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                  <text>Arthur Shurcliff's Landscape Proposals for Carter's Grove</text>
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                  <text>Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation.</text>
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                  <text>Arthur A. Shurcliff [ne Shurtleff] (1870 – 1957) was the Colonial Williamsburg Foundation’s first landscape architect. A student of Frederick Law Olmsted, Sr., considered the father of landscape architecture in America, Shurcliff’s Williamsburg gardens are recognized as consummate examples of the Colonial Revival style.&#13;
&#13;
Arthur Shurcliff arrived in Williamsburg in 1928 to join the Williamsburg office of architects Perry, Shaw and Hepburn. A graduate of the Massachusetts Institute of Technology and Harvard University, Shurcliff worked in the office of well-known landscape architects, Charles W. Eliot and Frederick Law Olmsted Sr. in Brookline, Massachusetts between 1896-1905. He then opened his own landscape design practice and received commissions for many landscape projects in Boston, such as the grounds of the Boston Museum of Fine Arts, the Charles River Esplanade, and the Franklin Park Zoo. Between 1928 and 1941, Shurcliff oversaw the planning and layout of gardens at Colonial Williamsburg, as well as of traffic patterns, parking, and street curb design, and continued to advise in a consultant capacity until just before his death in 1957.</text>
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                <text>Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation.</text>
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                  <text>The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs.&#13;
&#13;
Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site.&#13;
&#13;
The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant.&#13;
&#13;
In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s.&#13;
&#13;
Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley.&#13;
&#13;
Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses).&#13;
&#13;
&#13;
&#13;
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                <text>Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation..</text>
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&#13;
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Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site.&#13;
&#13;
The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant.&#13;
&#13;
In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s.&#13;
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Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley.&#13;
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Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses).&#13;
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Record photography played an important role in the research process undertaken to restore Williamsburg’s historic district to its eighteenth century appearance. In addition to having professional contract photographers systematically produce pre-restoration and progress photos of each building site, the members of the architectural team comprising the Williamsburg office of architects Perry, Shaw, and Hepburn also took their own separate series of images to aid their specific projects. Assembled into a series of five volumes labeled "Williamsburg Record Photographs," Shurcliff’s photos document pre-restoration scenes of Williamsburg and archaeological investigations underway, as well as preliminary restoration or reconstruction work on structures, along with recreation of garden paths and plantings. Before beginning landscape work, Shurcliff carefully analyzed existing garden features at each site, examined any archaeological discoveries connected to garden layouts, and studied extant eighteenth-century sites throughout tidewater Virginia to aid with design precedents.</text>
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                  <text>The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs.&#13;
&#13;
Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site.&#13;
&#13;
The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant.&#13;
&#13;
In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s.&#13;
&#13;
Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley.&#13;
&#13;
Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses).&#13;
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                <text>Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation.</text>
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                  <text>Frank Reginald Nivison served as a contract photographer for Colonial Williamsburg during the initial restoration of the town between 1930 and 1935. Prior to this, he served as a darkroom assistant at the University Film Foundation at Harvard University. He was hired by the Williamsburg Holding Corp. to take progress photos of construction and restoration work, as well as of buildings to be wrecked or moved. According to a memo issued by architect William G. Perry to Frank Nivison on December 12, 1930, his work was to “…include the photography of all buildings and parts of buildings, exterior and interior, which the architects deem necessary for architectural and historical purposes. Such photographs would be supplemented by progress photographs of construction work as it proceeds. All buildings to be wrecked should be photographed before the wrecking takes place. In addition, there will be photographs of furniture, fabrics, and objects of all kinds.”&#13;
&#13;
	Nivison set up a small photographic studio in a room in the Bruton Parish House. His equipment included a Zeiss camera, 5x7 inch, with a F 4.5 lens and a special magazine for cut films, along with a Mitchell tripod with a ball and socket head. His darkroom equipment consisted of an Eastman Auto-focus Enlarger, printing machines, and various accessories such as tanks and scales. Over the course of five years, he took more than 7,000 photographs documenting each stage of the restoration or reconstruction of various 18th-century buildings in Williamsburg. Copies of these photographs were forwarded to the offices of Perry, Shaw, &amp; Hepburn in Boston so that the architects could monitor the progress of various projects. Nivison’s photographs were also used to produce postcards, “before and after” lantern slides, and publicity relating to the restoration of Williamsburg.&#13;
&#13;
	By late 1935, Nivison had started taking on a lot of outside photography business and Colonial Williamsburg officials felt he should establish himself as an independent photographer. Nivison’s employment with Colonial Williamsburg terminated on July 1, 1935. However, Colonial Williamsburg continued to utilize his services on an as needed basis and assisted him in setting up his own business in Williamsburg. Unfortunately, Nivison did not attract enough outside commissions to enable him to operate independently and filed for bankruptcy in 1937. He applied to Colonial Williamsburg for a monthly retainer fee for his periodic services and was given $100.00 per month to draw upon in 1938. With the advent of World War II, Nivison moved back to Massachusetts in 1940.&#13;
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                <text>Caption reads: "Bringing in some of the trees that are being used in the street tree planting program of the Restoration of Williamsburg. This view shows how carefully the roots are protected while the trees are brought in from places near Williamsburg to new locations in the city." The truck is passing Casey's Store at the corner of Duke of Gloucester and Henry Streets.</text>
