810c.jpg?Expires=1779926400&Signature=elsa07O-%7E0dreLMrEi7RYigBrqqmXFaFeImlyoI-sw8HrBh6qTUC2lI5M922Ls6k9eK3EYHGv15M1KfXzHK39uCp6CGljqUHSSBLD9CKpV%7Ebo5bUsuionSbg13wS8Lxr7tb9v8iP457ywjPzn75rpS5M4VdcyTm2ZJGtekBVh-f-QUF2uvlSxm70I3SvgvA%7Ej8ZJDqbtlj3xPd2%7ERmxlvPuqaBZhYWRjcvI7YN07VYMv%7Eusbk%7EfxZFd7Zd2ULRcacwA4A-3UpCBDJq5obZMNpkrHk2LofH0DkXPMgNWWJRWU2d4g-6zrLUmr7WUHNZBLU%7EnGbEfar5WJmyM6uGD96A__&Key-Pair-Id=K6UGZS9ZTDSZM fb301ba178edd7dffbe0c78e93c5495d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 768 Width 967 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource F.S. Lincoln Photography Collection Description An account of the resource The FS Lincoln Collection Biographical Sketch Mr. Fay S. Lincoln (known professionally as F.S. Lincoln) operated a photography studio in New York City from the 1930s until the mid 1960s. He was born in Keene, New Hampshire in 1894 and attended the Massachusetts Institute of Technology. Although he received training as an engineer, Mr. Lincoln chose to become a professional photographer in 1929, when he opened the firm of Nyholm &amp; Lincoln in conjunction with another photographer, Peter Nyholm, in New York City. A few years later, he opened his own studio at 114 East 32nd St.1 In 1932, Lincoln began corresponding with Kenneth Chorley, President of the Colonial Williamsburg Foundation, about the possibility of contracting with the Foundation to photograph the completed restoration work at Williamsburg. Lincoln had learned that John D. Rockefeller, Jr. was looking for someone to create a master collection of photos of Williamsburg through Arthur S. Vernay, an acquaintance of Abby Aldrich Rockefeller. In his correspondence, Lincoln noted he had completed photographic assignments for many of the top architects and designers in New York, including Arthur S. Vernay, Joseph Urban, James Gamble Rogers, Voorhees, Gmelin &amp; Walker, McKim, Mead, &amp; White, Robert Locher, and Eugene Schoen. He also pointed out that he had sold architectural photos to many prominent magazines, including "Architectural Record," "National Geographic," "Country Life," "Architectural Forum," and "Spur."2 Lincoln's credentials, along with sample photographs and recommendations from magazine editors, enabled him to secure a contract with Colonial Williamsburg on April 22, 1935. According to the terms of the contract, Lincoln was hired to prepare a master collection of photographs and negatives that Colonial Williamsburg could sell to tourists and residents of Williamsburg, as well as use for promotional purposes. Lincoln retained the right to sell copies of his photographs at his New York studio, provided he consulted with the Foundation regarding the proposed use of the photographs. He also retained title to all negatives and copyright for all photos until the termination of his business. Plans for a traveling exhibition of Lincoln's photographs of Williamsburg were also mentioned in the contract.3 During 1935, F.S. Lincoln traveled to Williamsburg at seasonal intervals to photograph views requested by the Foundation. A panel of Colonial Williamsburg employees reviewed each series of photos and selected a group to be added to the master collection. F.S. Lincoln photos illustrated two portfolios about Colonial Williamsburg published in the "Architectural Record" in December 1935 and November 1936. Full-page black and white photos of restored buildings and gardens accompanied articles on the restoration written by Kenneth Chorley, Fiske Kimball, William G. Perry, and Arthur Shurcliff. Thus, Lincoln's photos gave the American public their first introduction to the completed restoration. Lincoln had also been hired by Colonial Williamsburg to create a group of photographs of Williamsburg that could be exhibited. Correspondence between staff members indicates that John D. Rockefeller, Jr. hoped to mount a traveling exhibit of Williamsburg photographs. An exhibit of a selection of Lincoln's views of Williamsburg, along with photos he took for "Harper's Bazaar," "House and Garden," "House Beautiful," "Vanity Fair," "National Geographic," and "Town and Country," was held at the Rabinovitch Gallery in New York City from October 4-17, 1935. Although Foundation employees were satisfied with the quality of Lincoln's photographs, they were dismayed by the cost of individual prints and enlargements. Memos exchanged between members of the marketing staff indicate that employees were having a hard time convincing distributors to purchase enlargements of the Lincoln photos for display in shop windows. As a result, the Foundation's agreement with F.S. Lincoln was terminated on April 21, 1936.4 Despite this setback, F.S. Lincoln