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Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site.&#13;
&#13;
The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant.&#13;
&#13;
In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s.&#13;
&#13;
Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley.&#13;
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&#13;
The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant.&#13;
&#13;
In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s.&#13;
&#13;
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&#13;
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&#13;
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&#13;
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The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant.&#13;
&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant.&#13;
&#13;
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&#13;
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&#13;
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&#13;
The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant.&#13;
&#13;
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&#13;
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&#13;
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Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site.&#13;
&#13;
The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant.&#13;
&#13;
In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s.&#13;
&#13;
Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley.&#13;
&#13;
Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses).&#13;
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                  <text>The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs.&#13;
&#13;
Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site.&#13;
&#13;
The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant.&#13;
&#13;
In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s.&#13;
&#13;
Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley.&#13;
&#13;
Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses).&#13;
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                  <text>&lt;p&gt;Colonial Williamsburg has played host to numerous distinguished visitors in the form of foreign dignitaries and heads of state, royalty, musicians, actors, and writers. A significant series within Colonial Williamsburg's official archive of photos taken by staff photographers, the distinguished visitor images offer a fascinating glimpse into many historic occasions and special events that took place within the living history museum. A selection is offered here to give researchers a sense of the scope of the subjects represented.&lt;/p&gt;
&lt;p&gt;Government officials, actors, and even sports stars, began arriving at Colonial Williamsburg soon after the museum opened its first exhibition buildings in the 1930s. President Franklin D. Roosevelt dedicated Duke of Gloucester Street in 1934 becoming the first United States president to experience its beauty and historical significance.&lt;sup&gt;1&lt;/sup&gt; The completion of the Williamsburg Inn and Williamsburg Lodge offered gracious accommodations to attract other well-known guests. Child actress Shirley Temple celebrated her birthday in Williamsburg in 1938, while tennis star Helen Hull Jacobs registered as the first occupant at the Williamsburg Lodge in 1939.&lt;sup&gt;2&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;During World War II, trips to Colonial Williamsburg served as a form of indoctrination for servicemen from neighboring military bases. Troops watched orientation films, attended lectures, and toured the Historic Area as a way to remind them of what they were going overseas to fight for.&lt;sup&gt;3&lt;/sup&gt; In 1946, British Prime Minister Winston Churchill and General Dwight D. Eisenhower arrived for a post-war visit to Colonial Williamsburg that included drinks at the Raleigh Tavern, a tour of several exhibition buildings, and a special dinner at the Williamsburg Inn.&lt;sup&gt;4&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;The late 1940s marked the beginning of a steady stream of visits by foreign dignitaries. The United States Department of State began a custom of bringing foreign heads of state down from Washington, D.C. as part of their official visits to the United States. As a result, Colonial Williamsburg began expanding its focus to embrace a more international audience and celebrate some of the timeless democratic ideals embodied in the historic events that took place in colonial Virginia.