1
20
18
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/ebc881b80eb541f9205ce8ccd7380737.jpg?Expires=1712793600&Signature=QGjNlI%7E6QH-XMSWKoI4RdunWxRPlwAXFsXE4AwyIZadS2qXSvU7TOduVeqBOcBxX9UeHXyvccR3PSp7kc3iaI8CMoJn2UrtNobXX7n7XeYLi1X-xh%7ELDm3f72rqMW2CtT3f1udWwDD97977L-26fcIStoVuEqKEaQU8dbEPneDNqOIRK0bq%7EFLRSb4tM-CnuLfsnaY%7Eyx2xAs-wpGb0bF2N5XJc9CmAp%7ECRVEZIChi8JL3wubp4wufTSRLjnPIgiiAbb5J9opVcBDkmlSPoq0xJJQAoC5f0789xECOVKm0fYERnJa-5spfsmodfpCFRvim5B0Anc2MWTrxrolMqtzQ__&Key-Pair-Id=K6UGZS9ZTDSZM
20695d382fa38a8fa3ae2088385899ee
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Architectural Photo Albums Collection
Description
An account of the resource
The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs.
Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site.
The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant.
In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s.
Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley.
Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses).
Is Part Of
A related resource in which the described resource is physically or logically included.
Architectural Photo Albums Collection, AV2013.2
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Subject
The topic of the resource
Williamsburg (Va.) - Photographs
Williamsburg (Va.) - Buildings, structures, etc.
Photograph albums
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Public buildings - Virginia - Williamsburg
Architecture, Domestic - Virginia - Williamsburg
Extent
The size or duration of the resource.
367 boxes
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print mounted on linen
Physical Dimensions
The actual physical size of the original image.
8 x 10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
View of a sitting area with a sofa, armchair, and desk in a guest room at the Williamsburg Inn, Williamsburg, Virginia.
Title
A name given to the resource
Guest Room, Williamsburg Inn
Subject
The topic of the resource
Block 02. Building 65.
Williamsburg Inn (Williamsburg, Va.)
Hotels - Virginia - Williamsburg
Guest rooms - Virginia - Williamsburg
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation.
Creator
An entity primarily responsible for making the resource
Nivison, Frank
Date
A point or period of time associated with an event in the lifecycle of the resource
1950
Identifier
An unambiguous reference to the resource within a given context
AV2013-02-B27-F2-004
Is Part Of
A related resource in which the described resource is physically or logically included.
Architectural Photo Albums Collection, AV2013..2, Box 27, Folder 2
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 photograph
Type
The nature or genre of the resource
Image
Armchairs
Desks
Draperies
Guest Rooms
Side Tables
Sofas
Virginia
Williamsburg
Williamsburg Inn
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/256f9d737dec75dd82d8330e4443212a.jpg?Expires=1712793600&Signature=CqpRc3FADb8rRHIFB9yM9y9D9YLvVN5wqG6I5l7o9VeWJr42rQ1aFt0yypLR8re9%7EQ15%7Eu7sym8VixTqvODjXFbOTdnyKEUXSRw20rzv-2jrR8VmOQ4Zbt0WE5Ch3g65Qs9CkAgE7vCCEBB8Kkw7AWIHImEBgMTqRGB4bjDNvpF6L%7EaRaRVEeHCMySfyWpvBEcQPIfqhDBv0Njn-ezSHke8H5kwzldh9ekw5Xij8l7DZyf1S1YBUS6An3sUA3pxWysBHS04OvK14-VhaknJTmotwHsUCbS7yemsZEjcDvSaOPmqyFUrmIZW60Svrr8uHuoOhS%7ErF6v-INVXWwnBuyw__&Key-Pair-Id=K6UGZS9ZTDSZM
67b20b3472b14f7f8e572a46223e7668
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Robert Tebbs Photograph Collection
Subject
The topic of the resource
Tebbs, Robert W., 1875-1945
Public buildings - Virginia - Williamsburg
Raleigh Tavern (Williamsburg, Va.)
Capitol (Williamsburg, Va.)
Wren Building (Williamsburg, Va.)
Williamsburg (Va.) - Photographs
Portfolios
Taverns (Inns) - Virginia - Williamsburg
Description
An account of the resource
Robert W. Tebbs was a prominent architectural photographer in the New York firm of Tebbs & Knell, 101 Park Avenue, New York, New York. He marketed himself as "Photographer to Architects and Decorators." His pictures are widely available in mid-twentieth century photographic essays concerning architecture and architectural history. He is well-known for his photographic survey of Louisiana plantation homes created in the 1920s. Tebbs photographed the Raleigh Tavern, the Capitol, and the Wren Building at Colonial Williamsburg soon after their restoration on commission for publication in various magazines and newspapers.
In October 1933, he conducted his first photographic survey in Williamsburg and approached the Williamsburg Holding Corporation with a proposal for a "Travelling Exhibition of Williamsburg" featuring his photographs of the exteriors and interiors of completed exhibition buildings. He also suggested that his photos could be marketed to various architectural magazines and newspapers to help promote the new museum. William Graves Perry and Susan Higginson Nash reviewed his portfolios and selected those images they approved for publication use. Tebbs was then allowed to sell and distribute them to various publishers provided the Williamsburg Holding Corporation agreed to the proposed usage. In a letter to Kenneth Chorley, Vice-President of the Williamsburg Holding Corporation, written on December 5, 1933, Bela Norton, Director of Public Relations, noted "Everyone here who has seen the pictures agrees that they have the stamp of quality and professional excellence that we have not yet had."
Tebbs remained in contact with Williamsburg Holding Corporation officials between 1933 and 1934, and returned several times to take more photographs when passing through the area on other assignments. However, he never received a contract from Colonial Williamsburg for more extensive photographic work due to an agreement already in place with Frank Nivison, who served as the official contract photographer for documentation of the Restoration's progress. He approached Colonial Williamsburg officials again in 1939 with a proposal to return and photograph some of the more recently completed structures, noting that his Williamsburg photos from the early 1930s had been exhibited at the Metropolitan Museum of Art. Upon his death in 1945, Robert Tebbs left a legacy of architectural photos that are preserved at several other institutions, including the Library of Congress and the Louisiana State Museum.
This collection of ninety-seven photographs encompasses two portfolios, one titled "View of Capitol Building of Reconstructed Colonial Williamsburg" and the other titled "Views of Raleigh Tavern, Williamsburg, Va.," which also includes images of the Wren Building and the President's House at the College of William & Mary. Exterior and interior view of each structure are included, along with detail views of various furnishings and architectural features. Rooms featured in the portfolio of Capitol photos include the General Court, House of Burgesses, Council Chamber, Conference Room, Committee Room, Clerk's Office, and Secretary's Office. The Raleigh Tavern interior views include the Parlor, Reception Room, Tap Room, Daphne Room, Apollo Room, and Public Dining Room. Tebbs also documented the Chapel, Great Hall, and the Blue Room inside the Wren Building.
Extent
The size or duration of the resource.
97 photographs
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
10.25 x 13 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Parlor, Raleigh Tavern
Description
An account of the resource
View looking towards two arched doorways on either side of a fireplace in the Parlor of the Raleigh Tavern, Williamsburg, Virginia.
Subject
The topic of the resource
Raleigh Tavern (Williamsburg, Va.)
Block 17. Building 06A.
Taverns (Inns) - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Furnishings - Virginia - Williamsburg
Creator
An entity primarily responsible for making the resource
Tebbs, Robert W.
Date
A point or period of time associated with an event in the lifecycle of the resource
1933
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation.
Is Part Of
A related resource in which the described resource is physically or logically included.