secured contracts for many other architectural photography projects in the 1930s. He received numerous commissions to photograph buildings in New York City and also traveled abroad on several assignments. In 1934, he completed a portfolio of photos of Mont St. Michel and in 1938 he toured the deep South and photographed examples of antebellum architecture. Lincoln's photos were widely published in the 1930s and 1940s in such magazines as "Architectural Record," "House Beautiful," "National Geographic," "Country Life," and "Architectural Forum." In addition, he published a book of his photographs in 1946 entitled "Charleston: Photographic Studies by F.S. Lincoln."5 F.S. Lincoln continued to operate a photography studio in New York City until 1965, when he retired and moved to Center Hall, Pennsylvania to live with his sister. He forwarded all of his negatives of Williamsburg buildings to the Foundation in 1972, along with a letter stating that “the copyright of the photographs has run out, so you are free to use them as desired.”6 Upon his death in 1976, the remainder of Lincoln's archive of prints and negatives, as well as some business papers, were donated to the Pennsylvania State University Archives. Scope and Contents The F.S. Lincoln collection consists of black and white negatives and prints taken by Mr. Lincoln in preparation for the publication of "The Restoration of Colonial Williamsburg in Virginia," a series of articles appearing in the December 1935 and November 1936 issues of "The Architectural Record." Both issues featured a portfolio of buildings and gardens in the newly restored historic area of Williamsburg. In order to produce a large pool of photos for use in these portfolios, Mr. Lincoln created comprehensive visual documentation of the work completed during the initial phases of the restoration (1927-1935.) He photographed the exteriors and interiors of thirty restored buildings, including the exhibition buildings open to the public, such as the Governor's Palace, the Capitol, Raleigh Tavern, Bruton Parish Church, the Wren Building, and the Powder Magazine. In addition, he captured exterior views of some of the shops open on Merchant's Square and restored buildings adapted for public use, such as the Public Library. He also photographed many of the gardens and garden ornaments throughout the restored area. The collection is organized into series by format. Series included in the collection are negatives; bound matted and signed prints; unbound matted and signed prints; and small albums. Within each format, items are organized according to the numbering system assigned by Mr. Lincoln. The first three digits of numbers assigned to the images correspond to a particular building or subject category. For example, all images of the Capitol have numbers beginning with 325 and all miscellaneous views have numbers beginning with 365. After these first three digits, Lincoln added a P for print and then a successive number for each view. For example, the first view of the Capitol is number 325P1. An “LC” prefix has been added to all image numbers by the Colonial Williamsburg Foundation to identify the images as coming from the Lincoln Collection. Endnotes 1 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17, (Spring 1993): 127-128. 2 F.S. Lincoln to B.W. Norton, October 18, 1933. Colonial Williamsburg Foundation Archives. 3 Agreement dated April 22, 1935 between Colonial Williamsburg, Inc. and F.S. Lincoln, Colonial Williamsburg Foundation Archives. 4 Mr. Norton to Mr. Darling, February 22, 1937; Kenneth Chorley to F.S. Lincoln, April 6, 1937, Colonial Williamsburg Foundation Archives. 5 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17 (Spring 1993): 128. 6 F.S. Lincoln to James R. Short, May 15, 1972, Colonial Williamsburg Foundation Archives. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin or collodian printing out paper with platinum toning, mounted on board Physical Dimensions The actual physical size of the original image. 8x10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource General Court, Capitol Subject The topic of the resource Capitol (Williamsburg, Va.) Block 08. Building 11. Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource <p>Interior view of the General Court Room in the Capitol, 1935. "The General Court, the highest court in the colony, convened in April and October to hear both civil and criminal cases. The governor and the twelve members of the Council served as the justices of the General Court. After 1710, the Court of Oyer and Terminer (meaning 'to hear and decide'), presided over by the councillors alone, heard criminal cases at sessions in June and December."