&lt;sup&gt;5&lt;/sup&gt; The growing living history museum also attracted the attention of Walt Disney, who visited in 1948 and offered his perspectives and ideas on the museum's operations.&lt;sup&gt;6&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;During the 1950s, a standard protocol for VIP visits encompassed trips to Jamestown, Colonial Williamsburg, and Yorktown. Foreign visitors received a rapid overview of American history and ideals as a form of education by State Department officials. &lt;sup&gt;7&lt;/sup&gt; Queen Elizabeth II's royal visit for the 250th anniversary of the arrival of settlers at Jamestown marked an important initial step towards strengthening ties between Great Britain and Colonial Williamsburg.&lt;sup&gt;8&lt;/sup&gt; A succession of British dignitaries, ranging from the Lord Mayor of London to the Prince of Wales, followed.&lt;/p&gt;
&lt;p&gt;Colonial Williamsburg President Carlisle Humelsine used his former State Department connections to turn Colonial Williamsburg into what many dubbed "State Department South." He oversaw over one hundred visits by foreign dignitaries who came to the area as part of official State Department itineraries. The typical visit during the Humelsine era included a carriage ride, along with stops at major exhibition buildings, such as the Capitol and the Palace, as well as one or two of the trade shops.&lt;sup&gt;9&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;The 1960s and 1970s also witnessed a number of television stars descending upon Colonial Williamsburg with their accompanying production crews. Animal star Lassie performed in several scenes around the Historic Area as part of a larger travel series for his popular television show. Perry Como and John Wayne explored many aspects of Colonial Williamsburg during the filming of Perry Como's Early American Christmas in 1978.&lt;sup&gt;10&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;Visits by foreign heads of state culminated in the 1980s when Ronald Reagan hosted the Ninth Economic Summit of Industrialized Nations at Colonial Williamsburg. The unprecedented closure of the entire Historic Area for the weekend in May 1983 marked a gamble on the part of Colonial Williamsburg officials to generate more international interest via the three thousand journalists covering the event. &lt;sup&gt;11&lt;/sup&gt; Participants included Prime Minister Margaret Thatcher of the United Kingdom, Prime Minister Yasuhiro Nakasone of Japan, Prime Minister Amintore Fanfani of Italy, Prime Minister Elliot Trudeau of Canada, Chancellor Helmut Kohl of Germany, and President Francois Mitterand of France. Opera singer Leontyne Price also contributed to the event's pageantry by performing at one of the state dinners.&lt;sup&gt;12&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;In the decades which followed, a combination of actors, entertainers, sports stars, political candidates, and government leaders continued to visit in a steady stream of both official and "undercover" appearances. Two of the more high profile dignitaries included President Zhang Zemin of China in 1997 and a return visit of Queen Elizabeth II in 2007. Whether drawing large crowds or simply enjoying the peaceful charm with a few friends or Colonial Williamsburg escorts, each visitor has left their mark in the form of a fascinating legacy of photos.&lt;/p&gt;
Endnotes: &lt;br /&gt;(1) Donald J. Gonzalez, The Rockefellers at Williamsburg (McLean, Va.: EPM Publications, 1991), 102. &lt;br /&gt;(2) Hugh DeSamper, Welcome to the Williamsburg Inn (Williamsburg, Va.: The Colonial Williamsburg Foundation in association with Lickle Publishing, Inc., 1997), 4. &lt;br /&gt;(3) Anders Greenspan, Creating Colonial Williamsburg (Washington: Smithsonian Institution Press, 2002), 154. &lt;br /&gt;(4) Brian A. Dementi, Churchill &amp;amp; Eisenhower Together Again: A Virginia Visit (Manakin-Sabot, Va.: Dementi Milestone Publishing Inc., 2015), 85. &lt;br /&gt;(5) Greenspan, 79. &lt;br /&gt;(6) Gonzalez, 110. &lt;br /&gt;(7) Greenspan, 117. &lt;br /&gt;(8) Greenspan, 111. &lt;br /&gt;(9) Gonzalez, 110. &lt;br /&gt;(10) Mary Theobald, “Every Man a King: The VIPs Visit Colonial Williamsburg” Colonial Williamsburg Journal 23, No. 3 (Autumn 2001): 40. &lt;br /&gt;(11) Greenspan, 153.&lt;br /&gt;(12) “The World Comes to Williamsburg,” Colonial Williamsburg 4, No. 1 (Autumn 1983): 20.