Robert W. Tebbs Photograph Collection, AV2009.47, Box 1
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 photograph
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
AV2009-47_Tebb009
Arches
Cornices
Dining Tables
Fireplaces
Keystones
Mantels
Parlors
Portraits
Raleigh Tavern
Robert Tebbs
Side Chairs
Sofas
Virginia
Williamsburg
Woodwork
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/22fd05d02b1d309e01ba88ac05e1451f.jpg?Expires=1712793600&Signature=a6f3PM8EpJvnIBxZ99ndEe5yXwjN6QzhsxrvFse4x644E3ZbC1GYzfxYM4Z9TZG3pvWlxuMqQiym1D5UdNtynJ5FO7Yn4zG8B-dln-iY5GmEDZezGdsBFiSwgkRSl7qbJriR4HKE6as-F1EDztYyniqxZXC7NIxkapMyAHOgVDUq8ZVsx2oWN6N7Wd9wjh-M%7EbW7b9Gh9pPVHfCbYyQNsuUr4SbFqA6jWOB5Kj2pPwvVkdAAG7fmuh7d6kDkY-V5GmRJ2L419hVSCO6HUkWtsVdNIW6p0jwYiIUmZc-FACq1u1UEZMcN2VJJ%7EFZRDKfayP-wS9QYM1a9YafxpF7g9w__&Key-Pair-Id=K6UGZS9ZTDSZM
659c9f2e3aadf6bb841c0ea28e4a58d7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Architectural Photo Albums Collection
Description
An account of the resource
The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs.
Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site.
The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant.
In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s.
Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley.
Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses).
Is Part Of
A related resource in which the described resource is physically or logically included.
Architectural Photo Albums Collection, AV2013.2
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Subject
The topic of the resource
Williamsburg (Va.) - Photographs
Williamsburg (Va.) - Buildings, structures, etc.
Photograph albums
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Public buildings - Virginia - Williamsburg
Architecture, Domestic - Virginia - Williamsburg
Extent
The size or duration of the resource.
367 boxes
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
8 x 10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Stair Hall, Bassett Hall
Subject
The topic of the resource
Bassett Hall (Williamsburg, Va.)
Block 01, Building 22.
Architecture, Domestic - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Description
An account of the resource
First floor stair hall looking southeast, Bassett Hall, Williamsburg, Virginia, Block 1, Building 22.
Creator
An entity primarily responsible for making the resource
Spangler, Dan
Date
A point or period of time associated with an event in the lifecycle of the resource
1979-05
Is Part Of
A related resource in which the described resource is physically or logically included.
Architectural Photo Albums Collection, AV2013.2, Box 6, Folder 2.
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 photograph
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
1979-DS-886R
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation.
Balusters
Bassett Hall
Dan Spangler
Paintings
Rugs
Sofas
Stair Passages
Stairways
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/0db42451ebf39842c82360e0b1d5775a.jpg?Expires=1712793600&Signature=mZ3elEZGC4jSl0X2w3a8jzpZYLHVJOfwHhiN7QOARum8ihhoTWe23OsHWgfgc5-a8nK2Ip%7ECSu7ST1hIkcW%7Es--nL7tJbAY12SXVhJL02OLrhiLqjdPDTr7lmBNhE7fWz19kWfoIqnJtNkyuYz8gW6CxtyX9-5Lw%7E2B15w-MN3fcouxyWahbO2w7K6UsV6vxMZXy4AlqgJvdP7vwlCZdkV1gqWYi27KFLcGgjE%7EY7YuGNdtlsZio7eJ1JpfZxsyLQbQl7q2RaFNkntCQj0GSgZNI-OyhZXA35OHMI1gLUOU8QfgA4QhCb89i6Pll1RxMAfEZL6YuRha7wjzSHtIc%7EQ__&Key-Pair-Id=K6UGZS9ZTDSZM
9a497156965246299aa5ff20c5e3eebe
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Architectural Photo Albums Collection
Description
An account of the resource
The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs.
Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site.
The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant.
In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s.
Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley.
Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses).
Is Part Of
A related resource in which the described resource is physically or logically included.
Architectural Photo Albums Collection, AV2013.2
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Subject
The topic of the resource
Williamsburg (Va.) - Photographs
Williamsburg (Va.) - Buildings, structures, etc.
Photograph albums
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Public buildings - Virginia - Williamsburg
Architecture, Domestic - Virginia - Williamsburg
Extent
The size or duration of the resource.
367 boxes
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
8 x 10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
West Living Room, Bassett Hall
Subject
The topic of the resource
Bassett Hall (Williamsburg, Va.)
Block 01. Building 22.
Architecture, Domestic - Virginia - Williamsburg
Furnishings
Description
An account of the resource
First floor west Living Room looking southwest, Bassett Hall, Williamsburg, Virginia, Block 1, Building 22.
Creator
An entity primarily responsible for making the resource
Spangler, Dan
Date
A point or period of time associated with an event in the lifecycle of the resource
1978-05
Is Part Of
A related resource in which the described resource is physically or logically included.
Architectural Photo Albums Collection, AV2013.2, Box 6, Folder 2.
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 photograph
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
1978-DS-885R
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation.
Bassett Hall
Chandeliers
Dan Spangler
Draperies
Fireplaces
Living Rooms
Paintings
Rugs
Side Chairs
Side Tables
Sofas
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/daf3cf044086e58c2fafecba598958a8.jpg?Expires=1712793600&Signature=CM56bGwi7rD9idqP5GUjCzhhDqxAzOivN7UC8w8XuB2p5B5qonNAszkG%7EI6Do6jW35S2r3ARbkGsY0hajtNVD%7EP1QgjshVVDSlIzrJcndJqeaRMDFLgXOJPkZWk2wOa6RzCoUBmlZAAuShn7fj6spBSwjnC74PyAFbP5x6F-5bEEz0vUf-j2xxY-jiXU03k-D7LqyGNEW-Kc1ePfnchcBRCbH-GOyYUzzg92C-dSgBi%7E1xwcCMtjEm5FJCbOl-CD9zhkmbbg5OYWJpYR8zLQt2WN9t8bKY0QCZEQESphXaq2xXHH83YR8BZ1dX%7EiK9hM7ilN4d%7E22ESR0xWU7lzEEA__&Key-Pair-Id=K6UGZS9ZTDSZM
730ada36a3f33a55e29473f872063db9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Architectural Photo Albums Collection
Description
An account of the resource
The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs.
Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site.
The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant.
In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s.
Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley.
Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses).
Is Part Of
A related resource in which the described resource is physically or logically included.
Architectural Photo Albums Collection, AV2013.2
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Subject
The topic of the resource
Williamsburg (Va.) - Photographs
Williamsburg (Va.) - Buildings, structures, etc.
Photograph albums
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Public buildings - Virginia - Williamsburg
Architecture, Domestic - Virginia - Williamsburg
Extent
The size or duration of the resource.
367 boxes
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
8 x 10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
West Living Room, Bassett Hall
Subject
The topic of the resource
Bassett Hall (Williamsburg, Va.)
Block 01. Building 22.
Architecture, Domestic - Virginia - Williamsburg
Furnishings
Description
An account of the resource
First floor west Living Room looking southeast, Bassett Hall, Williamsburg, Virginia.
Creator
An entity primarily responsible for making the resource
Spangler, Dan
Date
A point or period of time associated with an event in the lifecycle of the resource
1979-05
Is Part Of
A related resource in which the described resource is physically or logically included.
Architectural Photo Albums Collection, AV2013.2, Box 6, Folder 2.
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 photograph
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
1979-DS-884R
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation.
Bassett Hall
Dan Spangler
Draperies
Living Rooms
Mirrors
Paintings
Side Chairs
Side Tables
Sofas
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/a8826636c77404213cd7cf8595bf2c8e.jpg?Expires=1712793600&Signature=SgKustC57Ez1toDODERbxswMaVtBGW1%7EkcNGJQOp2yIwD9t5Lzj%7En2BNhpCEK-YC8%7EFE0BrDT0bUakbf0WSiLSKmyQl8XhEcs5jjxugK-92dcEAlKuisok2m7zcC6IT2bEDuKbpERICV-WU4WRN9PwxsD9MkNgZohZ507dSEcTS6kBTflMVh7nmJhbO41kAOEXFAIXTQMFHNV17cCCcc1bT38LIImuuZYHqeh1ArY8ZSni-BiJcpRgQaoKBNYGfsF6KZ2GshpY8O9Lr27ThtpjBvV32OkRL8QvMX4DD1F1czhp4oih9Eq6JTsYZhmACxPqwQzYeSPYdJap4CV7Tqbw__&Key-Pair-Id=K6UGZS9ZTDSZM
96634859724c089cc7e9199acd7857f8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Architectural Photo Albums Collection
Description
An account of the resource
The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs.
Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site.
The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant.
In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s.
Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley.
Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses).
Is Part Of
A related resource in which the described resource is physically or logically included.
Architectural Photo Albums Collection, AV2013.2
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Subject
The topic of the resource
Williamsburg (Va.) - Photographs
Williamsburg (Va.) - Buildings, structures, etc.
Photograph albums
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Public buildings - Virginia - Williamsburg
Architecture, Domestic - Virginia - Williamsburg
Extent
The size or duration of the resource.
367 boxes
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
8 x 10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
East Living Room, Bassett Hall
Subject
The topic of the resource
Bassett Hall (Williamsburg, Va.)
Block 01. Building 22.
Architecture, Domestic - Virginia - Williamsburg
Furnishings
Description
An account of the resource
View looking southwest in East Living Room, Bassett Hall, Williamsburg, Virginia, Block 1, Building 22.
Creator
An entity primarily responsible for making the resource
Spangler, Dan
Date
A point or period of time associated with an event in the lifecycle of the resource
1979-05
Is Part Of
A related resource in which the described resource is physically or logically included.
Architectural Photo Albums Collection, AV2013.2, Box 6, Folder 2.
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 photograph
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
1979-DS-883R
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation.
Arm Chairs
Bassett Hall
Bowfats
Chandeliers
Dan Spangler
Desks
Draperies
Living Rooms
Paintings
Rugs
Sofas
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/1f2caa4c3c01998bd53a44aa12d7e53a.jpg?Expires=1712793600&Signature=N3uqa1jLn-ywjCNGYcDmHlZ5cyax312JvxqvMucIofxjeermntYdAAXJ8QbQqR2STwSQ6X7M09e2f515YZhDATzTWgpmAe%7ErrZ%7EDP8uaxLqbCAOae90hjfIIRQUSYdyJB-TohkaxtbVKQFk8gQwnBb0Ejb8GNJtRVShgCTHkec7IZ8T0F8nhuD8LAUyBdgukbUE4n8IqR8kFzvNZm6Ja5rS1jO31HbDySBylZ6mptxaN0Q5wDkTeSMbOG0bsk4Ouipyl7d-UhuZqvMCV9uZjmR3yz6fnl72JU-qjCaObdSkDSu6TL4ajbKHooyGHhfTe3MuoaJDOp6ZW%7EU6%7EmAvElA__&Key-Pair-Id=K6UGZS9ZTDSZM
ad3f861ce902abeeb2537508fb600d2c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Architectural Photo Albums Collection
Description
An account of the resource
The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs.
Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site.
The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant.
In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s.
Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley.
Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses).
Is Part Of
A related resource in which the described resource is physically or logically included.
Architectural Photo Albums Collection, AV2013.2
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Subject
The topic of the resource
Williamsburg (Va.) - Photographs
Williamsburg (Va.) - Buildings, structures, etc.
Photograph albums
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Public buildings - Virginia - Williamsburg
Architecture, Domestic - Virginia - Williamsburg
Extent
The size or duration of the resource.
367 boxes
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
8 x 10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
East Living Room, Bassett Hall
Subject
The topic of the resource
Bassett Hall (Williamsburg, Va.)
Block 01. Building 22.
Architecture, Domestic - Virginia - Williamsburg
Furnishings
Description
An account of the resource
View looking east in East Living Room, Bassett Hall, Williamsburg, Virginia, Block 01, Building 22.
Creator
An entity primarily responsible for making the resource
Spangler, Dan
Date
A point or period of time associated with an event in the lifecycle of the resource
1979-05
Is Part Of
A related resource in which the described resource is physically or logically included.
Architectural Photo Albums Collection, AV2013.2, Box 6, Folder 2
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 photograph
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
1979-DS-881R
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation.
Arm Chairs
Bassett Hall
Chandeliers
Corner Cupboards
Dan Spangler
Draperies
Fireplaces
Living Rooms
Rugs
Sofas
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/f9a2ea8ca7c54b94b2b8e486e582489f.jpg?Expires=1712793600&Signature=vgHqBRU95UPshvLt5g6CFCIDyb2g9TDn6TkTJ3SEbfK%7ECDJ3gZwbHXyAJVU7x13Xrc4nf%7EjG%7EBP-ntatr3DT8POLnkdzO3hK3XrbHeMt9UGkSk27euoJtGcQzb9Br1QgFg6sNfcnj-5qDkoPkZPaqyrol5dsqCP2rdNyCn1C-hqbSl%7E2LjdfC72yU2FZTzwdk9lXU2r1MNJsf%7E9X%7E9jrPMG8o6MSgouixtkjYVciNEZQkU8Gf2mDSN3VV0f2Y2bgkd1gVH1uRB02QnC1jJLnjhecaWYDwKTjnE%7EzjUd9PEj3cRAGV8K4Z8ZNLKjZ-kUgyFpSf9Kp6uQ0H8drhaTTUQ__&Key-Pair-Id=K6UGZS9ZTDSZM
5d12c1f9726e42a2b44ec653490dc9b0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Edward Beckwith Photograph Collection
Subject
The topic of the resource
Beckwith, Edward A.
Photographs - Virginia - Williamsburg
Architecture, Domestic - Virginia - Williamsburg
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Creator
An entity primarily responsible for making the resource
Beckwith, Edward A.
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
363 photographs
Type
The nature or genre of the resource
Image
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Description
An account of the resource
Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work.
Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities.
The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton.
All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication.
Date Created
Date of creation of the resource.
1926-1929
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
11 x 14 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Parlor, Robert Gamble Cabell House
Description
An account of the resource
Parlor, Robert Gamble Cabell House, Richmond, Virginia
Creator
An entity primarily responsible for making the resource
Beckwith, Edward
Date
A point or period of time associated with an event in the lifecycle of the resource
1933
Date Created
Date of creation of the resource.
1933
Is Part Of
A related resource in which the described resource is physically or logically included.
Edward Beckwith Photograph Collection, AV2009.5
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 photograph
Type
The nature or genre of the resource
image
Identifier
An unambiguous reference to the resource within a given context
Be326
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Subject
The topic of the resource
Architecture, Domestic - Virginia - Richmond
Historic buildings - Virginia - Richmond
Coffers (Ceilings) - Virginia - Richmond
Furnishings
Armchairs
Coffers
Edward Beckwith
Parlors
Richmond
Robert Gamble Cabell House
Side Tables
Sideboards
Sofas
Virginia
Wallpaper
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/b1a67e86bb738c64ef09bd12add2b251.jpg?Expires=1712793600&Signature=S0xX6U9tT6AnRHPB-nyBtpa52VuNX-NtnVyRhDGPS2f6nSP2M97BAzKMk2rjKvhVcW%7ERsjjaCHAJ671l4BlqTf63MOdJqT3NcYbtrQ-0TwZaLJFBM0kA9kxBp2xxaHiBqk-Q%7E60n3O5%7E-5J6ybxu-B2fBv6HCfk2mKg09HVODICEpapVg-%7EJRJkVNJqGAss1LfkV%7E1rk7Q3VBZ0lD7I32V7B8JBAP7zjgzCjCqHvXTuJF38xjRGkSwWYfG0qKz3SjQ7amKPPtAFH1P3UoVsspSR4640Zm1vx4sYaqe9NO4DQB73%7ENU7-PY4X2RKQW5dxTdYK0f-mXLbq3xYVdMKOgA__&Key-Pair-Id=K6UGZS9ZTDSZM
2c812b4b238d1bb9f17ea487d2287133
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Edward Beckwith Photograph Collection
Subject
The topic of the resource
Beckwith, Edward A.
Photographs - Virginia - Williamsburg
Architecture, Domestic - Virginia - Williamsburg
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Creator
An entity primarily responsible for making the resource
Beckwith, Edward A.
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
363 photographs
Type
The nature or genre of the resource
Image
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Description
An account of the resource
Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work.
Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities.
The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton.
All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication.