</p> <p>(Source: Michael Olmert and Suzanne Coffman, <em>Official Guide to Colonial Williamsburg</em> [Williamsburg, VA: The Colonial Williamsburg Foundation, 2007], 69).</p> Creator An entity primarily responsible for making the resource Lincoln, F.S. Date A point or period of time associated with an event in the lifecycle of the resource 1935 Date Created Date of creation of the resource. 1935 Rights Information about rights held in and over the resource This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: <a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm">Rights and reproductions</a> Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context LC325P15 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Benches Bull's-Eye Windows Candlesticks Capitol Chair Rails Chairs Chandeliers Courtrooms Dentils F.S. Lincoln Galleries General Court General Court Room Historic Buildings Oculus Windows Public Buildings Round-headed Windows Royal Coats of Arms Sconces Tables Virginia Wainscotting Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/82b70a28f2d329c5f3a7db62aa3f9102.jpg?Expires=1779926400&Signature=N-%7EM%7EopXc03hp0XPy8u4LyfW0ujBzJvqo1a8UA3YTgJE9UJmVZ041YYvWvKa6NVer-XUVJ2F22rzsrTlU6h7J7A3o832Ak%7EzFwrx-HQxdX7H%7EkGS5KyODstvawsJFIiJirGKbVwPTSL-PET8TyZz9l%7EFkHCUd90cdNsBXasmySn3WmSjiRsOKugEuv2NeWnKSG%7EngObcBPWYxVTcMLPckYZ9JUSnNlTVQiOUj2fvFZ4QZb3LpC-dQoN7mQPAxHsC6Y1s3DErt3E58qflhSke0CEpXMIfzjj%7ES56jjhaUqIS9eoTVzSMq4EPifA4Jxen52-AmmenquS96W3ihlge3Uw__&Key-Pair-Id=K6UGZS9ZTDSZM f56021239c4289e72809cdbf8729a06e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 1 Height 768 Width 600 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource F.S. Lincoln Photography Collection Description An account of the resource The FS Lincoln Collection Biographical Sketch Mr. Fay S. Lincoln (known professionally as F.S. Lincoln) operated a photography studio in New York City from the 1930s until the mid 1960s. He was born in Keene, New Hampshire in 1894 and attended the Massachusetts Institute of Technology. Although he received training as an engineer, Mr. Lincoln chose to become a professional photographer in 1929, when he opened the firm of Nyholm &amp; Lincoln in conjunction with another photographer, Peter Nyholm, in New York City. A few years later, he opened his own studio at 114 East 32nd St.1 In 1932, Lincoln began corresponding with Kenneth Chorley, President of the Colonial Williamsburg Foundation, about the possibility of contracting with the Foundation to photograph the completed restoration work at Williamsburg. Lincoln had learned that John D. Rockefeller, Jr. was looking for someone to create a master collection of photos of Williamsburg through Arthur S. Vernay, an acquaintance of Abby Aldrich Rockefeller. In his correspondence, Lincoln noted he had completed photographic assignments for many of the top architects and designers in New York, including Arthur S. Vernay, Joseph Urban, James Gamble Rogers, Voorhees, Gmelin &amp; Walker, McKim, Mead, &amp; White, Robert Locher, and Eugene Schoen. He also pointed out that he had sold architectural photos to many prominent magazines, including "Architectural Record," "National Geographic," "Country Life," "Architectural Forum," and "Spur."2 Lincoln's credentials, along with sample photographs and recommendations from magazine editors, enabled him to secure a contract with Colonial Williamsburg on April 22, 1935. According to the terms of the contract, Lincoln was hired to prepare a master collection of photographs and negatives that Colonial Williamsburg could sell to tourists and residents of Williamsburg, as well as use for promotional purposes. Lincoln retained the right to sell copies of his photographs at his New York studio, provided he consulted with the Foundation regarding the proposed use of the photographs. He also retained title to all negatives and copyright for all photos until the termination of his business. Plans for a traveling exhibition of Lincoln's photographs of Williamsburg were also mentioned in the contract.3 During 1935, F.S. Lincoln traveled to Williamsburg at seasonal intervals to photograph views requested by the Foundation. A panel of Colonial Williamsburg employees reviewed each series of photos and selected a group to be added to the master collection. F.S. Lincoln photos illustrated two portfolios about Colonial Williamsburg published in the "Architectural Record" in December 1935 and November 1936. Full-page black and white photos of restored buildings and gardens accompanied articles on the restoration written by Kenneth Chorley, Fiske Kimball, William G. Perry, and Arthur Shurcliff. Thus, Lincoln's photos gave