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                  <text>Todd and Brown, Incorporated, a subsidiary firm of Todd, Robertson and Todd Engineering Corporation, headquartered in New York City, entered into a contract with the Williamsburg Holding Corporation on June 6, 1928. The engineers and contractors carried out work as directed by the architects and landscape architects on the reconstruction and restoration of historic structures and gardens in Williamsburg, Virginia. Mr. Webster B. Todd and Mr. J.O. Brown served as the principals of Todd and Brown, Incorporated. They appointed Robert Trimble to head the firm's Williamsburg office. Between 1928 and 1934, the Williamsburg crew undertook many different construction tasks in support of the museum's development and the relocation of the town's business district to Merchants Square. The Williamsburg office closed in 1934, when Williamsburg Restoration Inc. established its own Construction and Maintenance Department. However, the firm continued to be involved in a supervisory capacity with the building of the Williamsburg Inn from 1936 to 1938.&#13;
&#13;
The Todd and Brown Inc. Photograph Collection, AV2010.3, encompasses over eight hundred negatives and their corresponding photographic prints housed in an album. Systematic examination of the town and extensive planning occurred before the contractors began their assignment to demolish or move buildings not dating to the colonial era. Each photograph they took served a documentary purpose of recording a colonial structure, modern dwelling, business, church, municipal building, or outbuilding as it appeared prior to any work proceeding at a site. The collection is thus a significant archive of the many homes, grocery stores, general stores, gas stations, barber shops, banks, and offices that once stretched up and down Duke of Gloucester Street.  It also offers many pre-restoration views of eighteenth-century buildings that had undergone modifications by later residents. A selection of images offers views of early progress on the reconstruction of such public buildings as the Capitol and Raleigh Tavern.</text>
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                  <text>“Since 1924, a young man in Williamsburg, Mr. Clyde Holmes, has been collecting newspaper clippings and taking photographs in connection with the Restoration. This man has apparently all the newspaper write-ups that appeared in the local papers touching the Restoration from the time Dr. Goodwin first attempted to have someone buy the town in 1924; he also has from two to three thousand photographs he has taken of the various buildings and streets in Williamsburg before and after the Restoration began.”&#13;
Letter, Vernon Geddy to Perry, Shaw &amp; Hepburn, July 29, 1930, Colonial Williamsburg Corporate Archives&#13;
&#13;
The Clyde Holmes Photograph Collection originated with Clyde Holmes, a long-term Williamsburg resident with a passion for history. His employment at the Imperial Theater on Duke of Gloucester Street helped to develop his interest in film and photography.  As noted in the quote above, Holmes drew inspiration from the early efforts of Dr. W.A.R. Goodwin, rector of Bruton Parish Church, to convince both townspeople and wealthy philanthropists to support preservation of dilapidated structures with ties to the days when Williamsburg was a bustling colonial capital. Goodwin first approached Henry Ford in 1924 with the idea of funding preservation of certain Williamsburg buildings. Undaunted by Ford’s refusal, Goodwin pitched his ideas to John D. Rockefeller, Jr., who agreed to finance restoration of the colonial segment of Williamsburg in 1927. He authorized hiring Perry, Shaw, &amp; Hepburn, a Boston architectural firm, to begin drafting preliminary plans. Once approved, the firm assembled a team of architects and draftsmen who started what local residents jokingly termed a second “Yankee invasion” in the late 1920s as they arrived in the area to study and measure existing buildings, uncover buried foundations, and conduct fieldwork at other colonial sites in the region.&#13;
&#13;
After his photographic efforts came to the attention of this team, Todd &amp; Brown, the firm hired to oversee much of the construction work connected with the Restoration, encouraged Holmes by asking him to assist them with taking “before” photos of various sites. He also took a few to document early progress with archaeological and architectural investigations. While lacking the superior quality of contract photographers hired to aid the team, his amateur photos were recognized early on as having significant value as a working archive of the town’s pre-restoration appearance. Clyde Holmes cooperated with and supported the restoration effort by turning over his collection of clippings and photographs in 1933. &#13;
&#13;
Dating from ca. 1924-1933, his photos capture the birth of the idea of Williamsburg as a tourist destination. Automobiles, a hotel, a souvenir shop, and Association for the Preservation of Virginia Antiquities sites all attest to growing activity in the town as it stood on the brink of transformation into a laboratory for one of the nation’s earliest historic preservation campaigns. Examples of lost architecture that was either soon to be moved or torn down to make way for reconstruction of colonial buildings are also well represented in the collection.&#13;
&#13;
Holmes donated his photos in a bound fire insurance volume. Adhered to the pages with glue, the photos have since been removed for optimal preservation but still await further conservation treatment to remove residual paper backings. Quite a few of the Holmes images were copied by restoration contract photographers and mounted on linen for insertion into albums used on a daily basis by the architectural team. The visible stains, tears, and creases bear witness to the role this group of photos played in providing visual evidence that guided restoration and reconstruction work.&#13;
&#13;
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                <text>Pre-restoration view of the Bucktrout House and the Andrew Jones House before they were relocated, Williamsburg, Virginia, circa 1928.</text>
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        <name>Bucktrout House</name>
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        <name>Clapboard Siding</name>
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        <name>Porches</name>
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        <name>Pre-Restoration</name>
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        <name>Shutters</name>
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        <name>Victorian Architecture</name>
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        <name>Virginia</name>