Date Created
Date of creation of the resource.
1926-1929
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
11 x 14 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Library, Herbert Smith House
Description
An account of the resource
Herbert Smith House, Interior-Library with fireplace, Staunton, Augusta County, Virginia
Creator
An entity primarily responsible for making the resource
Beckwith, Edward
Date
A point or period of time associated with an event in the lifecycle of the resource
1933
Date Created
Date of creation of the resource.
1933
Is Part Of
A related resource in which the described resource is physically or logically included.
Edward Beckwith Photograph Collection, AV2009.5
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 photograph
Type
The nature or genre of the resource
image
Identifier
An unambiguous reference to the resource within a given context
Be322
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Subject
The topic of the resource
Architecture, Domestic - Virginia - Augusta County
Historic buildings - Virginia - Augusta County
Furnishings
Armchairs
Augusta County
Bookcases
Edward Beckwith
Fireplaces
Herbert Smith House
Libraries
Mantels
Portraits
Sofas
Staunton
Virginia
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/b899195cf916e807d4726aad9b7dbbae.jpg?Expires=1712793600&Signature=FVPGXsYH14YeOTga7lImv9b6xPqh1JRXQqmR0ZmwzcGHpfBM-Fw8CA72h4RPtCDhWU%7E8300-EwYzM3-7ZelkzGKVJIliFtRAVZnEDQBv4Esy5LAtLzbhmkKxEX8iCo18rAkxNMYPPTxXdkAwhvz%7EhI9ncbNBbmV7qTs2R%7ElP70451HRx%7E-66BW2pP0nzZKH5lMegy2u0m063rH4T3qnEgkfvMKY7lWpOgycqKovWeGL4pULU9VWhvzpCWH8lDFAQue5tYZX5lV6JTl1W9gxVIhC4cqZGoKcPLftT5Krs5Ipvb03AonzuMlhM3G3QSQCQV2j5zvMmvYExM68MGIIarA__&Key-Pair-Id=K6UGZS9ZTDSZM
8ef8f5db695ebea28f2f97db7b014685
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Edward Beckwith Photograph Collection
Subject
The topic of the resource
Beckwith, Edward A.
Photographs - Virginia - Williamsburg
Architecture, Domestic - Virginia - Williamsburg
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Creator
An entity primarily responsible for making the resource
Beckwith, Edward A.
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
363 photographs
Type
The nature or genre of the resource
Image
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Description
An account of the resource
Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work.
Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities.
The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton.
All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication.
Date Created
Date of creation of the resource.
1926-1929
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
11 x 14 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Parlor, Herbert Smith House
Description
An account of the resource
Parlor, Herbert Smith House, Staunton, Augusta County, Virginia.
Creator
An entity primarily responsible for making the resource
Beckwith, Edward
Date
A point or period of time associated with an event in the lifecycle of the resource
1933
Date Created
Date of creation of the resource.
1933
Is Part Of
A related resource in which the described resource is physically or logically included.
Edward Beckwith Photograph Collection, AV2009.5
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 photograph
Type
The nature or genre of the resource
image
Identifier
An unambiguous reference to the resource within a given context
Be319
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Subject
The topic of the resource
Architecture, Domestic - Virginia - Augusta County
Historic buildings - Virginia - Augusta County
Furnishing
Andirons
Armchairs
Augusta County
Edward Beckwith
Fireplaces
Herbert Smith House
Mantels
Paneling
Parlors
Portraits
Side Tables
Sofas
Staunton
Virginia
Woodwork
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/f922e18716d26a324be855b7462f43ac.jpg?Expires=1712793600&Signature=fVFtHr0dRoWj9mpG0i7uYldicHpid9y3GDFuUtDJsY5wbVP%7EM4FbpZ3vxh-MPUaFva6nNqoqL2BzFEwZmPcP0RQ91i46M8Ag%7EWAffPyfKRdsVvXuUK2nGgiNzp8UwdsNitx%7ETQOOxMgofybe-lGuOtvvBi5xFpScC05C1-LyqffV7ZN3DUbdlWce2leXac1Gl26d-Acp4kv%7E-Qgvcz7Qu9hZuQBfQRZdAYTQH9h6IpKxIJ-cQ9RQ4OTsC3hRPkziEj7pCJ%7EJ1tW4V6GfSo4wgGeHqnARjy6kK4u2%7ESm6MK4Twy8WQgZxBC7RWpSzeBTWEk7nWLiHVCf3jwPve8CEzg__&Key-Pair-Id=K6UGZS9ZTDSZM
356b618305c1f230fe6b62acd439a773
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Edward Beckwith Photograph Collection
Subject
The topic of the resource
Beckwith, Edward A.
Photographs - Virginia - Williamsburg
Architecture, Domestic - Virginia - Williamsburg
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Creator
An entity primarily responsible for making the resource
Beckwith, Edward A.
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
363 photographs
Type
The nature or genre of the resource
Image
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Description
An account of the resource
Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work.
Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities.
The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton.
All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication.
Date Created
Date of creation of the resource.
1926-1929
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
11 x 14 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Parlor, Spencer Nauman House
Description
An account of the resource
Parlor, Spencer Nauman House, Harrisburg, Pennsylvania
Creator
An entity primarily responsible for making the resource
Beckwith, Edward
Is Part Of
A related resource in which the described resource is physically or logically included.
Edward Beckwith Photograph Collection, AV2009.5
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 photograph
Type
The nature or genre of the resource
image
Identifier
An unambiguous reference to the resource within a given context
Be304
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Subject
The topic of the resource
Architecture, Domestic - Pennsylvania - Harrisburg
Historic buildings - Pennsylvania - Harrisburg
Furnishings
Date
A point or period of time associated with an event in the lifecycle of the resource
1933
Andirons
Cornices
Curtains
Edward Beckwith
Fireplaces
Harrisburg
Mantels
Parlors
Pennsylvania
Side Chairs
Sofas
Spencer Nauman House
Woodwork
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/979a648e92e6f1b4384521d53629fad0.jpg?Expires=1712793600&Signature=oK%7EJxFgw2m7pTtt12MnboxIJHA9wQ-ybblr%7ExMULHESLhOUSRoQdRxFpI6bSfjT3FtNDX6xYEfyXrNS24OLt6WcCCUs4srSsKDW0MWdk5FoH2TgAnB2mrBEA10ryavIBWSklm78WvevNnQmwJfZ%7EPqfc3j3jr4ZJTygPj9BuLZvDK3cK%7E2q3NJhAh6afrKYS9uVXVyeAFFw7bxZQtRrHplAaglMiOsNYNJJq7Sn9z8h14bYUMwUGB5aUhYpcklb2tFC93UNKtKfALHZoa1uIuof-rWqiYmtWnCnXY%7EFAe0FTTokDdJFHv%7EVWJ8pZNjaeuH6evLsXLPLsFcLt0Nx-vQ__&Key-Pair-Id=K6UGZS9ZTDSZM
08c8c76706a871c63d755151ee14f1b9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Edward Beckwith Photograph Collection
Subject
The topic of the resource
Beckwith, Edward A.
Photographs - Virginia - Williamsburg
Architecture, Domestic - Virginia - Williamsburg
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Creator
An entity primarily responsible for making the resource
Beckwith, Edward A.
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
363 photographs
Type
The nature or genre of the resource
Image
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Description
An account of the resource
Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work.
Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities.
The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton.
All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication.
Date Created
Date of creation of the resource.
1926-1929
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
11 x 14 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Parlor, Rose Hill
Description
An account of the resource
Parlor, Rose Hill, Greenwood, Albemarle County, Virginia
Creator
An entity primarily responsible for making the resource
Beckwith, Edward
Is Part Of
A related resource in which the described resource is physically or logically included.