the American public their first introduction to the completed restoration. Lincoln had also been hired by Colonial Williamsburg to create a group of photographs of Williamsburg that could be exhibited. Correspondence between staff members indicates that John D. Rockefeller, Jr. hoped to mount a traveling exhibit of Williamsburg photographs. An exhibit of a selection of Lincoln's views of Williamsburg, along with photos he took for "Harper's Bazaar," "House and Garden," "House Beautiful," "Vanity Fair," "National Geographic," and "Town and Country," was held at the Rabinovitch Gallery in New York City from October 4-17, 1935. Although Foundation employees were satisfied with the quality of Lincoln's photographs, they were dismayed by the cost of individual prints and enlargements. Memos exchanged between members of the marketing staff indicate that employees were having a hard time convincing distributors to purchase enlargements of the Lincoln photos for display in shop windows. As a result, the Foundation's agreement with F.S. Lincoln was terminated on April 21, 1936.4 Despite this setback, F.S. Lincoln secured contracts for many other architectural photography projects in the 1930s. He received numerous commissions to photograph buildings in New York City and also traveled abroad on several assignments. In 1934, he completed a portfolio of photos of Mont St. Michel and in 1938 he toured the deep South and photographed examples of antebellum architecture. Lincoln's photos were widely published in the 1930s and 1940s in such magazines as "Architectural Record," "House Beautiful," "National Geographic," "Country Life," and "Architectural Forum." In addition, he published a book of his photographs in 1946 entitled "Charleston: Photographic Studies by F.S. Lincoln."5 F.S. Lincoln continued to operate a photography studio in New York City until 1965, when he retired and moved to Center Hall, Pennsylvania to live with his sister. He forwarded all of his negatives of Williamsburg buildings to the Foundation in 1972, along with a letter stating that “the copyright of the photographs has run out, so you are free to use them as desired.”6 Upon his death in 1976, the remainder of Lincoln's archive of prints and negatives, as well as some business papers, were donated to the Pennsylvania State University Archives. Scope and Contents The F.S. Lincoln collection consists of black and white negatives and prints taken by Mr. Lincoln in preparation for the publication of "The Restoration of Colonial Williamsburg in Virginia," a series of articles appearing in the December 1935 and November 1936 issues of "The Architectural Record." Both issues featured a portfolio of buildings and gardens in the newly restored historic area of Williamsburg. In order to produce a large pool of photos for use in these portfolios, Mr. Lincoln created comprehensive visual documentation of the work completed during the initial phases of the restoration (1927-1935.) He photographed the exteriors and interiors of thirty restored buildings, including the exhibition buildings open to the public, such as the Governor's Palace, the Capitol, Raleigh Tavern, Bruton Parish Church, the Wren Building, and the Powder Magazine. In addition, he captured exterior views of some of the shops open on Merchant's Square and restored buildings adapted for public use, such as the Public Library. He also photographed many of the gardens and garden ornaments throughout the restored area. The collection is organized into series by format. Series included in the collection are negatives; bound matted and signed prints; unbound matted and signed prints; and small albums. Within each format, items are organized according to the numbering system assigned by Mr. Lincoln. The first three digits of numbers assigned to the images correspond to a particular building or subject category. For example, all images of the Capitol have numbers beginning with 325 and all miscellaneous views have numbers beginning with 365. After these first three digits, Lincoln added a P for print and then a successive number for each view. For example, the first view of the Capitol is number 325P1. An “LC” prefix has been added to all image numbers by the Colonial Williamsburg Foundation to identify the images as coming from the Lincoln Collection. Endnotes 1 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17, (Spring 1993): 127-128. 2 F.S. Lincoln to B.W. Norton, October 18, 1933. Colonial Williamsburg Foundation Archives. 3 Agreement dated April 22, 1935 between Colonial Williamsburg, Inc. and F.S. Lincoln, Colonial Williamsburg Foundation Archives. 