&lt;p&gt;For further information: &lt;a href="https://research.colonialwilliamsburg.org/Foundation/Journal/Autumn01/vips.cfm"&gt;https://research.colonialwilliamsburg.org/Foundation/Journal/Autumn01/vips.cfm&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;p&gt;Colonial Williamsburg has played host to numerous distinguished visitors in the form of foreign dignitaries and heads of state, royalty, musicians, actors, and writers. A significant series within Colonial Williamsburg's official archive of photos taken by staff photographers, the distinguished visitor images offer a fascinating glimpse into many historic occasions and special events that took place within the living history museum. A selection is offered here to give researchers a sense of the scope of the subjects represented.&lt;/p&gt;
&lt;p&gt;Government officials, actors, and even sports stars, began arriving at Colonial Williamsburg soon after the museum opened its first exhibition buildings in the 1930s. President Franklin D. Roosevelt dedicated Duke of Gloucester Street in 1934 becoming the first United States president to experience its beauty and historical significance.&lt;sup&gt;1&lt;/sup&gt; The completion of the Williamsburg Inn and Williamsburg Lodge offered gracious accommodations to attract other well-known guests. Child actress Shirley Temple celebrated her birthday in Williamsburg in 1938, while tennis star Helen Hull Jacobs registered as the first occupant at the Williamsburg Lodge in 1939.&lt;sup&gt;2&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;During World War II, trips to Colonial Williamsburg served as a form of indoctrination for servicemen from neighboring military bases. Troops watched orientation films, attended lectures, and toured the Historic Area as a way to remind them of what they were going overseas to fight for.&lt;sup&gt;3&lt;/sup&gt; In 1946, British Prime Minister Winston Churchill and General Dwight D. Eisenhower arrived for a post-war visit to Colonial Williamsburg that included drinks at the Raleigh Tavern, a tour of several exhibition buildings, and a special dinner at the Williamsburg Inn.&lt;sup&gt;4&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;The late 1940s marked the beginning of a steady stream of visits by foreign dignitaries. The United States Department of State began a custom of bringing foreign heads of state down from Washington, D.C. as part of their official visits to the United States. As a result, Colonial Williamsburg began expanding its focus to embrace a more international audience and celebrate some of the timeless democratic ideals embodied in the historic events that took place in colonial Virginia.&lt;sup&gt;5&lt;/sup&gt; The growing living history museum also attracted the attention of Walt Disney, who visited in 1948 and offered his perspectives and ideas on the museum's operations.&lt;sup&gt;6&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;During the 1950s, a standard protocol for VIP visits encompassed trips to Jamestown, Colonial Williamsburg, and Yorktown. Foreign visitors received a rapid overview of American history and ideals as a form of education by State Department officials. &lt;sup&gt;7&lt;/sup&gt; Queen Elizabeth II's royal visit for the 250th anniversary of the arrival of settlers at Jamestown marked an important initial step towards strengthening ties between Great Britain and Colonial Williamsburg.&lt;sup&gt;8&lt;/sup&gt; A succession of British dignitaries, ranging from the Lord Mayor of London to the Prince of Wales, followed.&lt;/p&gt;
&lt;p&gt;Colonial Williamsburg President Carlisle Humelsine used his former State Department connections to turn Colonial Williamsburg into what many dubbed "State Department South." He oversaw over one hundred visits by foreign dignitaries who came to the area as part of official State Department itineraries. The typical visit during the Humelsine era included a carriage ride, along with stops at major exhibition buildings, such as the Capitol and the Palace, as well as one or two of the trade shops.&lt;sup&gt;9&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;The 1960s and 1970s also witnessed a number of television stars descending upon Colonial Williamsburg with their accompanying production crews. Animal star Lassie performed in several scenes around the Historic Area as part of a larger travel series for his popular television show. Perry Como and John Wayne explored many aspects of Colonial Williamsburg during the filming of Perry Como's Early American Christmas in 1978.