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              <name>Title</name>
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                  <text>Selections from the Clyde Holmes Photograph Collection</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Historic buildings - Virginia - Williamsburg</text>
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                  <text>Architecture, Domestic - Virginia - Williamsburg</text>
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                  <text>Black and white photographs</text>
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                  <text>Holmes, Clyde E., 1902-1977</text>
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              <name>Creator</name>
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                  <text>Holmes, Clyde</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>Circa 1928-1932</text>
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            <element elementId="125">
              <name>Rights Holder</name>
              <description>A person or organization owning or managing rights over the resource.</description>
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                  <text>Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>“Since 1924, a young man in Williamsburg, Mr. Clyde Holmes, has been collecting newspaper clippings and taking photographs in connection with the Restoration. This man has apparently all the newspaper write-ups that appeared in the local papers touching the Restoration from the time Dr. Goodwin first attempted to have someone buy the town in 1924; he also has from two to three thousand photographs he has taken of the various buildings and streets in Williamsburg before and after the Restoration began.”&#13;
Letter, Vernon Geddy to Perry, Shaw &amp; Hepburn, July 29, 1930, Colonial Williamsburg Corporate Archives&#13;
&#13;
The Clyde Holmes Photograph Collection originated with Clyde Holmes, a long-term Williamsburg resident with a passion for history. His employment at the Imperial Theater on Duke of Gloucester Street helped to develop his interest in film and photography.  As noted in the quote above, Holmes drew inspiration from the early efforts of Dr. W.A.R. Goodwin, rector of Bruton Parish Church, to convince both townspeople and wealthy philanthropists to support preservation of dilapidated structures with ties to the days when Williamsburg was a bustling colonial capital. Goodwin first approached Henry Ford in 1924 with the idea of funding preservation of certain Williamsburg buildings. Undaunted by Ford’s refusal, Goodwin pitched his ideas to John D. Rockefeller, Jr., who agreed to finance restoration of the colonial segment of Williamsburg in 1927. He authorized hiring Perry, Shaw, &amp; Hepburn, a Boston architectural firm, to begin drafting preliminary plans. Once approved, the firm assembled a team of architects and draftsmen who started what local residents jokingly termed a second “Yankee invasion” in the late 1920s as they arrived in the area to study and measure existing buildings, uncover buried foundations, and conduct fieldwork at other colonial sites in the region.&#13;
&#13;
After his photographic efforts came to the attention of this team, Todd &amp; Brown, the firm hired to oversee much of the construction work connected with the Restoration, encouraged Holmes by asking him to assist them with taking “before” photos of various sites. He also took a few to document early progress with archaeological and architectural investigations. While lacking the superior quality of contract photographers hired to aid the team, his amateur photos were recognized early on as having significant value as a working archive of the town’s pre-restoration appearance. Clyde Holmes cooperated with and supported the restoration effort by turning over his collection of clippings and photographs in 1933. &#13;
&#13;
Dating from ca. 1924-1933, his photos capture the birth of the idea of Williamsburg as a tourist destination. Automobiles, a hotel, a souvenir shop, and Association for the Preservation of Virginia Antiquities sites all attest to growing activity in the town as it stood on the brink of transformation into a laboratory for one of the nation’s earliest historic preservation campaigns. Examples of lost architecture that was either soon to be moved or torn down to make way for reconstruction of colonial buildings are also well represented in the collection.&#13;
&#13;
Holmes donated his photos in a bound fire insurance volume. Adhered to the pages with glue, the photos have since been removed for optimal preservation but still await further conservation treatment to remove residual paper backings. Quite a few of the Holmes images were copied by restoration contract photographers and mounted on linen for insertion into albums used on a daily basis by the architectural team. The visible stains, tears, and creases bear witness to the role this group of photos played in providing visual evidence that guided restoration and reconstruction work.&#13;
&#13;
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Gelatin silver print</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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              <text>5 x 7 inches</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>View from Capitol Site</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Pre-restoration view looking northwest on Duke of Gloucester Street from the site of the colonial Capitol towards the Dora (Cary Peyton) Armistead House, (located on the site of Charlton's Coffeehouse in this photo), Williamsburg, Virginia, circa  1928.   The Dora Armistead House was moved in November, 1995 to a new location on North Henry Street.</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Holmes, Clyde</text>
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            <name>Date</name>
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                <text>Circa 1928</text>
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                <text>Clyde Holmes Photograph Collection, AV2009.25, Box 1, Folder 2, Sheet 32</text>
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            <name>Format</name>
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            <name>Identifier</name>
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                <text>H243, Print Hol-123</text>
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            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Special Collections, John D. Rockefeller, Jr. Library, The Colonial Williamsburg Foundation</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Dora Armistead House (Williamsburg, Va.)</text>
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