4 Mr. Norton to Mr. Darling, February 22, 1937; Kenneth Chorley to F.S. Lincoln, April 6, 1937, Colonial Williamsburg Foundation Archives. 5 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17 (Spring 1993): 128. 6 F.S. Lincoln to James R. Short, May 15, 1972, Colonial Williamsburg Foundation Archives. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin or collodian printing out paper with platinum toning, mounted on board Physical Dimensions The actual physical size of the original image. 8x10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource General Court, Capitol Subject The topic of the resource Capitol (Williamsburg, Va.) Block 08. Building 11. Historic buildings - Virginia - Williamsburg Public buildings - Virginia - Williamsburg Description An account of the resource <p>Interior view of the General Court Room in the Capitol, 1935. "The General Court, the highest court in the colony, convened in April and October to hear both civil and criminal cases. The governor and the twelve members of the Council served as the justices of the General Court. After 1710, the Court of Oyer and Terminer (meaning 'to hear and decide'), presided over by the councillors alone, heard criminal cases at sessions in June and December."</p> <p>(Source: Michael Olmert and Suzanne Coffman, <em>Official Guide to Colonial Williamsburg</em> [Williamsburg, VA: The Colonial Williamsburg Foundation, 2007], 69).</p> Creator An entity primarily responsible for making the resource Lincoln, F.S. Date A point or period of time associated with an event in the lifecycle of the resource 1935 Date Created Date of creation of the resource. 1935 Rights Information about rights held in and over the resource This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: <a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm">Rights and reproductions</a> Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context LC325P16 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Bull's-Eye Windows Candlesticks Capitol Chairs Chandeliers Courtrooms Dentils F.S. Lincoln General Court General Court Room Historic Buildings Oculus Windows Public Buildings Round-headed Windows Royal Coats of Arms Sconces Side Chairs Tables Virginia Wainscotting Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/649cc2039372255d59dc87d2b168080d.jpg?Expires=1779926400&Signature=QmwUCwSTYukfIiEnX0I0lXYTIZljb7snXwKsrDZqU%7E5iuUfw507GwTAYoY-LgRhtwWNt8e-Js-f8Bb5geSgcAzLdzy086cM7I1JZHXIwP8ko8f3KFhv9j5wDz2Sr6jVV3UKDZQ3WhCp8ZV5LsG%7Ehm-ucae69RxIwIowKeEtm5vYey43kmrrpH3048EBDDWrSAr4Q-zX4JUakRXlSzG0yPK7MduglYPMro576XgOIviUYHTUh797fzCqk2GkfGBpGPg0VvBemNBodPk5992Vfz7ydMmYCosi2bJVU5F3yqxRjvpJurVW7WLzKyJ0S4BzEP85nON4CkxZjhC59-QPwbg__&Key-Pair-Id=K6UGZS9ZTDSZM 6726e3dbb25c10b8a7d3f8fa7ce1051d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 1 Height 768 Width 607 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource F.S. Lincoln Photography Collection Description An account of the resource The FS Lincoln Collection Biographical Sketch Mr. Fay S. Lincoln (known professionally as F.S. Lincoln) operated a photography studio in New York City from the 1930s until the mid 1960s. He was born in Keene, New Hampshire in 1894 and attended the Massachusetts Institute of Technology. Although he received training as an engineer, Mr. Lincoln chose to become a professional photographer in 1929, when he opened the firm of Nyholm &amp; Lincoln in conjunction with another photographer, Peter Nyholm, in New York City. A few years later, he opened his own studio at 114 East 32nd St.1 In 1932, Lincoln began corresponding with Kenneth Chorley, President of the Colonial Williamsburg Foundation, about the possibility of contracting with the Foundation to photograph the completed restoration work at Williamsburg. Lincoln had learned that John D. Rockefeller, Jr. was looking for someone to create a master collection of photos of Williamsburg through Arthur S. Vernay, an acquaintance of Abby Aldrich Rockefeller. In his correspondence, Lincoln noted he had completed photographic assignments for many of the top architects and designers in New York, including Arthur S. Vernay, Joseph Urban, James Gamble Rogers, Voorhees, Gmelin &amp; Walker, McKim, Mead, &amp; White, Robert Locher, and Eugene Schoen. He also pointed out that he had sold architectural photos to many prominent magazines, including "Architectural Record," "National Geographic," "Country Life," "Architectural Forum," and "Spur."2 Lincoln's credentials, along with sample photographs and recommendations from magazine editors, enabled him to secure a contract with Colonial Williamsburg on April 22, 1935. According to the terms of the contract, Lincoln was hired to prepare a master collection of photographs