&lt;sup&gt;10&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;Visits by foreign heads of state culminated in the 1980s when Ronald Reagan hosted the Ninth Economic Summit of Industrialized Nations at Colonial Williamsburg. The unprecedented closure of the entire Historic Area for the weekend in May 1983 marked a gamble on the part of Colonial Williamsburg officials to generate more international interest via the three thousand journalists covering the event. &lt;sup&gt;11&lt;/sup&gt; Participants included Prime Minister Margaret Thatcher of the United Kingdom, Prime Minister Yasuhiro Nakasone of Japan, Prime Minister Amintore Fanfani of Italy, Prime Minister Elliot Trudeau of Canada, Chancellor Helmut Kohl of Germany, and President Francois Mitterand of France. Opera singer Leontyne Price also contributed to the event's pageantry by performing at one of the state dinners.&lt;sup&gt;12&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;In the decades which followed, a combination of actors, entertainers, sports stars, political candidates, and government leaders continued to visit in a steady stream of both official and "undercover" appearances. Two of the more high profile dignitaries included President Zhang Zemin of China in 1997 and a return visit of Queen Elizabeth II in 2007. Whether drawing large crowds or simply enjoying the peaceful charm with a few friends or Colonial Williamsburg escorts, each visitor has left their mark in the form of a fascinating legacy of photos.&lt;/p&gt;
Endnotes: &lt;br /&gt;(1) Donald J. Gonzalez, The Rockefellers at Williamsburg (McLean, Va.: EPM Publications, 1991), 102. &lt;br /&gt;(2) Hugh DeSamper, Welcome to the Williamsburg Inn (Williamsburg, Va.: The Colonial Williamsburg Foundation in association with Lickle Publishing, Inc., 1997), 4. &lt;br /&gt;(3) Anders Greenspan, Creating Colonial Williamsburg (Washington: Smithsonian Institution Press, 2002), 154. &lt;br /&gt;(4) Brian A. Dementi, Churchill &amp;amp; Eisenhower Together Again: A Virginia Visit (Manakin-Sabot, Va.: Dementi Milestone Publishing Inc., 2015), 85. &lt;br /&gt;(5) Greenspan, 79. &lt;br /&gt;(6) Gonzalez, 110. &lt;br /&gt;(7) Greenspan, 117. &lt;br /&gt;(8) Greenspan, 111. &lt;br /&gt;(9) Gonzalez, 110. &lt;br /&gt;(10) Mary Theobald, “Every Man a King: The VIPs Visit Colonial Williamsburg” Colonial Williamsburg Journal 23, No. 3 (Autumn 2001): 40. &lt;br /&gt;(11) Greenspan, 153.&lt;br /&gt;(12) “The World Comes to Williamsburg,” Colonial Williamsburg 4, No. 1 (Autumn 1983): 20.
&lt;p&gt;For further information: &lt;a href="https://research.colonialwilliamsburg.org/Foundation/Journal/Autumn01/vips.cfm"&gt;https://research.colonialwilliamsburg.org/Foundation/Journal/Autumn01/vips.cfm&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;p&gt;Colonial Williamsburg has played host to numerous distinguished visitors in the form of foreign dignitaries and heads of state, royalty, musicians, actors, and writers. A significant series within Colonial Williamsburg's official archive of photos taken by staff photographers, the distinguished visitor images offer a fascinating glimpse into many historic occasions and special events that took place within the living history museum. A selection is offered here to give researchers a sense of the scope of the subjects represented.&lt;/p&gt;
&lt;p&gt;Government officials, actors, and even sports stars, began arriving at Colonial Williamsburg soon after the museum opened its first exhibition buildings in the 1930s. President Franklin D. Roosevelt dedicated Duke of Gloucester Street in 1934 becoming the first United States president to experience its beauty and historical significance.&lt;sup&gt;1&lt;/sup&gt; The completion of the Williamsburg Inn and Williamsburg Lodge offered gracious accommodations to attract other well-known guests. Child actress Shirley Temple celebrated her birthday in Williamsburg in 1938, while tennis star Helen Hull Jacobs registered as the first occupant at the Williamsburg Lodge in 1939.&lt;sup&gt;2&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;During World War II, trips to Colonial Williamsburg served as a form of indoctrination for servicemen from neighboring military bases. Troops watched orientation films, attended lectures, and toured the Historic Area as a way to remind them of what they were going overseas to fight for.&lt;sup&gt;3&lt;/sup&gt; In 1946, British Prime Minister Winston Churchill and General Dwight D. Eisenhower arrived for a post-war visit to Colonial Williamsburg that included drinks at the Raleigh Tavern, a tour of several exhibition buildings, and a special dinner at the Williamsburg Inn.