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                  <text>A series of eight hundred progress photographs taken by Thomas Layton, a contract photographer for the Williamsburg Restoration between 1928-1930, to document the first phase of work. Layton operated a photo studio at 507 E. Broad Street in Richmond, Virginia. The Williamsburg office of architects Perry, Shaw &amp; Hepburn hired him in 1928 to take record photographs at different sites and to make copy photographs from historical publications and nineteenth-century images that would aid their research.  The subject matter of the collection focuses upon restoration or reconstruction work taking place in Blocks 13, 16, 17, 18, 19, 20 and 21, with the greatest number focusing upon the architectural investigations and preservation work at the Wren Building, College of William &amp; Mary. A smaller segment of the collection encompasses general Williamsburg scenes and structures in the mid-Atlantic region studied by the team as architectural precedents for the work being undertaken in Williamsburg.&#13;
&#13;
Colonial Williamsburg's Audiovisual Department produced master file prints from all of the negatives in the Layton Collection in the 1950s. By the early 1960s, a group of over three hundred nitrate negatives began showing signs of deterioration and were disposed of. </text>
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Most of the photos in the Susan Higginson Nash Photograph Collection date to the early 1930s, when steps to be taken in the physical restoration of the colonial capital were still under study. Sites include many of the important extant eighteenth-century houses in the Tidewater region of Virginia, such as Shirley, Westover, Mt. Airy, Sabine Hall and Marmion. Excursions to such sites were made to help in determining proper precedents for the work to be carried out in Williamsburg's Historic Area.</text>
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The Todd and Brown Inc. Photograph Collection, AV2010.3, encompasses over eight hundred negatives and their corresponding photographic prints housed in an album. Systematic examination of the town and extensive planning occurred before the contractors began their assignment to demolish or move buildings not dating to the colonial era. Each photograph they took served a documentary purpose of recording a colonial structure, modern dwelling, business, church, municipal building, or outbuilding as it appeared prior to any work proceeding at a site. The collection is thus a significant archive of the many homes, grocery stores, general stores, gas stations, barber shops, banks, and offices that once stretched up and down Duke of Gloucester Street.  It also offers many pre-restoration views of eighteenth-century buildings that had undergone modifications by later residents. A selection of images offers views of early progress on the reconstruction of such public buildings as the Capitol and Raleigh Tavern.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Earl Gregg Swem Photograph Collection</text>
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                  <text>Swem, E.G. (Earl Gregg), 1870-1965</text>
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                  <text>Historic buildings - Virginia - Williamsburg</text>
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This collection of sixty-two black and white photographs primarily  documents buildings in pre-restoration era Williamsburg at the beginning of the 1920s. It is not known whether Swem took the photographs in this collection himself or gathered them from various local sources as part of his ongoing research on Virginia history topics. Williamsburg structures represented include the Benjamin Waller House, the Chiswell-Bucktrout House, Moody House, Bracken Tenement, Lightfoot House, Nicholas-Tyler Office, Benjamin Powell House, Mayo House, Wetherburn's Tavern, Palmer House, Dr. Barraud House, Taliaferro-Cole House, Travis House, Alexander Craig House, Public Records Office, Prentis Store, Charlton House, Dudley Digges House (now known as the Bray School), Coke-Garrett House, Peyton Randolph House,Grissell-Hay Tenement, St. George Tucker House, Timson House, St. John House, Roscow Cole House, Ewing House, and the Tayloe House. A few historic sites outside of Williamsburg are also included and encompass Bacon's Castle, Smith's Fort Plantation, and unidentified houses in Smithfield and at Kingsmill Farm. The Confederate stone obelisk on Palace Green, the commemorative obelisk on the site of the Governor's Palace, and mulberry trees on Francis Street are some miscellaneous features of early 1920s Williamsburg that are visually documented in the collection. Several business enterprises once located along Duke of Gloucester Street are recorded in Swem's photographs, including the Williamsburg Hotel on Market Square.&#13;
&#13;
Dr. Earl Gregg Swem served as a librarian  at the College of William and Mary from 1920-1944. A graduate of Lafayette College, he began building his library career through several positions in the Chicago area in the late 19th-century. In 1903, he accepted an appointment to a position in the Copyright Office of the Library of Congress. He then held the position of Assistant State Librarian of Virginia  from 1907-1919. In 1920, he arrived in Williamsburg to head the College of William &amp; Mary's Library, where he worked diligently to expand its historical collections into what would one day be the nucleus of the library's Special Collections Research Center. During his tenure at the College of William &amp; Mary, Swem also managed the William &amp; Mary Quarterly and published the Virginia Historical Index in 1936. After his death in 1965, the College named its new main library the Earl Gregg Swem Library in his honor.&#13;
&#13;
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              <name>Creator</name>
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                  <text>Swem, Earl Gregg</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>Early 1920s</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>jpeg</text>
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              <description>The nature or genre of the resource</description>
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              <name>Rights Holder</name>
              <description>A person or organization owning or managing rights over the resource.</description>
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                  <text>Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation</text>
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              <text>Gelatin silver print</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Swem, Earl Gregg </text>
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                <text>Earl Gregg Swem Photograph Collection, AV2009.24, Folder 1</text>
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            <name>Identifier</name>
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                <text>Swem-08</text>
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                <text>Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation</text>
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            <name>Subject</name>
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