and negatives that Colonial Williamsburg could sell to tourists and residents of Williamsburg, as well as use for promotional purposes. Lincoln retained the right to sell copies of his photographs at his New York studio, provided he consulted with the Foundation regarding the proposed use of the photographs. He also retained title to all negatives and copyright for all photos until the termination of his business. Plans for a traveling exhibition of Lincoln's photographs of Williamsburg were also mentioned in the contract.3 During 1935, F.S. Lincoln traveled to Williamsburg at seasonal intervals to photograph views requested by the Foundation. A panel of Colonial Williamsburg employees reviewed each series of photos and selected a group to be added to the master collection. F.S. Lincoln photos illustrated two portfolios about Colonial Williamsburg published in the "Architectural Record" in December 1935 and November 1936. Full-page black and white photos of restored buildings and gardens accompanied articles on the restoration written by Kenneth Chorley, Fiske Kimball, William G. Perry, and Arthur Shurcliff. Thus, Lincoln's photos gave the American public their first introduction to the completed restoration. Lincoln had also been hired by Colonial Williamsburg to create a group of photographs of Williamsburg that could be exhibited. Correspondence between staff members indicates that John D. Rockefeller, Jr. hoped to mount a traveling exhibit of Williamsburg photographs. An exhibit of a selection of Lincoln's views of Williamsburg, along with photos he took for "Harper's Bazaar," "House and Garden," "House Beautiful," "Vanity Fair," "National Geographic," and "Town and Country," was held at the Rabinovitch Gallery in New York City from October 4-17, 1935. Although Foundation employees were satisfied with the quality of Lincoln's photographs, they were dismayed by the cost of individual prints and enlargements. Memos exchanged between members of the marketing staff indicate that employees were having a hard time convincing distributors to purchase enlargements of the Lincoln photos for display in shop windows. As a result, the Foundation's agreement with F.S. Lincoln was terminated on April 21, 1936.4 Despite this setback, F.S. Lincoln secured contracts for many other architectural photography projects in the 1930s. He received numerous commissions to photograph buildings in New York City and also traveled abroad on several assignments. In 1934, he completed a portfolio of photos of Mont St. Michel and in 1938 he toured the deep South and photographed examples of antebellum architecture. Lincoln's photos were widely published in the 1930s and 1940s in such magazines as "Architectural Record," "House Beautiful," "National Geographic," "Country Life," and "Architectural Forum." In addition, he published a book of his photographs in 1946 entitled "Charleston: Photographic Studies by F.S. Lincoln."5 F.S. Lincoln continued to operate a photography studio in New York City until 1965, when he retired and moved to Center Hall, Pennsylvania to live with his sister. He forwarded all of his negatives of Williamsburg buildings to the Foundation in 1972, along with a letter stating that “the copyright of the photographs has run out, so you are free to use them as desired.”6 Upon his death in 1976, the remainder of Lincoln's archive of prints and negatives, as well as some business papers, were donated to the Pennsylvania State University Archives. Scope and Contents The F.S. Lincoln collection consists of black and white negatives and prints taken by Mr. Lincoln in preparation for the publication of "The Restoration of Colonial Williamsburg in Virginia," a series of articles appearing in the December 1935 and November 1936 issues of "The Architectural Record." Both issues featured a portfolio of buildings and gardens in the newly restored historic area of Williamsburg. In order to produce a large pool of photos for use in these portfolios, Mr. Lincoln created comprehensive visual documentation of the work completed during the initial phases of the restoration (1927-1935.) He photographed the exteriors and interiors of thirty restored buildings, including the exhibition buildings open to the public, such as the Governor's Palace, the Capitol, Raleigh Tavern, Bruton Parish Church, the Wren Building, and the Powder Magazine. In addition, he captured exterior views of some of the shops open on Merchant's Square and restored buildings adapted for public use, such as the Public Library. He also photographed many of the gardens and garden ornaments throughout the restored area. The collection is organized into series by format. Series