&lt;sup&gt;4&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;The late 1940s marked the beginning of a steady stream of visits by foreign dignitaries. The United States Department of State began a custom of bringing foreign heads of state down from Washington, D.C. as part of their official visits to the United States. As a result, Colonial Williamsburg began expanding its focus to embrace a more international audience and celebrate some of the timeless democratic ideals embodied in the historic events that took place in colonial Virginia.&lt;sup&gt;5&lt;/sup&gt; The growing living history museum also attracted the attention of Walt Disney, who visited in 1948 and offered his perspectives and ideas on the museum's operations.&lt;sup&gt;6&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;During the 1950s, a standard protocol for VIP visits encompassed trips to Jamestown, Colonial Williamsburg, and Yorktown. Foreign visitors received a rapid overview of American history and ideals as a form of education by State Department officials. &lt;sup&gt;7&lt;/sup&gt; Queen Elizabeth II's royal visit for the 250th anniversary of the arrival of settlers at Jamestown marked an important initial step towards strengthening ties between Great Britain and Colonial Williamsburg.&lt;sup&gt;8&lt;/sup&gt; A succession of British dignitaries, ranging from the Lord Mayor of London to the Prince of Wales, followed.&lt;/p&gt;
&lt;p&gt;Colonial Williamsburg President Carlisle Humelsine used his former State Department connections to turn Colonial Williamsburg into what many dubbed "State Department South." He oversaw over one hundred visits by foreign dignitaries who came to the area as part of official State Department itineraries. The typical visit during the Humelsine era included a carriage ride, along with stops at major exhibition buildings, such as the Capitol and the Palace, as well as one or two of the trade shops.&lt;sup&gt;9&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;The 1960s and 1970s also witnessed a number of television stars descending upon Colonial Williamsburg with their accompanying production crews. Animal star Lassie performed in several scenes around the Historic Area as part of a larger travel series for his popular television show. Perry Como and John Wayne explored many aspects of Colonial Williamsburg during the filming of Perry Como's Early American Christmas in 1978.&lt;sup&gt;10&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;Visits by foreign heads of state culminated in the 1980s when Ronald Reagan hosted the Ninth Economic Summit of Industrialized Nations at Colonial Williamsburg. The unprecedented closure of the entire Historic Area for the weekend in May 1983 marked a gamble on the part of Colonial Williamsburg officials to generate more international interest via the three thousand journalists covering the event. &lt;sup&gt;11&lt;/sup&gt; Participants included Prime Minister Margaret Thatcher of the United Kingdom, Prime Minister Yasuhiro Nakasone of Japan, Prime Minister Amintore Fanfani of Italy, Prime Minister Elliot Trudeau of Canada, Chancellor Helmut Kohl of Germany, and President Francois Mitterand of France. Opera singer Leontyne Price also contributed to the event's pageantry by performing at one of the state dinners.&lt;sup&gt;12&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;In the decades which followed, a combination of actors, entertainers, sports stars, political candidates, and government leaders continued to visit in a steady stream of both official and "undercover" appearances. Two of the more high profile dignitaries included President Zhang Zemin of China in 1997 and a return visit of Queen Elizabeth II in 2007. Whether drawing large crowds or simply enjoying the peaceful charm with a few friends or Colonial Williamsburg escorts, each visitor has left their mark in the form of a fascinating legacy of photos.&lt;/p&gt;
Endnotes: &lt;br /&gt;(1) Donald J. Gonzalez, The Rockefellers at Williamsburg (McLean, Va.: EPM Publications, 1991), 102. &lt;br /&gt;(2) Hugh DeSamper, Welcome to the Williamsburg Inn (Williamsburg, Va.: The Colonial Williamsburg Foundation in association with Lickle Publishing, Inc., 1997), 4. &lt;br /&gt;(3) Anders Greenspan, Creating Colonial Williamsburg (Washington: Smithsonian Institution Press, 2002), 154. &lt;br /&gt;(4) Brian A. Dementi, Churchill &amp;amp; Eisenhower Together Again: A Virginia Visit (Manakin-Sabot, Va.: Dementi Milestone Publishing Inc., 2015), 85. &lt;br /&gt;(5) Greenspan, 79. &lt;br /&gt;(6) Gonzalez, 110. &lt;br /&gt;(7) Greenspan, 117. &lt;br /&gt;(8) Greenspan, 111. &lt;br /&gt;(9) Gonzalez, 110. &lt;br /&gt;(10) Mary Theobald, “Every Man a King: The VIPs Visit Colonial Williamsburg” Colonial Williamsburg Journal 23, No. 3 (Autumn 2001): 40. &lt;br /&gt;(11) Greenspan, 153.&lt;br /&gt;(12) “The World Comes to Williamsburg,” Colonial Williamsburg 4, No. 1 (Autumn 1983): 20.