Edward Beckwith Photograph Collection, AV2009.5
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 photograph
Type
The nature or genre of the resource
image
Identifier
An unambiguous reference to the resource within a given context
Be278
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williams;burg Foundation
Subject
The topic of the resource
Architecture, Domestic - Virginia - Albemarle County
Plantations - Virginia - Albemarle County
Furnishings
Date
A point or period of time associated with an event in the lifecycle of the resource
1933
Albemarle County
Desks
Edward Beckwith
Fireplaces
Greenwood
Mantels
Parlors
Portraits
Rose Hill
Side Chairs
Side Tables
Sofas
Virginia
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/8c0e93cc540a17cb66f6e9de087fd278.jpg?Expires=1712793600&Signature=Zq9gbpU7LJuQy9jI6YDeTAsUzoh0y%7Emm6hxCQC5MB0V65EIu%7E6GCsFdHWid9EA%7Ezsqs-5sk4qH6MEtTRugJ2W0ghi%7EorLUjzDRhXWRe6p-tijyF5U4q4UWhFGPwPiUN7MOz91HQrTIZxoM6z0i9YPtCeutaOBZgK9ACphmWtdYB%7EZZQS9IAeJxnDP4S06L2%7EiuyFZXmDsq8kpDW5PMVhY5D6U%7EmoVsnPsOqOR5zDgP6U9A1lochN5l4KZx3ptkqV5nt0p4GMMDleLzEVqPTMrvnCeK-QtyhQEnKPFHxMWDkjkbE2LtwLoFuX88juEEGvM6VL7tc6c8cF%7EiUK%7ETcmlw__&Key-Pair-Id=K6UGZS9ZTDSZM
ed49af38e8539e06c875fb809c1b32e9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Edward Beckwith Photograph Collection
Subject
The topic of the resource
Beckwith, Edward A.
Photographs - Virginia - Williamsburg
Architecture, Domestic - Virginia - Williamsburg
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Creator
An entity primarily responsible for making the resource
Beckwith, Edward A.
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
363 photographs
Type
The nature or genre of the resource
Image
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Description
An account of the resource
Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work.
Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities.
The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton.
All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication.
Date Created
Date of creation of the resource.
1926-1929
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
11 x 14 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Parlor, Rose Hill
Description
An account of the resource
Parlor, Rose Hill, Greenwood, Albemarle County, Virginia
Creator
An entity primarily responsible for making the resource
Beckwith, Edward
Is Part Of
A related resource in which the described resource is physically or logically included.
Edward Beckwith Photograph Collection, AV2009.5
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
1 photograph
Type
The nature or genre of the resource
image
Identifier
An unambiguous reference to the resource within a given context
Be277
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1933
Albemarle County
Desks
Edward Beckwith
Fireplaces
Greenwood
Mantels
Parlors
Portraits
Rose Hill
Side Chairs
Side Tables
Sofas
Virginia
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/42c50994836cc21a1fb140a31c460fdc.jpg?Expires=1712793600&Signature=nQatKqaBOUKUw4X6Jj77U%7EValRoTMd0MHlDtleyEaQYzf-IQVqx7qiJeJJc5AP9Yxh5eQs-3vTnDinToVjYVdfckTtPZ96mlZ2j1AmAsF3%7EsQHBA%7Eu25K4E5zm4gSJubnTqV4rsCe5dOulvQ7ld7vKG-4-FD0DvtUj7OSqL8lspllMbCmTS%7EUdm2j1Uh53UvFpD39iOS1PAIg3VArvHgZOefLKkTE3S29kErwRe8-pFFpocVfAXh%7E3fOQZ31Nl4ItWG7eiiPBzkynZRRISkpvML4fQvS2VdGfHS2Vyl6vLOsLYvJiKOuwvlmpene8J%7EiqYWeOfckWjnnoevpjUTYEQ__&Key-Pair-Id=K6UGZS9ZTDSZM
772c1778d84b36fe64152f64771f13ed
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Edward Beckwith Photograph Collection
Subject
The topic of the resource
Beckwith, Edward A.
Photographs - Virginia - Williamsburg
Architecture, Domestic - Virginia - Williamsburg
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Creator
An entity primarily responsible for making the resource
Beckwith, Edward A.
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
363 photographs
Type
The nature or genre of the resource
Image
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Description
An account of the resource
Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work.
Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities.
The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton.
All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication.
Date Created
Date of creation of the resource.
1926-1929
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
11 x 14 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Claremont Manor Parlor
Description
An account of the resource
Claremont Manor Parlor, Surry County, Virginia
Creator
An entity primarily responsible for making the resource
Beckwith, Edward
Is Part Of
A related resource in which the described resource is physically or logically included.
Edward Beckwith Photograph Collection, AV2009.5
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
image
Identifier
An unambiguous reference to the resource within a given context
Be186
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Subject
The topic of the resource
Architecture, Domestic - Virginia - Surry County
Historic buildings - Virginia - Surry County
Furnishings
Date
A point or period of time associated with an event in the lifecycle of the resource
1934
Date Created
Date of creation of the resource.
1934
Extent
The size or duration of the resource.
1 photograph
Candlesticks
Chandeliers
Claremont Manor
Edward Beckwith
Fireplaces
Furniture
Mantels
Parlors
Sofas
Surry County
Virginia
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/a1c251d201db43c5fdc45ec8b9a635f4.jpg?Expires=1712793600&Signature=Flj3QIb6m3uCXvGoMV%7EC0gG4OnFi069HKiTUGdlno0p2vQdSIysbPyVyvPIwTvHCN52JkNVXpLYcxC6b9BTix4m9jSRhiE33vr1gW0iTcoIHUuvgRn3oVIIWkcNpPoW6tVHV6efsYmy9cAWL2Gv1Ko6i35nURtoL6vjNVbAwiyALGTgroQ37QKVupEe7eBMt8%7ExBToqup7SUu7-CZsuE-1lA8HgZjWYBo9M53SSasC1G2D4xRUMKHpLstnxTSG3fwRDi9fGXjdmaqBjZm1IR0vp3Kr-Ra5KG-EwF-7Gx5dPT%7EMuffn6xCHo-pTns82AnUZHCTGbHBPTPfS3lBZf4EA__&Key-Pair-Id=K6UGZS9ZTDSZM
59069aa57c045a9d5c437d57ca086fdc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Edward Beckwith Photograph Collection
Subject
The topic of the resource
Beckwith, Edward A.
Photographs - Virginia - Williamsburg
Architecture, Domestic - Virginia - Williamsburg
Architecture, Colonial - Virginia - Williamsburg
Historic buildings - Virginia - Williamsburg
Creator
An entity primarily responsible for making the resource
Beckwith, Edward A.
Format
The file format, physical medium, or dimensions of the resource
jpeg
Extent
The size or duration of the resource.
363 photographs
Type
The nature or genre of the resource
Image
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Description
An account of the resource
Another collection of photos purchased by the Boston architectural firm of Perry, Shaw & Hepburn in 1930 originated with photographer and town resident Edward A. Beckwith. A letter preserved in Corporate Archives indicates that Mr. Beckwith dropped off a selection of images with Dr. W.A.R. Goodwin who forwarded a list of their subjects to Perry, Shaw & Hepburn for their consideration. Beckwith’s photos date to 1926-1933, a critical period in the town’s transformation. Tremendous changes began to occur in rapid succession as properties were acquired, buildings moved or torn down, foundations unearthed, and the first exhibition building, the Raleigh Tavern, opened in September 1932. While he was never on the architectural team’s payroll, Beckwith’s images attracted interest and became part of the growing archive assembled to aid ongoing restoration work.
Beckwith’s subjects encompass a broader geographic area and feature many examples of colonial homes in the mid-Atlantic region examined by the architects as part of their fieldwork. It is possible he accompanied them on some of their trips and helped to document extant structures. His images of Williamsburg are purely architectural in focus and highlight aspects of surviving colonial architecture under study. They offer a contrast to other pre-restoration photo collections which give glimpses into town life with street vistas, carriages, automobiles, and residents. As the third decade of the twentieth century started in Williamsburg, Beckwith stood poised with his camera to change the focus to the architectural transformations that were soon to take place. Evidence of early steps towards investigating structures and removing nineteenth-century additions and modifications is visible in several of his compositions. His contrasting views of the George Wythe House in 1926 and 1929 document its transition from a dilapidated and deteriorating building to the headquarters for Dr. Goodwin’s office to oversee restoration activities.