included in the collection are negatives; bound matted and signed prints; unbound matted and signed prints; and small albums. Within each format, items are organized according to the numbering system assigned by Mr. Lincoln. The first three digits of numbers assigned to the images correspond to a particular building or subject category. For example, all images of the Capitol have numbers beginning with 325 and all miscellaneous views have numbers beginning with 365. After these first three digits, Lincoln added a P for print and then a successive number for each view. For example, the first view of the Capitol is number 325P1. An “LC” prefix has been added to all image numbers by the Colonial Williamsburg Foundation to identify the images as coming from the Lincoln Collection. Endnotes 1 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17, (Spring 1993): 127-128. 2 F.S. Lincoln to B.W. Norton, October 18, 1933. Colonial Williamsburg Foundation Archives. 3 Agreement dated April 22, 1935 between Colonial Williamsburg, Inc. and F.S. Lincoln, Colonial Williamsburg Foundation Archives. 4 Mr. Norton to Mr. Darling, February 22, 1937; Kenneth Chorley to F.S. Lincoln, April 6, 1937, Colonial Williamsburg Foundation Archives. 5 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17 (Spring 1993): 128. 6 F.S. Lincoln to James R. Short, May 15, 1972, Colonial Williamsburg Foundation Archives. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin or collodian printing out paper with platinum toning, mounted on board Physical Dimensions The actual physical size of the original image. 8x10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource General Court, Capitol Subject The topic of the resource Capitol (Williamsburg, Va.) Block 08. Building 11. Public buildings - Virginia - Williamsburg Historic buildings - Virginia - Williamsburg Description An account of the resource <p>Interior view of the General Court Room in the Capitol, with bird's-eye view of the court justices' seats beyond the bar, 1935. "The General Court, the highest court in the colony, convened in April and October to hear both civil and criminal cases. The governor and the twelve members of the Council served as the justices of the General Court. After 1710, the Court of Oyer and Terminer (meaning 'to hear and decide'), presided over by the councillors alone, heard criminal cases at sessions in June and December."</p> <p>(Source: Michael Olmert and Suzanne Coffman, <em>Official Guide to Colonial Williamsburg</em> [Williamsburg, VA: The Colonial Williamsburg Foundation, 2007], 69).</p> Creator An entity primarily responsible for making the resource Lincoln, F.S. Date A point or period of time associated with an event in the lifecycle of the resource 1935 Date Created Date of creation of the resource. 1935 Rights Information about rights held in and over the resource This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: <a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm">Rights and reproductions</a> Format The file format, physical medium, or dimensions of the resource jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context LC325P17 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation Armchairs Books Bull's-Eye Windows Candlesticks Capitol Chandeliers Courtrooms Dentils F.S. Lincoln General Court General Court Room Historic Buildings Oculus Windows Public Buildings Round-headed Windows Royal Coats of Arms Sconces Stools Tables Virginia Wainscotting Williamsburg https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/1f7d257ebff488bd7c245669e9e8d9a4.jpg?Expires=1779926400&Signature=koYgQb9CVt-oEs8Vr9%7Ekfxhyt%7EEDjWBZdiFkiyAXcYN4f347CwkLhAOgJM6DkCjLncun%7EWfCxXprJZvJYQQqTw9dBIDK%7EQ91gjMzFMlx2iHdWZBY%7EiIhgXo37FcVeS8Y-3eFsME45a4ujzzkUQgi5r3AZUj8QKN-phqlfZXDBk6fIKAz8g5i2TpQt9Ara5K8ffmpyQq5DumyQciEGoWJQTqdlVfoV1CB7FE4mfIM-XzXTqEdIEwN1XLRhieOLKmkhLcLWrJCjF7YF4CmGHwxAskgSj1l314WHQZ9tawNPgEOc3H04mEK8k3KJKCzGALA-5ORdA3cpuMQDGKzI6KPkw__&Key-Pair-Id=K6UGZS9ZTDSZM 4361af9f4edfd5ec4d59f34f83fd2a4f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Tebbs Photograph Collection Subject The topic of the resource Tebbs, Robert W., 1875-1945 Public buildings - Virginia - Williamsburg Raleigh Tavern (Williamsburg, Va.) Capitol (Williamsburg, Va.) Wren Building (Williamsburg, Va.) Williamsburg (Va.) - Photographs Portfolios Taverns (Inns) - Virginia - Williamsburg Description An account of the resource Robert W. Tebbs was a prominent architectural photographer in the New York firm of Tebbs & Knell, 101 Park Avenue, New York, New York. He marketed himself as "Photographer to Architects and Decorators." His pictures are widely available in mid-twentieth