&lt;p&gt;For further information: &lt;a href="https://research.colonialwilliamsburg.org/Foundation/Journal/Autumn01/vips.cfm"&gt;https://research.colonialwilliamsburg.org/Foundation/Journal/Autumn01/vips.cfm&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;Government officials, actors, and even sports stars, began arriving at Colonial Williamsburg soon after the museum opened its first exhibition buildings in the 1930s. President Franklin D. Roosevelt dedicated Duke of Gloucester Street in 1934 becoming the first United States president to experience its beauty and historical significance.&lt;sup&gt;1&lt;/sup&gt; The completion of the Williamsburg Inn and Williamsburg Lodge offered gracious accommodations to attract other well-known guests. Child actress Shirley Temple celebrated her birthday in Williamsburg in 1938, while tennis star Helen Hull Jacobs registered as the first occupant at the Williamsburg Lodge in 1939.&lt;sup&gt;2&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;During World War II, trips to Colonial Williamsburg served as a form of indoctrination for servicemen from neighboring military bases. Troops watched orientation films, attended lectures, and toured the Historic Area as a way to remind them of what they were going overseas to fight for.&lt;sup&gt;3&lt;/sup&gt; In 1946, British Prime Minister Winston Churchill and General Dwight D. Eisenhower arrived for a post-war visit to Colonial Williamsburg that included drinks at the Raleigh Tavern, a tour of several exhibition buildings, and a special dinner at the Williamsburg Inn.&lt;sup&gt;4&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;The late 1940s marked the beginning of a steady stream of visits by foreign dignitaries. The United States Department of State began a custom of bringing foreign heads of state down from Washington, D.C. as part of their official visits to the United States. As a result, Colonial Williamsburg began expanding its focus to embrace a more international audience and celebrate some of the timeless democratic ideals embodied in the historic events that took place in colonial Virginia.&lt;sup&gt;5&lt;/sup&gt; The growing living history museum also attracted the attention of Walt Disney, who visited in 1948 and offered his perspectives and ideas on the museum's operations.&lt;sup&gt;6&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;During the 1950s, a standard protocol for VIP visits encompassed trips to Jamestown, Colonial Williamsburg, and Yorktown. Foreign visitors received a rapid overview of American history and ideals as a form of education by State Department officials. &lt;sup&gt;7&lt;/sup&gt; Queen Elizabeth II's royal visit for the 250th anniversary of the arrival of settlers at Jamestown marked an important initial step towards strengthening ties between Great Britain and Colonial Williamsburg.&lt;sup&gt;8&lt;/sup&gt; A succession of British dignitaries, ranging from the Lord Mayor of London to the Prince of Wales, followed.&lt;/p&gt;
&lt;p&gt;Colonial Williamsburg President Carlisle Humelsine used his former State Department connections to turn Colonial Williamsburg into what many dubbed "State Department South." He oversaw over one hundred visits by foreign dignitaries who came to the area as part of official State Department itineraries. The typical visit during the Humelsine era included a carriage ride, along with stops at major exhibition buildings, such as the Capitol and the Palace, as well as one or two of the trade shops.&lt;sup&gt;9&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;The 1960s and 1970s also witnessed a number of television stars descending upon Colonial Williamsburg with their accompanying production crews. Animal star Lassie performed in several scenes around the Historic Area as part of a larger travel series for his popular television show. Perry Como and John Wayne explored many aspects of Colonial Williamsburg during the filming of Perry Como's Early American Christmas in 1978.&lt;sup&gt;10&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;Visits by foreign heads of state culminated in the 1980s when Ronald Reagan hosted the Ninth Economic Summit of Industrialized Nations at Colonial Williamsburg. The unprecedented closure of the entire Historic Area for the weekend in May 1983 marked a gamble on the part of Colonial Williamsburg officials to generate more international interest via the three thousand journalists covering the event. &lt;sup&gt;11&lt;/sup&gt; Participants included Prime Minister Margaret Thatcher of the United Kingdom, Prime Minister Yasuhiro Nakasone of Japan, Prime Minister Amintore Fanfani of Italy, Prime Minister Elliot Trudeau of Canada, Chancellor Helmut Kohl of Germany, and President Francois Mitterand of France. Opera singer Leontyne Price also contributed to the event's pageantry by performing at one of the state dinners.&lt;sup&gt;12&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;In the decades which followed, a combination of actors, entertainers, sports stars, political candidates, and government leaders continued to visit in a steady stream of both official and "undercover" appearances. Two of the more high profile dignitaries included President Zhang Zemin of China in 1997 and a return visit of Queen Elizabeth II in 2007. Whether drawing large crowds or simply enjoying the peaceful charm with a few friends or Colonial Williamsburg escorts, each visitor has left their mark in the form of a fascinating legacy of photos.&lt;/p&gt;