The collection encompasses black and white photographs and associated negatives documenting extant colonial era architecture throughout the state of Virginia in the late 1920s. They offered crucial visual references of specific architectural features of interest for the restoration of eighteenth century buildings in Williamsburg’s historic area. Williamsburg, Virginia structures depicted include Carter’s Grove, Barraud House, Bassett Hall, John Blair House, Bracken House, Thomas Everard House, Bruton Parish Church, Nelson-Galt House, Prentis Store, Powell House, The Quarter, Peyton Randolph House, Semple House, Tazewell Hall, Travis House, St. George Tucker House, Benjamin Waller House, and George Wythe House. In addition, many architectural sites elsewhere in Virginia that were visited and examined by the architectural team are represented in the photographs. They include Abingdon Church, Auburn, Belleville, Bonne Elms, Elmwood, Glebe House, Green Plains, Claremont Manor, Four Mile Tree, Hayfield, Jamestown Church, Kinloch, Larabee House, Little England, Lower Brandon, Mount Airy, Mount Clement, Nelson House, Port Royal, Prospect, Rosegill, Shirley, Smith’s Fort, Upper Brandon, Warner Hall, Westover, and Wilton.
All of the photos are 11 x 14 inch gelatin silver prints on paper. Originally presented in two folios, they clearly demonstrate a more direct intent to create aesthetically pleasing images that could possibly be used in a future architectural publication.
Date Created
Date of creation of the resource.
1926-1929
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
11 x 14 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Claremont Manor Parlor
Description
An account of the resource
Claremont Manor Parlor, Surry County, Virginia
Creator
An entity primarily responsible for making the resource
Beckwith, Edward
Is Part Of
A related resource in which the described resource is physically or logically included.
Edward Beckwith Photograph Collection, AV2009.5
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
image
Identifier
An unambiguous reference to the resource within a given context
Be181
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Subject
The topic of the resource
Architecture, Domestic - Virginia - Surry County
Historic buildings - Virginia - Surry County
Furnishings
Date
A point or period of time associated with an event in the lifecycle of the resource
1934
Date Created
Date of creation of the resource.
1934
Extent
The size or duration of the resource.
1 photograph
Arches
Armchairs
Chandeliers
Claremont Manor
Cornices
Edward Beckwith
Fire Screens
Fireplaces
Mantels
Parlors
Sofas
Surry County
Virginia
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/516aba3636e1f859902b499e81ddc6d6.jpg?Expires=1712793600&Signature=N%7EWVPEC%7EmylzRRTLdEnTt56tLZHJAWJRqcIFrZoHRrg%7EXFwQR3NG9P-E9UitqxWQR4OTogXo9V7emlDynmftF0YMNs65vc2xegqAAX2VXWhhTprIJD9iJJiaIP2ki%7EaLXGWGp48eoXtezLVYjTzKpHHuLHjJBhA8vyWOksRFpIgu5O2igh-%7ExyfH2okitGFdJT2Zu2Lte3LYiP%7EGss80CF1ORaY7LfecYB7f-6STfe2I4XNNUzkkWQmkCmmt4XTZ0oJw4PhP0TXpanRg4nebnMM1AEGey6u-E8MOitELFYEFVkcDKIPT3kJ36WoY3eLy%7EDXMJM-Tmn1rTkXKCsk4fQ__&Key-Pair-Id=K6UGZS9ZTDSZM
f258d67e1a860103a71fb85a3b0a418c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Richard Garrison Photography Collection
Subject
The topic of the resource
Garrison, Richard
Historic buildings - Virginia - Williamsburg
Architectural photographs - 1930-1940
Williamsburg (Va.)--History
Description
An account of the resource
BIOGRAPHICAL SKETCH
Richard Garrison was a New York photographer with a studio at 52 Vanderbilt Avenue in New York City. His architectural photographs appeared regularly in such magazines as "House Beautiful," "American Art and Architecture," "Architectural Record," and "House & Garden." According to a recommendation written by Mr. Frederic C. Hirons, Garrison “…was trained as an architect and …knows the vital points in taking architectural photographs…”
After F.S. Lincoln’s photography contract expired in 1937, Colonial Williamsburg hired Richard Garrison in his place. A contract signed by Garrison in June 1937 indicates that Garrison was contracted to be available when requested to photograph exterior and interior views of buildings between June 15, 1937 and June 14, 1938. Colonial Williamsburg renewed this agreement with Garrison in 1938 and 1939.
Colonial Williamsburg staff members asked Garrison to create a master collection of official photos of Colonial Williamsburg buildings and gardens. He was given several lists of suggested views to take of the exterior and interior of the Governor’s Palace, the Capitol, the Raleigh Tavern, the Public Gaol, the Wren Building, Market Square Tavern, and the Travis House. The lists also instructed him to photograph various gardens and street scenes in the historic area, as well as shops in the business block and exterior views of the Williamsburg Inn. Some of Garrison’s photos formed part of the Virginia exhibit at the New York World’s Fair in 1939.
Richard Garrison joined the Navy in 1942 and closed his office for the duration of World War II. During this period, his negative files were made available to Colonial Williamsburg at the offices of Underwood & Underwood in New York City. Garrison received his discharge from the Navy in 1946 and contacted Colonial Williamsburg about the possibility of additional contract work. The photographer presented Kenneth Chorley, President of Colonial Williamsburg, with a proposal to photograph the interiors of private homes within the historic area. Mr. Chorley vetoed the proposal because he felt the private interiors were not accurately restored and would confuse the public as to the objectives of the restoration work. Other Colonial Williamsburg staff members were more enthusiastic about the proposal, but it was never approved. Therefore, Garrison did not perform any more contract photography for Colonial Williamsburg after World War II.
Scope and Contents
The Richard Garrison Photo Collection consists of one portfolio of black and white and hand-colored photos ranging in size from 8x10 to 11x14. These are the only known Garrison photos in the Foundation’s photo archives. The whereabouts of the other negatives and prints created by Garrison while under contract to Colonial Williamsburg are unknown.
Although it is unfortunate that only a small portion of Garrison’s photographic work for Colonial Williamsburg has been preserved, this small portfolio provides a sample of the types of photographs he created. The subject matter includes interior views of the Governor’s Palace, George Wythe House, Market Square Tavern, and the Raleigh Tavern; exterior views of the Capitol, Raleigh Tavern, Public Gaol, Courthouse, Ludwell-Paradise House, Ayscough Shop, Palmer House, Travis House, Pitt Dixon House, Coke-Garrett House, and the Williamsburg Inn; and various unidentified garden scenes. Some of the photos are mounted on board and signed by the photographer. They date from the period of 1937-1939, when Garrison worked on a contract basis for Colonial Williamsburg.
Garrison's photographs of Colonial Williamsburg appeared in an exhibit at the Pedac Galleries at Rockefeller Center and also in the publication "Williamsburg, Virginia: A Brief Study in Photographs" published in 1939 by Colonial Williamsburg, Inc.
Creator
An entity primarily responsible for making the resource
Garrison, Richard
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
11 x 14 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Raleigh Tavern Parlor
Subject
The topic of the resource
Garrison, Richard
Raleigh Tavern (Williamsburg, Va.)
Block 17. Building 06A.
Taverns - Virginia - Williamsburg
Description
An account of the resource
Parlor of Raleigh Tavern, ca. 1937
Creator
An entity primarily responsible for making the resource
Garrison, Richard
Date
A point or period of time associated with an event in the lifecycle of the resource
1937
Date Created
Date of creation of the resource.
1937
Is Part Of
A related resource in which the described resource is physically or logically included.