century photographic essays concerning architecture and architectural history. He is well-known for his photographic survey of Louisiana plantation homes created in the 1920s. Tebbs photographed the Raleigh Tavern, the Capitol, and the Wren Building at Colonial Williamsburg soon after their restoration on commission for publication in various magazines and newspapers. In October 1933, he conducted his first photographic survey in Williamsburg and approached the Williamsburg Holding Corporation with a proposal for a "Travelling Exhibition of Williamsburg" featuring his photographs of the exteriors and interiors of completed exhibition buildings. He also suggested that his photos could be marketed to various architectural magazines and newspapers to help promote the new museum. William Graves Perry and Susan Higginson Nash reviewed his portfolios and selected those images they approved for publication use. Tebbs was then allowed to sell and distribute them to various publishers provided the Williamsburg Holding Corporation agreed to the proposed usage. In a letter to Kenneth Chorley, Vice-President of the Williamsburg Holding Corporation, written on December 5, 1933, Bela Norton, Director of Public Relations, noted "Everyone here who has seen the pictures agrees that they have the stamp of quality and professional excellence that we have not yet had." Tebbs remained in contact with Williamsburg Holding Corporation officials between 1933 and 1934, and returned several times to take more photographs when passing through the area on other assignments. However, he never received a contract from Colonial Williamsburg for more extensive photographic work due to an agreement already in place with Frank Nivison, who served as the official contract photographer for documentation of the Restoration's progress. He approached Colonial Williamsburg officials again in 1939 with a proposal to return and photograph some of the more recently completed structures, noting that his Williamsburg photos from the early 1930s had been exhibited at the Metropolitan Museum of Art. Upon his death in 1945, Robert Tebbs left a legacy of architectural photos that are preserved at several other institutions, including the Library of Congress and the Louisiana State Museum. This collection of ninety-seven photographs encompasses two portfolios, one titled "View of Capitol Building of Reconstructed Colonial Williamsburg" and the other titled "Views of Raleigh Tavern, Williamsburg, Va.," which also includes images of the Wren Building and the President's House at the College of William & Mary. Exterior and interior view of each structure are included, along with detail views of various furnishings and architectural features. Rooms featured in the portfolio of Capitol photos include the General Court, House of Burgesses, Council Chamber, Conference Room, Committee Room, Clerk's Office, and Secretary's Office. The Raleigh Tavern interior views include the Parlor, Reception Room, Tap Room, Daphne Room, Apollo Room, and Public Dining Room. Tebbs also documented the Chapel, Great Hall, and the Blue Room inside the Wren Building. Extent The size or duration of the resource. 97 photographs Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Gelatin silver print Physical Dimensions The actual physical size of the original image. 13.25 x 10.25 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource General Court, Capitol Description An account of the resource View looking across benches for spectators towards the Governor's and Council Members' chairs and the Bar in the apsidal end of the General Court at the Capitol, soon after its reconstruction, Williamsburg, Virginia. Creator An entity primarily responsible for making the resource Tebbs, Robert W. Date A point or period of time associated with an event in the lifecycle of the resource 1933 Is Part Of A related resource in which the described resource is physically or logically included. Robert W. Tebbs Photograph Collection, AV2009.47, Box 1 Format The file format, physical medium, or dimensions of the resource jpeg Extent The size or duration of the resource. 1 photograph Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context AV2009-47_Tebb044 Rights Holder A person or organization owning or managing rights over the resource. Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation. Subject The topic of the resource Capitol (Williamsburg, Va.) Block 08. Building 11. Public buildings - Virginia - Williamsburg Furnishings - Virginia - Williamsburg Balconies Balustrades Benches Capitol Chairs Chandeliers Coats of Arms General Court Pilasters Robert Tebbs Sconces Tables Virginia Williamsburg Woodwork