Endnotes: &lt;br /&gt;(1) Donald J. Gonzalez, The Rockefellers at Williamsburg (McLean, Va.: EPM Publications, 1991), 102. &lt;br /&gt;(2) Hugh DeSamper, Welcome to the Williamsburg Inn (Williamsburg, Va.: The Colonial Williamsburg Foundation in association with Lickle Publishing, Inc., 1997), 4. &lt;br /&gt;(3) Anders Greenspan, Creating Colonial Williamsburg (Washington: Smithsonian Institution Press, 2002), 154. &lt;br /&gt;(4) Brian A. Dementi, Churchill &amp;amp; Eisenhower Together Again: A Virginia Visit (Manakin-Sabot, Va.: Dementi Milestone Publishing Inc., 2015), 85. &lt;br /&gt;(5) Greenspan, 79. &lt;br /&gt;(6) Gonzalez, 110. &lt;br /&gt;(7) Greenspan, 117. &lt;br /&gt;(8) Greenspan, 111. &lt;br /&gt;(9) Gonzalez, 110. &lt;br /&gt;(10) Mary Theobald, “Every Man a King: The VIPs Visit Colonial Williamsburg” Colonial Williamsburg Journal 23, No. 3 (Autumn 2001): 40. &lt;br /&gt;(11) Greenspan, 153.&lt;br /&gt;(12) “The World Comes to Williamsburg,” Colonial Williamsburg 4, No. 1 (Autumn 1983): 20.
&lt;p&gt;For further information: &lt;a href="https://research.colonialwilliamsburg.org/Foundation/Journal/Autumn01/vips.cfm"&gt;https://research.colonialwilliamsburg.org/Foundation/Journal/Autumn01/vips.cfm&lt;/a&gt;&lt;/p&gt;</text>
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The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant.&#13;
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In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s.&#13;
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="174489">
                  <text>Architectural Photo Albums Collection</text>
                </elementText>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="174490">
                  <text>The Williamsburg office of architects Perry, Shaw and Hepburn began compiling this extensive collection of 367 boxes of black and white photographs in a series of photo albums in the late 1920s and early 1930s. After the establishment of a Department of Architecture in 1934, the architectural team continued to add photographs to the albums until the 1980s. Together, they comprise a detailed chronological record of the changes that have occurred over time at each site in the Historic Area, ranging from pre-restoration views and archaeological excavations to restoration or reconstruction progress, landscaping installation, completion, and renovation photographs.&#13;
&#13;
Contract photographers Thomas Layton and Frank Nivison took many of the earliest images of the restoration work. Layton, a photographer who operated a studio at 507 E. Broad Street in Richmond, Virginia, worked for the restoration between 1928 and 1930 creating periodic photo documentation of work at the Wren Building, Capitol, Raleigh Tavern, and Ludwell-Paradise House, as well as many pre-restoration views of sites throughout the Historic Area. Frank Nivison, a photographer from the University Film Foundation at Harvard University, took over in late 1930 and spent the next five years meticulously photographing each successive stage of work at sites under reconstruction or restoration. Photos by Layton and Nivison are supplemented by images of pre-restoration Williamsburg that the architects collected from town residents and had copied for research use in the photo albums. They include images taken by Clyde Holmes, D.N. Davidson, and Edward Beckwith. In addition, the albums encompass some photographs taken by members of the architectural team, including Landscape Architect Arthur Shurcliff and Interior Designer Susan Higginson Nash. Post-1930s photos within the albums encompass those taken by official Colonial Williamsburg photographers such as Thomas Williams, Loring J. Turner, Dan Spangler, Chuck Kagey, and Steve Toth to document the continuing evolution of architectural and archaeological investigations and restoration work at each site.&#13;
&#13;
The collection is organized according to the Foundation’s in-house Block and Building System. Initial folders on properties identify the various names associated with buildings through time. Some houses have been known by a succession of names and, in most instances, are now called by the builder’s name or that of the most famous occupant.&#13;
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In some instances, the images are the first generation master prints, and notes on backs of photographs sometimes identify the people shown and describe what is shown—especially in those documenting archaeological excavations. Usually, the Foundation’s archaeological drawings (also in the Library’s Special Collections Section) show the exact positions and directions from which certain shots were made. Evolution of the work of restoration and reconstruction can be followed chronologically in most instances, although the collection has not been expanded since its transfer from the Architectural Research Department in the 1980s.&#13;
&#13;
Images of Carter’s Grove Plantation are included due to its ownership by the Foundation until sale in the early twenty-first century. Van Cortlandt Manor, in Westchester Co., New York is also documented due to its acquisition by John D. Rockefeller, Jr. in 1953. The restoration there was carried out by architects from Colonial Williamsburg and the Foundation’s drawing files contain the plans for this work. The house today is a National Historic Landmark belonging to Historic Hudson Valley.&#13;