Richard Garrison Photography Collection, AV-1998.14, Box 1, Folder 9
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
Garr-040
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Candlesticks
Dentils
Fireplace Screens
Fireplaces
Furnishings
Furniture
Marquis de Lafayette Portrait
Parlors
Portraits
Raleigh Tavern
Richard Garrison
Rugs
Side Chairs
Sofas
Tables
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/50abea69bfd51c028d87be983ae8de33.jpg?Expires=1712793600&Signature=NOkBn2rgomWBSCi9XkyZ1WXPRHd40Vkb4ulTy3fF1VQp8kQVD3qwptFYKfftjV0d0nRmYoh-8DFvE8zl16fnYB9RJ0F7c1Qv4YoqHeqk9X68byj7eiu-82HWjhTH-CxlG1UhiYIx0vqiybFCfDFQANvBPJ56G00z1n1JTvc%7En2WY3mszETNLldwkz6txGd2WHN4UCYaDptZ30-PJTkN6gFQbqj-ZbKMbFfwIICPN9P-Fz%7Ey8pASXREy1h1t7qxxhKGPMRgtQFWk0WbApFvSlU5KiaIteaX7VW6-cMpSg0xBPIRjn2Y6%7EUNvrk-DMzGF39GJUO7MqdEaBOGQbZn0-3w__&Key-Pair-Id=K6UGZS9ZTDSZM
2cad937214681aaffed2695f2e0674cb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Richard Garrison Photography Collection
Subject
The topic of the resource
Garrison, Richard
Historic buildings - Virginia - Williamsburg
Architectural photographs - 1930-1940
Williamsburg (Va.)--History
Description
An account of the resource
BIOGRAPHICAL SKETCH
Richard Garrison was a New York photographer with a studio at 52 Vanderbilt Avenue in New York City. His architectural photographs appeared regularly in such magazines as "House Beautiful," "American Art and Architecture," "Architectural Record," and "House & Garden." According to a recommendation written by Mr. Frederic C. Hirons, Garrison “…was trained as an architect and …knows the vital points in taking architectural photographs…”
After F.S. Lincoln’s photography contract expired in 1937, Colonial Williamsburg hired Richard Garrison in his place. A contract signed by Garrison in June 1937 indicates that Garrison was contracted to be available when requested to photograph exterior and interior views of buildings between June 15, 1937 and June 14, 1938. Colonial Williamsburg renewed this agreement with Garrison in 1938 and 1939.
Colonial Williamsburg staff members asked Garrison to create a master collection of official photos of Colonial Williamsburg buildings and gardens. He was given several lists of suggested views to take of the exterior and interior of the Governor’s Palace, the Capitol, the Raleigh Tavern, the Public Gaol, the Wren Building, Market Square Tavern, and the Travis House. The lists also instructed him to photograph various gardens and street scenes in the historic area, as well as shops in the business block and exterior views of the Williamsburg Inn. Some of Garrison’s photos formed part of the Virginia exhibit at the New York World’s Fair in 1939.
Richard Garrison joined the Navy in 1942 and closed his office for the duration of World War II. During this period, his negative files were made available to Colonial Williamsburg at the offices of Underwood & Underwood in New York City. Garrison received his discharge from the Navy in 1946 and contacted Colonial Williamsburg about the possibility of additional contract work. The photographer presented Kenneth Chorley, President of Colonial Williamsburg, with a proposal to photograph the interiors of private homes within the historic area. Mr. Chorley vetoed the proposal because he felt the private interiors were not accurately restored and would confuse the public as to the objectives of the restoration work. Other Colonial Williamsburg staff members were more enthusiastic about the proposal, but it was never approved. Therefore, Garrison did not perform any more contract photography for Colonial Williamsburg after World War II.
Scope and Contents
The Richard Garrison Photo Collection consists of one portfolio of black and white and hand-colored photos ranging in size from 8x10 to 11x14. These are the only known Garrison photos in the Foundation’s photo archives. The whereabouts of the other negatives and prints created by Garrison while under contract to Colonial Williamsburg are unknown.
Although it is unfortunate that only a small portion of Garrison’s photographic work for Colonial Williamsburg has been preserved, this small portfolio provides a sample of the types of photographs he created. The subject matter includes interior views of the Governor’s Palace, George Wythe House, Market Square Tavern, and the Raleigh Tavern; exterior views of the Capitol, Raleigh Tavern, Public Gaol, Courthouse, Ludwell-Paradise House, Ayscough Shop, Palmer House, Travis House, Pitt Dixon House, Coke-Garrett House, and the Williamsburg Inn; and various unidentified garden scenes. Some of the photos are mounted on board and signed by the photographer. They date from the period of 1937-1939, when Garrison worked on a contract basis for Colonial Williamsburg.
Garrison's photographs of Colonial Williamsburg appeared in an exhibit at the Pedac Galleries at Rockefeller Center and also in the publication "Williamsburg, Virginia: A Brief Study in Photographs" published in 1939 by Colonial Williamsburg, Inc.
Creator
An entity primarily responsible for making the resource
Garrison, Richard
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin silver print
Physical Dimensions
The actual physical size of the original image.
11 x 14 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Parlor, Raleigh Tavern
Subject
The topic of the resource
Garrison, Richard
Raleigh Tavern (Williamsburg, Va.)
Block 17. Building 06A.
Taverns - Virginia - Williamsburg
Description
An account of the resource
Parlor, Raleigh Tavern, ca.1937
Creator
An entity primarily responsible for making the resource
Garrison, Richard
Date
A point or period of time associated with an event in the lifecycle of the resource
1937
Date Created
Date of creation of the resource.
1937
Is Part Of
A related resource in which the described resource is physically or logically included.
Richard Garrison Photography Collection, AV-1998.14, Box 1, Folder 9
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
Garr-038B
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Candlesticks
Ceramics
Dentils
Fireplace Screens
Fireplaces
Furnishings
Furniture
Marquis de Lafayette Portrait
Parlor
Portraits
Raleigh Tavern
Richard Garrison
Rugs
Sconces
Side Chairs
Sofas
Tables
Virginia
Williamsburg
-
https://d1y502jg6fpugt.cloudfront.net/3854/archive/files/f3ef4f4b4d4982a3eeaeba87544fe499.jpg?Expires=1712793600&Signature=IC7F6fZIXYMcdfE7hZReYUarJEAw-EZB7kjJcDzzRpi7VdhYAlCdzoZGq-9%7E-64YfF079GHnCDLP3OvEKaQTLmLBK1dVUjOJ3WH18V3Tq%7Ej1tNLUUzT-oKoy0P7m4cOm5EBlyVgTMN5iw29GbOFmri2K6iVFh1PadLXNjWpvrdwbf8OqNtGihA2tLRAUgKYBDUJ2K6-BliiMpxWuOlMAVFjyZd9RKG4a4SOb3evsIVKNLVk7iT9q2RdS-uuVGWzktPWZxpo4LWMQbX29G6wwJjkp9PhWsuzf-W6txVwaOkOtMmtSCr-Uh%7Eki4GGeQfa1dtwixHNGa3zhQzHvYo8DJA__&Key-Pair-Id=K6UGZS9ZTDSZM
d2e3aeb08082e966b86e08e991df5bb8
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
768
Width
972
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
F.S. Lincoln Photography Collection
Description
An account of the resource
The FS Lincoln Collection
Biographical Sketch
Mr. Fay S. Lincoln (known professionally as F.S. Lincoln) operated a photography studio in New York City from the 1930s until the mid 1960s. He was born in Keene, New Hampshire in 1894 and attended the Massachusetts Institute of Technology. Although he received training as an engineer, Mr. Lincoln chose to become a professional photographer in 1929, when he opened the firm of Nyholm & Lincoln in conjunction with another photographer, Peter Nyholm, in New York City. A few years later, he opened his own studio at 114 East 32nd St.1
In 1932, Lincoln began corresponding with Kenneth Chorley, President of the Colonial Williamsburg Foundation, about the possibility of contracting with the Foundation to photograph the completed restoration work at Williamsburg. Lincoln had learned that John D. Rockefeller, Jr. was looking for someone to create a master collection of photos of Williamsburg through Arthur S. Vernay, an acquaintance of Abby Aldrich Rockefeller. In his correspondence, Lincoln noted he had completed photographic assignments for many of the top architects and designers in New York, including Arthur S. Vernay, Joseph Urban, James Gamble Rogers, Voorhees, Gmelin & Walker, McKim, Mead, & White, Robert Locher, and Eugene Schoen. He also pointed out that he had sold architectural photos to many prominent magazines, including "Architectural Record," "National Geographic," "Country Life," "Architectural Forum," and "Spur."2
Lincoln's credentials, along with sample photographs and recommendations from magazine editors, enabled him to secure a contract with Colonial Williamsburg on April 22, 1935. According to the terms of the contract, Lincoln was hired to prepare a master collection of photographs and negatives that Colonial Williamsburg could sell to tourists and residents of Williamsburg, as well as use for promotional purposes. Lincoln retained the right to sell copies of his photographs at his New York studio, provided he consulted with the Foundation regarding the proposed use of the photographs. He also retained title to all negatives and copyright for all photos until the termination of his business. Plans for a traveling exhibition of Lincoln's photographs of Williamsburg were also mentioned in the contract.3
During 1935, F.S. Lincoln traveled to Williamsburg at seasonal intervals to photograph views requested by the Foundation. A panel of Colonial Williamsburg employees reviewed each series of photos and selected a group to be added to the master collection. F.S. Lincoln photos illustrated two portfolios about Colonial Williamsburg published in the "Architectural Record" in December 1935 and November 1936. Full-page black and white photos of restored buildings and gardens accompanied articles on the restoration written by Kenneth Chorley, Fiske Kimball, William G. Perry, and Arthur Shurcliff. Thus, Lincoln's photos gave the American public their first introduction to the completed restoration.