&#13;
Following the portion concerning Williamsburg’s Historic Area buildings are a series of notebooks identified by subject. Topics included are: aerial views of the Historic Area from 1925 - 1956, Williamsburg street views, architectural details, Williamsburg Shopping Center, mantels (salvaged models bought in early restoration), 18th-c. theaters, Kingsmill, H. Avery Tipping’s English Houses, and Johannes Kip engravings (bird’s-eye views of English country houses).&#13;
&#13;
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            <element elementId="104">
              <name>Is Part Of</name>
              <description>A related resource in which the described resource is physically or logically included.</description>
              <elementTextContainer>
                <elementText elementTextId="174491">
                  <text>Architectural Photo Albums Collection, AV2013.2</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="125">
              <name>Rights Holder</name>
              <description>A person or organization owning or managing rights over the resource.</description>
              <elementTextContainer>
                <elementText elementTextId="174492">
                  <text>Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation</text>
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              </elementTextContainer>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="174493">
                  <text>Williamsburg (Va.) - Photographs</text>
                </elementText>
                <elementText elementTextId="174494">
                  <text>Williamsburg (Va.) - Buildings, structures, etc.</text>
                </elementText>
                <elementText elementTextId="174495">
                  <text>Photograph albums</text>
                </elementText>
                <elementText elementTextId="174496">
                  <text>Architecture, Colonial - Virginia - Williamsburg</text>
                </elementText>
                <elementText elementTextId="174497">
                  <text>Historic buildings - Virginia - Williamsburg</text>
                </elementText>
                <elementText elementTextId="174498">
                  <text>Public buildings - Virginia - Williamsburg</text>
                </elementText>
                <elementText elementTextId="174499">
                  <text>Architecture, Domestic - Virginia - Williamsburg</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="112">
              <name>Extent</name>
              <description>The size or duration of the resource.</description>
              <elementTextContainer>
                <elementText elementTextId="174500">
                  <text>367 boxes</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="210534">
              <text>Gelatin silver print mounted on linen</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
          <elementTextContainer>
            <elementText elementTextId="210535">
              <text>8 x 10 inches</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="209982">
                <text>Progress photo looking southwest towards construction workers building the foundations of the Williamsburg Inn expansion, Williamsburg, Virginia.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="210486">
                <text>Williamsburg Inn</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="210487">
                <text>Williamsburg Inn (Williamsburg, Va.)</text>
              </elementText>
              <elementText elementTextId="210488">
                <text>Block 02. Building 65.</text>
              </elementText>
              <elementText elementTextId="210489">
                <text>Hotels - Virginia - Williamsburg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="210526">
                <text>Williams, Thomas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="210527">
                <text>1949-05-13</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="210528">
                <text>Architectural Photo Albums Collection, AV2013.2, Box 26, Folder 2</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="210529">
                <text>jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="210530">
                <text>1 photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="210531">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="210532">
                <text>1949-W-610</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="210533">
                <text>Special Collections, John D. Rockefeller Jr. Library, The Colonial Williamsburg Foundation.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="2462">
        <name>Construction Progress</name>
      </tag>
      <tag tagId="3739">
        <name>Construction Workers</name>
      </tag>
      <tag tagId="4014">
        <name>Thomas Williams</name>
      </tag>
      <tag tagId="10">
        <name>Virginia</name>
      </tag>
      <tag tagId="9">
        <name>Williamsburg</name>
      </tag>
      <tag tagId="728">
        <name>Williamsburg Inn</name>
      </tag>
    </tagContainer>
  </item>
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