Lincoln had also been hired by Colonial Williamsburg to create a group of photographs of Williamsburg that could be exhibited. Correspondence between staff members indicates that John D. Rockefeller, Jr. hoped to mount a traveling exhibit of Williamsburg photographs. An exhibit of a selection of Lincoln's views of Williamsburg, along with photos he took for "Harper's Bazaar," "House and Garden," "House Beautiful," "Vanity Fair," "National Geographic," and "Town and Country," was held at the Rabinovitch Gallery in New York City from October 4-17, 1935.
Although Foundation employees were satisfied with the quality of Lincoln's photographs, they were dismayed by the cost of individual prints and enlargements. Memos exchanged between members of the marketing staff indicate that employees were having a hard time convincing distributors to purchase enlargements of the Lincoln photos for display in shop windows. As a result, the Foundation's agreement with F.S. Lincoln was terminated on April 21, 1936.4
Despite this setback, F.S. Lincoln secured contracts for many other architectural photography projects in the 1930s. He received numerous commissions to photograph buildings in New York City and also traveled abroad on several assignments. In 1934, he completed a portfolio of photos of Mont St. Michel and in 1938 he toured the deep South and photographed examples of antebellum architecture. Lincoln's photos were widely published in the 1930s and 1940s in such magazines as "Architectural Record," "House Beautiful," "National Geographic," "Country Life," and "Architectural Forum." In addition, he published a book of his photographs in 1946 entitled "Charleston: Photographic Studies by F.S. Lincoln."5
F.S. Lincoln continued to operate a photography studio in New York City until 1965, when he retired and moved to Center Hall, Pennsylvania to live with his sister. He forwarded all of his negatives of Williamsburg buildings to the Foundation in 1972, along with a letter stating that “the copyright of the photographs has run out, so you are free to use them as desired.”6 Upon his death in 1976, the remainder of Lincoln's archive of prints and negatives, as well as some business papers, were donated to the Pennsylvania State University Archives.
Scope and Contents
The F.S. Lincoln collection consists of black and white negatives and prints taken by Mr. Lincoln in preparation for the publication of "The Restoration of Colonial Williamsburg in Virginia," a series of articles appearing in the December 1935 and November 1936 issues of "The Architectural Record." Both issues featured a portfolio of buildings and gardens in the newly restored historic area of Williamsburg.
In order to produce a large pool of photos for use in these portfolios, Mr. Lincoln created comprehensive visual documentation of the work completed during the initial phases of the restoration (1927-1935.) He photographed the exteriors and interiors of thirty restored buildings, including the exhibition buildings open to the public, such as the Governor's Palace, the Capitol, Raleigh Tavern, Bruton Parish Church, the Wren Building, and the Powder Magazine. In addition, he captured exterior views of some of the shops open on Merchant's Square and restored buildings adapted for public use, such as the Public Library. He also photographed many of the gardens and garden ornaments throughout the restored area.
The collection is organized into series by format. Series included in the collection are negatives; bound matted and signed prints; unbound matted and signed prints; and small albums. Within each format, items are organized according to the numbering system assigned by Mr. Lincoln. The first three digits of numbers assigned to the images correspond to a particular building or subject category. For example, all images of the Capitol have numbers beginning with 325 and all miscellaneous views have numbers beginning with 365. After these first three digits, Lincoln added a P for print and then a successive number for each view. For example, the first view of the Capitol is number 325P1. An “LC” prefix has been added to all image numbers by the Colonial Williamsburg Foundation to identify the images as coming from the Lincoln Collection.
Endnotes
1 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17, (Spring 1993): 127-128.
2 F.S. Lincoln to B.W. Norton, October 18, 1933. Colonial Williamsburg Foundation Archives.
3 Agreement dated April 22, 1935 between Colonial Williamsburg, Inc. and F.S. Lincoln, Colonial Williamsburg Foundation Archives.
4 Mr. Norton to Mr. Darling, February 22, 1937; Kenneth Chorley to F.S. Lincoln, April 6, 1937, Colonial Williamsburg Foundation Archives.
5 Champagne, Anne, “Fay S. Lincoln Collection,” History of Photography 17 (Spring 1993): 128.
6 F.S. Lincoln to James R. Short, May 15, 1972, Colonial Williamsburg Foundation Archives.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Gelatin or collodian printing out paper with platinum toning, mounted on board
Physical Dimensions
The actual physical size of the original image.
8x10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Raleigh Tavern, Parlor
Subject
The topic of the resource
Block 17. Building 06.
Raleigh Tavern (Williamsburg, Va.)
Historic buildings -- Virginia -- Williamsburg
Taverns (Inns) -- Virginia -- Williamsburg
Furniture -- Virginia -- Williamsburg
Description
An account of the resource
<p>Interior of Raleigh Tavern's Common Dining Room, 1935. The portrait above the fireplace features the Marquis de Lafayette (accession # 1930-593), the young French major general who commanded an American division under General Washington at the 1781 Battle of Yorktown. An early eighteenth-century <strong><a href="http://emuseum.history.org/view/objects/asitem/items$0040:28393#.UwS2_2DT2fs.google">gateleg dining table (accession # 1930-72)</a></strong> is also exhibited in the center of the room, surrounded by other furnishings and decorative items along the room's perimeter.</p>
<p>The Raleigh Tavern was the frequent scene of both jollity and consequence. Burned to the ground in 1859, the tavern was reconstructed from published illustrations, insurance policies, and archaeology that uncovered most of the original foundations. Interior furnishings and decor reflect curators' views in the 1930s as to how Williamsburg's historic interiors may have looked in the eighteenth century. Nevertheless, with new research advances over the years, the Raleigh Tavern's interiors have changed and evolved to reflect a more authentic and accurate view of each room's likely contents and arrangements.</p>
<p> </p>
Creator
An entity primarily responsible for making the resource
Lincoln, F.S.
Date
A point or period of time associated with an event in the lifecycle of the resource
1935
Date Created
Date of creation of the resource.
1935
Rights
Information about rights held in and over the resource
This material is protected by copyright law (Title 17, U.S. Code). For reproduction queries: <a href="http://research.history.org/JDRLibrary/Visual_Resources/VisualResourcePermission.cfm">Rights and reproductions</a>
Format
The file format, physical medium, or dimensions of the resource
jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
LC326P6
Rights Holder
A person or organization owning or managing rights over the resource.
Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation
Armchairs
Candlesticks
Card Tables
Case Furniture
Ceramics
Chair Rails
Chairs
Clocks
Curtains
Dentils
Desk and Bookcases
Dining Tables
F.S. Lincoln
Figurines
Firedogs
Fireplaces
Floor Coverings
Furniture
Historic Buildings
Inns
Interiors
Mantels
Marquis de Lafayette
Ordinaries
Paintings
Parlors
Portraits
Prints
Raleigh Tavern
Sconces
Sofas
Tables
Taverns
Textiles
Virginia
Wainscotting
Williamsburg
Windsor